Landscape Prints on Sale

FRANCES H. GEARHART and Sisters (THE GEARHARTS) SEA TREASURES...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Subject: Waterlilies, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copyrighted ...

This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...

Lago Verde is a unique silkscreen print by artist, Jonathan Lawes. The combination of bright and muted tones gives the work a layered effect to make an impactful statement piece. Jo...

Wolf Kahn Untitled color field landscape, 1990 Monotype on paper (unique) Pencil signed and dated by Wolf Kahn on the front Frame included: held ...

FRANCES H. GEARHART (1869-1958) (Mt.) SAN JACINTO c. 1926 Color block print. Signed in pencil. Unknown edition but uncommon. Image 6 5/8 x 4 1/8 inches. On Gearhart's typical fibr...

FRANCES H. GEARHART (1869-1958) DESERT BARRIER c. 1933 Color block print, unsigned 12 x 9 ¼”. Typical original margins on good fibrous japan paper. Many very good impressions by G...

"Covered Bridge Near Columbia" - Woodblock Landscape on Tissue Paper Bold woodblock print by Charles Surendorf (American, 1906-1979). A covered br...

Woodcut print of fall trees done in heavy blacks with a deep blue background titled "Autumn" edition 10/100. Signed and titled by artist. Artist Biography: Eugene Larkin was born into a farming family of seven children in rural Minnesota in 1921. The landscape and rhythms of agricultural life were a strong early influence, as was the artistic example of his painter mother, Martha. Larkin attended the University of Minnesota, graduating with an M.A. in 1947. As a student of the art historian Lawrence Schmeckebier, an authority on the art of the Mexican muralists, he was soon introduced to the expressionism and political engagement of German and Mexican artists of the 1920s and 30s. An early cycle of prints and drawings on the life of labor activist Joe Hill...

Hajime Namiki, 'Garyu no sakura (The Lying Dragon Cherry Tree, Gifu)', color woodcut, 2003, edition 200. Signed in pencil and with the artist’s red seal....

WILLIAM SELTZER RICE (1873 – 1963) WIND BLOWN POPLARS c. 1915-20 Color woodcut, Signed and titled in pencil. 9 x 12”. On thin paper. Remnants of o...

A striking woodcut landscape print from Edgar Dorsey Taylor's series of prints depicting his adventures in Baja California in 1963 (American, 1904-1978). Also, the book titled "Baja ...