Vases on Sale

This Tall 20th Century Celadon Vase is a graceful testament to the artistry of the 20th century. Crafted with meticulous detail, the celado...

This Tall 20th Century Celadon Vase is a testament to the timeless allure of French craftsmanship. Standing gracefully, the vase is adorned ...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase « Anemones » circa 1900 Rare Galle French cameo glass vase in dark blue over yellow Blue Anemones flowers design Signed in cameo Gallé Émile Gallé was born in Nancy on 4 May 1846, the only son of Charles Gallé...

Weller Art Deco Pottery Peach Vase Beautiful hand-painted ceramic vase from the 1930's in peach color with an ivory flower motif. Wonderful ad...

A fine antique French Art Nouveau Emille Galle cameo glass vase, circa 1900. The stem vase of a tapering conical form and finely wheel carved and acid etc...

Dawn and Rooster Daum Nancy Vase 1897 Opalescent glass vase with and hand-painted polychromatic enameled decor gold highlighted on an acid frosted background with rising sun and cameo sun rays gilding, a rooster and red iris, highlighted with gilding on the top and the base of the rim. Signed "Daum # Nancy" with gold, under the base. Circa 1897 Mint condition Animals are very rare subject matter for Daum Art Nouveau...

Charles CATTEAU (1880-1966) Céramiste Franco-Belge Un créateur qui travailla dès 1906 pour la manufacture de KERAMIS chez Boch Frères à la Louvière, en Belgique ,et dont la productio...

PAIR Amazing Japanese Artist Signed Bronze vases gold accents 19th Century Meiji Era or earlier. Amazing matched pair of the highest quality.

Vase Jérôme Massier (1820-1909) Décor émaillé, produit avant 1900. Les lettres AM signifient Alpes Maritimes donc le vase fut produit dans son atelier de GOLFES-JUAN, et de la main de Jérôme Massier. Une belle lune lumineuse est dessinée ne pas confondre avec un éclat. Issus de la dynastie de céramistes qui remonte au delà de la révolution française...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

A fine pair of Art Nouveau bronze vases decorated with vines and leaves. In perfect condition with a beautiful patina. Early 20th Century Dimensions: 10" High x 5 1/4" Diameter Thi...

Kayserzinn polished Pewter Vase, art nouveau style, Germany 20th century. Stamped 4408 Kayserzinn on base. Height: 11.25 inches.

Rookwood Art Pottery vase, with impressed marks for Rookwood, date marks for 1917, and model number 2381, an ochre glazed elongated floriform with petals. Dimensions: 6.75" H x 3.5...

This is truly a beautiful vase,signed by Galle elegant and heavy and weight, smooth to the touch, but the roses are etched onto the glass, has an extraordinary feel in the colors of ...

Vase in multicolored iridescent glass by Loetz, made in the 1940s Ø cm 9 h cm 20 The production of Loetz glass began with Johan Loetz (1778-1848) in the 18th century through the takeover of the Klostermühle glassworks. In the second half of the 19th century, his nephew took charge of the modernization of the glassworks, introducing, thanks to the assistance of the inventor Eduard Prochaska, new processing techniques: thus new processes were born with glass in imitation of semi-precious stones, veins and the decoration. , which during processing includes hot coils or colored glass pads. Finally, at the end of the 19th century, the creation of the first glass iridescences with metallic reflections began, up to the creation of Phänomen in glass with applications and inserts of partially metallized glass filaments, similar to Tiffany glass and the famous Papillon glass...

Gorgeous Signed Harrach Iridescent Enameled Art Nouveau Centerpiece/ Vase Czech-Republic, Circa 1900s Bearing rare Gilt script signature 'Harrach' A masterwork of the renowned Harr...

Beautiful antique Murano hand blown Millefiori Murrina flowers mosaic Italian art glass decorative cabinet vase / pitcher. Documented to the Fratelli Toso Company, circa 1910-1930. T...

Vase in Austrian iridescent Loetz glass, with a shape with a flower opening and colors from purple to beetle, made in the 1940s Measures: Ø cm 18 h cm 11 The production of Loetz glass began with Johan Loetz (1778-1848) in the 18th century through the takeover of the Klostermühle glassworks. In the second half of the 19th century, his nephew took charge of the modernization of the glassworks, introducing, thanks to the assistance of the inventor Eduard Prochaska, new processing techniques: thus new processes were born with glass in imitation of semi-precious stones, veins and the decoration. , which during processing includes hot coils or colored glass pads. Finally, at the end of the 19th century, the creation of the first glass iridescences with metallic reflections began, up to the creation of Phänomen in glass with applications and inserts of partially metallized glass filaments, similar to Tiffany glass and the famous Papillon glass...

Early Danish Pottery vase with subtle Art Nouveau/Jugend styling and shape. It set with a floral ornament in pewter. Designed by Daniel Folkmann Andersen ...

Yellow and Orange Ceramic Vase / Cachepot made by SC Richard in the 1890s. The vase has had a slight repair as shown in the photos. Additional photographic ...

A fine quality Art Nouveau style art glass vase, by Loetz the historic glass maker from the municipality of Austria featuring Alvin Sterling Silver overlay. Overlay in form of open and horizontal patterns with stylized leaves and scrollwork. A great find, handcrafted vase skillfully made using centuries old techniques of art glass works from the world-renowned maker, Loetz. Simply stunning this Art Nouveau glass vase with Alvin Sterling Silver overlay by Loetz would enhance any shelf, table, nightstand or countertop. This is a rare antique Loetz Green Glass...

Pair Of Carl Deffner Hammered Copper & Cast Bronze Vases, Germany circa 1900, good vintage condition showing little signs of wear,.

Pair of Art Nouveau vases with dandelions by Mont Joye/Legras et Cie, Staint Denis. About 1910. Beautiful emamel painting with a golden rim o...

Small and early Danish Pottery vase with subtle Art Nouveau/Jug end styling and shape. It set with a floral ornament in pewter. Designed by Michael Andersen & Son in Denmark between ...

This tall and very stylish conical Art Nouveau vase is a beautiful example of Flemish pottery or ‘Poterie Flamande’ from Torhout dating from the 1900s....

This french Vase is a very nice, early object of the Art Nouveau / Jugendstil era. The glass body is made of orange glass with a beautifully cut top. The entire bolbous body is ove...

A fine quality Art Nouveau art glass vase, by Loetz the historic glass maker from the municipality of Austria featuring engraved Alvin Sterling Silver overlay. Overlay in form of op...

A lovely powdered glass vase, its frieze decoration in the form of orange barrel vaults is acid-etched and enamelled on a brown speckled red background. Period: Art Nouveau circa...

Vase produced with the scavo glass technique, in the 1930s Ø cm 13 h cm 16 Very good conditions, the iridescent glass together with scavo glass technique make this vase a prec...

Superb "antique" ceramic vase in the shape of an amphora, with a very beautiful iridescent enamel finish in blue-green / turquoise color. This vase features a finely crafted bronze frame of good quality, in the German Art Nouveau / Jugendstil style. Recently mounted lamp: new electricity. Art Nouveau, France, circa 1900. Attributed to Paul Milet (1870-1950), son of the ceramist Félix Optat Milet and himself a ceramist, trained in the laboratory of the Manufacture de Sèvres. He worked in the factory founded by his father, which he gradually took over. Paul Milet exhibited in Paris and Sèvres. His productions were also distributed through the stores La Samaritaine and Les Galeries Lafayette. Then history repeats itself and it is Paul...

Charming baluster vase in gilded bronze, very beautiful casting signed F. BARBEDIENNE. The decoration proudly bearing thistles of Lorraine is magnified by an octagonal base in French marble, green of the Alps. Period : End of XIXth century - Art Nouveau Dimensions : Height : 29,5cm x width : 11cm - diameter of  Dimensions of the base : Length : 9cm x width : 9cm The thistle of Lorraine is a source of inspiration for the Art Nouveau and the School of Nancy  It is an artistic movement that lasted only about thirty years, from 1884. The arrival of the First World War put an end to it.  Nancy rustled under the talent of the craftsmen and industrialists who worked at the very end of the 19th century and the very beginning of the 20th century.  Carpenters, cabinetmakers, architects, glassmakers, ironworkers and stained glass artists...

Beautiful antique Murano hand blown Millefiori Murrina flower mosaic Italian art glass decorative flower vase. Documented to the Fratelli Toso company, circa 1910-1930. Created in a ...

Art Nouveau Lavender Dandelion (Taraxacum) Enameled Vase, Attributed to the Mont Joye Glassworks France, Circa 1900s A unique work with the elongated neck and bulbous body resti...

Beautiful antique Murano hand blown cobalt and sky blue, orange, and white Italian art glass decorative double handle cabinet vase. Documented to the Fratelli Toso company, circa 190...

Proud to offer this matching PAIR of early 20th Century Austria Imperial Amphora “Lily-of-the-Valley” maiden vases. These vases were designed by Eduard Stellmacher and manufactured by Riessner & Kessel Amphora of Turn-Teplitz, Austria, in a very classic Art Nouveau style. They each depict a dimensional nymph figure partially ascending a large Lily of the Valley plant. There are many lily of the valley plants surrounding the figures and a couple of scrolling stems that pass through their long flowing hair. Four main colors are used to decorate the molded vase with gilt highlights, including white, ivory, dark & light beige and gold. There are some impressed marks on the underside bottom, "Imperial Amphora Turn...

Beautiful, antique, early Venetian / Murano hand blown pink, blue and gold flecks Italian art glass flower vase. Created in the manner of the Salviati and Fratelli Toso companies. Th...

Pair Art Nouveau cast iron painted jardinieres ~ Urns are ready to add timeless symmetry to your decorating! Hand-cast in solid iron with an exquisit...

Blue vase in Scavo di Cenedese glass made in the 1950s. Measures: Ø 13 cm, H 19 cm Scavo glass is a type of ornamental glass with a rough surface with a matte finish in imitati...

Beautiful antique Murano hand blown Millefiori Murrina flower mosaic Italian art glass decorative ornate handle cabinet vase / pitcher. Documented to the Fratelli Toso company, circa 1900-1920. The vase has an early design and color combination. The vase has a vertical patten of dark purple, white, and yellow daisy flowers, alternating with rows of dark orange and white flower designs...

Art Nouveau centerpiece with 3 dancing ladies in pewter by Maurice Maignan. France ca. 1900.

A very beautiful contemporary art glass vase in the Art Nouveau style, by artist Robert Eickholt, circa 1980s. Vase is signed "Eickholt" and dated "1988" on bottom as shown in last t...

One of a kind, hand sculpted and carved ceramic stoneware sculptural vessel by Keavy Murphree. This sturdy and substantial vase is inspired by the architectural style of Louis Sullivan. Robust double handles are adorned with carved leaves and a nautilus (symbolizing renewal and order.) Handles are placed on either side of the gourd-like vessel. A large carved shield decorates the front. The top and bottom of the vessel share a robust, rounded lip. This intricate vase is complimented by a cream, satin glaze. This piece is from a collection of work made by the artist in the first half of 2022 for her premier solo exhibition titled, "Spring Return." This body of work is inspired by Louis Sullivan’s ornamented architecture, the cultural mashup of southern Spanish architecture...

Early Danish Pottery vase with subtle Art Nouveau/Jugend styling and shape. Unusual plum and bone-toned glazes fading from the top down its sides....

Unique pottery/terracotta vase in a gourd shape. Decorated in relief with squid tentacles and hand-painted. Distinct art nouveau - jugend styling. It wa...

Fine Galle Cameo glass cabinet vase, with lavender cameo floral decoration, signed in the glass. Measure: The opening is 1.75" diameter.

German Jugendstil monumental vase designed by Ludwig Karl Maria Vierthaler and made of repousse copper with a brass rim. The piece has a large lizard on the front as well as a dragon...

Daum Nancy, France. Art Nouveau vase in mouth-blown art glass with hand-painted snowy landscape. Early 20th century. Measures: 16 x 11.5 cm. In very good condition. Minor paint...

Daum Nancy, France. Art Nouveau Prunellier vase in frosted mouth-blown art glass with orange leaves and black berries in relief. Approx. 1900. Measures: 16 x 5 cm. In excellent...

Bottega Vignoli, Floral decor vase, 2022 hand painted majolica 17cm x 37cm height. Unique piece. Art Nouveau floral inspired decor. Bottega Vignoli is a brand of artistic ceramics...

These are a pair of Doulton and Slater hand painted stoneware Amphora shaped vases. Their background is a combination of brown, green and, beige colors. They are adorned with a group of white flowers, dots all around, and framed by scrolls. Below the base is hallmarked Doulton and Slater - Art Union of...

Daum Nancy, France. Art Nouveau vase in pink mouth-blown art glass. Flowers in relief with hand-painted gold decoration. Approx. 1900. Measures: 12.3 x 5 cm. In excellent condi...

A pair of Art Nouveau vases, faux-Royal Vienna. decorated with romantic transfer print reserves. Made in Austria, c.1895-1910. 10 1/2" h., 4 1/2" over handles. We have been a majo...

Elaborate and beautifully designed Art Nouveau vase in the style of Loetz. The glass has a charming iridescent effect, which is particularly accentuated by the deliberate hollows on ...

Beautiful antique Murano hand blown white with blue rim Italian art glass fan shaped flower vase. The vase is made with layered white net Zanfirico ribbons. Each ribbon has an intric...

Art Nouveau bronze mounted Loetz vase, stamped made in Austria', in two parts the vase with beautiful pulled feather decoration. The bronze frame with stylized floral design, stamped...

Daum Nancy Art Nouveay with poppies technique: enamel and acid golden details on base and top natural wear miniature red yellow colors and gold details Perfect condition Circa 1915 A...

Fine pair of late 19th century French limoge style enamel opposing vases. Each vase with a central female figure in 18th century dress amongst a vast fl...

Royal Bonn Art Nouveau vase.