Figurative Prints on Sale

Set of 3 screen prints on paper includes "Animal", "Saviour", and "Poison Reality". AP of 10. Matching editions. Each print measures 19.69 x 19.69 inches. Artwork is in excellent ...

Artist: Théo Tobiasse (Israeli-French, 1927-2012) Title: "Le Valeureux Petit Soldat (The Brave Little Soldier)" Portfolio: Hans Christian Andersen Suite *Signed by Tobiasse in pencil...

ARTIST: LEROY NEIMAN TITLE: WHITEY FORD MEDIUM: SERIGRAPH ON PAPER SIZE: 38 X 27 INCHES FRAME SIZE: 54 X 42.5 INCHES YEAR: 2003 EDITION: AP 7/35 DESCRIPTION: SIGNED BY LEROY NEIMAN A...

Walasse Ting Lady with Vase - 1981 Lithograph on Somerset paper   22'' x 30'' Edition: signed and numbered in pencil 136/200 Walasse Ting (DING XIONGQUAN) (October 13, 1929 – May 17...

"I'm at home" Photography 31" x 31" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

Pencil signed black and white lithograph original limited edition pencil signed , Guilde De La Gravure. Mid 20th Century, part of my private collection. Very Good condition.

Black and White Photography, Limited Edition Figurative Photograph Alain Pino’s new works continue his exploration on the intersection between identity and industrial design. In a h...

Original poster. Unsigned. Poster is in excellent condition. All reasonable offers will be considered.

Elegant Amusements of Eastern Genji - Japanese Triptych Woodblock Print on Paper Dynamic woodblock print with several elegantly dressed figures by Utag...

Yvonne Jacquette EAST 15th Street (Faberman 8), 1974 Lithograph in five colors on Arches Cover paper Hand signed by the artist on lower right front This is a rare pencil signed proof, aside from the regular edition of 125. Printed by Paul Narkiewicz and Chip Elwell; published by Brooke Alexander, Inc. (to benefit the Horace Mann School in NYC) 17 3/8 × 21 1/8 inches Unframed Other examples of this exquisite work are in major museums and collections such as the Whitney Museum of American Art. Literature: Aerial Muse: The Art of Yvonne Jacquette by Hilarie Faberman (2002-01-29), 8. Yvonne Jacquette Biography: Yvonne Jacquette (1934 - 2023) was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. She continued to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting with an aerial perspective, East River View At Night (1978), inspired a lasting exploration of the effects of bright lights, reflections, and indistinct objects set against surrounding darkness. The city of New York was a special focus of Jacquette’s. In the 1980s and 1990s, she chartered planes from Teterborough Airport in New Jersey to circle the city while she sketched the scene below. She also worked from the Empire State Building, and, from 1974 through early 2001, often used empty offices or an enclosed deck at the World Trade Center. Jacquette painted aerial landscapes across the country, as well as city views in San Francisco, Chicago, Minneapolis, Philadelphia, Vancouver, Tokyo, and New Orleans. After a trip to Hong Kong in 1990, she began incorporating composite viewpoints into her work, realizing that she could better express the city’s many layers of complexity by creating new spatial configurations through multiple perspectives. Since then, she continued to base her paintings on pastels made from direct observation, while frequently enlivening compositions through heightened color, repetition of certain elements, and manipulation of light, scale, and perspective. As she approached the rendering of space with greater freedom, her paintings became both more inventive and disjunctive, combining aspects of observation, memory, and imagination.  Jacquette participated in her first group show in New York City in 1962 and has been exhibiting steadily since. In 1965 she had a one-person exhibition at Swarthmore College, PA. In 1983, the St. Louis Art Museum organized her first major museum exhibition. A comprehensive retrospective, Aerial Muse: The Art of Yvonne Jacquette, originated at the Cantor Center for Visual Arts, Stanford University, CA in 2002 and traveled to Colby College Museum of Art, Waterville, ME; Utah Museum of Fine Arts, Salt Lake City; and the Hudson River Museum, Yonkers, NY. In 2008, the Museum of the City of New York organized Under New York Skies: Nocturnes by Yvonne Jacquette, which was shown concurrently with Street Dance, an exhibition of photography by her late husband, Rudy Burckhardt...

Water Drops, from The Official Arts Portfolio of the XXIVth Olympiad, Seoul, Korea, 1988. Silkscreen in colors on paper. Hand signed, dated and numbered by the artist. Image size 3...

A woman in a pink shirt and yellow skirt crouches to fit within the frame of the image, her hands tenderly holding up her face as she looks off to the left. Gorman has caught this fi...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size 43.75 x 29.75 inches. Image size approx 36 x 26 inches. From the edition of 275. Artwork is in excellent co...

"Cat From Hell" by the Suicide Girls. Large-scale Giclee print on canvas. Open Edition. Canvas Size: 67 × 55 in 170.2 × 139.7 cm. Offered unstretched ...

Screen print on arches cover paper. Hand signed, dated and numbered on front by Frederick J. Brown. From the edition of 175. Artwork is in excellent condition. Certificate of au...

Pablo Picasso (1881-1873) Le Mariee Comme Elle Est Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Digital Giclee on MOAB Entrada Cotton Rag 290 GSM Paper. Hand signed and numbered by Ben Frost. From the edition of 50. Artwork is in excellent condition. Certificate of Authentic...

Medium: 13 Color, Hand-Pulled Screen Print on Mohawk Superfine UltraWhite 160lb cover paper. Hand signed and numbered by Matt Gondek. From the edition of 150. Sheet size 20 x 30 i...

Alkyd on cut out steel. Hand signed, titled, dated and numbered on verso by the artist. Edition 11/25 ( there were also 6 artist's proofs). Co-published by the artist and Sidney J...

Digital Giclee on MOAB Entrada Cotton Rag 290 GSM Paper. Hand signed and numbered by Ben Frost. From the edition of 50. Artwork is in excellent condition. Certificate of Authentic...

Curves by Orovida Pissarro (1893 - 1968) Etching, trial proof no. 54 20.2 x 15 cm (8 x 5 ⅞ inches) Signed and dated lower right, Orovida 1919 Inscribed lower left Trial proof no. 54 ...

This piece is part of my private collection of artist lithographs, etchings and engravings from the 20th Century. It is a limited edition Epreuve d' Artiste. Pierre Eugene Clairin...

The Four Seasons: Spring - Japanese Woodblock Triptych in Ink on Paper Colorful kabuki scene by Utagawa Kuniteru (Japanese, active 1818-18...

Dressing Room 53 Stations of Tokaido - Woodblock Utagawa Hiroshige and Kunisada Elegant woodblock print by Utagawa Hiroshige I (Japanese, 1797–1858) and Utagawa Kunisada I...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 21 in....

Artist: Karel Appel Title: Salto Sobre La Cabeza Year: 1988 Medium: Etching with aquatint Signed and dated '88, numbered 5/60 in pencil Dimensions: 19.25" x 4.5" Provenance: Gallery ...

Georges Braque Cinq Poésies en Hommage à Georges Braque (Five Poems in Homage to Georges Braque), 1958 is the image Braque designed for the cover of a book containing five poems by R...

"Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45 Portrait of a woman by artist, Dan Miller (American, b. 1928) made by layers of color in woodcuts in Miller's signature sty...

Curtis Kulig Love Me screen-print: Using a most universal symbol, 'The Smiley', Curtis Kulig replaces the eyes with his world renown "Love Me" signature. At...

Milton Glaser Being Good Is Not Enough 1979: Vintage original 1970s Milton Glaser poster designed by Glaser for The School of Visual Arts New York, NY, where Glaser had served on the teaching faculty and board since the early 1960s. A classic 1970s Milton Glaser poster & design featuring a surreal & psychedelic like imagery. Offset lithograph poster in colors. 30 x 45 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Vintage original print. Milton Glaser stamp lower right; from an edition of unknown. Literature: Milton Glaser Posters. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration and Chinese drawings. As a co-founder of New York magazine, Glaser designed...

Artist: Peter Max (1937) Title: Geometric Profile & Sailboats Year: 2001 Edition: 455/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.5 x 5.5 inches Condition: Exc...

Artist: Peter Max (1937) Title: Cosmic Sailboat Year: 2003 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Inscr...

TAXI is a hand drawn limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook(1926-2008). Printed using hand lithography techniques on archival ...

"Aquarius" by the Suicide Girls. Giclee print on canvas. Open Edition. Canvas Size: 67 × 55 in 170.2 × 139.7 cm. Offered stretched or unstretched. It ...

Milton Glaser Temple University Music Festival, 1975: Vintage original 1970s Milton Glaser poster designed by Milton Glaser on the occasion of the Temple University Music Festival. A classic Milton Glaser poster & design featuring a surreal-like swan, superimposed on an enigmatic profile. Offset lithograph poster in colors. 24 x 35 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Milton Glaser printed signature lower right; from an edition of unknown. Commissioned by Mobil. Literature: Milton Glaser Posters, Glaser, pg. 193. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...

Giclée on Moab Entrada Rag Paper, Metallic Gold Spray Paint Stencil and Ballistics Damage (.45 ACP / 5.56m). Hand signed lower front by Tristan Easton. From the edition of 5. Frame is approx 31 x 25 inches. Artwork is in excellent condition. Hand signed, numbered and dated COA issued by Tristan Easton. All reasonable offers will be considered. About the Artist: Born in Los Angeles in 1978, Tristan Eaton began pursuing street art as a teenager, painting everything from walls to billboards in the urban landscape wherever he lived, including London, Detroit and Brooklyn. After growing up on comic books, graffiti and skateboard culture, Tristan designed his first toy for Fisher Price...

NEW DREAMS is an original limited edition lithograph by the Harlem Renaissance, African-American artist ERNEST CRICHLOW (1914-2005). Printed from hand drawn plates using traditional hand lithography techniques on archival printmaking paper 100% acid free. NEW DREAMS presents a poignant, realistic portrait of a young black girl, profile view, combed back flip hairstyle, wearing a light peach puff sleeve dress as she pensively gazes forward(toward the future?), a historic rural scene from the past transpires behind her shown as an older black woman dressed in a white blouse, head wrap, and long dark skirt bending forward as she works in the field. NEW DREAMS is a fine social-realist style portrait expressed in an appealing warm color palette with ivory cream as the background. Sepia brown is used for the main drawing, the tree at center is accented with delicate light green and soft coral red leaves; a railed fence in front of a band of light olive green forms a grassy division between the present and past. Print size - 24.5 x 16.75 inches, unframed, excellent condition, pencil signed by Ernest Crichlow Image size - 17.75 x 11.75 inches Year published - 2002 Edition size - 150, plus proofs Printer - JK Fine Art Editions Co. NJ Ernest Crichlow was born in Brooklyn, New York, in 1914, died 2005, Brooklyn NY. He joined the Harlem Artists Guild in the 1930s and worked alongside Jacob Lawrence, Charles Alston, and Aaron Douglas. The Artists Guild was supported by the Works Progress Administration (WPA), which provided employment for many artists during the Depression. For Crichlow, the WPA was essential to the formation of many careers of African-American artists. He said that the WPA was "the greatest stimulant the American art scene had ever had. It meant something to be an artist then. The WPA was our haven and offered us a real entrée into what was happening. We had a lot of hope . . . Before that, very few of us had anything resembling a real art education." Crichlow was always a strong advocate for black artists. In 1969, he, Romare Bearden, and Norman Lewis...

This piece is part of my private collection, it is in very good condition . Limited edition signed by the artist. It is brilliant in colors of yellows and browns.

During the pandemic, the artist stayed for 4 months in Oaxaca on a beach called San Aguistinillo, where he developed the Sana Distancia (safe distance) c...

This lithograph is part of my private collection of 20th Century artists. It is original, signed and numbered by the artist. Philippe Noyer was a French postwar and contemporary arti...

Screen print on Somerset Velvet Fine Art Paper. Hand signed by front by Matt Gondek. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offer...

Toreros seek to elicit inspiration and art from their work. Their intentions are not to deliberately cause harm the bull, but create an emotional connection with the crowd through th...

Vintage 1960s Alexander Calder Lithograph. Published by: Galerie Maeght, Paris, 1963. Portfolio: Derrière le Miroir. Medium: Lithograph in colors. 15 x 22 inches. Center fold-line as issued; very good overall condition for its age. Unsigned from an edition of unknown. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Related Categories Alexander Calder prints. Mid Century Modern art. 1970s. Chagall. Miro. Picasso. Alexander Calder Stabiles...

1970s Milton Glaser Poster Art: Milton Glaser The Lovin' Spoonful: Vintage original Milton Glaser poster c.1972. Designed by Milton Glaser on the occasion of: "The Lovin' Spoonful a...

This piece is from my private collection and is a limited edition numbered and signed by the artist. This artist is also very much known for sculpture, he followed the teachings of A...

HEROIC SPIRIT is a hand drawn limited edition lithograph after the sketch by Frederick Hart for his sculpture entitled "Heroic Spirit" created for the 19...

Artist: Peter Max (1937) Title: Flowers In Blue Vase III Year: 2000 Edition: 419/500, plus proofs Medium: Lithograph on archival paper Size: 12 x ...

A Modernist lithograph by Modernist Boris Israelevich Anisfeld, depicting figures and buildings. Boris Israelevich Anisfeld was born in Bieltsy, Russia in 1878. In 1911, Diaghilev,...

Screen print on arches cover paper. Hand signed, dated and numbered on front by Frederick J. Brown. From the edition of 175. Artwork is in excellent condition. Certificate of au...

Artist: Peter Max (1937) Title: Smile Year: 2002 Edition: 452/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.87 x 4.5 inches Condition: Excellent Inscription: Sig...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Benton Spruance, 'Eyes for the Night', lithograph, 1947, edition 35, Fine and Looney 260. Signed, dated, titled, and annotated 'Ed 35' in pencil. A fine impression, on heavy, cream ...

Colorful Cat Face - Transfer Monotype in Water Based Ink on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th...

Signed lower center, 'Miharu Lane' (Japanese-American, born 1948), titled, 'Happy Tidings' and with number and limitation, '193/350'. Paper dimensions: 19 x 24 inches. Miharu Lane ...

Gunther Kieser American Folk Blues Festival poster 1969: Keiser's Blues guitar poster for the annual Hamburg festival devoted to American folk blues feat...

Jean Jansem (1920-2013) Repos, Album Danse, 1999 Lithographie sur papier Arches Signée et justifiée 50 x 65 cm / 54 x 76 cm Imprimeur: Mourlot, Paris Editeur: Jansem, Paris Bibliographie: Jansem Lithographe, 1993-1999, Flora Jansem, Paris, n. 155, reproduit p.81, référencé p. 97. "Ma première lithographie date de 1954. Elle représente un enfant en haillons portant deux seaux d'eau, d'après un croquis rapporté de Cordoue lors de mon voyage en Espagne en 1952. Je l'exécutai sur pierre, au pinceau et à l'encre lithographique. Je fus déçu du résultat et n'en tirai qu'un essai et une épreuve. Quatre ans plus tard, je réalisai une dizaine de nouvelles lithographies, toujours sur pierre, la plupart en noir. Au lieu d'employer l'encre et le crayon lithographiques, j'utilisai l'encre zincographique plus fluide me permettant de travailler à la plume ou avec de fins pinceaux de martre. Le tirage fut très satisfaisant. au grand étonnement du Père Guillard, lithographe. Jusqu'alors l'encre zincographique ne servait qu'à la zincographie. Actuellement elle est d'un usage courant puisque pratiquement toutes les lithographies se font sur zinc et non plus sur pierre, ce qui facilite la manipulation. Par ailleurs, le zinc offre autant de possibilités que la pierre. En 1959, La Guilde de la Gravure me demanda une édition en couleur. Je choisis une nature morte aux chardons, tirée à 220 exemplaires. Par la suite, les tirages varièrent de 10 à 160 épreuves. Mes lithographies en couleur étaient assez proches de mes toiles. A partir de 1968, période de La Danse, je supprimai petit à petit le clair-obscur et la matière pour donner plus de légèreté et de transparence. Les lithographies postérieures à 1970 sont dessinées en noir sur un fond coloré souvent volontairement arbitraire, donnant l'aspect d'un dessin rehaussé. La couleur n'est pas intégrée au dessin mais joue un rôle d'accompagnement du trait qui est lui-même une arabesque écrite. Quand le noir...

Judy Chicago Driving the World to Destruction, 1988 Silkscreen on wove paper Pencil signed, titled, dated and numbered 35/50 on the front Included with this work is an elegant hand ...

Krol also designed and engraved medals for the Paris mint, painted murals for various schools throughout France, created tapestries, and produced over 200 works in enamel. His work ...