Cabinets on Sale

Sleek vintage modern credenza features spacious storage cabinets, small drawer, black lacquer body and burl wood doors. Please confirm ite...

Tall Mid-Century cabinet, designed by Salvatore Bevelacqua, American, circa 1950s. This piece is a versatile size and can be used as a chest or dresser in a bedroom, or as storage in...

A French 19th-20th century Baroque Revival carved oak Bombé figural vitrine. The single front-door display cabinet with bowed front and side beveled glass panels, with two interior g...

Italian display unit in black lacquered wood with glass shelves and brass accents, circa 1970s. Generously sized lower cabinet has hinged doors with single internal shelf in each sec...

Custom refinished cabinet or console in a deep jewel tone Amethyst lacquer with brass pulls with cabochon Amethyst centers. Cabinet has three compartments, each housing an adjustable...

Vintage-modern rolling cabinet, featuring unique storage design and beautiful rosewood grain throughout. Please confirm item location NY or NJ with dealer.

French Art Deco mini makeup cabinet/table in macassar ebony with elaborately inlaid lemon wood and small drawers.

A lovely Chinese cabinet in elm with four doors whose panels show a carved scene of vegetation representing each of the four seasons in relief. ...

Plywood black polished veneer on solid softwood. High-rise, one-door, cambered and three-sided glazed body on high slanted, angled feet. Profiled cornice with marble top. Inside two ...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

Light and dark rosewood on softwood. High-right two-door corpus, flanked by three open shelves on a slightly rising floor plate. Beautiful patina, hand polished with shellac.

A two-piece cabinet that is composed of a base on high, bent legs, and a setting. The base is three-door, and is lower in the central part. The door panels are glazed. The inside hi...

Large Postmodern burl elmwood cabinet featuring a breakfront with three smoked glass doors containing adjustable Glass shelves inside and three cabinets underneath. There are three r...

Beautiful antique, a cabinet with mirror made of solid cherrywood from the period of Art Nouveau. The mirror is facetted. Original fittings and locks made of brass. In very good rest...

A curious French early 20th century sideboard signed E. Duru with three doors. White and green veined marble-top. Neo Greek vase form feet. Signed in centre of the front door. Measu...

Elegant two-part cabinet or credenza, designed by Harvey Probber, circa 1960s. This piece is a versatile size and can be used as a vitrine, display cabinet, credenza, bar, or bookshe...

This large modular wall cabinet features a stunning array of storage options in a uniquely designed package. Numerous drawers and cabinets are mat...

Light mahogany on solid wood. Exceptionally rich intarsia work. 2 doors with glass.

Beautiful Chinese cabinet in mainly black and red lacquer with red decorations. Contains several shelves and four drawers, all with original brass hardware.

Cabinet Adam George III lacquered style Italian design 1962 pastel colors, entirely carved and lacquered, with decorations of truly exceptional and highly elegant paintings. Its inte...

20th century decorative cabinet in empire style mahogany Mahogany on solid wood. Rectangular, architecturally designed body, lower part single-door, laterally open storage area, f...

SATURDAY SALE Late 1950's/early 1960's Italian standing bar cabinet with double doors by the 'Maestro of Parchment', Aldo Tura (1909-1963) in la...

This stunning large-scale office credenza features beautiful two-tone construction, ample storage space and drawers for added storage. Beautiful rosewo...

Renaissance Revival Walnut Cabinet Circa 1900 in Light Brown Rare, exquisite and unique - these words can surely be used to describe this article of furniture. In the past, cabinets...

Lovely vanity by Meredew Furniture Manufacturers. Part of the Tola bedroom furniture and Meredew Design, 1962 line attributed to Alphons Loebenstein. It is in great vintage condition...

Tall Art Deco secretary in mahogany with dark stained border. Parchment door with gold leaf criss cross design opens to writing table with interior compartments. Three drawers with o...

These modern shelving units are simple in design but luxuriously detailed, the contrast of the chrome and glass is a testament to 1960’s style and fun. Beautiful and functional, the...

A large polychromed wood cabinet with two doors and shelves from Central Java, Indonesia, early 20th Century. Hand-carved accents, original hardware. Dimensions: 59" wide, 28" deep...

A pair of mahogany obelisks on platforms. One side opens to reveal graduated shelves.

Very elegant goatskin cabinet by Aldo Tura, Milano, 1974. Interior fully equipped with brown mirrors.

Super vintage single door cabinet with inside magazine rack, shelf, and pull out formica tray table. Designed by John Kapel and manufactured by Gle...

2 door Art Deco solid mahogany and burl armoire w/3 drawers inside by Louis Sue (1875-1968) & Andre Mare (1885-1932)

Paul McCobb for Winchendon. Nicely refinished early production pieces on original wrought iron base. Measures: Cabinet: 24" wide x 18" deep x 16.25" tall. Bench: 60" wide x 18" deep ...

Early 20th century robust cubist chest of drawers with a distinctive shapes, it was made in former Bohemia, more precisely in the territory of then Austri...

Oak bookcase unit and chest with stainless steel handles.

Deco skyscraper bookcase in the manor of Paul Frankl. Maple stained mahogany. Bottom drawer has a stamp of #2 from factory.

Luxurious Harvey Probber leather faced chest of drawers. Sliding doors open to reveal an abundance of cork lined shelving. Retains original label. Coordin...

A charming ivory distress-painted gilt gold decorated bookcase, circa 1950s, the molded top over a four-door cabinet, each door with silver-leaf glass opening to shelving paper decor...

One of a kind, showroom model, fabulous Parzinger Art Deco designed wardrobe/entertainment center. Carrying five pull-out drawers and one large open top shelf and six smaller opened ...

A dramatic neoclassic style mahogany cabinet by Lorin Jackson designed in 1940 for the "Glassic" line of Grosfeld House furniture. The exterior of the...

This Mid-Century cabinet features a beautiful walnut finish, cane front, tall mirror, pull-out surface with white finish, and two drawers with unique pulls which offer a modern flare...

This amazing sculptural Brutalist meets organic modern meets modern vintage cabinet, gentlemen's chest or dry bar was at one time 8 years ago wi...

This exquisite signed Art Deco sideboard/dresser by Roger Bal is a one of a kind. It features a beautiful bookmatched mahogany burl and detailing in ebony inlays on the doors. This p...

A very fine French 19th century Louis XV style mahogany, kingwood and stainwood ormolu-mounted marquetry two-door Meuble D'Appui attributed to either Joseph-Emmanuel Zwiener or Zwien...

Art Deco Moderne cabinet in the style of Donald Deskey . Three drawer Walnut cabinet with asymetrically placed horizontal chrome drawer pulls . Ever useful and easily placed smaller...

Art Deco chest by Donald Deskey for Valentine Seaver Furniture.

A set of mid century modern furniture designed by Milo Baughman, made by Thayer Coggin: A cabinet in rosewood with two ebonized shelves and two shelf or display units with chrome re...

20th Century Louis XIV Black Piano Veneer Cabinet Piano black polished veneer on solid pinewood. The figurines are pronounced and of exceptionally good qua...

Chin Hua inspired buffet or cabinet designed by James Mont. Ebonized oak with silver leaf detailing. Four center drawers with carved pulls and two side doors with shelved storage.

Lovely 1940s cabinet in sycamore with two pull tabs. The doors are adorned with two panels in carved wood. Original top in marble. Interior and shelves ...

Piano black polished veneer on solid pinewood. The figurines are pronounced and of exceptionally good quality. (D-Sam-235).

French Art Deco vitrine by Louis Majorelle made of Macassar ebony. Center glass door with floral fabric lined interior. Three doors with exterior floral marquetry and interior shelve...

Mahogany cabinet in Louis XV design Breche de Verdin marble top Tapering bombe shape, surmounted by a Shaped top, edged with bronze ormolu The front is a shaped panel decorated ...

Mid-Century Modern Edward Wormley for Dunbar bachelors chest with flip-top mirror, drawers in center, flanked by two cabinet doors, in bleached mahogany, currently being refinished (...

French Art Deco Armoire in macassar ebony with 2 center mirrored doors and 2 outer doors with marquetry. Interior drawers and shelves.

A Pair White Lacquered & Brass Accents Cabinets by John Stuart Circa 1970’s Height 27 ½ in. Width 24 ½ in. Depth 17 in. Conceived by the renown furniture designer John...