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Very special coin, listed under photos all documents please review them, this is 1715 Fleet coin absolutely astonishing piece of history. WHAT YOU GET AT S...

An antique late 17th century Flemish Biblical tapestry, size: 9'5 H x 6'5 W, envisioning the Old Testament Biblical conflict between Cain and Able, with ...

This engraving of Guangzhou ("Kanton") is from a French edition of Olfert Dapper's work. The French edition titled "Description de l’Empire de la Chine" was published in 1674. It is ...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

This fantastic Flemish 17th century Old Master oil painting is by Thomas Van Apshoven. It was painted circa 1650 and depicts a village with figures outside a tavern, eating, drinking and dancing. Beyond are more dwellings, villagers and animals, all under a blue summer's sky. The detail, brushwork and vibrant colouring are superb. This is an excellent example of Apshoven's work and a typical subject he loved to paint. Provenance. Leominster estate. Wax stamp verso. Condition. Oil on panel, 22 inches by 17 inches and in good condition. Frame. Housed In beautiful gilt frame, 30 inches by 25 inches and in good condition. Thomas van Apshoven (1622– 1664) was a Flemish painter known for his landscapes with peasant scenes and genre scenes in interiors. His genre scenes depict village festivals, the interiors of taverns, village scenes or landscapes with peasants engaged in various activities, singeries, guardroom scenes and laboratories of alchemists. Some still lifes have also been attributed to him. His themes and style are close to that of David Teniers the Younger. He was born on 30 November 1622 in Antwerp as the eldest son of Ferdinand van Apshoven the Elder and Leonora Wijns. His father was a painter who had studied with Adam van Noort and had become a master of the Antwerp Guild of Saint Luke in 1596. No paintings by his father are known. His younger brother Ferdinand van Apshoven the Younger became also a successful painter. Thomas studied under his father. Some sources state that he became a pupil of the prominent genre painter David Teniers the Younger. It is more likely, however, that he was an imitator of Teniers. He was registered as a 'wijnmeester' [son of a master] in the Guild of St. Luke of Antwerp in the guild year 1645–1646. He married Barbara Janssens on 22 March 1645. The couple had four children. The godfathers of the children included the painters Victor Wolfvoet...

A large Blue & White transitional plate with a nice decoratrion. Additional information: Material: Porcelain & Pottery Type: Plates Region of Origin: China Country of Manufacturing:...

Antique print China titled 'Ordo equitanis exercitus'. Old print depicting the cavalry. This print originates from the Latin edition of Nieuhof's w...

Untitled antique print with two views of Cairo, Egypt. 78: Palace of Sultan Gori. 79. Tower and aqueduct. This print originates from 'Reizen van Cornelis de Bruyn, door de vermaardst...

A French Aubusson rustic tapestry from the late 17th century, depicting several villagers on either side of a large tree in the right foreground, watching the cargo being unloaded from a large vessel docked by the verdant river bank at left, with the turbulent sea at center, and other ships docked by the riverside cityscape in the left distance. Enclosed by a narrow monochromatic border. Wool with silk inlay. Measures: 10’1” H x 13’9” W This tapestry was probably woven after a design by the French painter Claude-Joseph Vernet (1714-1789), renowned for his Marines, or maybe by his student Charles Grenier de Lacroix also known as Lacroix de Marseille...

It is a work that is said to have been drawn by Kano Soyu as you can see. It is a picture of the light-colored Sansui map carefully drawn to the smallest detail, and the towering m...

A French Aubusson “Louis XIV” allegorical tapestry from the late 17th or early 18th century, depicting an allegory of Spring, with Flora crowned b...

Title: "Aromatic Treasures of the Indies: The Enchanting Scents of De Bry’s Exotic Collection" Description: This intricate 1601 engraving from Theodore de Bry’s collection showcases...

Antique print titled 'Jean Budes Conte de Guebriant (..)'. Portrait of Jean Baptiste Budes, Comte de Guébriant, half-length directed to right and looking to front, with shoulder-leng...

Finely painted landscape scenes in vertical panels, depicting mountains, rivers, pavilions, arched bridges, and scholar figures in flowing robes. The scenes are rendered in varying d...

Antique portrait titled 'Lodovicus D.G. (..)'. Portrait of Louis II, King of Hungary, Croatia and Bohemia. This print originates from 'Tooneel der keysere...

Cats Fighting, 17th Century attributed to David DE CONINCK (1642-1700) Large 17th Century interior scene of cats fighting, oil on canvas. Excellent quality and condition for its ag...

Sharing with you this very nice edo period, 1680-1700, example. With a garden floral scene. Marked at base: made in the Hua Qing period of the great Ming Dynasty Arita ware, also known as Arita-yaki, has its origins in 1616, when a Korean farmer, Yi Sam-pyeong, discovered white clay kaolin in Arita and used it to create Japan’s first porcelain. Arita was the first place to produce ceramics in Japan. After the discovery, a number of kilns opened in the area and it soon became a source for Japanese export porcelain...

Artist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper Limited edition: Unknown Printer: John Baskett, London?, UK Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK Sheet size (irregular margins): 17.25" x 10.5" Image size: 14.75" x 9.5" Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors Very rare Notes: Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK. In the foreground, John the Evangelist, holding a pen and writing...

Antique print titled 'Een Walvisch lang zo voeten, gestrandt op de Hollandtse zee-kust, tusschen Schevelingen en Katwyk, in Sprokkelmaandt, 1598'. Beautiful original antique print of...

Featured is an extremely rare 17th century Dutch William & Mary Chinoiserie style coffer trunk on stand. This gorgeous piece was constructed of oak in the traditional William and Mary style. The trunk is japanned with red lacquer and was hand painted with Chinoiserie scenes of life in China. There are two iron straps that mount the top to the case. There is also one iron lock, although the key is absent the latch closes and holds the top securely in place. The lacquer is 90% complete with only small losses around the edges and in various places. The top has been reinforced with oak straps underneath to prevent the jointed board from moving. The lacquer has a warm patina throughout and shows very well. The lower stand is fitted with a pair of drawers that are also japanned and hand-painted with Chinoiserie scenes on the drawer fronts. Both drawers are fitted with Dutch style brass tear drop pulls. The stand itself is built of oak with turned legs that are pinned together with traditionally carved Jacobean Influenced leg stretchers on both the right and left sides as well as one main lower center stretcher. If you are looking for a very rare and well preserved piece this is the one. This item was almost surely on a Dutch East India Trading company...

A spectacular flemish 17 century combined verdure and mythological handwoven wool tapestry in a simple palette of beige, green, brown and blue, framed with a complete floral border and its original protective burlap backing .Combining romanticism, classicism and baroque artistry, this tapestry is a quintessential example of this highly evolved art form that flourished in Dutch-influenced Flanders throughout the 17th century. The exact mythological event represented by the tapestry is unfortunately not known and I urge viewers and readers of this write up who may recognize the scene to please contact us with the information, for which we would be greatly appreciative. The scene depicted by the tapestry revolves around three life-size classically draped figures with the leading protagonist consisting of a plumed helmeted and uniformed high ranking Roman official in the foreground taking up the entire left hand side of the tapestry. The official is holding the hand of a young woman and is pointing in the direction of a partially visible masted galleon suggesting a departure or a sea faring...

Beautiful pair of 17th century hand forged iron candleholders, France, circa 1650. Weathered with great patine more photo's available on request.

Pair of Antique 17th Century Floral Still Life Paintings, Attributed to Vincenzino Italian, second half 17th Century Dimensions: Frame height 111cm, width 170cm, depth 7cm; Canvas he...

This original antique image is a historical depiction from "Suecia Antiqua et Hodierna," which translates to "Ancient and Modern Sweden." This was a significant work of the mid-17th century, initiated by Count Erik Dahlbergh...

17th century, Italian oil on canvas painting with battle between Christian and Turkish cavalry The oil on canvas painting depicts a battle between Christian and Turkish cavalry. C...

Antique print titled 'Leoena - Leo'. Original antique print of a lion and lioness. This print originates from 'Historiae Naturalis De Quadrupetibus Libri I' by John Johnston, published by Matthias Merian in 1657. John Johnston (or Johnstone, 1603-1675) was a descendant of a Scottish family...

Title: "Venngarn Castle, Uppland: A Dahlbergh and Swidde Masterpiece, c. 1695" Description: This enchanting hand-colored copper engraving from circa 1695 captures the grand Venngarn...

Antique print titled 'Calechut'. Wonderful, miniature copper engraving depicting Arion riding on a very cheerful looking sea monster in the important tradi...

Jan Miel (Antwerp, 1599 - Turin, 1663) attributable Return from the Hunt Oil on canvas (51 x 66 cm Framed 74 x 89 cm) Tous les détails sont disponibles sur le LIEN suivant The wor...

Bartolomeo Schedoni (Modena 1578 - Parma 1615) workshop of Portrait of a child (Alessandro Farnese?) First half 17th century Oil on canvas (95 x 66 cm. - In frame 109 x 80) This i...

Large French baroque wrought iron door lock on acrylic stand.

Portrait of a lady, half-length in a feigned oval wearing a ruby coloured silk gown holding entwined strings of pearls across her bodice. Signed 'PNason' and dated 1667 (lower right)...

Still life with peonies, orange blossom and tulips in a vase on a ledge, 19th Century ANTOINE MONNOYER (1670-1747) sales to $95,000 Large 17th Century French Still Life of peonies,...

Unknown artist Prague School Portrait of Emperor Ferdinand I. (1503-1564) 17th century Oil on copper, 21,3 x 16,8 cm Provenance: Private collection, Pennsylvania, until 2016 This work by an unknown artist is a semi-portrait in predominantly brown-green tones. brown-green tones of the emperor Ferdinand I, who was crowned emperor in 1558. Ferdinand I of the Habsburg dynasty, who was crowned emperor in 1558. in a suit of armour lavishly decorated with gold ornaments. The portrait of Ferdinand...

Portrait Of A Elizabethan Gentleman Traditionally Identified As Edmund Spenser (1552-1599) Large Elizabethan School portrait of gentleman traditional...

Antique print titled 'Hercules inter Hesperides Romanis in hortis Mediceoru'. Engraving of Hercules in the Garden of the Hesperides. This print o...

Antique map titled 'Les Iles du Iapon (..)'. Original antique map, with beautiful (later) hand coloring, of Japan and the Island of Corey (Korea). Uncommon edition, with '234' at top...

"1644 Janssonius Map of Champagne, France" This meticulously detailed original antique map, engraved in 1644, is a work by the esteemed cartographer Johannes Janssonius. It depicts the historic province of Champagne, situated in the northeastern part of France. The map is notable for its high level of detail, with meticulously drawn boundaries, city markers, and river courses. It features a beautifully rendered cartouche adorned with the provincial coat of arms, flanked by classical figures, indicative of the region's cultural significance. In the lower left corner, a pair of cherubs are engaged in surveying, symbolizing the scientific endeavor of cartography. The elaborate compass rose and the scale bar further complement the map's utility and artistic merit. Champagne is renowned globally for its viticultural heritage, being the birthplace of the eponymous Champagne sparkling wine. The region's unique terroir, with its chalky soil and cool climate, is ideal for the production of the grapes used in champagne-making. The historical significance of Champagne extends beyond winemaking; it has been the site of pivotal battles and royal coronations, which shaped the course of French and European history. This map is not only a navigational tool but also a snapshot of a region rich in history and tradition, an artifact that embodies the geographical and cultural prestige of Champagne. This description provides a detailed visual and contextual presentation of the map, suitable for a catalog entry, emphasizing both its artistic features and the historical and cultural importance of the Champagne region. THE WINE AREAS: The Champagne region, known primarily for its production of the sparkling wine that bears its name, encompasses several important cities and sites of historical and cultural significance: 1. **Reims**: Often considered the unofficial capital of the Champagne region, Reims is renowned for its grand cathedral, Notre-Dame de Reims, where French kings were historically crowned...

Plate 'Covorden.' (Plan of the fortified city of Coevorden, The Netherlands.) This attractive original old antique print / plate originates from: 'Ausführliche und grundrichtige Besc...

Description: Antique map titled 'Delineato Regionis Bassora cum Angis uminibus et Isulis.' Map of the Bassora (Basra) region, Iraq. Artists and Engravers: Made by 'Olfert Dapper' ...

Untitled print of an Arab smoking a pipe, sitting on a carpet. This print originates from 'Reizen van Cornelis de Bruyn, door de vermaardste deelen van Klein Asia, de eylanden Sc...

Antique print titled 'Additions pour l'Asie reponz dans aux chifres (..) - Surate ou Souratte'. View of the city of Surat, southeastern Gujarat state, west-central India. With variou...

An original copper engraving from the renowned "Suecia Antiqua et Hodierna," an atlas of Sweden created under the direction of Erik Dahlberg in the late 17th century. This particular engraving, crafted by Willem Swidde in 1692, depicts the Östanå herrgård (manor house) in Gränna, located in the Jönköping county of Småland. The engraving showcases the manor in a stately fashion, with a classical architectural design featuring symmetrical wings and a central structure adorned with a grand staircase. The scene is animated with figures in the foreground, indicating the manor's role as a hub of activity and societal life. The garden layout...

These images are rare but fine examples of original 17th-century European engravings, displaying characteristics that might point to an Italian origin based on stylistic analysis. Th...

Untitled antique print with a view of the city of Cairo in Egypt and Joseph's Well in Cairo. This print originates from 'Reizen van Cornelis de Bruyn, door de vermaardste deelen van ...

Antique portrait titled 'Iacobus IIII dei Gratia Scotorum Rex'. Portrait of James IV of Scotland. This print originates from 'Tooneel der keyseren ende coningen van christenryck sede...

Follower of Jacopo Da Ponte, called Jacopo Bassano (Bassano del Grappa, circa 1510 - Bassano del Grappa, 13 February 1592), 17th century Allegory of the Spring Measures: With frame: ...

The engraving is a historical depiction of Rosersberg Castle, a baroque estate in Sweden. These engravings, often created in the 1690s as part of Erik Dahlberg's collection, typically showcase a bird's-eye view of the castle and its elaborate gardens. Such prints are valuable for their detailed representation of Swedish architectural heritage from the era of baroque grandeur. They usually feature notable age-related toning and wear, indicative of their antique status. These pieces of art are collectibles that capture the essence and grandiosity of Swedish noble...

Untitled print of a man from Cairo, Egypt. The man is playing an (music) instrument. This print originates from 'Reizen van Cornelis de Bruyn, door de vermaardste deelen van Klein As...

Portrait of the Hon. James Thynne (c. 1680-1704), full-length, in the gardens of Longleat House, seated beside a fountain, holding a shell beneath water spouting from a horn blown by a cherub on a dolphin. A glimpse of part of Longleat House can be seen upper left. Oil on canvas in a period giltwood frame, decorated with leaves and acorns. C. 1682. Dimensions: 145 x 123cm (57 x 48in) in frame Provenance: Ex Longleat House, Wiltshire Private collection, Bath James Thynne was the youngest son of Thomas Thynne, 1st Viscount Weymouth and Frances Finch of Longleat House, Wiltshire. He died in his youth and his Aunt, Anne Kingsmill Finch, Countess of Winchilsea (1661-1720), wrote a moving poem on his death. He was buried in the family vault at Longbridge Deverill, Wiltshire. A mezzotint of this painting by William Faithorne the Younger is held in the Royal Collection. Johann Kerseboom (d.1708) was the nephew of Frederick Kerseboom and first worked in Germany before coming to England in the 1680's where his sitters included the 'Electress Sophia Dorothea' (known from a mezzotint by William Faithorne). His early works were influenced by William Wissing...

Antique map titled 'Mansfeldiae Comitatus Descriptio'. Original antique map of the region of Mansfeld, Saxony-Anhalt, Germany. Shows the area between Halle a. d. Saale, Aschersleben,...

This original rare print depicts the siege and capture of Oudenaarde on July 5, 1582, during the Eighty Years' War. A notable incident during this event was the miraculous escape of ...

Vung Tau Shipwreck Coralized Blue Underglazed Porcelain Lidded Vase. Almost perfectly Identical piece from Vietnamese Royal Family in United States provenance have been sold at other auction in California. This stunning porcelain lidded vase is elaborately decorated in a vivid blue underglaze with an ornate scene of concubines in a flower garden. The bottom of the vase bears a conch marking in underglazed blue, is a symbol of royalty, dignity and high rank, the 'Sacred Lungs of Buddha' and spiritual authority. Period : Qing Dynasty, Kangxi reign Production Date : 1690-1699 Made in : Jingdezhen Destination : Amsterdam Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

Capture the allure of the past with our Brussels Flemish 17th Century Tapestry Pillow. Sized at 12" x 9", its detailed design and compact form make it a charming accent for any chair...

Title: "Maritime Elegance: A Dahlberg View from 'Suecia Antiqua et Hodierna'" Description: This captivating hand-colored copper engraving is a piece from "Suecia Antiqua et Hodierna...

Antique print titled 'Divo Caesar Augusto L. Clunidius I. F. Cla: ponto'. Original antique print showing a view of the Dardanelles, Turkey, with ships. This print originates from 'Na...

Title: "Rosersberg Palace: Dual Perspectives by Willem Swidde" Description: The featured antique engravings portray Rosersberg Palace in Sweden, captured from two distinct vantage p...

This is a very good example of a late Jacobean carved oak Tavern table. The generous 30 inch round top is an unusual feature as the majority of tavern ta...