New Arrivals: Figurative Paintings

Elizabeth II, 80x60cm

Elizabeth II, 80x60cm

"Abstract Composition 7" Abstract Oil Painting 20" x 24" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature...

Jim Clark. original painting BALAGUER , Alex ( Barcelona 1968 ) During early childhood, Àlex Balaguer began to sketch motorcars symbolic of Maranello’s trademark vehicle. Self-taught...

In this oil painting, I've portrayed grace and composure, bringing the timeless elegance of ballet to life. With each brushstroke, I captured the dancers' serene expressions, blendin...

A tear, 80x80cm

Peaches and jug, 80x100cm

Korzhik on horseback in the apocalypse, 150x70 cm, canvas, oil, mixed media

Forest history, 150x80 cm, canvas, oil, embroidery

Mallows, 120x80cm

Apple blossom, 100x100 cm

A mid-century French Expressionist oil on paper, laid on board, painting of a lady sewing by Raphael Arnal. The painting is signed bottom left and dated, located and attributed to th...

"Om Away from Om" Wood Panel Original Painting and Carving Elaborate collage, painting and carved sculpture by Mickey "Kano" Kane (American, 20th century). This piece is carved, wit...

Travelers, 150x70 cm, canvas, oil, mixed media

Apple blossom, 100x100 cm

Mona Lisa, 120x80cm

Mona Lisa, 120x80cm

Two stars, 100x100 cm

The first facet, 80x80cm

Absinthe drinker, 120x90cm

Bathing the red horse, 100x120cm

France-Lise McGurn (British, b. 1983) In Pub-Lik 5, 2021 Medium: Paint on silkscreen base, on paper Dimensions: 60 cm x 60 cm Edition of 10 (with same silkscreen base): Hand-signed, ...

This charming provincial early 20th-century British oil painting depicts a Georgian gentleman, his chesnut racehorse and a lively terrier. It’s signed R F Henderson in the lower left...

Portrait of a Man in a Straw Hat by Cécile Hertz-Eyrolles (1875-1974) stamped with the artists studio mark oil on board, framed framed: 13.5 x 11 inches board: 10.75 x 8.75 inches P...

This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...

This extensive late 17th-century oil painting by Dutch artist Jacob van der Does II (1661-1699) depicts a river landscape with a hunting party, riverside buildings, various craft, a ...

The Rural Lane Henry Cooper (British, late 19th century/ early 20th century) signed oil painting on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches condition: very good ...

A large early 20th Century naive, folk art, oil on canvas view of a livestock fair by Tanim. The painting is signed bottom left. A wonderful, humorous and playful view of animals an...

She holds on to her integrity and purity. Lady in white captures a desire to be hidden, but her presence is revealed through her unquenched innermost beauty. Lady in white captures h...

The painting The Annunciation by the Circle of Maerten de Vos is a striking example of late 16th-century Flemish religious art. The composition presents the biblical scene of the Ar...

This charming late 19th-century oil painting by English artist Walter Dendy Sadler RBA (1854-1923) depicts an introduction between a demure young Regency lady and her potential suito...

"Snowy City Scene" American Scene Social Realism WPA Era Mid-20th Century Modern Syd J. Browne (1907-1991) "Snowy City Scene" 22 x 30 inches Oil on canvas. c. 1930s Signed lower lef...

This contemporary pop oil painting reimagines an inflated condom as a luminous black bubble, suspended against a dark, minimalistic background. Through refined oil techniques, the ar...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

limited edition print on paper hand signed certificate of authenticity

My solid backbone, a pillar of strength, A foundation of power, a source of great length, It supports me through life's ups and downs, A constant companion, a source of profound. Sh...

Orientalist painting by Georges Philippe Jacqmotte (1876–1949), a Belgian painter known for his Impressionist landscapes and still lifes. 'Odalisque' is the French term odalisque c...

La obra va firmada por el artista en la parte inferior El estado de la obra es bueno Se presenta enmarcada la obra Medidas de la obra: 22 cm. altura x 10 cm. ancho Medidas de la obra enmarcada: 31 cm. altura x 19 cm. ancho :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Biografía del artista (Valencia, 1842-Madrid, 1920) Pintor español. Estudió en la Escuela de Bellas Artes de San Carlos de Valencia, en el taller de Rafael Montesinos y en la Escuela de Bellas Artes de San Fernando de Madrid. En 1864 obtuvo una mención honorífica especial en la Exposición Nacional de Bellas Artes por el cuadro Los moriscos valencianos pidiendo protección al beato Juan de Ribera. En 1866 fue galardonado con tercera medalla en la Exposición Nacional por el cuadro Un lance en el siglo XVII, y al año siguiente con medalla de oro por la misma obra en la Regional valenciana, lo que le proporcionó una pensión a Roma en 1868. El año anterior había pintado Interior del estudio de Muñoz Degrain en Valencia, que atesora el Museo del Prado, en el que el pintor se retrata recostado en un sofá. En Roma acudió al taller de Eduardo Rosales...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American Joseph Edward Knowles (1907-1980) "Study for Industry Mural, Veterans Memorial Building, Santa Barbara, CA" 19 1/2 x 50 1/2 inches Oil on board, c. 1930s. Estate stamp verso Framed: 27 x 60 inches The completed mural is currently hanging on the wall, part of the building actually, at the Veterans Memorial Building in Santa Barbara. A photo of the work insitu is included in the attached photos. BIO Joseph Edward Knowles was born in Kendall, Montana, on June 15, 1907. He grew up in San Diego, California. At age twenty, two years before the beginning of the Great Depression, he moved north to another town on the coast of California---Santa Barbara. There he began studying fine art at the Santa Barbara School of the Arts* (1927-1930), under the supervision of Frank Morley Fletcher, previously director of the Edinburgh College of Art. Fletcher, who was trained in portraiture, landscape painting, and woodblock* printing, was a great influence on young Knowles. It was there that Knowles learned the art of color woodblock printmaking, a medium in which he showed great skill. Not long after completing his studies with Fletcher, Knowles began teaching art. For a period of thirty years, from 1930 to1960, he taught at the Cate School in Carpinteria, California. In 1934-1935, Knowles traveled throughout Europe, further developing his artistic skills in England, France, and Italy. Upon his return, he continued to teach art at various schools and institutions: Cate School, Crane Country School, extension classes at the University of California at Santa Barbara (UCSB), and at the Santa Barbara Museum of Art (SBMA). Knowles also served as an art education consultant for the County of Santa Barbara. In addition, he was founding co-director and president of the Santa Barbara Fine Arts Institute (1969-1972), which later developed a specialization in photography and became the Brooks Institute of Photography. Knowles died at his home in Santa Barbara on September 8, 1980. Much of Knowles' watercolor work is associated with what has been termed the "California School*," a loose grouping of artists throughout the state that included such figures as Millard Sheets, Phil Dike, Dong Kingman, George Post, and the Santa Barbara painters Dan Lutz and Standish Backus, Jr. The California School artists, including Knowles, were known for their fresh, direct, spontaneous style of watercolor painting. Knowles and other members of the school found inspiration in nature and the built environment alike, emphasizing elements of design in their exuberant, boldly stated, colorful scenes from everyday life. While painting in a representational* manner, Knowles generally avoided photographic realism, preferring subjective interpretation of his subjects. In this, as well as in his experimental approach and vigorous brushwork, he displayed a strongly modern sensibility. Knowles often used the wet-on-wet watercolor technique as he painted seascapes and landscapes, mostly along the California coast. He also employed dry-brush* techniques in many of his paintings, often leaving some of the white of the watercolor paper exposed. Some of the latter depict trees and other forms in a broken and airy manner that recalls Cezanne. Knowles' colored woodblock prints are more reserved and exact in their draftsmanship than his paintings. Spare, clean, lyrical lines are drawn to illustrate floral motifs and boat scenes with a touch of asymmetry conjuring Japanese woodblock prints. His murals from the post-World War II period are considerably more modern in their approach and show an emphasis on design and color. PROFESSIONAL ORGANIZATIONS California Watercolor Society (1940 - 1955) Santa Barbara Art Association (Vice President - 1952) ONE-MAN EXHIBITIONS Golden Gate International Exposition (GGIE) - San Francisco, California San Diego Fine Arts Gallery (SDMA) - San Diego, California Santa Barbara Museum of Art (SBMA) - Santa Barbara, California Cowie Galleries - Los Angeles, California Gallery de Silva - Santa Barbara, California Bradley Galleries - Santa Barbara, California MURALS Westmont College - Ellen Porter Hall Mural - Santa Barbara, California Safeway Grocery (now Vons Grocery on West Victoria Street) - Exterior Tile Mosaic - Santa Barbara, California Santa Barbara Bank & Trust - Interior Mosaic Panels, Santa Barbara, California Santa Barbara Girls Club - Interior Mosaic Mural - Santa Barbara, California Ernest Righetti High School - Mosaic Mural - Santa Maria, California Shell Oil Company - Mosaic Panel - California Beckman Instruments, Corporate Headquarters - Mosaic - Fullerton, California STAINED GLASS WINDOWS, WALLS and PANELS Katherine Thayer Cate Memorial Chapel - Cate School, Carpinteria, California William S. Porter Memorial Chapel - Cottage Hospital, Santa Barbara, California La Rinconada Building - Santa Barbara, California ILLUSTRATIONS "California's Wonderful Corner: True Stories for Children from the History of the Santa Barbara Region," by Walter A. Tompkins (1962 & 1975) China Designs: Two sets of dinnerware for Winfield China...

In Pegasus Black Swan II, motion and elegance collide as the figure leans forward, a cascade of blue fabric billowing behind her like wings. She moves with purpose, unbound by limita...

In Pegasus Black Swan 1, the figure stands with arms wide open, a dragonfly delicately perched on her finger, a symbol of transformation and resilience. Her dress, inscribed with "Li...

This minimalist pop art oil painting captures a delicate white inflated condom reimagined as a luminous bubble, floating on a serene, pale background. Using refined oil techniques, t...

"Behind Green Eyes" is a compelling mixed media portrait by French contemporary artist Natalya Speaks, part of her evocative Women series—an introspective journey into the female exp...

In a world that often seeks to diminish the light of innocence, this artwork embodies the strength and resilience of those who remain steadfast in their beliefs. The subject of this ...

In such a world, so chaotic. Snares and spells revolving. Finding one’s peace can be very demanding. Living life, very. Man cannot live without a pacifier, one that helps him recove...

In her solitude, she finds clarity. The world outside may move at an unforgiving pace, but here, in the quiet, she breathes. She sits with her thoughts, letting them rise and fall li...

Acrylic on linen canvas, 50x50x2 cm / 19,7x19,7x0,8 in. This painting features a serene composition of red and pink roses, capturing the essence of tranquility and self-contentment....

The Royal Sovereign by D. Cadman, British maritime artist, 2014 signed and dated oil painting on canvas, framed framed: 38 x 46 inches canvas: 32 x 40 inches condition: very good p...

Ronnie Peterson & Graham Hill. Circuito Montjuit. 1971 original painting BALAGUER , Alex ( Barcelona 1968 ) During early childhood, Àlex Balaguer began to sketch motorcars symbolic o...

La obra no va firmada Se presenta enmarcada la pintura con un marco bastante actual Medidas obra: 29 cm altura x 19 cm ancho. Medidas marco: 48 cm altura x 38 cm ancho. Estado ta...

La obra va firmada por el artista en la parte trasera y fechada del año 1976 El estado de conservación es bueno Se presenta enmarcada la obra Medidas de la obra: 70 cm. de altura ...