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An 18th century English oak three drawer side table or lowboy, having two plank molded edged top over one long and two lower drawers all with original gilt lacquered brass bail handl...

Large Framed Picture containing Six Different Engravings of Grouping of Birds, Histoire Naturelle, Ornithologie by Georges-Louis Leclerc, Comte de B...

Very fine George III oval neoclassical mirror with flowering urn finial draped with bellflower garlands, over acanthus leaf carved base, having festoons and scrolls, over fluted oval...

Pair of George III silver wine coasters with pierced and engraved neoclassical pierced and engraved decoration and fine beaded borders. This attractive pair has its original turned w...

Hallmarked in London in 1787, this striking set of four George III, Antique Sterling Silver Wine Coasters, feature pierced and eng...

18th century micromosaic plaque of a dog looking right. The sparse but interesting vegetation in the foreground, the light blue background set with horizontal oblong or square tesse...

A Cart Race Hand colored etching & aquatint, 1788 Signed in the plate (see photo) Published by William Hollande, London Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.' Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) British Museum Satires 7607 Grego, 'Rowlandson', i. 260, Grego II.392 Provenance: Chris Beetles Ltd., London (label), 2003 Jeffrey M. Kaplan, Washington, D.C. (label) Fursten zu Oettingen-Wallerstein, Lugt 2715a, verso (see photo) Condition: Excellent Printed on 18th century laid paper Archival framing by Chris Beetles Ltd., London Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church... Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks. "It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...

18th century Breccia marble column pedestal. With a white marble capital above an entastic column, resting on a square pedestal with a cavetto e...

A Continental magnum decanter of tapered shape with ten matching large wine glasses all engraved with swags. Portugal, circa 1785. Measures: heig...

The table top in the form of a rectangular box finely inlaid with an oval flowerhead centered by bellflower spray spandrels; the sides inlaid with bellflower garlands and brass carry...

Circa 1780, 22k, England. This exceptional Georgian memorial ring features 1.50 carats of finely cut diamonds surrounding a carved agate featur...

Nice mellow patina on this 18th century English mahogany tea caddy with three interior compartments. Two end sections have incised geometric carved lids. Tapered all around from top ...

18th Century micromosaic plaque of a bluebird, Rome, c. 1785, attributed to Giacomo Raffaelli (1753-1836). A micromosaic plaque of a blue bird perched on a flowering tree branch, 2.2...

18th century Georgian period mahogany bow front chest of drawers with bracket feet.

Very fine George III mahogany and brass bound wine cooler on original pedestal cabinet, the cooler with original brass handles and other mounts standing on three-compartmented cabine...

An exceptional, fine and impressive antique Charles I English sterling silver chalice; an addition to our collectable range of 17th century silverware. This exceptional antique Char...

A pair of cut glass 18th century tapered decanters finely engraved with stars.

Fine Italian walnut rococo writing table, the lovely faded olive inset leather top with gilt tooled edge and thumb molded walnut banding over molded frieze with single drawer, the ap...

Jacques Callot (1592-1635), The Bohemians, the set of four etchings touched with burin, 1621. Reference: Lieure 374 (second state of four); Lieure 375-77 (second state of two). In ve...

A Georgian Irish oval mirror having overlaid cut white segments with applied gilding alternating with multi faceted blue jewels, The mirror issuing ...

Hallmarked in London in 1787 by Thomas Daniell, this handsome, George III, Antique Sterling Silver Coffee Pot, is urn shape, standing on a pedestal foot, and is very plain in style, ...

Title: "Battle in Owhyhee: Combat of Two Anthropophages, 1785 Engraving" Description: This dramatic print, titled "Combat de deux Anthropophages d'Owhay (Course à Owhay)," depicts a...

Title: "Warrior of Owhyhee: Anthropophage in War Costume, 1785 Engraving" Description: This evocative print, titled "Anthropophage d'Owhay, costume de guerre," portrays a Hawaiian w...

Fine George III oval wine cooler or cellarette of unusually large scale, of staved construction and with two brass bands and original carying handles, the s...

Hallmarked in London in 1785 by Hester Bateman, this handsome, George III, Antique Sterling Silver Brandy Saucepan, is plain in style, featuring reed borders, and a wooden handle. Th...

Fine quality set of three George III fire tools comprising a poker, tongs and shovel, the latter with rising sunburst pierced decoration, the handles with knob finials, the tongs in ...

A magnificent, fine and impressive antique George III English sterling silver beer or water jug by Thomas Chawner; part of our dining silverware collection. This magnificent antiq...

Georgian 'urn' blue enamel mourning ring. Set centrally with a crystal covered rounded marquise shape plaque in a closed back rubover setting, enc...

A fine set of ormolu-mounted and cut glass three light wall lights the oval back plates surmounted with a notched cut container supporting the main receiver plate, this supporting tw...

Caernarvon Castle in North Wales – Antique English Engraving by Alexander Hogg This atmospheric copperplate engraving titled "Caernarvon Castle, in North Wales" was published by Ale...

An exceptional, fine and impressive pair of antique George III English sterling silver sauce tureens with ladles, in the Adams style; an addition to our Georgian silverware collection. These exceptional antique George III sterling silver sauce tureens have a plain oval shaped form onto a plain oval spreading pedestal foot to a collet rim, in the classic English Adam style. The body of each tureen is plain and embellished with a contemporary bright cut engraved crest of a demi-lion rampant, holding between the paws a lozenge. The rim and foot of each antique tureen is encompassed with applied reed decorated borders. These impressive sterling silver tureens retain the original hallmarked push fit covers surmounted with Adams style urn shaped finials. The surface of each cover is ornamented with the aforementioned engraved crest to the body. Each tureen is fitted with two loop handles embellished with a chased decorated leaf design to the lower portion and an impressive tiered leaf motif to the upper socket. These sauce tureens are presented with fine and impressive associated London made, antique Georgian sterling silver sauce ladles crafted in the Fiddle pattern by Thomas Richards in 1812. These antique sauce tureens...

French Louis XVI period finely wooden carved painted trumeau mirror.

An exceptional, fine and impressive antique George III English sterling silver argyle, an addition to our Georgian dining silverware collection This e...

This is a wonderful and rare diamond brooch from the mid Georgian era. The diamonds are set in silver and the brooch has been wonderfully handcrafted in a floral style. All of the di...

1773 Bellin map of Persia, Gujarat and Malabar coasts with Arabia and Maldives Description: This finely engraved and delicately hand-colored 18th-century map titled Kaart van de Kusten van Persië, Guzaratte en Malabar was produced by the eminent French cartographer Jacques-Nicolas Bellin and engraved by Jakob van der Schley. It was published in 1773 in Amsterdam by E. van Harrevelt and D. Changuion, as part of a Dutch edition of Bellin’s maritime atlas focused on the East Indies and the Indian Ocean. The map presents the coastline bordering the Arabian Sea, extending from the Persian Gulf and parts of the Arabian Peninsula to the shores of Gujarat and the Malabar Coast in southwestern India. It provides a detailed representation of the coastlines of Persia (modern-day Iran), the western coast of India, and a portion of southern Arabia including the Oman Peninsula. Coastal towns, rivers, ports, and geographical landmarks are clearly labeled, including prominent trading centers like Surat, Goa, Calicut, Cochin, and Cape Comorin (now Kanyakumari). Additionally, the map shows the Laccadive Islands (Laka Dives) and the Maldives (Maldivische Eilanden), with attention to navigational details such as shoals, sandbanks, and anchor points. A large compass rose and clear latitude and longitude markings enhance its utility as a navigational aid. A highly decorative title cartouche at lower left features maritime iconography such as sea creatures, a fountain, and shells. An inset legend beneath the map provides explanations in Dutch for the symbols used to indicate bays, capes, ports, forts, islands, and towns. This is a copperplate engraving printed on laid paper with full original hand coloring. It retains its original fold lines as issued. The condition is generally good, with minor age toning and a few light spots in the margins. No repairs or restoration are visible. The paper is strong, and the impression remains crisp and clear. This historical map is a significant and attractive example of 18th-century European cartography, especially valued for its depiction of maritime trade regions and coastal geography during the age of exploration and colonial expansion. To frame this 1773 Bellin map attractively and safely: - Use acid-free matting in a neutral tone like cream or antique white - Consider double matting with a subtle inner color that complements the map - Choose a simple wooden frame in walnut, cherry, or aged oak for a classic look - Use UV-protective glass or acrylic to prevent fading - For a full display, consider float mounting to show the edges and fold lines - Allow 2 to 3 inch mat margins to balance the composition and enhance presentation Keywords: Bellin map 1773, van der Schley, Persia coast map, Gujarat map, Malabar map...

Fine example of Adam-style, neoclassical design incorporated into a finely made silver basket by premier female silversmith, Hester Bateman. The basket is hand-pierced and engraved a...

Louis XVI period cherrywood commode with Verde Antico marble top and decorated with brass handles and diamond-shaped locks.

Historical Map of Northern Europe and Russia - Engraved for I. Harrison, 1788 This impressive historical map titled A New Map of Europe Containing Denmark, Norway, Sweden and Russ...

A lavishly carved wedding piece, this oak buffet a deux-corps from Normandy, is embellished with foliage and flowers in carved relief, as well as offering beautifully-articulated applied carvings in high relief as seen in the central flower-filled basket and flanking floral sprays, which are symbolic of a fruitful union. It features the original hand-blown glass, as well as the original pulls, key plates, locks, one key, shelves, and carved escargot feet. A dowry piece of this quality would have been commissioned for a bride of some financial & social standing. France, circa 1800 or earlier (late 18th century). Perfect for your French provincial kitchen...

A magnificent, fine and impressive antique George III sterling silver and glass ladies inkstand; an addition to our ornamental Georgian silverware collection. This magnificent antique George III sterling silver desk standish has a boat-shaped form onto four hoof feet. This antique inkstand...

Antique Natural Pearl Ring Circa 1780 An 18 karat gold and silver ring set with a natural pearl and 44 rose cut diamonds in a chalice moti...

This marvelous Georgian era pendant has been crafted of solid 12 Kt gold topped by silver Fascinating “En Tremblant” trembling suspended pendeloques typical of the Georgian era, 1780...

An important George III Period figured mahogany breakfront bookcase, the central drawer featuring a fall front secretary fitted with storage compartments and inset with a green toole...

A fine and impressive antique Georgian Newcastle sterling silver sauce boat made by John Langlands I & John Robertson I, an addition to our silver dining collection. This exceptional antique Georgian sterling silver sauce boat has a plain oval rounded form onto three scrolling feet. The surface of this antique gravy boat...

Antique diamond and pearl 'urn' memorial ring. Set with ten round rose cut diamonds in silver cutdown settings with an approximate combined weight of 0.10 carats, decorating an intri...

The Abandonment of Ariadne on Naxos by Theseus: A Classical Myth Depicted by Tommaso Piroli, 1789 This captivating copperplate engraving, created by the Italian engraver Tommaso P...

1782 Bayly Map of the East Indies – India, Siam, Philippines, Java, Borneo, Ganges This finely engraved and vibrantly hand-colored map titled 'A New Map of the East Indies' was dr...

Georgian gold chain with turquoise set clasp. A yellow gold chain composed of circular links, each with a raised ornate dot and stripe pattern, to ...

Roman Decorative Motifs and Architectural Scenes by Tommaso Piroli, 1789 This finely executed copperplate engraving by Tommaso Piroli (1750–1824) is part of his renowned series 'A...

Made in Dublin circa 1780, this handsome, antique sterling silver sauce boat, is plain in style, featuring a scalloped border, an acanthus detailed flying C-s...

Hallmarked in London in 1786, this lovely antique, George III, sterling silver lemon strainer features daisy pattern piercing, a beaded border, and reeded loop handles. It measures 1...

Urn shaped Louis XVI period gilt bronze rams head clock signed on dial: "Boisselet à Paris.

An 18th century chaise percée, from the bathroom of Baron Max Fould-Springer, Palais Abbatial de Royaumont and by descent his sister Baroness Elie (Lilia...

Rare 18th-Century German Engraving of a Proa Sailing Canoe, c. 1780 This finely detailed 18th-century engraving offers a technical depiction of a traditional proa, a type of saili...

An 12 carat rosé gold necklace set with cabochon cut orange carnelian, and rose cut white-grey calcedony agate, end 18th century or early 19th century, England. weight: 33.62 grams...

Gustavian carved giltwood mirror made in Stockholm circa 1780. Attributed to Johan Åkerblad, (master 1758-1799).

IMPORTANT AMERICAN MAP - ONE OF THE FIRST TO SHOW CALIFORNIA as an ISLAND JOHN SPEED (1552-1629) AMERICA - With Those Known Parts In That Unknown Worlde (sic), 1626-(76) (Burden 217 iv/iv) Engraving, uncolored. Engraved by Abraham Goos and published by Thomas Basset and Richard Chiswell - 4th state of 4 in 1676 15 1/8 x 20 1/2” From “A Prospect of the Most Famous Parts of the World”. Generally good condition. A repaired split in lower centerfold. This is the most common version of this important map...

Title: 1620 Ptolemy and Magini Map of Taprobana (Sumatra) with Elephant Inset, Italian Edition Description: This rare and beautifully hand-colored 1620 map engraving, Tavola Duode...

A fine mahogany bracket alarm clock by John Taylor, the rectangular case enclosing an arched gilt and steel face with a clock-face, a silent/strike...

An Anglo-Chinese padouk metamorphic architect’s table, this apparently simple table is an infinitely versatile desk. The rectangular top has a moulded edge. It opens to create a la...