Art on Sale

The abstract floral artwork "Flourish of Colors" by French artist Natalya Mougenot is part of her Floral series. This vibrant painting bursts with energy, capturing a rich array of c...

Snow in the Valley - Winter Landscape in Oil on Canvas Serene winter landscape by A. V. Gagliardi (20th Century). A valley is covered with snow, with a small house and river in thew...

This exquisite painting, titled "Rocky Path With Figures" is a captivating example of Thomas Barker of Bath's talent. Despite its small size, measuring only 13 x 11 cm, this piece sh...

Paper Size: 33 x 24 inches ( 83.82 x 60.96 cm ) Image Size: 27.25 x 23 inches ( 69.215 x 58.42 cm ) Framed: No Condition: A: Mint Additional Details: Poster for the Cone Collect...

Created by Jean Michel Basquiat for his exhibition at Yvon Lambert, Paris in 1988. Super vibrant colors with many interesting details of images and words combined in Basquiat's styli...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Summer 87 ' Limited edition of 5 Signe...

"In the warmth of this moment, let time stand still, and worries fade. Together, let’s cherish this peaceful space, where love and connection are the only pace. Shipping Procedure S...

Louis Aimé Japy 1840 - 1916 Oil painting on canvas Fully signed Picture Size: 21.25 x 28.25" (54 x 72cm) Outside Frame Size: 28.25 x 35.25" (72 x 89cm) Excellent age appropriate con...

limited edition print on paper hand signed 25x35cm(40x50cm full size) Limited Edition, Hand Signed Certificate of Authenticity

Mediterranean Landscape II', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a view of a ...

A finely detailed silhouette of a Victorian gentleman. Hinton Gibbs (1783-1839) Portrait of a gentleman, bust length, turned to the left, wearing coat and cravat watercolour, revers...

Paper Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Image Size: 12.25 x 17.75 inches ( 31.115 x 45.085 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°12, 1959. Published and printed under the direct...

Artist: Vahe Yeremyan Work: Print on Canvas Subject: Trees Size: 15" x 26" x 0.8''inch, 38x66x2cm Unframed, Stretched on the wooden bar, Gallery Wrapped, Ready to Hang All works are...

Underwater nude black and white photograph of a perfect female torso wrapped in sunlight. Original gallery quality archival pigment print on archival paper signed by the artist, fur...

Willy Oster Untitled Geometric Abstract Mixed Media Collage; Acrylic, Paper 1990 27.55 x 39.37 inches (70 x 100 cm) Signed, dated and annotated by hand on verso COA provided *Condit...

Barbara Shermund (1899-1978). Fancy Department Store Satirical Cartoon, ca. 1930's. Ink, watercolor and gouache on heavy illustration paper, panel measures 19 x 15 inches. Signed lower right. Very good condition. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

Barbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

A masterful oil painting depicting a view of Paris at twilight. This piece is a pertinent example of the works produced during the 20th Century by the artist with use of beautiful co...

This is a contemporary black and white photograph of American Wild Mustangs. "They represent the ultimate expression of American freedom" - Wild Horses 40x60 Edition of 10 Signed an...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

Barbara Shermund (1899-1978). The Soda Fountain, ca. 1950s. Watercolor and ink on paper, 9 x 12 inches; 13 x 16 inches framed. Signed lower right. Exc...

Barbara Shermund (1899-1978). Tavern on the Green. Watercolor and ink on paper, 9 3/8 x 12 inches. Unsigned. Excellent condition. Provenance: Ethel ...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints This is edition #6/100 Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes, now showing us the nude in the ethereal form. These forms are certainly beautiful, yet a membrane, whose function is unclear, separates them from us: is it to hide, or protect? In person, these works are monumental in scale, adding to their sense of restrained power. In the "NUDES" series, Eric uses only natural light, just as a traditional painter would do in their study. Using slow exposure speeds which allow the lens more time to capture each model's unique character, he reveals a sense of the sublime feminine, which borders on abstraction. Eric's nudes are the same, yet different. They are all beautiful, yet their differences and unique qualities are magnified. "NUDES" is a series that celebrates the human form. For "PAINTERS", Eric collaborates with a different painter for each photograph. More than 100 of them have been invited throughout Europe and the other continents. The artist paints the model in their own style, while Eric searches for attitudes, then he photographs the result. In this way, the Painters series represents a fusion of two artistic visions - something that's not always easy to achieve, yet this series epitomizes a sense of cohesion and dynamic ynchronicity. His work has been exhibited in Belgium, United Kingdom, France, Switzerland, The US , China, Singapore, The Netherlands, Germany, Spain… Current galleries where Eric is permanently resident: USA —— New-York city Galerie L’Atelier / Fremin Gallery Greenwich, Connecticut Galerie L’Atelier / Emmanuelle G Gallery...

"Ahava"—which means "LOVE" in Hebrew—is a vintage original postcard from the Flowers portfolio, created by Robert Indiana in 1995. The term "Ahava" translates to "LOVE" in Hebrew, re...

Annieo Klaas Held Inside a Shaft of Light 2023 Oil on Canvas 40 x 30 inches (101.6 x 30.48 cm) Signed lower right COA provided *On stretcher frame - gallery wrapped - ready to hang ...

"Bronco" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds o...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

'Still Life with Bouquet of Flowers', oil on board (1970), by Lilian Whitteker. This impressionist bouquet of mixed flowers churns with colour, elegantly posed on a table in a goblet...

Mountain Landscape Painting of the English Lake District by British Artist, Philip Stanton. This is a high quality original, oil on canvas, in great condition and ready to hang! Art measures 30 x 20 inches Frame measures 38 x 28 inches (Presented in an ornate gold frame, commensurate with age) This exquisite oil painting captures the breathtaking beauty of a serene lake nestled among majestic mountains, reminiscent of the iconic landscapes found in England’s Lake District...

Paper Size: 21.25 x 36.75 inches ( 53.975 x 93.345 cm ) Image Size: 14 x 36.75 inches ( 35.56 x 93.345 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible m...

"La Protesta" - 1943 Linocut on Paper "La Protesta" (from the portfolio "25 Prints of Leopoldo Méndez") shows the struggle of the working class in Mexico during the 1930s and 1940s....

Frame size 76x92 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After s...

Paper Size: 25.25 x 35 inches ( 64.135 x 88.9 cm ) Image Size: 25.25 x 35 inches ( 64.135 x 88.9 cm ) Framed: No Condition: A: Mint This five-color offset lithograph, featuring a...

Paper Size: 15 x 11.5 inches ( 38.1 x 29.21 cm ) Image Size: 15 x 11.5 inches ( 38.1 x 29.21 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supplemental Condi...

Mediterranean Coastal Scene with Rural Property & Trees in French Countryside, by 20th Century French Artist, Jean-Pierre Vignat (Born 1913) Art measures 21 x 14.5 inches Frame me...

This distinctive acrylic painting by Natasha Lelenco from her acclaimed series Ancestor Clones presents a captivating portrait characterized by a symbolic face composed entirely of s...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, A Los Toros Avec Picasso, 1961. Published by André Sauret, éditeur, Paris; prin...

"Constructivist Sunset Triangles" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful combination of geometric shapes in a classy gamut of colors. The use of p...

Still Life with Goldfish Bowl is a 1980 vintage blank greeting card, originally printed for the Guggenheim Museum. The card is framed in a white wood frame with a front profile of 1 ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity

Early Autumn Farm oil on canvas/panel 10 x 16 image size unframed, 15.38 x 21.38 x 1 framed Early Autumn Farm is a beautiful impressionistic landscape oil painting that I did on loca...

This is a poster titled Carolina Shout by Romare Bearden originally was created in 1967. Carolina Shout captures the vibrant energy and cultural significance of African American lif...

Larry Poons Midget Racer, 1963 Colored Pencil on Graph Paper Signed, titled, and dated by the artist on the lower right front Original frame with gallery label included Provenance: H...

Contemporary expressive vivid painting "Happiness 0.2", created by French artist Natalya Mougenot, depicts nature through a dynamic abstract lens. This standout piece from her collec...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Cahiers d'Art N°24, 1949. Published and printed by Éditions des Cahi...

Larry Zox Two Screen Prints Edition: Signed in pencil and marked XXII/XXX Scissors Jack I Scissors Jack II 39'' x 29.5'' inches Larry Zox is one of the principal representatives...

America Martin "One Two KO" Ink and Acrylic on Paper 26" x 19" 32" x 25” Framed In a distinct style that is both figurative and abstract, gestural and deliberate, America Martin rev...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

This painting is featured in a hand-carved wood frame imported from Spain. Justo Revilla, born in Madrid, Spain in 1940 began his artistic career at the age of thirteen where he a...

Up for sale is a beautiful large oil on canvas painting by the Famous Italian Artist Antonio De Vity (1901-1993) depicting a Paris street view. Signed lower right corner De Vity. Wi...

'The Town Hall of Les Baux-de-Provence', oil on canvas, by Yves Brayer (1946). Having spent several months a year in Provence, the artist created dozens of wo...

Up for sale is a beautiful Antique 19-century original oil painting on canvas depicting a female portrait . This painting is a classic portrait of a woman, set within an oval fram...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

This limited edition print titled Barn and Forsythia III by renowned artist Wolf Kahn was printed by Brand X on Somerset Textured Rag paper and published by the Lincoln Center for th...

Vintage Oil Landscape Art of Redwood National Park Forest in California by 20th Century Artist, Tobias Everet Spence Art measures 14 x 17 inches Frame measures 21 x 24 inches Th...