USA - More Prints

Basketballs, ceramics, and lush plants fill Jonas Wood’s paintings, drawings, and prints, which mostly comprise intricate still lifes and interior domestic scenes. Throughout his compositions, the artist draws from art history, memory, and the people, objects, and interiors that compose the fabric of his life (the ceramics, in fact, reference the practice of Shio Kusaka...

ARTIST: Salvador Dali TITLE: Aurelia Visage Surrealiste MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions d'Art de Francony, Paris EDITION NUMBER: 15/175 MEASUREMENTS: ...

ARTIST: Salvador Dali TITLE: Hans Christian Anderson The Girl Who Told on The Loaf MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Gerschmann, Sweden EDITION NUMBER: Ep...

From the 'Sequences' series, this silkscreen print depicts block color and architecture. Edition of 60. Gerhard Merz (born 25 May 1947 in Mammendorf , district of Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Munich Academy of Fine Arts and became masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen , expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn , he designed a wall with a large polychromatic mosaic. Beginning in 1977, he was represented with his works four times in a row at the documenta in Kassel . In 1983 he was awarded the Arnold-Bode-Prize of the documenta - City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999, he was commissioned to design the rooms in the context of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

Color woodcut, Edition 30. In this print Morinoue uses symbolic, stylized and realistic images to evoke the play of light on water. In each of the four panels we see the reflectio...

Color lithograph, Edition 50 Laurie Anderson and Bud Shark collaborated to make a series of lithographs at the Anderson Ranch in Snowmass, Colorado in 1982. Working with a photogr...

A very good impression of this color lithograph on Arches. Edition of 300. Signed in pencil, lower right by Poliakoff. Printed by Ponds, Paris. Published by Kunstverein du Hambourg.

Color lithograph with collage, Edition 30 Hung Liu grew up in China and came of age during the Chinese Cultural Revolution. She spent four years in the countryside as a laborer, s...

Color lithograph, Edition 30. Italo Scanga was a painter, sculptor and printmaker. After a childhood spent in Italy, Scanga matured as an artist in his adopted home, the United St...

"A simple twist on the white peace dove with olive branch, but hey, good guys don't always wear white! The "rise above" is a call to take the high road with a...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 31 x 27 inches Size: 36 x 32 ...

Artist: Robert Indiana Title: The Calumet Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 22" x 17" Signature: Unsigned

Obey & Ganas Day of the Dead Calavera Set. 11 x 14 inches. Letterpress print by Aardvark Letterpress. Obey version Signed by Ernesto Yerena and Shepard Fairey. Ganas version signed b...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Miguel Angel Blanco (Spain, 1958) 'Flores pétreas VII', 2003 digital print on paper 14.6 x 11.9 in. (37 x 30 cm.) Edition of 50 Unframed ID: BLA1420-007-050 Hand-signed by author

Miguel Angel Blanco (Spain, 1958) 'Flores pétreas IV', 2003 digital print on paper 14.6 x 11.9 in. (37 x 30 cm.) Edition of 50 Unframed ID: BLA1420-004-050 Hand-signed by author

Miguel Angel Blanco (Spain, 1958) 'Flores pétreas II', 2003 digital print on paper 14.6 x 11.9 in. (37 x 30 cm.) Edition of 50 Unframed ID: BLA1420-002-050 Hand-signed by author

Pietro Sanguineti (Germany, 1965) 'Power', 2005 digital print on paper 20.5 x 27.2 in. (52 x 69 cm.) Edition of 99 ID: SAN1569-004-106 Hand-signed by author

Pietro Sanguineti (Germany, 1965) 'Forever', 2005 digital print on paper 20.5 x 27.2 in. (52 x 69 cm.) Edition of 99 ID: SAN1569-003-106 Hand-signed by author

Pietro Sanguineti (Germany, 1965) 'Love', 2005 digital print on paper 20.5 x 27.2 in. (52 x 69 cm.) Edition of 99 ID: SAN1569-002-106 Hand-signed by author

Mark Kostabi (American, b. 1960) "Close Call" Original Serigraph c.1986 Fine serigraph in three colors by listed artist. The images here show the serigraph in a protective sheet. ...

Artist: Donald Sultan Title: Visual Poetics Portfolio: Visual Poetics Medium: Screenprint Date: 1998 Edition: 170/395 Frame Size: 19 1/4" x 19 1/4" Sheet Size: 16 1/4" x 16 1/4" Sign...

Full booklet with text and 14 individual lithographs (please see lithograph list in secondary images). Photos of each page are available in the film below. Published by Galerie Maegh...

Artist: Robert Indiana, American (1928 - 2018) Title: The New Glory Penny from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint (unsigned) Edition size: 395 Image S...

Detailed antique lithograph of plans to a brick French workshop, 1881. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and Certificate...

This 1933 lithograph, Central City, Colorado 3/25, by Arnold Rönnebeck, captures the architectural essence of a historic mining town during the Great Depression. Rendered in black an...

Pencil signed and dated, colored Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father...

An original color silkscreen print by Ruth Grotenrath. A lovely assortment of different foods both vegetable and animal alike. The photos do not do this piece justice. The dark color...

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

Artist: Robert Indiana Title: Sunburst Marilyn Medium: Screenprint in colors on wove paper Year: 2001 Edition: AP XV/XX (aside from the edition of 100) Sheet...

Silkscreen On Paperback Book 10 × 8 × 2 in 25.4 × 20.3 × 5.1 cm Edition 164/300 Materials Silkscreen On Paperback Book Size 10 × 8 × 2 in 25.4 × 20.3 × 5.1 cm Rarity Limited edit...

Artist: Marc Chagall Title: Nocturne at Vence Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/4" x ...

Color lithograph, Edition 25. The artist describes this project: My Field Lines body of work is inspired by the electromagnetic lines depicted in scientific and mathematical litera...

McArthur Palm Marion Sheehan. American Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 250, AP Size: 28.5 in. x 22 in. (72.39 cm x 55.88 cm)

Artist: Robert Indiana, American (1928 - 2018) Title: Number 2 from the American Dream Portfolio Year: 1968 (1997) Medium: Screenprint Edition: 395 Image Size: 16.75 x 14 inches Size...

Combination Knit, mezzotint by Katsunori Hamanishi, rope, Japan, black and white edition number 8/30

TONI ONLEY (Manx-Canadian, 1928-2004). Poster-Serigraphs, The Western Suite. “1980 Mt. Baker/Western Suite." New York Graphic Society/Artcore Publishing & Communications Limited, Va...

Original etching with drypoint in mint condition by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil lower right. The title is: “Sha...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 27 x 35.5 inches Size: 31 x 39 in. (78.74 x 99.06 cm)"

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 25 x 30.5 inches Size: 29.5 x...

Rhapsody VI by Helen Covensky, Polish/American (1925–2007) Date: 1980 Lithograph, signed and numbered in pencil Edition of 225, HC Image Size: 17.5 x 25 inches Size: 22 in. x 29 in. ...

Rhapsody II by Helen Covensky, Polish/American (1925–2007) Date: 1980 Lithograph, signed and numbered in pencil Edition of 225 Image Size: 18 x 26 inches Size: 22 in. x 29 in. (55.88...

Color Woodcut, Edition 20. In “The Night Prism”, angled surfaces meander in an ornamental fashion delineating a human figure. This constructed body, the central motif of the print, is not meant to be an animated, mobile form, but a prism, a tool to refract or reflect light. A frenzy of activity occurs among the graphic elements in the background: air escapes from a balloon figure, multiple explosions detonate on the perimeter of a globe, surfaces appear to melt or sweat and wind blows. We seem to be witnessing a world gone wrong...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Artist: Marc Chagall Title: Woman Circus Rider Portfolio: Derriere le Miroir: 10 Ans d'Edition Medium: Lithograph Date: 1956 Edition: 2000 Frame Size: 21" x 27 1/2" Sheet Size: 14" x...

Color woodcut. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious ...

A very good impression of this color aquatint on Arches. Signed and numbered 3/48 in pencil by Chamberlain. Published by Novak Graphics, Toronto, with the black ink stamp, verso, and...

Artist: Joan Miro Title: Plate IV Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 26" Sheet Size: 12 1/2" x 20" Image Size: 12 1/2" x...

Manufacturer Obey Giant Edition Details: Year: 2020 Class: Fine Art Print Status: Official Released: 02/12/20 Run: 314/550 Technique: Screen Print Paper: Thick Fine Art Cream Speckle...

Color woodcut, Edition 15. John Buck is both a sculptor and a printmaker. He works with two interrelated bodies of work: carved wood, assemblage and bronze sculptures, and large, ...

"Chromatic Square" Poster/Print by ARTHUR SECUNDA (American, b. 1927). The print measures 27.75 x 25.25 inches and is unframed. Published by New York Graphic Society. Printed in Ital...

Artist: Pablo Picasso Title: Monogram "L" with Landscape (Plate XXXIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Sig...

Get ready to elevate your movie poster collection with the Halloween Regular Edition by Tyler Stout, a stunning 24” x 36” screen print published by Grey Ma...

The Belgian artist Jean-Michel Folon was born in 1934 in Uccle, in the surroundings of Brussels. Although having made studies of architecture, he will be devoted very quickly to the drawing. He takes part, by its illustrations, with reviews and other periodicals ; he is considered a long time as cartoonist. Folon very early created a world which is clean for him into which an anonymous character seems to float or slip into an indefinite world, sometimes absurd. By the use of the color, its work takes a more pictorial turn towards the end of the Sixties. In 1969, its first personal show is organized in New York (Lefebre Gallery). In little time its universe is essential: covers of French and American newspapers...

"Peace Guard 2 Stencil (Lisbon). 18 x 24 inches. Screen print on fine art cream speckletone paper. Signed by Shepard Fairey. Edition of 200/450." "For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...

"The 'Endless Power Petrol Palace' poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited. Though oil may have seemed initially to be endless, we now know the world’s oil reserves will run out eventually but more importantly, we know from thorough scientific research that the planet does not have the endless power to maintain a stable climate if oil and gas...