Drawings and Watercolor Paintings

Jean Carzou traveled to Havana as an artist to explore the world and he captured a ship from a earlier era.

Body in the Field #3, 2022 coloured pencils on canvas 25 H x 16 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of the human body through the prism of t...

This cartoon by Charles Addams is generations ahead of its time. To get the punch line, you need to know the meaning of a Satyr or Pan. Satyr: Part man and part beast. - A male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated permanent erection. Early artistic representations sometimes include horse-like legs; Satyrs were characterized by their vulgar, indecent ribaldry, and were rowdy lovers of wine, music, dancing, and women. They inhabited remote locales, such as woodlands, and they often attempted to seduce or rape nymphs and mortal women alike. It's prudish 1950s America, where TV programs show husband and wife sleeping in separate beds. The discussion and representation of sex was repressed. To make a bold statement about censorship and the uncompromising moral climate of the time, Addams uses a reference from the mythical world to make a statement about the real world. In doing so, he anticipates the sexual revolution of the late 1960s and 1970s. The satyr/pan symbolizes nonconformistism. He has his own earthy customs, attitudes, and ideas. Because of that is being handcuffed and formally taken away by the state whose goal is to repress natural erotic fun and frolic that is ubiquitous in todays society. A proper and perfectly pressed Park Ranger cleans out a lustful undesirable from pristine woodlands. With startled expressions, a vulnerable family of correct women witness the event as they are about to have a picnic. The Satyr grasps his Pipes of Pan just over his crotch. The background is populated by phallic symbols. This is one a the rare instances where Addams address the issue of sex. The Ranger is a dead ringer as a self portrait of Addams. Original illustration for a cartoon, showing a uniformed ranger leading away a manacled satyr, in front of a startled picnic party. Ink and grisaille wash on Whatman cold press illustration board, signed "Chas Addams...

WPA Mid 20th Century Modern Social Realism American Scene Men Working Industrial Jo Cain (1904 - 2003) Bailing Hay 42 x 40 inches Oil on paper c. 1930s Signed lower right Unframed Our gallery is pleased to present the exhibition, "Jo Cain: Echoes of an Era," a tribute to the enduring legacy of Joseph Lambert Cain and a celebration of his art that transcends time and remains relevant today. The exhibition features mural studies, works on paper and paintings from the 1930s and 40s, all are available on 1stDibs. BIO JOSEPH LAMBERT CAIN (1904–2003) A painter, muralist, and art educator, Joseph Cain...

The identity of the artist who created this excellent charcoal study remains unknown. The model's outfit and the arrangement of her hair suggest a bygone era, possibly a study for a ...

signed and bears the artist's studio label verso. Genre: Impressionist Subject: Landscape Medium: watercolor Surface: paper Country: United States Dimensions: 11.5 X15.5 Jennings (...

Body in the Field #8, 2022 coloured pencils on canvas 25 H x 16 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of the human body through the prism of t...

original oil painting Anastasia Kurakina hand signed Anastasia Kurakina's artworks are the Vatican Museums collection since 2017 She has exhibited at the National Portrait Gallery...

View of the Guideca looking at the Ducal Palace and Saint Marks in morning haze light.. A Capriccio mooded piece to capture the essence of experience of Venice. Gradwell's raison d'e...

Genre: German Expressionist Subject: Three Noble figures, Noblesse Medium: etching, watercolor paint (I have seen this described as an aquatint and have seen this without color, so i am assuming it is watercolor paint applied to it) Surface: Paper Circa 1920's This is hand signed lower right. the edition is 7/100 Mat measures 15 X 11. window opening about 7 x 7 Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women, depicted in casual poses, usually nude or partly dressed. Pascin was educated in Vienna and Munich. He traveled for a time in the United States, spending most of his time in the South. He is best known as a Parisian painter, who associated with the artistic circles of Montparnasse, and was one of the emigres of the School of Paris. Having struggled with depression and alcoholism, he committed suicide at the age of 45. Julius Mordecai Pincas was born in Vidin, Bulgaria, the eighth of eleven children, to the Sephardic Jewish family of a grain merchant named Marcus Pincas. Originally from Ruse, the Pincas family was one of the wealthiest in Vidin; they bought and exported corn, rice, maize and sunflower. His mother, Sofie (Sophie) Pincas, belonged to a Sephardic family, Russo, which had moved from Trieste to Zemun, where she and her husband lived before moving to Vidin and where their older children were born. The family spoke Ladino Judaeo-Spanish at home. In 1892, he moved with his parents to Bucharest, where his father opened a grain company, "Marcus Pincas & Co". Pascin worked briefly for his father’s firm at the age of fifteen, but also frequented a local brothel where he made his earliest drawings. His first artistic training was in Vienna in 1902 at age seventeen. In 1903 he relocated to Munich, where he studied at Moritz Heymann's academy. He studied briefly in Berlin where he befriended the Dada artist George Grosz. In 1905 he began contributing drawings to Simplicissimus, a satirical magazine published in Munich. Some portraits recall Otto Dix and Balthus. Because his father objected to the family name being associated with these drawings, the 20-year-old artist adopted the pseudonym Pascin (an anagram of Pincas). He continued to contribute drawings to a Munich daily until 1929. In December 1905, Pascin moved to Paris becoming part of the great migration of Jewish and Eastern European artists to that city (Marc Chagall. Chaim Soutine and Modigliani amongst others) at the start of the 20th century. In 1907 he met Hermine Lionette Cartan David, also a painter, and they became lovers. In that same year he had his first solo exhibition at Paul Cassirer Gallery in Berlin. Despite his social life, Pascin created thousands of watercolors and sketches, plus drawings and caricatures that he sold to various newspapers and magazines. He exhibited his works in commercial galleries and in the Salon d’Automne, the Salon des Indépendants, and the exhibitions of the Berlin Secession and at the Sonderbund-Aussstellung in Cologne. Between 1905 and 1914 he exhibited drawings, watercolors, and prints, but rarely paintings. It was not until about 1907–1909 that he produced his first paintings, which were portraits and nudes in a style influenced by Fauvism and Cézanne. He wanted to become a serious painter, but in time he became deeply depressed over his inability to achieve critical success with his efforts. Dissatisfied with his slow progress in the new medium, he studied the art of drawing at the Académie Colarossi, and painted copies after the masters in the Louvre. He exhibited in the United States for the first time in 1913, when twelve of his works were shown at the Armory Show in New York. Pascin relocated to London at the outbreak of World War I to avoid service in the Bulgarian army and left for the United States on October 3, 1914. A few weeks later on October 31, Hermine David sailed for the United States to join him. Pascin and David lived in the United States from 1914 to 1920, sitting out World War I. They visited New York City, where David had an exhibit. Pascin frequented nightclubs, and met artists such as Yasuo Kuniyoshi and Guy Pene du Bois, but most of his time in America was spent traveling throughout the South. He also visited Cuba. He made many drawings of street life in Charleston, New Orleans, and other places he visited. Some of his works of 1915 and 1916 are in a Cubist style, which he soon abandoned. In 1918 Pascin married Hermine David at City Hall in New York City. Their witnesses were Max Weber and Maurice Sterne, friends and painters who both lived in New York. In September 1920, Pascin became a naturalized United States citizen, with support from Alfred Stieglitz and Maurice Sterne, but returned to Paris soon afterward. There he began a relationship with Lucy Vidil Krohg, who had been his lover ten years earlier but had married the Norwegian painter Per Krohg...

"Good Health Week" WPA American Scene Mid 20th Century Modern Social Realism Jo Cain (1904 – 2003) Good Health Week 10 ½ x 15 1/2 inches Oil on pape...

Man Working Mid 20th Century American Scene Social Realism Industrial WPA Modern Jo Cain (1904 - 2003) Telephone Pole Worker 38 1/4 x 18 1/2 inches Oil on pap...

Mid-century still life pastel on paper of a vase with flowers by French artist Andrée Ruy Petroff. Signed bottom right. An enchanting and energetic rendering in pastel of poppies a...

Body in the Field #2, 2022 coloured pencils on canvas 25 H x 16 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of the human body through the prism of t...

Zoe Hawk Artist Statement My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scen...

Work on paper Dimension with pass 21.7 x 27.7 cm

Cowboys Horses Cattle WPA American Scene Social Realism Mid 20th Century Modern Jo Cain (1904 – 2003) Cowboy 33 3/4 x 36 inches Oil on paper, c. 1930s Signed...

Zoe Hawk Artist Statement My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scen...

Greenwich Village NYC WPA Mid 20th Century American Scene Ashcan Modern Realism Alfred Mira (1900-1981) Greenwich Village NYC 14 x 17 inches Oil on board,...

Surveyors WPA American Scene Mid 20th Century Modern Social Realism Men Working Jo Cain (1904 - 2003) Surveyors 30 ½ x 40 ¼ inches (sight) Gouache on paper c. 1930s Signed lower rig...

Industrial Working Man WPA Social Realism Mid 20th Century Modern American Scene Jo Cain (1904 - 2003) Man with a Tool 39 ¾ x 38 ¼ inches Gouache...

Railroad Worker Industrial WPA American Scene Mid Century Modern Social Realism Jo Cain (1904 - 2003) Railroad worker 36 ¼ x 27 inches Oil on paper c. 1930s S...

Working Man WPA Social Realism Industrial Modernism 20th Century American Scene Jo Cain (1904 - 2003) Printing Press 40 ½ x 26 inches (sight) Oil o...

Likely a study for an illustration for Harper's Weekly, for which Wiser was a Civil War-era illustrator, focusing on shipwrecks and battles occurring along the mid-Atlantic coast. ...

"Painter" 20th Century American Scene Social Realism Working Man Modern WPA Era Jo Cain (1904 - 2003) Painter 41 ½ x 36 3/4 inches (sight) Gouache on paper c. 1930s Signed lower rig...

This beautiful large vibrant animal painting is by Aubrey Williams, Guyanese artist. It is a watercolour/gouache painting of a magnificent Pelican and painted in 1974. Williams has r...

Winold Reiss The Red Silo Signed lower left Watercolor on paper 20 x 29 inches Winold Reiss (1886-1953) was an artist and designer who emigrated to the United States from Germany in 1913. Probably best known as a portraitist, Reiss was a pioneer of modernism and well known for his brilliant work in graphic and interior design. A compassionate man who greatly respected all people as human beings, he believed that his art could help break down racial prejudices. Like his father Fritz Reiss (1857-1915), who was also an artist and who was his son's first teacher, Winold Reiss was artistically moved by diverse cultures. The elder Reiss focused on folk life in Germany while Winold drew substantial inspiration from a range of cultures, particularly Native American, Mexican, and African-American. As did many young aspiring artists, Winold Reiss studied with the esteemed painter and teacher Franz von Stuck at the Royal Academy of Fine Arts in Munich, which was at that time a center of the decorative and fine-arts movement. It is not known whether Reiss met E. Martin Hennings...

Chemists American Scene Mid 20th Century Modern Social Realism WPA Science Mural Jo Cain (1904 - 2003) Chemists 40 ½ x 31 ¾ inches Oil on paper, c. 1930s Signed lower right 49 x 40 ...

Maurycy Trębacz (1861 – 1941) was one of the most popular Jewish painters in Poland in the late 19th and early 20th century. Many of his paintings were lost in the Holocaust, but a r...

Helmer Osslund was a renowned Swedish artist known for his expressionist landscape paintings that captured the raw and natural beauty of Sweden. We are delighted to offer for sale a ...

Standing Female Nude Colored chalks on tan Strathmore paper, c. 1975 Signed in chalk upper right (see photo) Condition: Excellent Housed in an 8 play acid free rag matting S...

12" x 9" Unframed Original Sketch Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in ...

"Good Health Week" American Scene Modern Social Realism Mid- 20th Century WPA Era Jo Cain (1904 – 2003) Good Health Week – b/w 10 ½ x 15 1/2 inches I...

Industrial Man Working Mid 20th Century American Scene Social Realism Modern WPA Jo Cain (1904 - 2003) Hammering Nails 39 x 50 ½ inches Gouache on paper c. 19...

A large watercolor painting. Moshe Gat was born in Haifa in 1935. in 1952 he began his studies at the Bezalel School, in Jerusalem. In 1955 he returned to Haifa, where he taught dra...

I register it and then part of it automatically goes to work. I'm not trying to paint literally, but I'm trying to bring the emotions being exerted on me closer to the viewer. A feel...

I register it and then part of it automatically goes to work. I'm not trying to paint literally, but I'm trying to bring the emotions being exerted on me closer to the viewer. A feel...

Study of a sultry and seductive reclining platinum blond Pin Up with a wide-brimmed sun hat. Most likely done for Playboy. This work is very finely rendered and looks better the ...

This beautiful animal painting is by Aubrey Williams, Guyanese artist. It is a watercolour painting of House Crows and painted in 1976. Williams has recently been reassessed by the T...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Expressionist Portrait of a Man in a Suit in Pastel on Paper Moody portrait of a man with dark hair by an unknown artist (20th Century). The man is shown with an elongated face and ...