Paintings on Sale

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

Vintage Mid-Century Modern oil painting golden tones abstract Primitive framed Dimensions. Overall 26 1/2 W; 22 1/2 H; Actual Art 19 1/2 W; 15 1/2 H.

An antique painting offers oil on board New England harbor scene with sailing ships en verso titled "Herring Smack Off Yarmouth MA", circa 1930 Measures - 24''H x 28''W x .25''D.

Antique framed coat of arms plaque is an interesting artifact that will make a splendid decorative touch to any masculine decor. Such memorials were produc...

Monumental Abstract Painting by Brazilian Artist BB Schmitt, Signed Rio 2014-2015 Offered for sale is a mixed-media abstract painting o...

Vintage realistic scenic painting castle forest tree boat tower mountain lake Signed JvC Green Silver White mid century modern retro box 9. Dimensio...

Henry Joseph Campotosto (Belgium, 1833-1910) A Very Fine Oil on Canvas "Walking the Baby Goat", depicting two young dutch girls by the grassy shore of a river bank, one standing holding a wicker basket and a leash to a resting baby goat, the youngest sitting next to her on a pile of branches tucking her pants, a pair of ducks and ducklings swimming by the tree lined river; within a later giltwood carved frame. Signed (l/r): Campotosto Henry. Circa: Brussels, 1870. Note: The artist is also known as Henri Campotosto Henry or Henri Campotosto was born in Brussels in 1833. He studied in Brussels at the Royal Academy des Beaux-Arts and painted some artworks with Eugène Verboeckhoven (Belgium, 1798-1881). He received a 1st Class Medal at the Academy of Brussels and an honorable mention at the Paris Exhibition of 1860. In 1871 he moved to London with his family and remained there for life. He exhibited his work at the Royal Academy Exhibition until 1874 and at the Suffolk Street Gallery from 1878. In 1880 he took part in the Berlin Academy Exhibition. His daughter Octavia also became a painter, visited Italy, and showed her paintings at the Royal Academy from 1871 to 1874. Henri Campotosto died in London in 1910. High Sales: Christie's New York - Property from an American Collection, "The Bird's Nest" - Lot 247 on October 22, 2008, Sold for $37,500 Bonhams London - 19th Century European, Victorian and British Impressionist Art on 28 September 2016 - Lot 33 "Gathering flowers" Sold for £25,000 ($33,750 USD) Museums: The British Museum - Print of two girls and a lamb and print of two girls by a river bank Literature • E. Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Librairie Gründ - 1976 Edition - Volume 2, Page 488. • Maurice W...

Mid Century Impasto Cityscape by Coletta. Nice heavy brushstokes made up this amazing cityscape. Deep colors of purple, black, white and yellow make up this busy composition. Perfect...

Pair of 20th Century decorative Venetian canal paintings, After Canaletto Each one Signed 'Maffel' A stunning pair of late 20th Century oils on canvas, views of the Grand Canal in Venice Italy, in ornate carved giltwood frames. After works by the iconic Venetian painter...

Architectural Capriccio of Roman Ancient Ruins with Figures. Italian, 18th century large painting in oil on canvas is from the school of Giovan...

A stunning late 19th century sèvres style porcelain rectangular plaque. A landscape scene depicting two lovers in a boat surrounded by water and trees, in a giltwood and red felt ...

Vintage Victorian scenic water nautical boating boat Mid-Century Modern signed floral pastel original painting box 9 Dimensions. 10 W ; 8 H ; 1 D.

Vintage pastel on artist board seascape painting. Signed illegibly in pencil lower right. Unframed. Good condition.

Lawrence Glickman (American, XX- XXI) "Serenade" acrylic on canvas, 2014, signed on reverse, unframed. 30" H x 40" W. Provenance: From the artist's e...

Jane Bazinet large artist proof housed in a Hollywood Regency beige frame. Watercolors. Title of Art: Primrose Fantasy Medium: Hand Signed by the Artist...

Vintage Art Deco scenic oil painting architectural buildings blue bright birds animal professional framed. Dimensions. Overall 25 1/2 W; 21 1/2 H; A...

Oil on Masonite of cats by Anne Hudson (1920-1977) England. Well know for her cat portraits, signed lower left corner. Unframed, edge wear.

A beautiful original framed abstract landscape watercolor painting Recently procured from Frank Lloyd Wright's DeRhodes House. Signed by the artist in the lower righthand corner M...

Manner of Titian (Tiziano Vecelli - Italian, 1485-1576) An Oil on Canvas "Sleeping Cupid" within a gilt and black decorated gesso frame. A label on reve...

Tamar Markova Folk Art painting, 1970s.

Antique framed oil painting on canvas by Leon de Fechereux (1884-1941) is an intense post-impressionist work of a charming cottage in Pommiers in northern France in the Pas de Calais...

A fine French Impressionist style oil on canvas painting of a French village. This multi-colored oil on canvas painting is beaming with life. Viewing this painting transports us ...

Vintage abstract painting on canvas. This Work is in Abstract Style with a Hidden Alien Image. There is a Wear as Pictured. Dimensions. 59...

Abstract original signed painting by American contemporary artist Arlene Carr. Signed at lower right. Displayed in a modern white frame. This is an extra large piece measuring 65 inc...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

An antique pair of French paintings offer oil on celluloid genre scenes with figures in countryside setting, seated in giltwood frames, artist...

Early 20th century painting of a stream. This sweet bucolic and idyllic setting brings a lot of peace to the viewer. Framed in a solid wooden frame.

Vintage Italian Wall Painting of an Artists Studio, Signed and dated, J. Annus Rome 1960. The painting depicts an artists studio with an easel in the evening set in Rome. Painting i...

Pair of Tapestries Antique French Tapestry Handmade Antique Tapestry Wool & Silk 3.3" x 3.10" each. Measures: 99cm x 117cm circa 1920 "This is a very fine pair of high quality rare authentic Antique French Tapestries made with very fine wool & silk. The detail in this piece is incredible- the artisan depicts a hunting scene in both pieces as well as extensive verdure design". Size Approx. 3.3" x 3.10" Each 99cm x 117cm Serial ID # 20955k Design Verdure, Hunting Origin French Age 1920 Category Antique Pattern Hunting Scene, Extensive Landscape & Verdure Material 100% Hand Woven Wool & Silk Foundation Material Cotton Color Beige, Gold, Ivory, Brown, Green, Blue, Red, Light Blue Pink, Mauve, Gray, Rose Quality Exceptionally Fine Condition Fantastic Condition, minute low area About Us~ Welcome to Antique Rug Collection. Your #1 Source for handmade Antique Rugs & Tapestries at great prices, curated by leading industry expert. We are a 6th Generation antique rug shop with 48+ years of experience working with designers, private clients, dealers, and really anyone looking for a unique antique rug at a great price. We've made an imprint selling rugs...

1970s Belgian oil on canvas abstract painting in a wooden frame. Bert GROTJOHANN Painter, watercolorist, etcher, lithographer and glass artist. Born in 193...

Brazilian Artist BB Schmitt Optical Mixed Media Painting "Colemia", Canvas 2015 Offered for sale is a modern, optical style mixed-media painting by the Bra...

A French Limoges painting offers enamel on copper portrait of a woman in outdoor setting, seated in giltwood frame, 20th century. Measures- 10.5'' H x 9.5'' W x 1.75'' D; 2 sites;...

Mid-Century Modernist painting of a Greek village. Reminiscent of Greece or Eastern Europe. Nice modernist or cubist feel. Signed illegibly C. Man.

A beautiful original oil on canvas painting of a street scene in Paris, France. This painting perfectly depicts life in the "City of Lights" with its restaurants, busy streets, cafes...

Vintage Mid-Century Modern painting mountain scenic coast MCM Retro Deco patina impressionist primitive Dimensions. 25 W ; 1 D ; 16 3/4 H.

Vintage framed signed painting. Abstract scene. Dimensions. over All 24 W; 1 1/2 D; 28 H Painting. 15 1/2 W; 19 1/2 H.

Beautiful gold leaf antique wood frame. Measures: 27”.25 x 19”.5.

Stunning original seascape watercolor painting by listed artist Harry Russell Ballinger circa 1950's. The piece is in great condition and measures 35.75" x 24" (image is 28.5" x 16.5...

A beautiful Italian Still Life oil painting on old canvas of an urn holding a bouquet of assorted flowers set on a ledge. 17th century....

Yvonne Canu (French, 1921-2008), “Les Regates”. A fine French Pointillist oil on canvas painting of sailboats in the harbor. The scene also includes...

Oil on canvas abstract by Lou Ann Reineke. Signed lower right, signed, titled on verso. Unframed. Painted black edge gallery wrap meant to hang without frame.

Mid Century Cubist Painting of an Industrial Building. Painting on board and housed in a solid wooden frame. colors include greens, golds, and orange. Nice industrial vibe to this co...

Pair of Abstract Oil Canvas Paintings, Florence, Italy, circa 20th Century. Pair of hand painted abstract oil paintings discovered in Florence at the home of a former painting professor in Florence, Italy. circa Mid-20th Century. These one-of-a-kind canvas panels are intriguing conversation starters that will make a bold statement with their striking black and white brush strokes...

Signed Oil on Canvas Of Ocean Waves by by Tortorella or Tartorella. Nice impasto composition with linen matting.

Absolutely masterful watercolor street scene painting by James C. Borden (1928-2013). Prepare to be awestruck when you lay eyes on this exquisitely detailed watercolor painting by James Borden. The modern painting depicts an ethereal urban scene crowned with summer light. The scale itself is impressive at over four feet wide and three feet high (50.75? x 36.675?). There is just so much to see, so much texture, so many layers. Borden has truly mastered his medium. This is a watercolor cityscape on paper, housed in a cerused wood frame and protected by a pane of acrylic. The painting’s vibrant colors have beautifully preserved. The mastery of this painting is unreal. Borden’s orchestration of color leads the eye through the painting with late afternoon sunlight carving a path through an otherwise gray urban interior. His use of color is narrative. The viewer is being teased away from gloomy city life with a glimmer of sun and nature on the horizon. The nuance in his layering, through elevated passages of transparency… simply brilliant. Be sure to spend time with this painting. There is more to see each and every time you look. Did you notice the Easter egg? Borden used his name as the sign on one of the buildings on the left. The painting is pencil signed “Jim Borden.” James C. Borden studied at the School of the American Academy of Art in Chicago and was a life long painter. Mr. Borden spent much of his life in South Bend...

A vibrant geometric abstract by the noted Danish artist Aage Rasmussen. Titled “Space Elements” on the back stretcher, the painting is signed lower left front and on the rear stretch...

Jack Brusca (1939-1993) was a painter who worked with an airbrush in acrylic paint. He won critical praise when he had his first one-man show, in 1969 at the Bonino Galleria on West...

A stunning composition by the Vietnamese artist Tin Ly. A brilliant abstract oil on canvas. A stunning display of brush strokes. Acquired from a Palm Beach estate.

A stunning composition by Vietnamese artist Tin Ly. A brilliant abstract with a stunning display of brush strokes on canvas. The use of blues, greens, lavenders and orange in the wor...

Antique framed oil painting on canvas by G. Hodeige dated 1936 is an exquisitely well preserved impressionist work by a master of light and shadowplay rendered of a waterside citysca...

A rare gemstone artwork in the art nouveau style modeled after Alphonse Mucha's "Spring". The painting was done on the back of glass and applied with quartz to create the iridescent background. The Goddess finely painted, delicately inlaid with natural gemstones. She wears a long mermaid...

Tropical framed beach side palm tree art. This fine artwork on paper evokes the desire to escape to a beach, but, if you can not this artwork brings the seaside to you. Presented ...

Three panel hand painted room dressing screen divider, Italy. A 1800s Italian Neoclassical 3 panel floor screen, room divider. Hand painted on ...

Acid toned mid century figurative oil painting on heavy natural linen. Unknown artist. Original hardwood frame.

"Black on White on Black on White" is the name given by Segel for this composition. The subject is open to interpretation though some viewers could thin...

Pastoral scene on canvas by artist Emelene Abbey Dunn Bucolic field of dreams in a solid wooden oak frame. Emelene Abbey Dunn (1859-1929) Emelene Abbey Dunn. Born in Rochester on ...

A chic and impactful American Minimalist geometric drawing with two large charcoal circles, several interlocking white circles, and set against a bold cobalt blue pastel background. Framed in a custom oak gallery frame. Signed and dated illegibly in the LR. Signed 'Frank 1978' on the reverse. The Minimalism art movement is one of the most influential of the 1960s and 70s, among a number of artists who were moving away from Abstract Expressionism, favoring a sleek, geometric aesthetic instead. These artists wanted to create art that referred only to itself, allowing the viewer an immediate, purely visual response. The personal, gestural elements of Abstract Expressionism were stripped away with the aim to reveal the objective, visual elements of art. Important Minimalist artists...

Post-War Expressionist artwork Oil Painting of a Horse Racing Scene featuring several jockeys in a race for the finish line with a square hardwood frame. Circa 1960, unsigned