Pedestals and Columns on Sale

Column - pedestal, France, around 1880. Very good condition. Wood: oak dimensions: height 110 cm x width 45 cm x depth 45 cm

A fine 19th century Italian hand-carved Carrara marble pedestal sculpted from luxurious Carrara marble, the choice of sculptors for centuries, it features a tiered twist design, one ...

We are delighted to offer this exquisite antique circa 1880 French marble pillar pedestal with gold gilt brass accents A very good looking and well made antique marble pillar...

An antique Classical sculpture display pedestal offers marble construction with clip-corner display platform over reeded column having melon form element, circa 1890 Measures - 42...

Step into a world of timeless elegance with this stunning 19th Century Empire Style Marble Column. A true masterpiece, this column is crafted from a rare and refined type of marble k...

Fine pair of elegant Gothic Revival painted oak pedestals / side tables - exceptional bench made quality with deep carving - featuring Gothic arches to all sides - stepped moldings t...

19th century Italian hand-carved Carrara marble Pedestal will make the ideal platform for you to display your prized sculpture, vase or objet d'art! Sculpted from luxurious Carrara m...

19th Century French Louis XVI carved pedestal is the most exquisite way to display your prized sculpture, vase or objet d'art! Hand-crafted exclusively from old-growth quarter-sawn o...

An impressive late Victorian period giltwood column pedestal / plant stand in good condition and measuring 14 inches wide, 14 inches deep and standing 35 inches tall. Top is a square...

A late Victorian period patinated Mahogany Pedestal or Plant Stand. Large bobbin turned column.  

An antique Neoclassical sculpture pedestal offers rouge onyx construction with square display over turned and foliate cast bronze banded Doric column, raised on square block base, c1...

An antique Aesthetic Movement sculpture pedestal offers walnut construction with beveled rectangular display over turned column ha...

Three pine wood columns.

An antique neoclassical sculpture pedestal offers carved alabaster construction clipped corner display over rope twist flared column with beaded banding, raised on stepped base with ...

A late 19 century tapering square column made of a white flourite marble called 'Lilac'. It is heavily veined in brown and black on a white background with touches of light red/lilac...

Hand carved marble column pedestal made of combination of red and grey marble with square head standing on a square, terraced base. Napoleon III style France, circa 1890.

An antique Aesthetic Movement sculpture pedestal offers ebonized wood construction with found upper display over column having car...

An elegant pair French 19th century Empire style ormolu mounted with marble top inset and 4 side corner mounted veined green marble columns over conforming tapered base and fine chis...

An antique Neoclassical sculpture pedestal offers rouge onyx construction with square display over turned and foliate cast bronze banded Doric column, raised on square block base, c1...

An antique neoclassical sculpture pedestal offers carved alabaster construction with clipped corner display over rope twist column, raised on stepped base having octagonal foot, c189...

Vintage columns, dating back to the end of the 19th century, Italian manufacture. The columns have a black stained wood structure with baroque decorati...

A very large Majolica Grand Tour pedestal having dark green glazing; the circular top (detachable) supported by Trapezophorus tripod base after the Roman. original found in Hadrian...

19th century French Louis XIV carved fruitwood pedestal is a masterful sculpture in its own right, with brilliantly executed Corinthian capital atop an elegantly tapered shaft adorne...

This handmade 19th century pine pedestal in original white washed painted surface is in fine condition. Its very sturdy and would be great for a Folk Art object.

A large pair of French 19th-20th century Louis XVI style carved walnut and gilt-cast Gesso Architectural Corinthian columns. The slender carved walnut column resting on a square plin...

A rare wood column adorned with patinated iron and gilt bronze ornaments. It relies on four bronze feet and is topped with a foliate bronze capital with caduceus. A bronze band is ci...

"Poésie" a 19th century French Polychromed Symbolist marble sculpture A Carrare, Sienna and very rare Skyros Marbles Symbolist Sculpture Group. Figuring Poetry under the appearance of Dante and Béatrice resting on a rock, Dante holding in his hand a parchment titled "Poetry". It rests on a Neo-Renaissance moulded and hand-carved walnut rotating sellette, the barrel consists of three fluted Corinthian columns, decorated with foliage at the base, resting on a truncated column decorated with female masks connected by a drape. It’s joined, in the upper part, by arcatures with a background of foliated foliage and masks of women crowned alternately with cutout RT monogram. Moulded triangular base, with curved sides and rising from lobed angles with a frieze of oves at the base. Circa 1870 Measures: Sculpture: H. 75 CM • 29 1/2 IN. Sellette: H. 112 CM W. 44 CM - D. 49 CM H 44 1/8 IN. W 17 3/8 IN. D 19 1/4 IN. The poetry of Dante Alighieri (1265-1321) Beatrice Portinari, simply known as Beatrice or Beatrix, commonly refers to the muse of Dante Alighieri, whom he glorifies and loves. But she is also a woman whom, if one follows the New Life, Dante loved from his childhood, and to whom he dedicated a place in all his works. More sensitive than all is the resolute amplification which, after the pathetic force and expressionist intensity of Hell, intensifies with the more elegiac and penetrating emotion of Purgatory and leads to the miraculous triumph of the imaginary in Paradise. Of the three «hymns», it is Hell which is the most known, the most popular one can say: the taste of the picturesque, spread by the romantic criticism, is much to it. Dante, however, had the conviction, repeatedly affirmed in his poem, that by rising from one kingdom to another, he raised his poetry each time by a level which made it worthy of an ever more «high» matter. At a distance of six and a half centuries, there is certainly no obligation to share this view, however assured it may be for the poet. Anyone, however, who wants to enter the world of the Comedy must refuse the scale, eliminatory in its consequences of fact, which puts such a section above the other or brings the Comedy to a rosary of episodes more or less «beautiful» Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti...