USA - Cabinets

By employing ever-more complex techniques, wedding rare species of wood and precious metals in novel arrangements, and endowing each piece with incredible components, Jean-Luc Le Mounier creates work, astonishing and seductive in equal measure, that pushes the frontier of his craft into the realm of art. This exciting exploration is perhaps best-evidenced by Papillon pieces, Le Mounier’s series of inimitable cabinets, all rendered by his expert hand, and featuring doors carved into the shape of a butterfly’s wings. This particular iteration features wings covered in black straw marquetry, a delicate inner gate wrought of antiqued bronze, and a sumptuous interior of lemon ceylon wood.

Stacked and fastened "Studio Group" modular units composed of walnut, angled steel, and lacquered masonite. with sliding doors at top and an open compartment at bottom. The “Curtainw...

An oak and metal wall hanging cabinet designed and produced in the United States, 1960s.

A Svend Langkilde teak cabinet with two doors enclosing adjustable shelves and four drawers. Doors with brass fittings.

Pyramid studded varnished wood body, gilded wooden legs, with two doors and bottom drop-down shelf, featuring interior glass shelves and original ke...

A oak cabinet / dresser designed and produced in the United States, 1960s.

3 Door credenza model 2160 in walnut with raised panels on doors and tapering legs by Gio Ponti for M.Singer & Sons, American 1950's. The interior is b...

Polychrome Welded and patinated steel wall cabinet by Paul Evans for Directional. One shelf included inside.

A walnut cabinet designed and produced in the United States, 1960s.

By employing ever-more complex techniques, wedding rare species of wood and precious metals in novel arrangements, and endowing each piece with incredible components, Jean-Luc Le Mou...

Very fine George III mahogany serpentine cabinet, the shaped top with molded edge, the two doors in vivid crotch grain with hard round molded surrou...

Modular "Studio Group" cabinet composed of walnut with a white micarta top, lacquered masonite doors and panels, and angle-steel pulls and frame. The “Curtainwall” principle applied to furniture, allowing easy extension in either a vertical or horizontal direction. An elegant riff on the Eames ESU, designed by Norman Cherner (along with Matthew Cooper) and manufactured by the Multiflex Corp circa 1954. The Studio Group was featured in George Nelson’s Storage book and was a MoMA Good Design selection in 1954. The present unit has two sliding door cabinets flanking a bank of three drawers. Behind each pair of sliding doors is a black masonite bottom and white masonite back. The frame, which disassembles to a large degree, is held together with brass buttons that are optionally visible on the outside (MoMA preferred visibility as expressive and suitable to the piece). Cherner famously designed the narrow-waisted Plycraft armchair along with an award-winning furniture line for Konwiser and was the author of the 1953 book Make Your Own Modern Furniture. Along with a nine drawer chest of drawers and a double-tall unit...

VERY FINE ROSEWOOD HUMIDOR CABINET BY MELLIER & CO London, circa 1880; Mellier & Co plaque verso, locks by J. Bramah Item # 906SBP05A An exceptional rosewood standing humidor...

Mahogany, black laminate, chrome-plated steel. 3-drawer chests mounted into steel structures with custom steel drawer pulls. A truly iconic Belgian design. *2nd matching pair available.

Barbers cabinet. England circa 1920. Barbers cabinet composed of mahogany with a marble top and textured glass doors and upper glass shelf. ...

By concentrating on his graphic, elegant style, a subtle blend of tradition and the avant-garde, it is possible to overlook an essential quality of Breton artist...

LOVE is a cabinet with two side hinged doors, with a moveable internal shelf, and with two central full-extension drawers. Structure made of MDF laquered both externally and internally. LOVE lettering in relief as a handle made of lacquered MDF, easily replaceable, thus personalising the storage unit. Adjustable cylindrical feet diameter 3.5 cm. and height 10 cm. in the same colour as the structure. Indoor use only. With its characterizing and intriguing shape, the LOVE cabinet...

Iconic 2 door cabinet model 146 in white lacquer with brass studs, etched brass pulls, and inset milk glass top by Tommi Parzinger for Parzinger Originals 1950s (signed “Parzinger Originals” on inside of drawer). This beautiful cabinet exudes the refined elegance. It is beautifully made and very chic. Reference: Parzinger Originals Inc. catalog published in the 1950’s...

A four piece teak wall unit with brass hardware. Bookshelves with adjustable shelving. Designed by Christian Hvidt for Soborg.

An incredibly crafted drop front secretary desk by Karel Mikolas. Made from various solid hardwoods with carved panels and a cast bronze key escutcheon.

English Regency mahogany breakfront cabinet with four lower cabinets with decorative wood inlay and four upper lattice glass cabinets with ...

Classic French Art Deco cabinet by Henri Rapin, 1925, in cherry, rosewood, burled mahogany, ebony, and silvered metal. Finished interior with shelves. 31.5...

Rare custom bookcase/ storage cabinet designed by Paul Frankl. Orange and black lacquered wood, with gold painted face in a snaking geometric motif & thick...

Made in: Denmark, 1958 Material: rosewood, aluminum Size: 82.75 W × 20 D × 32.5 H in.

This is a spacious burled wood 4 door cabinet. The use of the patterning created by the burl of the grain creates many interesting images, some appearing to be faces. The outer cabinets have 2 shelves each, 1 being a pull out shelf and the other 3 can be adjusted higher or lower depending on your needs. Holes were cut and drilled to the back of the cabinet by previous owners, convenient for electrical chords. The center storage area juts out 4 inches adding depth to the piece. It sits on a laminated brass base. Sleek and stylish, this piece is ready to go as a media cabinet or simply as a beautiful burled wood storage...

Art Deco period cabinet in macassar ebony by André Domin and Marcel Genevrière for Maison Dominique. France: circa 1930. Including inside with five adjustable shelves and two drawers.

An early 19th century estate cabinet in polished oak from an English country house. Accomplished estate-made craftsmanship and wonderful timber. One o...

English Country-style (19/20th Century) dark oak hutch cabinet with 2 doors and drawers

Wall-mounted credenza in mahogany with brass pulls and inset caned doors by Harvey Probber, American, 1950s. “Harvey Probber” label inside the top drawer on right side.

French Art Nouveau small cabinet with marquetry by Louis Majorelle, circa 1900-1903. Documented.  

Pair of English Regency mahogany bow front form cabinets with 4 doors and ebonized banded geometric inlay of pediment top (Priced as pair).    

Fantastic two-door pine sideboard made with rough-hewn planks. Of note, the very minimal hinges. This piece is most likely from the French Alps given its style and construction. Orig...

The Perf collection is decorated with a new, striking finish: innovative liquid paint technology has made it possible to reproduce the pattern of an iconic Diesel jacquard fabric on ...

Frenh Art Deco period mahogany cabinet secretary by André Arbus and Vadim Androussov decorated with a bronze patinated bronze cartouche of a female figure. France: circa 1940 Provena...

What could the design of a storage cabinet be like today? This is the question DriadeLab, Driade’s observatory on contemporary lifestyles, asked itself when it started to research in...

Extraordinary 4 door Art Deco credenza in book-matched rosewood with ribbon inlays in pewter and bronze with solid brass artisan center medallion of 3 swimming dolphins and delicate ...

A French carved and fruitwood marquetry inlaid Ombelliféres vitrine by Emile Gallé. The vitrine has marquetry ombelle flowers in its interior and on the panel below the bottom shelf....

French Provincial-style (20th Century) carved oak display cabinet / vitrine with two display cabinets with mirrored backs and glass doors, ...

Tommi Parzinger Ceruse Finish credenza A great early form on a sophisticated Plynth base. Original lacquered interior. The home this was in was featured in a 1956 House beautiful ...

A solid walnut open cabinet or vitrine with three adjustable glass shelves and a solid glass paneled back.

Italian burl wood cabinet. Shelf and drawer in each of two sections.

Rare Knoll leather tab storage case, can hang on wall or sit on bench. Walnut, with original faux laminate top.

These cabinets merge bold, modern geometries with traditional craft. The wood is hand-sawn and lacquered with a distinctive textured pattern to give a sophisticated finish to a simpl...

These cabinets merge bold, modern geometries with traditional craft. The wood is hand-sawn and lacquered with a distinctive textured pattern to give a sophisticated finish to a simpl...

These cabinets merge bold, modern geometries with traditional craft. The wood is hand-sawn and lacquered with a distinctive textured pattern to give a sophisticated finish to a simpl...

A birch cabinet resting on a recessed plinth base with four (4) drawers that lock and have integrated pulls. Designed in the 1940s and produced for decades, this cabinet was likely p...

This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design. The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in The Shorter Dictionary of English Furniture by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled Das veraenderte Russland (The Present State of Russia), which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. In 1928, the cabinet appeared for sale at the International Exhibition of Antiques & Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry...

Early Classic French Art Deco side table/small cabinet by Lahalle et Levard, circa 1920. 19.5” wide x 12” deep x 26” high, in purple heart, boxwood, other exotic hardwoods, mother-of...

An original FERRER design with oak and bronze details. Functions nicely as a side table, nightstand, chest of drawers or flat file cabinet. We welcome inquires for custom commissio...

Cabinet with wooden structure and glass mosaic tile decoration.

English Regency (1st quarter 19th century) rosewood side cabinet with a drawer over 2 brass grill doors and side panels having a silk cloth lining with reeded pilaster sides and rais...

An early set of three cabinets with finished interiors. All shelves and mounting cleats are present. Signed Paul Evans.  

Beautiful, elegant and large sideboard designed by Josef Frank. Manufactured by Svenskt Tenn, circa 1940s. Cabinet features four doors concealing one adjustable shelf per compartment...

Early Classic Art Deco display cabinet/vitrine by Paul Follot, circa 1918, in original blue/black lacquer and with original gilding. This exquisite cabinet is a masterpiece of sculpt...

Antique Chinese hardwood bar cabinet with a paneled exterior and brass-hinged top and doors that open to reveal ample storage for glassware, slide-out bottle trays, two drawers and S...

Spanish Renaissance style (17th Century and Later) wrought iron mounted walnut vargueno on later stand with a fall front enclosing 3 long drawers.

American Country-style (19/20th Century) stained pine wood storage cabinet with two hinged cabinet doors under two drawers with wooden drawer and cabinet pulls and a partial gallery ...

Børge Mogensen Danish Mid-Century Modern Oak Bookcase Cabinet Over Dresser Item # 904VPK13Z An incredibly striking bookcase cabinet from the third quarter of the 20th century, the f...