Art on Sale

"Beach Bar" by Maurice Mazeilie (French) watercolour painting on paper, unframed stamped verso painting: 5 x 7 inches A delightful original oil painting by...

Italy,Venice,Venice, grand canal Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic stud...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 13.5 x 20 inc...

Hand embellished by the artist, "Along Lake Como I" is in excellent condition and hand signed by the artist. It is an ARTIST PROOF. Framing options are always available with The Loft Fine Art.

Artist: (Garo) Karapet Balakeseryan Medium: Hydro Stone, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Fallen Angel, Size:...

Flowers painted beautifully in watercolor by Susan Palmer would look nice in so many homes! This painting is an original and signed by the artist with the...

A whimsical pastel featuring a Mother with her Child on her lap that just pulled a goldfish from it's bowl. A charming large work that is exquisitely framed. Peggy Dodds Williams ...

Alexander Frenz (1861 Rheydt - 1941 Düsseldorf). Plant impression in Locarno. Gouache and watercolour. 35 x 23,5 cm (visible size), 49,5 x 38,5 cm (fra...

Michael Stoffa (American,1923-2001) (Rockport, MA) "Still LIfe with Oranges" Oil on Panel, signed lower right Painting: approximately 8” x 16” The painting needs to be cleaned and ...

Decorative, antique painting, oil on canvas. Sailboats at the lake. Signed lower right. Dimensions without frame 50cm x 60cm. With frame 62.5cm x 72.5cm.

Early Spring oil/panel 10 x 8 unframed, 15 x 10 framed Early Spring is an oil painting on canvas panel that showcases the beautiful light of an early Spring day among flowering trees...

Very finely painted and impressive mid 20th century impressionist seascape with a pelican. Exhibition label verso. Framed.

Autumn foliage. 1990. Cardboard, oil, 95x70 The composition showcases the vibrant beauty of nature during the fall season. The dominant feature of the painting is the foliage itsel...

Painted in an impressionist style this cityscape is a playful peek into the past. An evening stroll in 19th c Paris. Oil city lamps speckle the sidewalks and a horse drawn carriage a...

Best known for his painterly landscape views, Oberteuffer developed a fresh and vigorous style, using a subdued color palette with agile brushstrokes that was influenced by French Impressionism. Boothbay Harbor from the Hill is a wonderful example of this style of painting and shows Oberteuffer’s mastery of subtle color. It is an added plus that Oberteuffer has specifically referenced a clearly identifiable locale- Boothbay Harbor- in his title and additionally denoted that the view was painted from the hillside, potentially capturing actual homes and buildings of the time. Framed in a Gold Leaf Whistler style frame of exceptional quality. The painting has vivid and fresh color and creates a window in any room. The canvas inside the frame measures 30 x 24 inches. Signed: Oberteuffer lower right Provenance: Estate of George Oberteuffer...

Boats Docked Under The Lighthouse Harbour Signed by Fanch Lel Size: 16 x 13 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surf...

Pink Roses by Lu Haskew Oil 15x12" image size Still Life Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price includes ...

The Kitchen Interior French Impressionist: late 19th century/ early 20th century signed with initials oil painting on Sennelier board, unframed board: 8.5 x 5.5 inches condition: som...

A fine Impressionist oil, ' Young Friends by the Beach Watching Fishermen' circa 1950's. oil on canvas 43cm x 53cm Good quality gallery frame 52cmx62cm ...

Opera luminosa., Paesaggio con la neve al limitare del bosco .

Autumn Landscape by P. Bellenger, French 20th century impressionist painter signed oil on canvas, unframed canvas: 18 x 24 inches provenance: private collection, France condition: ve...

Sun, Green, Summer, countryside,Dacia Important Frame This work is Published on the book "Zabelin -Master of colours" Vjacheslav ZABELIN (Moscow, 1935 – 2...

"The Coast" is an original vintage oil painting from the mid-20th century (circa 1950s-1970s) by renowned New Mexico artist Marjorie Chambers (1923-2006). This stunning nocturnal marine landscape captures the serene beauty of the coast under a glowing moonlit sky. The artist masterfully uses a soothing palette of blues, greens, browns, and whites to create a tranquil, ethereal atmosphere. The painting is rendered on wood panel, signed by Chambers in the lower right corner, and titled on the reverse. It is presented in a custom frame with a dark finish and gold lip, with outer dimensions measuring 18 ¼ x 21 ¾ x 1 inches, and an image size of 11 x 15 inches. About the Artist: Marjorie Bell Chambers (also known as Marjorie Bell) was born in 1923 in New York. She became a prominent figure in both the arts and social activism, earning a degree in Art History and Political Science from Mount Holyoke College (1943) and a Master of Arts from Cornell University (1948). Chambers moved to Los Alamos, New Mexico, in the 1940s, where she raised her family and worked as a substitute teacher while her husband, William H. Chambers, worked at the Los Alamos National Laboratory. Along with her artistic pursuits, Chambers was a passionate advocate for women's rights and education. She earned a PhD in History and Political Science from the University of New Mexico in 1974, later serving as a faculty member and dean at Colorado Women's College. She was appointed to the National Advisory Council on Women's Educational Programs in 1976 and was vice-chair of President Carter...

Albert Besnard entered the École des Beaux-Arts in 1866, studying with Alexandre Cabanel before making his debut at the Salon in 1868. Six years later he won the Prix de Rome with a ...

Title: Coastal Boatyard with Fishing Huts Beached Boats and Red Flag Watercolour Scene By Tony Herbert (1927-2024) Signed: Lower right Medium: Watercolor on artists paper Size: 11.25...

Genevieve Hamel When the Sun Goes Down Oil on Wood Panel Year: 2024 Size: 24 x 36 x 1.625 inches Signed by hand COA provided Ref.: 924802-2100 Standing out from the crowd, a bundle ...

Soren Emil Carlsen (1848 - 1932) A Man in His Garden, 1893 Oil on canvas 28 3/4 x 35 1/2 inches Signed and dated lower right Provenance: The artist [1848-1932] Macbeth Gallery, New York Grand Central Art Galleries, New York Luella May (Ruby) Carlsen (the artist's wife), New York Dines Carlsen (the artist's son), Falls Village, Connecticut Private Collection, Miami, Florida Exhibited: New York, Macbeth Gallery, Summer Exhibition: Painting by American Artists, July - August, 1926, no. 31 (as The Man in the Garden). Houston, Texas, Museum of Fine Arts, Exhibition of Contemporary American Art by Members of the Grand Central Art Galleries, January 13 - 27, 1929 (as The Man in the Garden). Miami Antique...

Searching the Waters ​by Lu Haskew Pastel 18x22" image size, 26x30" framed Figurative Portrait of young children on a dock looking into the water. ABOUT THE ARTIST: Lu Haskew 1921...

signed by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed double sided paper dimensions: 11 x 15 inches condition: very good and re...

Title: Prairie Autumn Rhyme No. 3 Medium: Oil on canvas Size: 12 x 10 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

Label verso: "Portrait of a Lady / Oil / MUC / Beatrice Whitney Van Ness / unsigned / size 30h x 25w ". From the estate of the artist. Beatrice Whit...

This giclee on canvas called "Near Amalfi" by Howard Behrens is embellished and signed by the artist. It is numbered 11/25. Framing options are available.

Fishing Boats signed by Georges Bordonave (French contemporary) dated 1869 oil painting on canvas, unframed canvas: 18.5 x 22 inches condition: very good provenance: from a large pri...

A fine Impressionist oil . Circa mid 20th Century. Indistinctly signed. Further research required. oil on canvas 46cmx 62cm Fine quality gallery frame. 59cm x 74cm, Recent acquistio...

Autumn flowers. 1992, oil on cardboard, 65x50 cm Still life with pink asters in green jug Olgerts Jaunarajs (1907-2003) He was so-called legend of ...

, Countryside, green, Sky, Child, Ukraine,Bike,dog Georgij MOROZ (Dneprodzerzinsk, Ukraine, 1937 - St. Petersburg, 2015) MUSEUMS Moscow, Tret’jakov Gallery Moscow, USSR Artists Coll...

Walter Gay (1856 - 1937) Cardinal Flowers Still Life, June, 1875 Signed lower left; dated on the reverse Oil on board 24 3/4 x 7 1/8 inches Provenance: Private Collection, Brunswick, Maine Born in Hingham, Massachusetts, Walter Gay became a painter who specialized in interiors, particularly those of eighteenth-century French buildings. His style was traditional, and he ignored the influences of modernist paintings he saw while studying in Paris beginning 1876. He remained in Europe the rest of his life. In his compositions, the rooms are nearly always devoid of human presence but suggest that someone has been there. Many of his interiors are museum settings, and although he was not an impressionist, his work often had atmospheric effects. When Gay died in 1937, he was described in The New York Times as the "Dean of American Painters in France," where he and his Matilda moved in 1876. His first paintings there were genre subjects and realistic views of peasant life in Britanny, but he tired of these works, which he called "pot boilers." In the 1890s, he began his signature interiors, mostly rooms in fashionable houses of the Gays and their friends. Reproductions of many of these paintings were published in 1920 by Albert Gallatin, also a painter. The Gays, with a retinue of about twenty servants, loved old houses, and lived in an eighteenth-century apartment on the Left Bank in Paris from January through April and beginning 1904, in a chateau in the countryside at le Breau, near Fontainebleau. There they had 300 acres of grounds to roam. In 1907, they purchased this chateau which became quite a showplace and where they entertained extensively. However, during World War II, when Matilda was living there as a widow, German soldiers occupied the chateau, ruining much of the structure and plotting the destruction of the country the Gays loved...

Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.5 x 9.5 inches; image size: 11.0...

Andre Chéronnet Champollion Meenakshi Temple Hindu Priest & Sacred Elephant Madurai, Tamil Oil on canvas Painting Dimensions: 36 x 28 inches Framed Dimensions: 44.5 x 36.5 inches Sig...

Karen Offutt approaches The Strength Within 30 x 26 oval , oil on panel with an atmospheric sensitivity combining shape, tone line, and color. Karen ...

A stunning sunset panorama in oil, by award-winning Russian/American painter Boris Garibyan. The striking use of color here speaks for itself. Proudly presented by Guy Lyman Fine Ar...

Morning Sun Series oil/panel 6 x 8 image Morning Sun is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a uniquely beautiful seasc...

Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.5 x 9.5 inches; image size: 11.0...

Title: Borough Farm Fair Scene with Market Stalls and Trees Watercolour Painting By Tony Herbert (1927-2024) Signed: Lower right Medium: Watercolor on paper, unframed Size: 9.75 inch...

Normandy Cliffs by Georges Bordonave (French contemporary) oil painting on board, unframed dated 1989 board: 10.75 x 13.75 inches condition: very good provenance: from a large priva...

Flower Cart and Fountain French Impressionist, early 1900's indistinctly signed oil on board, unframed Board : 19.5 x 24.5 inches Provenance: private collection, France Condition: v...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

This is an original vintage oil painting on canvas by Lucile White. The central subject of the artwork is a castle or church, with a grand dome and an elaborate bell tower that pun...

European artist, second half 20th century signed lower corner oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private ...

Title: French Coastal Scene with Breton Women and Fishing Boats by Fanch Lel (French b. 1930) Size: 8.75 inches (height) x 11 inches (width) Oil painting on card, unframed Condition:...

Venice Russian Art Landscape with gondolas in Venice Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) MUSEUMS Moscow, Tret’jakov Gallery Moscow, USSR Artists Col...

Antique American modernist coastal beach town oil painting by Jon Carsman (1944 - 1987). Oil on canvas. Framed. Signed.

Dahlias. 2009, oil on canvas, 92x70 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and ...

Old Town Oil on canvas 50x60 cm

Title: Port Quinn North Cornwall Stone Cottage and Hillside Watercolour Painting 1977 By Tony Herbert (1927-2024) Medium: Watercolor on watercolour board Size: 10.25 x 13 inches Anno...

Richard Hayley Lever (1876-1958) Original portrait done on paper and mounted on cardboard. Signed on back of the cardboard by artist. Lever was born in Australia studied art in bo...

Scottish artist Robert Carrick (1829-1904) is renowned for his landscape and figurative paintings in oil and watercolor. This painting features detailed drawings of figures in the foreground with wagon, and the town and scenery in the background, painted over in watercolor in rich raw umber and red-brown tones in the foreground and blue green tones in the background. Carrick showed promise at a young age, exhibiting his work at the Royal Academy age 16. He was a member of the Royal Institute. This two-toned watercolor work has detailed figures, wagon with hay in the forefront above a view of Dunoon town near Glasgow as it was long ago. Signed by the artist, lower left with an inscription that reads: 'View of Dunoon, Argyllshire drawn by Robert Carrick, Glasgow, for David Allan'. Verso includes a copy of the same inscription. Saltire Gallerie replaced the cracked and dirty plain glass with art glass and added an acid-free paper behind the work. While doing this work we found an art giclee, included with the painting. Presented in a patterned wooden frame with art glass. Dunoon was a thriving town on the river at the time of this work, and later became part of Glasgow. The view from above the town is a popular one, as Saltire Gallerie has another view of Dunoon from above by Scottish artist Patrick Downie...

Le banc de jardin (The Garden Bench). 1883. Mezzotint. Tissot catalog 79, Béraldi catalog 66, Wentworth catalog 75 state ii/iii. 16 1/2 x 22 1/8 (s...

Irish School, second half 20th century, signed H.J Foy Mourne Mountains (County Down, Ireland) between Hilltown & Newcastle - inscribed verso oil on ...

Portrait of J. Knowles inscribed and dated to label verso oil on canvas, framed in hand painted elaborate frame framed: 25 x 22 inches canvas: 22 x 1...