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On offer here is an exceptional Dutch cupboard made of the finest European summer oak in the tradition of the Dutch Renaissance during the “Dutch golden age” This cabinet is made in the Provence of Utrecht, circa 1680. The arched doors are typical for this province and this type of cabinet is also known as “Utrechtse Poortkast”. The cabinet stands on bun feet and is with handsomely carved patterns and ebony veneer inlaid panels. The carving depicts elements that represent prosperity and Classic ornaments as is common in Dutch Renaissance furniture...

Amazing 17th century hand forged iron candleholder. A wonderful example of primitive folk art. A perfect balance between utility and aesthetics. France, Spain, 17th century. Weathe...

This is a large Chinese 17th Century Stoneware Martaban Jar. Martancan Jars were created to store food items such as grain, tea, oil, etc. The ...

Portrait Of Mary Wither Of Andwell, 17th Century Jacob Huysmans (1633–1696) to $750,000 Large 17th Century portrait of Mary Wither of Andwell, oil on canvas by Jacob Huysmans. Exce...

Venetian School, early 17th century Portrait of a knight in armour The inscription at the top, ‘MAR...DIT...VICO’, is only partly legible Oil on canvas. 81 x 71 cm. - Framed: ...

Our Ancient Surfaces team recently reclaimed this extremely rare statuary fountain. The story behind this masterpiece is that in the mid 1700s a team of Italian master carvers were tasked to create an exceptionally phenomenal limestone fountain for a noble Milano family estate. After 8 months of hand-carving they completed the job by creating a very unique and large pool fountain...

This 1667 map titled "Patriarchatus Constantinopolitani Geographica Descriptio" was crafted by renowned French cartographer Melchior Tavernier, who was a prominent map engraver during the 17th century. This rare and historically significant map focuses on the territories under the ecclesiastical jurisdiction of the Patriarchate of Constantinople, one of the most important centers of the Eastern Orthodox Church. It covers regions around the Black Sea (Pontus Euxinus), parts of Greece, and adjacent areas in Asia Minor and the Balkans, which were historically vital during the Byzantine and Ottoman Empires. The map is filled with ancient place names, making it a valuable resource for both historical and cartographic enthusiasts. Key Features: - Antique ecclesiastical map illustrating the influence of the Orthodox Patriarchate of Constantinople in the 17th century. - Features beautifully detailed ancient coastlines, rivers, and terrains, providing a comprehensive geographical view of the region. - Rich with historic place names - like Byzantium, Nicomedia, Nicaea, Cyzicus, Bithynia, Pontus, Macedonia, and Thrace - that date back to the classical era, offering insights into the ancient geography of the eastern Mediterranean. - A finely engraved strapwork cartouche in the lower right corner with Baroque-style decoration, featuring two putti (cherubic figures) – a hallmark of 17th-century map art. - The map extends to include the Mediterranean Sea (Mare Mediterraneum) to the south and the Black Sea to the north, highlighting its ecclesiastical and geopolitical significance. - Original hand coloring may still be present, enhancing the decorative appeal for collectors of antique maps. This rare map offers a unique perspective on the religious influence and historical geography of the Eastern Mediterranean during the late 17th century. It would appeal to collectors interested in: - **Byzantine history** - **Ottoman Empire** - **Eastern Orthodox Church** - **Antique cartography...

Balthasar Van Den Bossche (Antwerp, 1681 - 1715) Alexander the Great and Campaspe in the studio of the painter Apelles The canvas was exhibited in Perugia (Museo di Palazzo della Pe...

Faceted Rhodolite Garnet Weight: 3.25 Carats Both Dimension: 8.9x6.9x5.3 Mm Origin: Tanzania Africa Color: Pink Red Treatment: Non Shape: Emerald Cut: Fancy The Rhodolite resembles p...

Faceted Mandarin Citrine Weight : 10.55 Carats Dimensions : 14.4x14.4x10.2 Mm Clarity : Loupe Clean Origin : Brazil Color: Orange Shape: Round Certificate: On Demand Month: Novembe...

Great Spanish painting from the second half of the 17th century. Oil on canvas artwork depicting a religious subject, Pope Innocent III confirms the Franciscan Rule, of good pictorial quality. A large, impactful painting adorned with a 19th-century carved and gilded wooden and plaster frame. Artwork that develops horizontally, ideal for placing in an important hall or study, for antique dealers and interior decorators. A painting that shows various signs of aging and old restorations (see photo), in a beautiful patina. The perspective offered by the painter is pleasant. The main subject, in the foreground on the left, connects to the view with architecture and characters on the right through the checkerboard...

Good Condition, Original Design Modified.

A Wooden Madonna with child Baroque art, Southern Italy, 17th century. Measure: H: 71cm Good condition for the time. With Export Certificate to USA.

Antique world map titled 'Mappe-Monde dressee sur les Observations de Mrs. de l'Academie Royale des Sciences (..)'. Beautiful original antique world map...

This charming 17th century Old Master portrait oil painting is attributed to the circle of Swedish born Michael Dahl who lived and work in England for most of his life. Painted circa...

17th Century Monumental Tapestry/Gobelin Audience with the King in Antiquity Extremely beautiful antique Gobelein tapestry, France probably arou...

This detailed copper engraving is from Arnoldus Montanus' "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-Landes," which offers a glimpse into the cere...

A very nice water pot/jar for the Japanese market, Late Ming dynasty Kosometsuke. Mountain landscape scene. With matching storage box. Additional information: Material: Porcelain &...

Gaspar van den Hoecke (Antwerp, 1585 - 1648) Herod's banquet Early 17th century oil on panel, with gold highlights (in the guise of Salome and in the curtains of the building in the background) 56 x 80 cm. framed 72 x 90 cm. Note: The painting probably dates from an original by Frans II Francken (1581 - 1642), which is shown under the number 0000344789 in the RKD. Valuable oil painting on panel depicting King Herod and the beautiful Jewish princess Salome according to the episode taken from the Gospel of Matthew (14.3-11), which sees her as the protagonist in the story of the martyrdom of John the Baptist. The event shown is a cross between history and legend, a myth faced for centuries by artists in every field: Caravaggio in painting, Oscar Wilde in theater, Richard Strauss...

Antique map of Italy titled 'Carta Nova accurata del Passagio et strada dalli Peis Bassi per via de Allemgna per Italia et per via di Pesi Suizeri a Geenea, Lione et Roma (..)'. Detailed trade route and shipping map...

Identical piece is housed in the Longhai Museum of Zhangzhou City. On October 7, 1989, it was appraised as a third-class cultural relic by the Cultural Relics Appraisal Team of the F...

Portrait Of Philadelphia, 17th Century Probably Philadelphia Carey Of Aske Hall, Richmond, North Yorkshire, English Courier & Lady In Waiting to Princess Elizabeth Studio Of Sir Pe...

Lombard painter of the 17th century Portrait of a Knight in Armour Oil on canvas 81 x 70 cm./ Framed 93 x 82 A handsome gentleman in armour, immortalised in an authoritative and pr...

The composition repeats that of a large altarpiece designed by Annibale Carracci for the church of San Francesco a Ripa, Rome (now in the Louvre, Par...

17th century Antique Aubusson/Gobelin tapestry, France Architectural landscape, silk Antique Museal Aubosson tapestry made of silk and partly wool. Very fine and antique design. Dep...

Antique Flemish Baroque painting, 17th century, portrait, Medici. Oil on canvas. The painting is probably attributed to the Flemish painter Justus Sustermns. Pictured is most likel...

Beautiful Hand carved group of winged angelheads. Wonderful traces of paint are visible and the wood has a gorgeous natural patina due to its high age Spain, circa 1650-1750 Weathere...

A Brussels verdure landscape tapestry from the 17th century, featuring a verdant landscape with stately and exotic trees at right, a striking acanthus bush in the foreground, and a l...

Lorenzo Pasinelli (Bologna, 1629 - 1700) Sermon of Saint John the Baptist Circa 1650. Oil on canvas 115 x 154 cm With frame 136 x 174 cm Provenance Milan, Porro 6 June 2006 ...

Antique map titled 'Pas kaart van de Noord Kust van Espaniola (..)'. Beautiful sea chart of the northern part of Hispaniola, western Cuba. The map includes the Turks & Caicos Islands and southern part of the Bahamas. Shows Guanahami or S. Salvador. Guanahani is an island in the Bahamas that was the first land in the New World sighted and visited by Christopher Columbus' first voyage, on October 12, 1492. It is not known precisely which island it was, and several theories have been put forth by historians. Guanahani is the native Taíno name; Columbus called it San Salvador. Originates from 'De Nieuwe Groote Lightende Zee-Fakkel'. Published by J. van Keulen, circa 1684. The Van Keulens were a family of chartmakers and publishers. The firm, In de Gekroonde Lootsman (In the Crowned Pilot), was founded in 1678 by Johannes van Keulen (1654-1715). Van Keulen originally registered his business as a vendor of books and instruments (specifically cross-staffs). In 1680, however, he gained a privilege from the States of Holland and West Friesland for the publication of pilot guides and sea atlases. In that year, van Keulen released his Zee-Atlas (Sea Atlas), which secured him a name in the competitive maritime publishing market. In 1681, he published the first volume of Nieuwe Lichtende Zee-Fakkel (New Shining Sea Torch). This would be the first of an eventual five volumes originally published between 1680 and 1684. A sixth volume was added in 1753. The Zee-Fakkel won van Keulen lasting fame. The atlas had charts compiled by Claes Jansz Vooght and artwork from Jan Luyken...

Antique Italian painting from the second half of the 17th century. Oil on canvas artwork depicting a religious subject, Christ and the Samaritan woman at the well. Jesus is traveling...

This 17th-century Solomonic column, adorned with gilt carvings and a well-aged polychrome finish, boasts a fantastic patina, though it shows some documented loss in areas, as seen in...

Good Condition, Original Design Modified.

Adriaen de Gryef (Leiden 1657 - Brussels 1722) Signed ‘A Gryeff f’(ecit) - centre left Peasant in the courtyard with still life of animals and fruit Oil on canvas Dimensions (cm): ...

This drawing shows several studies of a donkey with a carriage. Its style is close to Flemish 17th century artists. On the passepartout one reads "Mathias Scheyer/ Jacob Weyer", both...

A very beautiful plate, rare monochrome blue ground. Great study material. Condition Overall Condition; 2 large crackle line in central plate, 1 running out in a hai...

Faceted Electric Blue Topaz Weight : 9.85 Carats Dimensions : 12.6x9.6x8.5 Mm Origin : Brazil Clarity : Loupe Clean Shape: Emerald Color: Intense B...

The African Kuba Bwoom tribal mask is the oldest known mask, the Kuba bwoom mask. The materials used for the realization of the Mask are: Wood, colors and vibrates plants, caures, beads, animal hair. In dance it expresses exuberance and joy. The style is similar to that of the middle Kasai. This mask is a helmet with animal hair, carved with a very wide forehead and hollow cheeks that are announced by motifs or dashes and beads. The mouth of the mask is very pronounced carved in wood and then applied on the mask. To distinguish the forehead in different areas are used black and white beads to draw attention to other aspects of the face such as the nose and chin. The entire edge of the chin is surrounded by beads of various colors. The person wearing the mask cannot look because there are no holes for the eyes present; the mask must create the feeling of being blind. Some masks similar to the bwoom mask include the funny mask, the ram mask and initiation masks such as Nnup. The real Kuba masks...

Antique map titled 'Holy Island, Staples and Barwick.' A map of the coast of Northumberland, England. This map includes Holy Island, Buckton, Sunderland and the Farne Islands. Th...

Johann Boeckhorst (Münster 1604 - Antwerp 1668) Saint Ursula Oil on canvas, 112 x 86 cm Provenance: New York, Christe's, 20.3.1981, lot 88 (as Van Diepenbeeck's circle) The presen...

A Bartmann jug (from German Bartmann, "bearded man"), also called a Bellarmine jug, is a type of decorated salt-glazed stoneware that was manufactured i...

18th Century Antique French Tapestry Verdure Wool & Silk 7x11ft 213cm x 323cm "This is very fine antique Flemish tapestry made of wool & silk depicting noblemen beneath a large verd...

Grand 17th C. Viennese Baroque Archway Wood Door Surround Architectural Element . Outstanding workmanship of the Masters of the Craft. Large Carved wood black, tone down red and Gilt...

This lovely Dutch Old Master oil painting is attributed to artist Pieter Wouwerman. Painted circa 1660 it is figurative landscape with horseback travellers and their dogs in the foreground with ruins on their right. Beyond is a river and hilly landscape, all in the fading light of approaching dusk. There are some superb details making this an excellent Dutch Golden Age oil painting. Provenance: Devonshire estate. Condition. Oil on canvas, 24 inches by 20 inches and in good condition. Frame. Housed in a complementary gilt frame, 31 inches by 27 inches and in good condition. Pieter Wouwerman (1623-1682) was a Dutch Golden Age landscape painter. He was born in Haarlem. According to Arnold Houbraken, a biographer of artists from the Dutch Golden Age, Pieter Wouwerman was the brother of the landscape painters Jan and Philips Wouwerman, who, like his more famous brother, made a living selling Italianate landscapes in the manner of Pieter van Laer...

Globe gore by Vincenzo Maria Coronelli shows the North Pole with the coasts of Canada, Greenland, Scandinavia and Siberia, and is decorated with pictorial scenes of bear, seal and wh...

This rare and rich decorated Renaissance dresser was made during the Dutch Golden age in the southern part of the Netherlands currently Belgium. It was made around 1670 and most likely in Antwerp. The dresser was made in the finest quality watered European oak and decorated geometric-shaped walnut veneer panels. The cabinet has two wide doors and two drawers above. The drawers are flanked by carved lion heads with brass rings. The right drawer is equipped with an authentic working lock and key. The doors are decorated with geometrical star-like walnut inlaid raised panels. The doors are flanked by large twisted Solomonic columns decorated with brass nails. The righthand door features its authentic lock and key with a brass ajour cut keyplate. The dresser has a wax finish with a great patina built up over 350 years. This piece of furniture was made by highly skilled craftsmen by the use of the best materials available. It is among the best furniture that was produced during the golden age and even now its craftsmanship is unprecedented. The dresser is highly original and in perfect shape for a piece of furniture over 350 years old. It was gently cleaned in our atelier and a new protective wax coat was applied. The Dutch golden age the 17th century was an important century for the Netherlands. The region separated from the Spanish Empire and formed its republic. Dutch merchants...

Panoramic View of Isfahan in the Late 17th Century by J.C. Haffner The translation of the German text on the engraving: "A. The Meidan or Great Market and Promenade Square in front...

Large Cross With Christ In Gilt Bronze From The 17th Century IMPORTANT 17th C. CROSS TO CHRIST IN FINELY CHISELLED GOLD BRONZE FRENCH SCHOOL OF THE...

"Daily Life in Brazil" This striking copper engraving, part of Arnoldus Montanus' "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-Landes", presents a ...

Saint George A follower of Giovanni Battista Cima, known as Cima da CONEGLIANO (Conegliano c. 1449 - Conegliano c. 1517) Oil on canvas 126 x 49 cm. Framed 143 x 65 cm. The painting...

The Resurrection of Christ Follower of Tiziano Vecellio (Pieve di Cadore 1490 - Venice 1576)   Venetian school of the late 16th/early 17th century Oil on canvas 108 x 78 cm. - Framed 129 x 99 cm. This jewel of the Venetian school, a work executed between the 16th and 17th centuries by a Venetian artist, illustrates the episode of the Resurrection of Christ: as reported in the Gospel of Matthew (Matthew 28:1-7) the event is accompanied by an explosion of light and glow, with the figure of Christ rising into the sky. Christ's face, serene and victorious, looks up towards the Light and the Infinite, in contrast to his majestic figure, here constructed with the appearance of a classical sculpture, contrasted by an intensely luminous background. The Risen One firmly holds in His hand the banner (white with a red cross) of the Resurrection, also known as the flag of St. George, which iconographically represents His victory over death, while raising His right hand in a blessing act. With his feet he crushes a snake and a skull, a sign of Christ's triumph over sin and death. The painting belongs to the Venetian school and presents clear reminiscences with the works of Titian Vecellio...

Description Very cool 17/18C Delft Porcelain charger with hand painted decoration. Inspired on Chinese pieces from the mid 17th century. Very interest...

Rare 17th century carved walnut chest of drawers, bracket carved feet. Italy , Emilia PLEASE NOTE THAT THE EXPORT AUTHORIZATION BY THE ITALIAN MINISTRY OF CULTURAL HERITAGE TAKES ...

Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master Dutch Art, Travellers or Riders resting by a tent and gambling

Antique map titled 'Le Duche de Pomeranie divise en ses Principales Parties (..)'. Large map of Pomerania. Pomerania is a historical region on the southern shore of the Baltic Sea in...

Very nice two piece Osvaldo Borsani vintage bar. Bottom cabinet comes with the original key Beautifully made Top of Bar Measurements Height: 50.5" Width: 16.5"

This is a historical sea chart titled "Carte Generale des Costes d'Irlande, et des Costes Occidentales d'Angleterre avec une Partie de celles d'Ecosse," which translates to "General Map of the Coasts of Ireland and the Western Coasts of England with a Part of Scotland." The map was first published in 1693 in the atlas "La Neptune Francois," created by Jaillot and published by Pieter Mortier in Amsterdam. This initiative was started by the French minister Colbert to improve maritime navigation. Details of the Map: 1. **Geographical Coverage:** - The map primarily focuses on the Irish coast. - It also includes the west coast of England and Wales. - Parts of the west coast of Scotland are also depicted. 2. **Inset Map:** - There is a detailed inset map showing the area around Chester and the course of the River Dee. 3. **Features:** - **Depth Soundings:** The Irish Sea is detailed with depth soundings to assist in navigation. - **Coastal Towns and Islands:** Numerous coastal towns, islands, and geographical features are indicated. - **Rhumb Lines:** The map includes extensive rhumb lines, which are lines used by navigators to plot a straight-line course. - **Key:** There is a key describing the quality of the terrain along the coast, important for navigators to understand the nature of the coastal landscape. 4. **Labels and Annotations:** - **Coastal Settlements:** Ports, forts, and villages along the coast are labeled. - **Geographical Features:** Islands and other significant features are marked. 5. **Artistic and Practical Elements:** - The map is printed on thick paper and is hand-colored, reflecting contemporary coloring techniques. - Detailed lines and soundings are included to help ships navigate around the numerous small islands and narrow inlets safely. 6. **Historical Context:** - The map was part of a significant French maritime project aimed at improving navigation and charting European waters more accurately. - It reflects the high level of cartographic skill and knowledge of the late 17th century. This map would have been a valuable tool for mariners of the time, providing them with crucial information about the coastal features, depth soundings, and safe passage routes around the complex coastlines of Ireland, England, and Scotland. About the Makers and the Atlas **1. Alexis-Hubert Jaillot (1632-1712):** - **Background:** Jaillot was a prominent French cartographer and publisher in the 17th century. He was known for his detailed and accurate maps and atlases. - **Work:** He collaborated with other notable cartographers of his time and played a key role in improving and publishing detailed maps. Jaillot's work was characterized by its precision and artistic quality. - **Contribution:** He was instrumental in the creation of "La Neptune Francois," a maritime atlas aimed at improving French naval navigation. **2. Pieter Mortier (1661-1711):** - **Background:** Mortier was a Dutch engraver, publisher, and mapmaker based in Amsterdam. He was well-known for his high-quality prints and maps. - **Work:** Mortier published several important atlases and maps, often collaborating with other cartographers and engravers. His work was recognized for its detailed craftsmanship and accuracy. - **Contribution:** Mortier published "La Neptune Francois" in Amsterdam, making significant contributions to maritime navigation by providing highly detailed sea charts. About the Atlas "La Neptune Francois": **1. Purpose:** - The atlas was created as part of an initiative led by Jean-Baptiste Colbert, the French minister of finance under King Louis XIV. The goal was to enhance the accuracy and availability of maritime charts for French naval and commercial vessels. - "La Neptune Francois" was designed to be a comprehensive and detailed reference for navigators, covering various European waters with a focus on the French coast and adjacent regions. **2. Content:** - The atlas includes a series of sea charts, each providing detailed information on coastal regions, depth soundings, rhumb lines, and other navigational aids. - The maps were printed on high-quality paper and hand-colored, reflecting the artistic standards of the time. **3. Historical Significance:** - "La Neptune Francois" was a landmark in the history of cartography, representing a significant advancement in the accuracy and detail of maritime maps...

A Flemish historical tapestry panel from the 17th century, featuring the famed Roman general, Gaeus Marcius, now called Coriolanus, returning triumphantly from the battle in which he captured the Volscian town of Corioli, arriving on horseback with his Volscian prisoners in tow, and greeted by his domineering mother, Volumnia, as well as the cheering Roman townspeople. Enclosed within a narrow monochrome border. Wool with silk inlay. Measures: 8’6” H x 7’10” W. Hanging: The tapestry comes ready for hanging, with linen backing and a strip of hook and loop tape at the top end, which can be connected to the opposite side of the supplied hook and loop tape, which could be tacked to your wall. For those who prefer the use of a tapestry rod...