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“Goddess of The Day” Shell Cameo Brooch Beautiful Fine Engraving Either Side 9ct Rose Gold Victorian Circa 1860 All of our items are either Antique, Vintage or Preloved. They ...

Extensive silver plate table service by English firm Elkington English, circa 1850 Size: Chest height 48cm, width 87cm, depth 59cm Mirrored base: Height 5.5cm, width 90cm, depth 37cm Small desert...

Over the years, British design company Linley has developed expertise in creating scaled versions of famous architectural buildings including the Metropolitan Museum of Art, the Royal Albert Hall and the Royal Opera House. In this instance, Highclere Castle...

Antique Turquoise Ring 15ct Gold Stamped Hallmarked Birmingham 1866 Makers Mark B G Here's a lovely early Victorian gold ring that would mak...

A vintage Thomas Fattorini winged scarab necklace and cuff. A rare opportunity to acquire a beautifully made Egyptian Revival set that carries a mesmerising story. Commissioned by th...

Antique Daisy Cluster Ring 15ct Gold Tested Circa 1880 Pretty, Victorian cluster ring. Set with an oval, faceted, natural ruby centre & ...

A Renaissance Revival carved opal cameo pendant, the cameo attributed to Wilhelm Schmidt depicting Arion riding a dolphin, to elaborate surround of r...

Antique silver toilet set for the Duke of Parma by Josef Carl Klinkosch Austrian, Late 19th Century Largest (mirror): Height 57cm, width 53cm, depth 4cm, depth when open 36cm Case: Height 21cm, width 60cm, depth 66cm Crafted by Josef Carl Klinkosch (Austrian, 1822-1888), the imperial silversmith to Emperor Franz Joseph (1830-1916) and Empress Sisi...

A Magnificent Gilt-Bronze Mounted Parquetry Commode, After Antoine Gaudreaux's 'Commode Médallier'. The serpentine Vert Maurin marble top above a conforming case set with two cupbo...

This curved sword has a blued steel German blade with an ivory cross-hatched grip bearing silver and gilt mounts in the form of a lion’s head and mane. ...

Ballon Bleu de Cartier watch, 37 mm. Mechanical movement with automatic winding, moon phases. Case in steel, fluted crown set with a synthetic cabochon-shaped spinel. Silvered guillo...

'Vetrograph Tannic' is a unique artwork by the Australian artist, Anne Clifton. In the artist's own words: "Vetrograph play at the intersection of an intuitive drawing process and...

Ruby & Diamond Trilogy Ring 18ct Yellow & White Gold Stamped Circa 1880 Introducing an exquisite Victorian ring, crafted in 18ct gold, showcasing a stunning triple daisy cluster ...

A limited edition 18k white gold Guilloche and diamond Van Cleef & Arpels Vintage Alhambra pendant from the 2020 Holiday collection. The pendant features a beaded edge 4 leaf clover ...

An 18k white gold Van Cleef & Arpels diamond necklace from the Vintage Alhambra collection. The necklace comprises of the iconic Alhambra 4 leaf clover motif, complemented with a bea...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

A wide archaeological revival gold bangle, with Etruscan-style wirework decoration to front and back with hidden clasp, Austro-Hungarian hallmark f...

SKU 33301430 Comes With Box Only Date 2018 RRP £4,900 Incl. Taxes / €5,550 Incl. Taxes / $5,100 Excl. Taxes Model B6047418 Serial Number EZ**** Size 18 Size Guide Metal 18k White Gol...

Siah Howard is a haute Couture fashion label established in London in 2017. An eveningwear and wedding dress specialist, Howard’s fantastical designs are elaborate, elevated and othe...

This is a beautiful 18ct yellow gold Edwardian sapphire bangle. The bangle features thirteen cushion cut blue sapphires that graduate towards the centre and have been set in an 18ct ...

Chanel Mini Rectangle DiscoFlap Bag in Black, White and Pink Sequins and Calfskin with Gold-tone Hardware Accompanied by: Chanel Box, Dustbag ...

A striking Tiffany & Co. Atlas bracelet, meticulously crafted in 18ct rose gold. This iconic design features radiant natural diamonds accentuating the signature Roman numeral motif...

Hermès Constance 18cm in Black Epsom Leather with Gold Hardware U Stamp / 2022 Accompanied by: Original receipt, Hermes box, Hermes dustbag, care card and felt Measurements: W 7...

The most perfect and soulful antique bridal necklace we've set eyes upon. Most likely created more than a century ago circa the 1880s and most ...

An exquisite tea & coffee service Made by Joseph Angell Assayed in London in 1852-1853, the solid silver 4-piece service in the manne...

This striking 1970s maxi dress was designed by French couturier Paul-Louis Orrier. The designer’s cutting edge designs rose to prominence during the 1970s and 1980s when he dressed E...

A late Georgian gold aquamarine parure of a necklace, a pair of drop earrings, a bodice brooch, a brooch, a hair ornament and a stick pin, the collar...

Antique French Empire patinated and gilt bronze mantel clock French, early 19th century Measures: Height 55cm, width 43cm, depth 13cm This fine Empire period mantel clock is wro...

Antique 18ct Gold Victorian 5 Stone Diamond Ring 18ct Gold Hallmarked Birmingham 1898 Set with 5 Old Cut Diamonds Size UK N 1/2 Size US ...

This large and impressive gilt bronze mantel clock is by the French Michel-François Piolaine. The clock body is raised by an architecturally formed, plinth-shaped base, set to the fr...

A pair of large Canton style famille jaune porcelain vases Chinese, Late 19th Century Height 120cm, diameter 42cm These large and impressi...

This large clock set, which is comprised of a mantel clock and pair of flanking candelabra, is designed in the style of Sèvres Porcelain manufactory goods. In the manner of Sèvres Po...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

A Superb Coromandel-Veneered Mantle Clock The case constructed of very well-figured Coromandel giving the maximum amount of decorative effect, with gilt bronze accents; the plinth base of rectangular form, with everted stepped corners, and precisely chased gilt bronze figures, two representing Mercury-the god of travel and merchants with his winged helmet and coin purse in hand; the others representing Fortuna-the goddess of luck; the sides glazed, with mooresque arcaded pierced mounts enclosing a vase, in gilt bronze with overlapping palm trees above: the top of domed form with an octagonal platform, surmounted by an architectural dome, its engraved detail and structure reminiscent of Byzantine prototypes. The silvered chapter ring with Roman numerals for the hours, and within an arabesque dial divided into quadrants, with the key aperture at 6 o'clock. Below, the manual calendar, and a semi-circular thermometer. The dial signed by the retailer "Hunt & Roskell / London." The mechanism replaced with a one-year duration movement by Achille Brocot. English, circa 1860 A closely related clock, by Thomas Cole, though not bearing his signature, with a case of identical form and differing bronze decoration, previously with Butchoff. A third known coromandel-veneered example, also unsigned, is discussed by John...

Exceptional Louis XVI style gilt bronze and malachite grandfather clock French, late 19th century Measures: Height 250cm, width 54cm, depth 33cm This superb longcase clock is a wonderful example of the Belle Époque impetus to draw inspiration from the styles of the past. The clock, crafted during the late nineteenth century—though the malachite finish is later—is inspired by a famous eighteenth-century original. The clock is of traditional form, which a cubic clock case inset with an enamel dial and a gilt bronze bezel cast with signs of the zodiac. The central section of the clock includes a window, which reveals the pendulum inside, while the lower section is in the form of a plinth. The malachite veneer is wonderfully varied, with lighter and darker shades of the stone utilised to add visual interest. The clock is surmounted by a sculpture in gilt bronze of Apollo in his chariot, pulled by a quadriga of horses. The dial is signed for Rosel Bruxelles...

A magnificent pair of Louis XV style Ormolu and crystal girandoles Probably by Baccarat Constructed from finely cast and chased ormolu, the imposing floor candelabra—almost 2-me...

A modern cushion-cut diamond ring, with a G colour, VS1 clarity, cushion-cut diamond, weighing 3.01 carats, in a four claw setting, with a tapered baguette-cut diamond set in each sh...

These magnificent gilt bronze (ormolu) mounted malachite urns were created in c.1830 to a design by Ivan Ivanovich Galberg (Russian, 1782-1863). Galberg was an important figure, who ...

A beautiful platinum, ruby and diamond set ring by Hancocks, set flush to the centre with a lovely Burmese ruby weighing 1.09ct between two smaller old European brilliant cut diamond...

This dress is from Dolce & Gabbana's highly glamorous Alta Moda couture line. Flaunting many of the fashion house's beloved signature details, we love the underwear-as-outerwear deta...

Antique Triple Chain Bracelet 15ct Gold Circa 1850 Beautiful Georgian Gold Bracelet. Triple Fancy Link Chain Joined by a Gold Centre Square with Pretty Cantanile Detailing. In...

An archaeological-revival coral and gold Spartan diadem, in the form of a gold band with seven concave discs each set with a cabochon coral, alternating with eight floral motifs each set with a small cabochon coral, all with gold wirework decorations of Etruscan style, made in Naples circa 1840, bearing gold hallmarks N3 with the profile of Parthenope, gross weight 94 grams. A gorgeous and sumptuous Spartan diadem, made in the mid-nineteenth century in Italy. Beginning in the early nineteenth century, jewellery inspired by the Ancient World became very popular. This diadem is made from bright yellow gold in which is set seven glowing orange cabochon-cut coral stones within carved gold discs. Further gold wirework and smaller coral stones add to the beauty of this piece, which is simple and bold. By family repute, this diadem, purchased in England during the early part of the 20th century, was once owned by Empress Eugénie of France. Winterhalter's portrait of the Empress in 1864 depicts her wearing a gold diadem similar in design to this one. Eugénie loved jewels and as well as enjoying the sumptuous French crown jewels...

Antique Gold Locket 15ct Yellow Gold Circa 1880 * THE CHAIN IS SOLD SEPARATELY This exquisite Victorian locket, made from 15ct yellow gold, exemplifies timeless elegance. Its be...

Discontinued and Rare Find SKU 33301498 Comes With Pouch Only Date 2013 Model VCARN5JL00 Serial Number BL****** Metal 18k Yellow Gold Stones Mother of Pearl Weight Approximately 2.4...

An Exceptional French 8-Light Chandelier By Lacarrière frères & Delatour In the manner of André-Charles Boulle Cast from bronze, hand-chased and fire gilded with burnished highlights, the chandelier having eight S-scroll arms with acanthus leaf decoration, each arm interspersed by a mask of Spring around the central stem, with trophies symbolic of love on the platform which supports the lion paw...

A magnificent, fine and impressive antique Victorian English sterling silver goblet; an addition to our collection of wine and drinks related silverware. This magnificent antique Victorian sterling silver goblet has a circular bell shaped form onto a shaped pedestal to a plain rounded knop and circular spreading foot. The body of this silver goblet is embellished with an applied cartouche pertaining to the London Athletic Club accented with a uncial-style typeface and incorporating the motto 'Vincit Qui Patitur' - Who Endures, Wins, in addition to. Either side of the goblet features a cast and applied wing, each with ornamentation reproducing the details of the plumage. The upper rim of the vessel is encompassed with an applied moulded border. The cast sterling silver pedestal is modelled in the form of Caduceus with the wings to the upper portion conjoining with the drinking vessel. This impressive antique Victorian silver goblet...

An important Rene Lalique dragonfly pendant, the pendant set to the centre with a cushion-shaped aquamarine, within an open framework of four opposin...

This flamboyant rainbow gown walked the runway as part of Chloé’s Spring 2016 collection. It was the standout look at number 24 and one of the most memor...

A sapphire and old cut diamond three stone ring by Hancocks, set to the centre with a beautiful cushion shaped Ceylon padparadscha sapphire weighing 4.16cts claw set in 18ct rose gold between two old mine cushion cut diamonds, one weighing 0.73ct and of F colour and VS2 clarity and the other weighing 0.78ct and of F colour and SI1 clarity claw set in platinum, all to a finely handcrafted 18ct rose gold mount with square section band with ornate scroll and foliate hand engraved decoration. Maker Hancocks Period Contemporary Origin London Gemstones 4.16ct cushion shape Padparadscha Ceylon sapphire no heat with GIA certificate 0.73ct F VS2 old mine brilliant cut diamond with GIA certificate 0.78ct F SI1 old mine brilliant cut diamond with GIA certificate Setting 18ct rose gold and platinum with maker's mark and London assay marks Weight 6 grams Dimensions UK finger size L, US size 5.75 Head 9mm x 17mm Band 2mm Condition New Directors Notes Padparadscha sapphires are a particularly special variety of sapphire, being the rarest of colours that sapphires are naturally found in. True padparadschas are a unique blend of pink and orange, exhibiting elements of both these colours in the same stone. Historically found only in Ceylon, the name ‘padparadscha’ (pronounced pad-per-add-sha) is derived from the ancient Sanskrit word ‘padmaraga’ referring to the colour of a lotus flower. However, most lotus blossoms are actually more pink than orange so today it is often thought of as a mix of lotus pink and sunset orange. Due to their rarity these stones are amongst the most expensive in the world. As with all gemstones, those that are certified untreated will attract a premium and, like blue sapphires, many padparadschas are heated to improve their colour. So gems such as this one which have received no treatment are even more rare and desirable. Today orangey-pink sapphires are found in Vietnam, Tanzania and Madagascar, however purists believe only those found in their original location of Ceylon (Sri Lanka) should be termed true padparadschas. The spotlight was turned on these beautiful gems when Princess Eugenie...

Post-Medieval posy ring 'loue is the bonde of peace'. An ornately crafted gold posy ring featuring nine hollow domed half-spheres, each encircled by...

Here we have a striking Victorian pendant featuring a 3.12 carat pear-cut pink brown diamond as its centrepiece. This exquisite stone is securely set in a silver prong setting, highl...

This desirable 1970s light grey silky jersey 'studio 54' dress by Roland Klein is simultaneously seductive and sophisticated. Featuring batwing cut sleeves and a plunging V-neck lin...

The circular tilt top has a central field of book-matched, figured rosewood within a broad band of cut brass inlay. The edge is boldly carved with an acanthus and dart border. The central support is hexagonal in section with a broad central flange, raised on three powerful and ornately carved legs. The knees are presented as bold acanthus carved and gadrooned volutes. The lions’ paw feet have clearly defined knuckles and claws and enclose the original brass castors. English, circa 1825. See also S. Stuart, Gillows of Lancaster and London 1730-1840, Antique Collectors’ Club, Woodbridge, 2008, Vol II, pl. E.5, which shows a pattern for this table in a drawing room layout designed for G.Bamford about 1820-30. The drawing also shows a pair of bergères and a sofa which correspond to a suite supplied by Gillow & Co. in 1824 to Thomas Wynn...

Christian Dior: Haute Couture by Marc Bohan cream silk two piece, slip dress and flounced wrap skirt. Fall-Winter 1978

Antique Cufflinks 15ct Yellow Gold Stamped Hallmarked Birmingham 1893 These 15ct yellow gold cufflinks are a true work of art. The oval shape is beautifully complemented by a pr...

Antique Mourning Ring 18ct Gold Hallmarked London 1844 Makers Mark S R Beautiful Victorian Mourning Ring. Set with Natural Seed Pearls & a Cabochon Foil Backed Gemstone- Poss...

Hermes Farandole long necklace 120 with box and certificate. A very stylish Long necklace in sterling silver Silver 925/1000, Total length: 120 cm Made in France

Van Cleef & Arpels Vintage Alhambra holiday pendant 2023 Obsidian and diamond. A limited edition 18k rose gold Silver Obsidian and diamond from the 2...

A Victorian natural pearl and diamond necklace, the twelve graduated cluster motifs each centred with natural bouton pearls measuring from 5.6 mm to 9 mm, within a surround of old br...

'Enduring Presence' is a unique cast glass sculpture by the Danish artist, Monette Larsen. Larsen has always been fascinated by the concept of beauty within nature; what makes somet...