Art on Sale

Cape Cross (13 March 1994 – 21 April 2017) was an Irish-bred Thoroughbred racehorse. He is a son of the July Cup winner Green Desert and Cheveley Park Stakes, winner Park Appeal who ...

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...

Portrait Of A Spanish Marquess, 18th Century attributed to Louis-Michel VAN LOO (1707-1771) Large 18th European portrait of a Spanish Marquees / Noble at a bureaux signing a docum...

Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

"Forest at the bottom of the Slagheaps", Walbrzych, Silesia, Poland, 1978 Silver Gelatin Print, Signed and dated in pencil on verso Printed in 2008 by the Photographer, hand printed darkroom print. 17 3/10 × 12 1/5 in 44 × 31 cm 50 x 37 cm paper size with white border , 44 x 31 cm (image size) "My fascination started when I first saw industrial centres of Upper and Lower Silesia,’ says Cała. ‘The landscape was terrifying and beautiful at the same time. It did not change for the whole period from the 19th century to the end of communism in Poland." - Michal Cala Exhibition frame as seen on additional picture available upon request - please contact gallery for further details or purchase unframed print with a free shipping worldwide. About the Artist: "Cala become relatively well known in Poland but he is still little known in the West, despite the fact that his work bears comparison with masters such as Bill Brandt and Robert Frank." - Bill Kouwenhoven, British Journal of Photography, 2007 Michal Cala was born in Toruń, Poland in 1948 and studied aircraft construction in Warsaw at the University of Technology in the early 1970's. From 1974 to 1983 he worked as an engineer in various companies in Silesia, and began photographing in the area. In 1977, he moved to Tychy in Upper Silesia, where he co-founded the photographers' association KRON and become a member of the ZPAF - the Union of Polish Art Photographers. Relatively unknown outside of his native country, his work is in several museum collections in Poland; in the Silesian Museum of Katowice, the Silesian Library in Katowice, the Upper Silesian Museum in Bytom, the Coal Mining Museum in Zabrze as well as local government building in Duisburg in the Ruhr (Germany) and MAST Foundation (Bologna) and various international private collections. His work has received much acclaim and won numerus awards; among which are the Grand Prix at the Polish Landscape...

The Night Royal Mail Coach To London, 19th Century attributed to Charles Cooper HENDERSON (1803-1877) Fine large 19th Century scene of a Lon...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** "America" is a unique eagle design by Mauro Oliveira. This exquisite...

large scale original photograph of dramatic cloud formations and reflecting sea SEASCAPE VII by Frank Schott 58 x 58 inches ( 147 x 147cm ) signed edition of 7 48 x 48 inches ( 12...

A contemporary black-and-white photograph by Roberta Fineberg who captures the San Remo building and New York City skyline after dark from the urban oasis Central Park. Focusing on the beaux-arts building towers or twin Greek temples...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...

Black and white unique gelatin silver print, (chemical print on fiber-based paper), in white frame. Betsy Kenyon’s work is a merging of different processes; using darkroom technique...

“Nature creates nothing without the purpose” - Aristotele Anthurium - flower study, originally taken on medium format Fujichrome transparency colour film in the studio setting, in 1...

The painting (oil on canvas, 44.5 x 35 cm; with wood frame 64 x 54,5 cm) represents a moment on deception. It's signed Maccari on the bottom left, and it's dated 1956 and titled "ins...

Artist: John McCormick, American Title: 1956 Ford Thunderbird Year: 1983 Medium: Oil on Canvas Size: 18 in. x 32 in. (45.72 cm x 81.28 cm)

Katie Eleanor, St Medard and the Devil II, 2019 Handcoloured portrait of a devil creature, immobilised in marble, inspired by the tale of St Medard. Purchasing on his rock, he lovin...

86.IV.47 - 06 markings on sticker verso, Edition not know. Matted and framed under glass, not examined out of frame. Done for the American Express Company

Medium: Oil on Board Dimensions: 10.00" x 8.00" Signature: Signed Upper Left A still life image of wine and fruit (pitcher and fruit). There are two pictures.

Eleven Minors and You high polished Chrome metal elements Zammy Migdal 2018- Comprised of 11 high polished stainless steel elements, this interactive installation can be displayed i...

Medium: Acrylic on Canvas Dimensions: 24.00" x 20.00" Signature: Signed Lower Left Gin Rummy Game

Haiku #35 - Digital Vector Drawing Seated Female Nude Woman Figure Looking Back This is a limited edition (50) digital black & white print of a seated female nude, executed in 17 ve...

The aluminum and polyurethane painted outdoor sculpture undulates and flows with three red bands each in a different shade of red. From the artist's Levitation series, this sculptu...

Late 19th century still life of a beautiful floral bouquet by Elisabeth Von Wundt (German, b-1856) . Signed " Wund"; lower left. Artist's signature on verso. Presented in a giltwood ...

Edition of 1 The stunning fine art portraits by fine art photographer Laurentina Miksys have been described as opulent, timeless, and emotionally expressive. When they have a soul...

Impressionist landscape of a river at the edge of the woods by Yuri Gusev (Russian, b. 1928). There is a kneeling figure between the trees in the foreground. Presented in a pink-hued...

Antique American impressionist flower landscape oil painting by Edward S Annison. Oil on board, circa 1910. Signed. Image size, 9L x 12H. Housed i...

Laura Nugent describes her paintings as “colliding blocks of color made orderly overtime.” In her "Small Series", Nugent continues to explore color relationships in softly geometric compositions on new surfaces such as uniquely textured repurposed paper and vintage hardback book...

"The Mountain" (FRAMED) Photography 50"x40" inch Ed. 1/12 by Rob Woodcox Size framed: 56" x 46" inch Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 Other sizes available ...

Thomas Victor Downing (1928 - 1985) Nineteen, 1968 Acrylic on canvas 35 1/2 x 16 1/2 inches Signed on the reverse Provenance: Estate of the artist Henri Gallery, Washington, D.C. Private Collection, Washington, D.C. Thomas Downing was born in Suffolk, Virginia. In 1950, after graduating from Pratt Institute in New York City, he received a grant from the Virginia Museum of Fine Art to study in Europe. Upon returning from Europe, he settled in Washington, DC to teach at Catholic University. In 1954 Downing became a friend of Kenneth Noland, whose life drawing course he attended. From 1955 to 1956 Downing shared a studio with Howard Mehring, another artist who came to be identified with the Washington Color School. Downing had his first one-man show at the Washington Workshop Center for the Arts in 1959. That year, Downing, Mehring, and Betty Pajac founded Origio, a cooperative art gallery in Washington. In 1959 Downing first began using the small dot in his work, a motif he explored fully into the 1970s. In the early works colorful dots determined the structure of the painting in their size, position, and repetition within a grid. Often there was a sense of concentration and expansion of the composition from the center to the edge of the canvas, achieving a visual impression of expanding open space. Looking for the fusion between the grid and color, Downing eliminated overlapping dots in 1962. The dots arranged in grids seem to project from the canvas surface, giving the impression the color floats unrestricted by the square format of his paintings. Downing’s position in the Washington Color School came from his consistent approach to color. The canvas was the receptacle of color, on which Downing often worked in tonal modulations of a hue. Downing developed shaped canvases in 1966 as a structural solution to his deeper consideration of the “spatial definition” of color. After first working in a parallelogram shape, Downing next worked in chevron-shaped canvases that examined the illusionistic qualities of color. He exhibited these works in a solo exhibition at the Corcoran Gallery in 1966-1967 and later at the Allan Stone Gallery in New York in 1967. Downing’s second series of shaped canvases titled Folds were created in 1968. In the Fold series he discovered a new effect of relief and spatial depth within a flat work that could be enhanced by color. The projections and folding in the Fold paintings suggest the paintings exist in a world without gravity. Downing exhibited in a group show at Jefferson Place Gallery in 1960 and had his first solo exhibition there in the spring of 1961. Downing had solo exhibitions in New York at Allan Stone Gallery in 1962, 1967, and 1968. He also had solo exhibition in New York at Stable Gallery in September 1963 and January 1965. In the early 1970s Downing had regular solo exhibitions at the Pyramid Galleries in DC. In the 1960s Downing was included in important museum exhibitions, including: Post Painterly Abstraction at Los Angeles County Museum of Art, 1964 (Clement Greenberg curated and included three of Downing’s dial paintings); The Responsive Eye at the Museum of Modern Art, 1965; Colorists, 1950-1965 at the San Francisco Museum of Art, 1965; Systemic Painting at the Solomon R. Guggenheim Museum, New York, 1966; and Color Field Painting at the Philadelphia Museum of Art in 1970. Thomas Downing: Recent Paintings was held at the Corcoran Gallery of Art in December 1966 - January 1967. A solo exhibition of his paintings from 1962 to 1968 was held at the La Jolla Museum of Art then travelled to the Phoenix Art Museum in 1968. Downing had a solo exhibition at the Phillips Collection in 1985. Downing taught at the Corcoran School of Art and Design, Washington, DC from 1965 to 1968. There he was influential for the next generation of DC color...

"Modernismo M32 LED" Photography 50"x50" in Edition of 1/6 by Giuliano Bekor Year created 2018 Print size 50 Inches diameter Trim Bleed Artwork finish size 52 Inches diameter Edi...

Artist: Todd Connor (American, 1964-) Title: "Where's Pa?" *Signed by Connor lower right. It is also signed and titled by Connor lower center on verso Year...

From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color 27 x 40 inches (68 x 102...

Edition of ONE The stunning fine art portraits by fine art photographer Laurentina Miksys have been described as opulent, timeless, and emotionally expressive. When they have a so...

Flying with his own plane, one hand of the wheel and the other with his camera, Klaus shoots these amazing aerials. None have been manipulated or color corrected.

Artist: Matta, Roberto Title: Untitled Series: The Obscure Arc of the Hours Date: 1975 Medium: Engraving Framed Dimensions: 33" x 40" Signature: Signed Edition: 33/33 ...

A beautiful black and white photograph of the ship "Balclutha" in dock, with Coit Tower in the background by famed San Francisco photographer Gene Wright (American, 20th Century). Im...

Yayoi Kusama Yellow & Black Pumpkin (plush): An iconic, vibrantly colored pop art piece - this large Kusama plush pumpkin features the universal polka dot patterns and bold colors fo...

Wonderful mid-century modern oil painting of wheat and fruit by Wanda Faust (American, 20th century), c.1950. Signed lower left corner "Faust." Displayed in rustic wood frame. Image,...

Edition of ONE The stunning fine art portraits by fine art photographer Laurentina Miksys have been described as opulent, timeless, and emotionally expressive. When they have a so...

Edition of TWO 1/2 The stunning fine art portraits by fine art photographer Laurentina Miksys have been described as opulent, timeless, and emotionally expressive. When they have ...

Edition of 5 The stunning fine art portraits by fine art photographer Laurentina Miksys have been described as opulent, timeless, and emotionally expressive. When they have a soul...

This Green neon Buddha statue, is 2 layers of laser cut Plexiglas joined together by brass industrial elements. A unique Buddha sculpture, de...

The Knight is an original oil painting on canvas realized during the XVII century by an anonymous artist. Provenance: Pecci-Blunt collection. Good condition...

Exquisite black and white photograph of Nikita Khrushchev, a portrait in profile of the former Premier of the Soviet Union, by Yousuf Karsh from his ...

Stunning green abstract photograph reminiscent of Ikat fabric by Janet Van Arsdale (American, 20th Century). Signed in pencil lower left corner. Presented in black frame with double ...

Stark, surrealist study of two nude figures in a color saturated room by Clayton Anderson (American, 20th Century), 1970. Signed and dated by the artist, left margin. Presented in a ...

11 x 14" vintage silver gelatin photograph of Paul Morrissey, director of Andy Warhol's ‘Trash’, photographed for Vogue magazine on September 21, 1970. ...

'Untitled Cubist Figure', oil on board, by STM (circa 1970s). A vibrant modern painting inspired by Picasso and Braque, the artist uses angles, lines and...

Due to the size of the work, it was sent rolled in a tube The painting in question is an impressive work that stands out for the intensity of its colors and the dramatic texture of ...

Striped Composition is an original lithograph realized by Raoul Ubac for the Art Magazine Derrière Le Miroir 142, in 1964 . Printed by Ateliers de Maeght, Paris, 1964. Good conditi...

Carlos Enrique Alvarez Delgado (1976, Pinar del Río, Cuba) studied at the E.V.A. Raúl Sánchez (Pinar del Río) and later at the National School of Plast...

Haiku #25, 1/50 - Digital Vector Drawing Leaning Female Nude Woman Figure This is a limited edition (50) digital black & white print of a leaning female nude, executed in 17 vector ...

A luminous still life that borrows themes from Dutch 17th Century Masters, we are drawn to the very details that Beirne captures effortlessly. The subdued, yet boldness of the colors represent an interesting arrangement throughout. In this painting, Beirne depicts a beautiful Quimper bowl on a wooden board with black grapes and clothe. Signed lower right comes displayed in a wonderful wood ornate antique gold frame with hanging wire on verso. Art measures 9 x 8 inches Frame measures 12 x 11 inches Bert...

Pablo Picasso (1881-1873) Jacqueline au regard d'Oiseaux Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Haiku #53, 1/50 - Digital Vector Drawing Female Nude Woman Figure Tossed Hair This is a limited edition (10) digital black & white print of a seated female nude, executed in 17 vect...

Haiku #54, 1/50 - Digital Vector Drawing Female Nude Woman Figure Short Hair This is a limited edition (10) digital black & white print of a seated female nude, executed in 17 vecto...

L'homme aux Chats l Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Haiku #52, 1/50 - Digital Vector Drawing Seated Female Nude Woman Figure Glasses This is a limited edition (10) digital black & white print of a seated female nude figure, executed ...