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64x48 Bison Photography "The Beast" Buffalo Color Unsigned Photograph Fine Art
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of an North American Bison shot by Shane Russeck Color edition - 1stDis Exclusive 64x48 Printed on Archival Luster paper. Shane Russeck has bu...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

"Old World" 48x36 Black & White Photography Bison Buffalo Signed A/P Photograph
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of an American Bison. Printed on archival paper and using archival inks Framing available. Inquire for rates. This print is a signed A/P (Artist ...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

St. George and the Dragon after Raphael
By Ferdinand Gaillard
Located in Fairlawn, OH
St. George and the Dragon after Raphael Engraving, 1885 Unsigned, proof before letters A engraving after a painting by Raphael (c.1504-05) now in the Musée du Louvre, Paris (inv. no....
Category

1880s French School Animal Prints

Materials

Engraving

A black cat playing with a Snowman, from Le Chat Noir
By Théophile Alexandre Steinlen
Located in Fairlawn, OH
A black cat playing with a Snowman, from Le Chat Noir Gillotage chromotype, 1898 Signed in the image lower right (see photo) Cats were a symbol of freedom and bohemia in Montmartre, ...
Category

1890s Impressionist Animal Prints

Materials

Other Medium

"Kitten Went in the Night" (A black cat playing with broom and Halloween ghost)
By Théophile Alexandre Steinlen
Located in Fairlawn, OH
"Kitten Went in the Night" (A black cat playing with broom and Halloween ghost) from Le Chat Noir Gillotage chromotype, 1898 Signed in the image lower right Cats were a symbol of fr...
Category

1890s Impressionist Animal Prints

Materials

Other Medium

A black and white cat play with a mouse, from Le Chat Noir
By Théophile Alexandre Steinlen
Located in Fairlawn, OH
A black and white cat play with a mouse, from Le Chat Noir Gillotage chromotype, 1898 Signed in the image lower right (see photo) An impression of this image is in the collection of ...
Category

1890s Impressionist Animal Prints

Materials

Other Medium

A black cat and a cute little Dutch girl, from Le Chat Noir
By Théophile Alexandre Steinlen
Located in Fairlawn, OH
A black cat and a cute little Dutch girl, from Le Chat Noir An impression of this image is in the collection of the de Young/Legion of Honor Fine Arts Museum of San Francisco from Le...
Category

1890s Impressionist Animal Prints

Materials

Other Medium

Cosaques en Service Militaire - Lithograph by Auguste Raffet - 1838
Located in Roma, IT
Lithograph on wove paper. Signed and date in the plate. Image dimension: 19.5x28 cm. A fine and atmospheric lithograph by Auguste Raffet, the celebrated French lithographer and pa...
Category

1830s Modern Figurative Prints

Materials

Lithograph

Chasing the Light- 60x40 Black & White Photography Wild Horses Mustangs Unsigned
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" 60 x 40 Printed on the fines...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

48x36 "Times like These" Black & White Photography, Brown Bear Photograph Art
By Shane Russeck
Located in Los Angeles, CA
Brown Bear 2019 Unsigned Archival pigment paper Framing available. Inquire for rates. Shane Russeck has built a reputation for capturing America's landscapes, cultures and endang...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

"The Calm" 40x60 Black & White Photography of Wild Horses Mustangs Photograph
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary black and white photograph of American Wild Mustangs. "They represent the ultimate expression of American freedom" - Wild Horses 40x60 Edition of 10 Signed an...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

48x36 Color Lion Photography Print "Panthera Leo" 1stDibs Exclusive Signed Art
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of an African Lion shot by Shane Russeck Thsi is a color uncropped version of Panthera Lea. 1stDibs Exclusive Singed Edition of 12 Printed on Archi...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

Chimera No. 2
By Leonor Fini
Located in Columbia, MO
Leonor Fini (Argentine-French, 1907 - 1996) was an independent and visionary artist whose work defied categorization within Surrealism, despite her association with its key figures i...
Category

20th Century Surrealist Animal Prints

Materials

Paper, Etching, Aquatint

Chimera No. 1
By Leonor Fini
Located in Columbia, MO
Leonor Fini (Argentine-French, 1907 - 1996) was an independent and visionary artist whose work defied categorization within Surrealism, despite her association with its key figures i...
Category

20th Century Surrealist Animal Prints

Materials

Paper, Etching, Aquatint

Chimera No. 5
By Leonor Fini
Located in Columbia, MO
Leonor Fini (Argentine-French, 1907 - 1996) was an independent and visionary artist whose work defied categorization within Surrealism, despite her association with its key figures i...
Category

20th Century Surrealist Animal Prints

Materials

Paper, Etching, Aquatint

Come Here and I'll show you something, original, contemporary art, animal, print
Located in Deddington, GB
Come Here and I'll show you something beautiful is a limited edition drypoint etching finished with oil pastel by artist and printmaker, Kate Boxer. The work is soft purple pastel c...
Category

2010s Contemporary Animal Prints

Materials

Drypoint

Lakeshore, landscape by lake, by Trevor Southey
By Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 60. Nostalgic scene of a lakeshore cabin with boat. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940....
Category

1980s Contemporary Landscape Prints

Materials

Etching, Aquatint

Live Each Day As If It Were Your First
By David Shrigley
Located in Manchester, GB
David Shrigley, I Can Sing For You, 2022 Hand-signed and dated on the reverse Edition 76 of 125 75 x 56 cm Screenprint in colours Private Collection UK
Category

2010s Contemporary Animal Prints

Materials

Screen

Wine
By David Shrigley
Located in Manchester, GB
David Shrigley, Wine, 2021 Hand-signed and dated on the reverse Edition 29 of 125 75 x 56 cm Screenprint in colours Private Collection UK
Category

2010s Contemporary Animal Prints

Materials

Screen

A Los Toros Avec Picasso (Set of Three Unframed)
By Pablo Picasso
Located in Washington, DC
Artist: Pablo Picasso Title: La Pique (I), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of three transfer lithographs Date: 1961 Edition...
Category

1960s Animal Prints

Materials

Lithograph

The Cyclist - Original Handsigned Lithograph
Located in Paris, IDF
Claude LE BOUL The Cyclist Original lithograph Signed in pencil Numbered / 100 copies On vellum 75.5 x 57 cm (c. 29.5 x 22.4 in) Excellent condition
Category

Late 20th Century Modern Animal Prints

Materials

Lithograph

Domino Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Giorgio de Chirico (1888–1978) -Riposo presso le correnti dell'Egeo - lithograph
By Giorgio De Chirico
Located in Varese, IT
Coloured lithograph on japanese paper, edited in 1969. Limited edition of 10 copies, numbered p.d.a (prova d'artista) in lower left corner. Hand signed by artist in pencil in the low...
Category

1960s Abstract Animal Prints

Materials

Lithograph

Music, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Maternum, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Eli Jacobi "The Lion" Colored Woodcut
Located in San Francisco, CA
Eli Jacobi: 1898-1984. Very important artist who was born in Kharkov Ukraine. His art studies began at the Bezalel Art Institute in Palestine. He was impris...
Category

1940s American Modern Animal Prints

Materials

Woodcut

Miranti, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Forma, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Motif, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Ornate II, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Perfera, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Volent 4, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Domum, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Calceus, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Adornay, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Curvarum, Horse Portrait, Equestrian Photography
By Raphael Macek
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Pegasus - Lithograph Original Handsigned
Located in Paris, IDF
Michel BEZ (1951-2018) Pegasus Original lithograph Handsigned by pencil Numbered on 275 copies On vellum, 75 x 90 cm (c. 29.5 x 35.4 in) Very good condition, small defects on the e...
Category

Late 20th Century Abstract Animal Prints

Materials

Lithograph

Chaim Soutine, The Hare at the Green Shutter, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Chaim Soutine, Hanging Hare, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Chaim Soutine, The Rooster, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Landscape Prints

Materials

Lithograph

"Orca Breach" 30x50, Black and White Killer Whale Orca Photography, Photograph
By Shane Russeck
Located in Los Angeles, CA
"Orca Breach"- 2017 Salish Sea 30x50 Edition of 10 Signed and numbered by artist Printed on archival paper and using archival inks Shane Russeck has built a reputation for capturi...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

Cat Family
By Deming King Harriman
Located in Jersey City, NJ
"Cat Family", 2021, digital collage, print, cats, victorian, figurative, Digital Painting and Drawing / Animals / Surrealistic / Dark Colors / Portrait
Category

2010s Contemporary Figurative Prints

Materials

Digital

"Old World" 60x40 Black & White Photography Bison Buffalo Signed Photograph
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of an American Bison. Printed on archival paper and using archival inks Framing available. Inquire for rates. Signed edition of 10 Shane Russeck...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

"Times Like These" 60x40 Black & White Photography, Kodiak, Bear Grizzly
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 60x40 Edition of 10 Signed and numbered Archival pigment paper Framing available. Inqui...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

36x48 "Lion Portrait" Black and White Lion Photography, Photograph Unsigned Art
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of an African Lion. Unsigned Print Archival Pigment print. Framing available. Inquire for rates. FREE SHIPPING Shane Russeck has built a reputa...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

60x45 "Bison Portrait" Black & White Photography Bison Buffalo Fine Art Print
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of an American Bison. Printed on archival papers using only archival inks. UV Coated Edition of 10. Singed and numbered by Shane Framing available....
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

Tiger Eating - Original etching (Marcilhac #370)
By Paul Jouve
Located in Paris, IDF
Paul Jouve Tiger Eating, c. 1931 Original etching Unsigned proof On vellum 42 x 50 cm (c. 16 x 20 in) REFERENCES : Félix Marcilhac, "Paul Jouve, Peintre sculpteur animalier", Les É...
Category

Early 20th Century Art Deco Animal Prints

Materials

Etching

Victorian engraving of horses “Full cry”, J. Harris and William J. Shayer, Engla
By William Joseph Shayer
Located in Valladolid, ES
Amazing print on paper by the artist William J. Shayer, engraved by J. Harris, created in 1864, belonging to the Realist movement, entitled “Full Cry”. The work depicts a typical Vi...
Category

1860s Victorian Animal Prints

Materials

Paper

"Arctic Wolf" 40x60 Black & White Photography, Wolves Photograph Wolf Print
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary black and white photograph of an Arctic Wolf.. Printed on archival paper using only archival ink. Framing available. Inquire for rates. Shane Russeck has ...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

"On The Waterfront" 36x48 Black & White Photography Kodiak Grizzly Bear Signed
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 36x48 Edition of 12 Singed and numbered Archival pigment paper Framing available. Inqui...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

"Panthera Leo" - 40x60 Black and White Lion Photography, Africa, Photograph, Art
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of an African Lion. Printed on archival paper using archival inks. 40x60 Edition of 10. Signed by Shane. Printed on archival paper and using arch...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

Rene Magritte, Gemstones, 1968 (after)
By René Magritte
Located in Southampton, NY
This exquisite lithograph after Rene Magritte (1898–1967), titled Pierreries (Gemstones), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, origi...
Category

1960s Surrealist Animal Prints

Materials

Lithograph

Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk) /// Mark Catesby Animal Art
By Mark Catesby
Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Isl...
Category

1770s Old Masters Animal Prints

Materials

Watercolor, Handmade Paper, Etching, Intaglio

David Shrigley - It's A Long Day, 2020
By David Shrigley
Located in Central, HK
David Shrigley It's a Long Day, 2024 Off-set lithography printed on 200g Munken Lynx paper 27 3/5 × 19 7/10 in 70 × 50 cm
Category

2010s Animal Prints

Materials

Paper, Offset

Rabbits, German antique animal chromolithograph print.
Located in Melbourne, Victoria
'Kaninchen' (Rabbits) German chromolithograph, circa 1910. Key in German to the types of rabbits at the bottom of the image. Central vertical fold as issued. 245mm by 305mm (shee...
Category

Early 20th Century Naturalistic Animal Prints

Materials

Lithograph

Native house birds, German antique chromolithograph print.
Located in Melbourne, Victoria
'Heimische Stubenvogel' (Native house birds) German chromolithograph, circa 1910. Key in German to the types of birds at the bottom of the image. Central vertical fold as issued. ...
Category

Early 20th Century Naturalistic Animal Prints

Materials

Lithograph

Rene Magritte, Two Turtledoves, in the Warm Penumbra of Their Home, 1968 (after)
By René Magritte
Located in Southampton, NY
This exquisite lithograph after Rene Magritte (1898–1967), titled Deux Tourterelles, dans la Chaude Penombre de Leur Maison (Two Turtledoves, in the Warm Penumbra of Their Home), fro...
Category

1960s Surrealist Animal Prints

Materials

Lithograph

Rene Magritte, A Seductive Sea Water Ship, 1968 (after)
By René Magritte
Located in Southampton, NY
This exquisite lithograph after Rene Magritte (1898–1967), titled Un Seduisant Navire deau de Mer (A Seductive Sea Water Ship), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Un Seduisant Navire deau de Mer (A Seductive Sea Water Ship), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...
Category

1960s Surrealist Landscape Prints

Materials

Lithograph

Great Horned Owl, Etching on paper, pencil signed, titled and annotated Proof
By Christine McGinnis
Located in New York, NY
Christine McGinniss Charming, 1960s work - makes a wonderful gift Etching with plate tone on off-white wove paper Pencil titled and signed Artists Proof, aside from the regular editi...
Category

1960s Realist Animal Prints

Materials

Etching

Paradise, Garden of Eden, Lithograph on paper, Signed, titled #36/100, Unframed
Located in New York, NY
Helen Siegl Paradise, 1976 Lithograph on wove paper Pencil signed, dated and numbered 36/100 Unframed Provenance: Rodger LaPelle Galleries, PA depicts a scene reminiscent of the Gard...
Category

1970s Romantic Figurative Prints

Materials

Lithograph

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