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Lombard painter of the 17th century Portrait of a Knight in Armour Oil on canvas 81 x 70 cm./ Framed 93 x 82 A handsome gentleman in armour, immortalised in an authoritative and pr...

This is a large Chinese 17th Century Stoneware Martaban Jar. Martancan Jars were created to store food items such as grain, tea, oil, etc. The ...

Lombard painter of the seventeenth century Ecce Homo Oil painting on canvas 56 x 43 cm. , framed 75 x 63 cm. Provenance: Florence, Pandolfini, 5.10.2021, lot 209 The proposed canv...

Jesus Feeding The 5000, 17th Century School Of NICOLAS POUSSIN (1595-1665) Fine huge 17th Italian Old Master of Jesus Feeding The 5000, oil on canvas. Stunning panoramic early and ...

Antique map titled 'Persia sive Sophorum Regnum'. Original old map of Persia. The map extends from the Eastern Mediteranian to Tacalistan and the Indus River and the Dalanguer Mounta...

Unique and very beautiful pair weathered white marble baroque ornaments. They most likely once adorned a church altar. Original period pieces, Italy, ci...

This lovely 17th century Old Master floral oil painting is attributed to the circle of noted Franco Flemish artist Jean-Baptiste Monnoyer. Painted circa 1670 it is a still life of a ...

Antique map titled 'Venezuela cum parte Australi Novae Andalusiae'. The map extends from Coquibocoa to the Orinoque River, centered on Bariquicemento and Cape de Curiacao. Large cart...

Very nice carved oak Christ figure with a strong expression. Beautiful weathered , France circa 1600-1700. Weathered, and losses. Measurement with the base

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

Antique portrait titled 'Iacobus V'. Portrait of James V of Scotland. This print originates from 'Tooneel der keyseren ende coningen van christenryck sedert de...

17th century, Italian oil on canvas painting with battle between Christian and Turkish cavalry The oil on canvas painting depicts a battle between Christian and Turkish cavalry. C...

Description A rare Ming blue and white Porcelain dish. Great quality decoration Three Friends of Winter. Chenghua marked. Box included. Condit...

This strong Flemish Old Master portrait oil painting is attributed to Ferdinand Voet. The sitter is Anna De Hooghe, the fourth wife of artist Ludolf Bakhuizen (1631-1708), a German-born Dutch painter, draughtsman, calligrapher and printmaker. He was the leading Dutch painter of maritime subjects after Willem van de Velde the Elder and Younger left for England in 1672. He also painted portraits of his family and circle of friends. Painted circa 1660 Anna is standing profile but turned to the viewer/artist with her hand to her heart. She is set in a landscape at twilight. A really lovely painting and superb example of Dutch art. It is recorded in the RKD archives with N Maes signature LL - since removed through restoration. Provenance. The estate of George Way. Archive RKD Condition. Oil on canvas, 38 inches by 34 inches unframed and in good condition. Frame. Housed in a fine period carved frame, 46 inches by 42 inches framed and in good condition. Jacob Ferdinand Voet or Jakob Ferdinand Voet (1639-1689) was a Flemish portrait...

Tiziano Vecellio (Pieve di Cadore 1490 - Venice 1576) follower of Portrait of the emperor Julius Caesar (Rome 100 BC - 44 BC), inscribed above C. IVLIVS. CAESAR Portrait of the Emperor Octavian Augustus (Rome 63 BC - 14 BC), inscribed on top OCTAVIANUS II ROM IMP 17th century oil painting on canvas Measurements (cm.): 65 x 50, with frame 81 x 68 cm. The Latin writer Suetonius with his work 'De vita Caesarum' (and in particular with his tradition in the vernacular of 1543, edited by the Florentine scholar Paolo del Rosso) inspired Tiziano Vecellio who, in 1537, painted for Duke Frederick II of Gonzaga portraits of the eleven emperors, adorning the walls for a small room in the Palazzo Ducale in Mantua, later known as the Cabinet of the Caesars. These effigies were intended to establish the link between the new era and classicism with its splendor, as well as to celebrate the value and wisdom of the rulers, who perceived themselves, in their lordships, as valiant new emperors. Titian's paintings soon became enormously popular and many patrons and lords of the time, including Ferdinando d'Avalos, Marquis of Pescara and Governor of Milan or Vespasiano Gonzaga, turned to the workshop of the Cremonese Bernardino Campi...

Oil work on canvas sold with frame. Total size with frame: 58x39x5 cm

A Brussels verdure landscape tapestry from the 17th century, featuring a verdant landscape with stately and exotic trees at right, a striking acanthus bush in the foreground, and a l...

This beautiful carved Renaissance front section was a part of a built in cabinet. The carvings are typical for Bretagne area in France and it can be ...

PORTRAIT OF BARBARA PALMER, THE DUCHESS OF CLEVELAND, workshop of Sir Peter Lely (1618-1680) Oil on canvas, excellent coniditon in a gilded frame...

Antique map titled 'Accuratissima Galliae Tabula vulgo Royaume de France'. Detailed map of France. Shows provinces, cities, rivers etc. Artists and Engravers: Frederick de Wit (1...

Antique map titled 'Kaart van Oost Indie'. Old map of the East Indies. It shows the routes of Captain William Dampier's voyage throughout the regio...

A nice strainer. Qing Dynasty - Qing Period. Central scene of flowers. Additional information: Material: Porcelain & Pottery Color: Blue & White Region of Origin: China Emperor: Qia...

Panoramic View of Isfahan in the Late 17th Century by J.C. Haffner The translation of the German text on the engraving: "A. The Meidan or Great Market and Promenade Square in front...

Set of 5 antique horse riding prints. Published circa 1680.

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). A gentleman in silver-studded armo...

This original antique image is a historical depiction from "Suecia Antiqua et Hodierna," which translates to "Ancient and Modern Sweden." This was a significant work of the mid-17th century, initiated by Count Erik Dahlbergh...

This 3x21 vintage Persian runner rug of Kerman provenance is a signed collectible among the rare works of acclaimed master weaver Rashid Farrokhi. On the Design: Admirers of the...

Herman Saftleven the Elder (Rotterdam 1609 - Utrecht 1685) workshop Winter Landscape with the City of Utrecht Oil on canvas 81 x 65 cm. - framed 105 x 91 cm. The painting depicts a...

Antique map titled 'Basse Partie de la Basse Saxe ou sont les Duchés de Sleswick, Holsace, Meckelenbourg et Lauvenbourg (..)'. Original old map of northern Germany, including Schlesw...

Cats Fighting, 17th Century attributed to David DE CONINCK (1642-1700) Large 17th Century interior scene of cats fighting, oil on canvas. Excellent quality and condition for its ag...

A group of eight Russian and Greek Orthodox icons painted over gold leaf and gesso laid on a wooden board. These are mounted on a Lucite panel and ...

Florentine painter, 17th-18th century Equestrian portrait of Pietro Strozzi (Florence, 1511 - Thionville, 1558) Oil on canvas 79 x 115 cm. - Framed cm. 92 x 127 A valiant knight, p...

This is a historical sea chart titled "Carte Generale des Costes d'Irlande, et des Costes Occidentales d'Angleterre avec une Partie de celles d'Ecosse," which translates to "General Map of the Coasts of Ireland and the Western Coasts of England with a Part of Scotland." The map was first published in 1693 in the atlas "La Neptune Francois," created by Jaillot and published by Pieter Mortier in Amsterdam. This initiative was started by the French minister Colbert to improve maritime navigation. Details of the Map: 1. **Geographical Coverage:** - The map primarily focuses on the Irish coast. - It also includes the west coast of England and Wales. - Parts of the west coast of Scotland are also depicted. 2. **Inset Map:** - There is a detailed inset map showing the area around Chester and the course of the River Dee. 3. **Features:** - **Depth Soundings:** The Irish Sea is detailed with depth soundings to assist in navigation. - **Coastal Towns and Islands:** Numerous coastal towns, islands, and geographical features are indicated. - **Rhumb Lines:** The map includes extensive rhumb lines, which are lines used by navigators to plot a straight-line course. - **Key:** There is a key describing the quality of the terrain along the coast, important for navigators to understand the nature of the coastal landscape. 4. **Labels and Annotations:** - **Coastal Settlements:** Ports, forts, and villages along the coast are labeled. - **Geographical Features:** Islands and other significant features are marked. 5. **Artistic and Practical Elements:** - The map is printed on thick paper and is hand-colored, reflecting contemporary coloring techniques. - Detailed lines and soundings are included to help ships navigate around the numerous small islands and narrow inlets safely. 6. **Historical Context:** - The map was part of a significant French maritime project aimed at improving navigation and charting European waters more accurately. - It reflects the high level of cartographic skill and knowledge of the late 17th century. This map would have been a valuable tool for mariners of the time, providing them with crucial information about the coastal features, depth soundings, and safe passage routes around the complex coastlines of Ireland, England, and Scotland. About the Makers and the Atlas **1. Alexis-Hubert Jaillot (1632-1712):** - **Background:** Jaillot was a prominent French cartographer and publisher in the 17th century. He was known for his detailed and accurate maps and atlases. - **Work:** He collaborated with other notable cartographers of his time and played a key role in improving and publishing detailed maps. Jaillot's work was characterized by its precision and artistic quality. - **Contribution:** He was instrumental in the creation of "La Neptune Francois," a maritime atlas aimed at improving French naval navigation. **2. Pieter Mortier (1661-1711):** - **Background:** Mortier was a Dutch engraver, publisher, and mapmaker based in Amsterdam. He was well-known for his high-quality prints and maps. - **Work:** Mortier published several important atlases and maps, often collaborating with other cartographers and engravers. His work was recognized for its detailed craftsmanship and accuracy. - **Contribution:** Mortier published "La Neptune Francois" in Amsterdam, making significant contributions to maritime navigation by providing highly detailed sea charts. About the Atlas "La Neptune Francois": **1. Purpose:** - The atlas was created as part of an initiative led by Jean-Baptiste Colbert, the French minister of finance under King Louis XIV. The goal was to enhance the accuracy and availability of maritime charts for French naval and commercial vessels. - "La Neptune Francois" was designed to be a comprehensive and detailed reference for navigators, covering various European waters with a focus on the French coast and adjacent regions. **2. Content:** - The atlas includes a series of sea charts, each providing detailed information on coastal regions, depth soundings, rhumb lines, and other navigational aids. - The maps were printed on high-quality paper and hand-colored, reflecting the artistic standards of the time. **3. Historical Significance:** - "La Neptune Francois" was a landmark in the history of cartography, representing a significant advancement in the accuracy and detail of maritime maps...

An handcolored original antique print of Svartsjö Castle, located on the island of Färingsö in Ekerö Municipality, Sweden. The castle has a rich history, with the current building da...

A rare and true rococo fantasy coffee pot. Fire-gilded vermeil, gilt silver, repousse with mannerist detailing including lobes, garlands, grotesque masques, scrolls, and rocaille. Ma...

A French Aubusson rustic tapestry from the late 17th century, depicting several villagers on either side of a large tree in the right foreground, watching the cargo being unloaded from a large vessel docked by the verdant river bank at left. Enclosed by a narrow monochromatic border. Wool with silk inlay. Measures: 10’1” H x 7’0” W This tapestry was probably woven after a design by the French painter Claude-Joseph Vernet (1714-1789), renowned for his Marines, or maybe by his student Charles Grenier de Lacroix also known as Lacroix de Marseille...

Carlo Ceresa (San Giovanni Bianco 1609 - Bergamo 1679) attributable Full-length portrait of Giacomo Pesenti Oil on canvas (206 x 121 cm - in frame 212 x 133 cm.) This fascinating portrait, portraying a full-length gentleman and datable to the 17th century, illustrates the stylistic and compositional details typical of the pictorial production of the Lombardy area, Bergamo in particular. This reference is reflected in elements such as the natural light, the sober and austere setting and, above all, the subtle psychological characterisation of the face. We are inclined to identify the hand of portrait painter Carlo Ceresa, one of the most illustrious Bergamasque figure painters of the 17th century, capable of developing a style of intense realism and acute psychological investigation. In his works, and our portrait perfectly reflects his canons, an extraordinary naturalistic imprint, great realism and remarkable essentiality are evident. Those traits of severity, moral rigour and austerity typical of his portraiture find a perfect balance here: never courtly or rhetorical, his portraits are profoundly linked to the concept of counter-reform. Immortalising the main personalities of the time, he established himself as a point of reference for the Bergamasque aristocracy, from the Vertova to the Pesenti to the Secco Suardo. The subject of the portrait is Giacomo Pesenti, here immortalised life-size in a rigorous black suit, his left hand resting on a table, on which is placed the necessities for writing and a manuscript, and his right hand, with a sealed ring on his little finger, abandoned along his side while he holds his gloves. He wears a suit of incredible rigour, dressed as befits a man of his high social standing, while the sharp light focuses on his face, with an intensity that seems to be accentuated by the reflection of the white collar, with its sharp profile. For Ceresa, it is not the richness of the garment that gives value to the person portrayed, it is the need to give feeling and bring out the character of the person, and this he succeeds in marvellously, aided by his ability to capture the essence of the person and return it to us in painting through the face and light used as a strong expressive element. In fact, the image highlights that 'counter-reformed' composure typical of the portraiture of painters active in this area and era, adhering to a verism...

This map, titled 'Royaume des Amazones', was created by Alain Manesson Mallet and published in 1684 in a German edition of *Beschreibung des Gantzen Welt-Kreisses*, a renowned work d...

Chinese, Ming Dynasty. Pair, Ming Dynasty Gilt Bronze Diminutive Chinese Foo Dogs or Guardian Lions of extraordinary quality and casting. Procured from an important New York Collect...

"Daily Life in Brazil" This striking copper engraving, part of Arnoldus Montanus' "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-Landes", presents a ...

Antique map titled 'Pas kaart van de Noord Kust van Espaniola (..)'. Beautiful sea chart of the northern part of Hispaniola, western Cuba. The map includes the Turks & Caicos Islands and southern part of the Bahamas. Shows Guanahami or S. Salvador. Guanahani is an island in the Bahamas that was the first land in the New World sighted and visited by Christopher Columbus' first voyage, on October 12, 1492. It is not known precisely which island it was, and several theories have been put forth by historians. Guanahani is the native Taíno name; Columbus called it San Salvador. Originates from 'De Nieuwe Groote Lightende Zee-Fakkel'. Published by J. van Keulen, circa 1684. The Van Keulens were a family of chartmakers and publishers. The firm, In de Gekroonde Lootsman (In the Crowned Pilot), was founded in 1678 by Johannes van Keulen (1654-1715). Van Keulen originally registered his business as a vendor of books and instruments (specifically cross-staffs). In 1680, however, he gained a privilege from the States of Holland and West Friesland for the publication of pilot guides and sea atlases. In that year, van Keulen released his Zee-Atlas (Sea Atlas), which secured him a name in the competitive maritime publishing market. In 1681, he published the first volume of Nieuwe Lichtende Zee-Fakkel (New Shining Sea Torch). This would be the first of an eventual five volumes originally published between 1680 and 1684. A sixth volume was added in 1753. The Zee-Fakkel won van Keulen lasting fame. The atlas had charts compiled by Claes Jansz Vooght and artwork from Jan Luyken...

Beautiful and rare 17th century French oak trestle / refectory dining table with 19th century restorations. A refectory table is a very elongated table originally for dinner in mona...

Antichità Castelbarco SRLS is proud to present: Claudio Ridolfi (Verona, c. 1570 - Corinaldo, 1644) Workshop/circle The Guardian Angel in Glory Oil on canvas 124 x 84 cm. - With fr...

Very special coin, listed under photos all documents please review them, this is 1715 Fleet coin absolutely astonishing piece of history. WHAT YOU GET AT S...

This map titled *Pascaret van Schager-Rack de Bælt en de Sondt* was created by the prominent Dutch cartographer Johannes van Keulen and published in Amsterd...

The painting "The Road to Emmaus in a Landscape" by Gillis de Hondecoeter is a masterful example of early 17th-century Dutch landscape painting. The sce...

This 17th-century Solomonic column, adorned with gilt carvings and a well-aged polychrome finish, boasts a fantastic patina, though it shows some documented loss in areas, as seen in...

Capture the allure of the past with our Brussels Flemish 17th Century Tapestry Pillow. Sized at 12" x 9", its detailed design and compact form make it a charming accent for any chair...

Antique Italian painting from the second half of the 17th century. Artwork oil on canvas depicting a religious subject Penitent Magdalene of excellent pictorial quality. Large size p...

This is an original detailed engraving of the greater coat of arms of Sweden, referred to in Swedish as "Svea rikes huvudvapen." The engraving was printed in Paris in 1669 according to Erik Vennberg. The coat of arms is elaborately detailed, with each escutcheon representing a component of the Swedish empire, including the arms of the House of Vasa among others. At the center, the shield is crowned with a regal crown, symbolizing the Swedish monarchy. Two regally posed lions, a common heraldic symbol of courage and strength, support the shield. The entire composition is topped with a mantle that looks to be teeming with various heraldic motifs, representing the unity and history of the Swedish nation. The intricacy of the work is indicative of the period's engraving techniques, with each line meticulously carved to bring out the opulence and intricate detail of the symbols. The coat of arms is a visual representation of the sovereignty and history of Sweden. The engraving is attributed to Jean Le Pautre, a notable French engraver from the 17th century, while the author of the work is Erik Dahlbergh...

Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master Dutch Art, Travellers or Riders resting by a tent and gambling

Antique map titled 'Holy Island, Staples and Barwick.' A map of the coast of Northumberland, England. This map includes Holy Island, Buckton, Sunderland and the Farne Islands. Th...

Scandinavian Mid-Century Modern design darkwood bookcase designed by Poul Hundevad and produced by Hundevad Møbelfabrik in the 1960s, variable ...

Rare 17th century carved walnut chest of drawers, bracket carved feet. Italy , Emilia PLEASE NOTE THAT THE EXPORT AUTHORIZATION BY THE ITALIAN MINISTRY OF CULTURAL HERITAGE TAKES ...

Genoese school of the second half of the seventeenth century Circle of Domenico Piola (Genoa 1627-1703) The Holy Family Oil painting on canvas 83 x 68 cm. - in an antique frame 99 x...

Gaspard Dughet, called Gaspard Poussin (Rome 1615 - 1675) - attributable to Wooded landscape of the Roman countryside with the Archangel Raphael and Tobiolo oil painting on canvas second half of the 17th century (cm.) 75 x 98, with frame 91 x 115 On the back old label inscribed "Monte dei Paschi di Siena" The painting has characters clearly linked to the Roman culture of the seventeenth century and, in particular, to the works of Gaspard Dughet, an author who was able to achieve surprising results in describing the Lazio countryside with a unique grace and sensitivity. Brother-in-law of Nicolas Poussin, of whom he was a pupil, Dughet is to be considered among the most important landscape painters of the Roman Baroque, highly sought after and celebrated by the aristocracy, a reference model for the artists of the following generation, such as Crescenzo Onofri, Jan Frans van Bloemen and Andrea Locatelli...

17th Century English carved oak corbel “The Green Man”. Rare antique decorative architectural ornament of the enigmatic Green Man. Images and carvings ca...

An Arita dish in storage box. Edo Period ( 17th century) Decorated in overglaze enamel on underglaze blue. Flowers, landscape, Dragon and Phoenix. Color bursting from it. Period; ...