Abstract Drawings and Watercolors

Constellation of Grief (Abstract Painting) Oil on paper - Unframed. Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a tim...

Composition 23 is an original drawing in tempera realized by Clément Kons (1879-1956). Very good conditions and mounted on a cardboard (46x49). Image Di...

Gravitational wave (Abstract painting) Acrylic on paper. Unframed. As a multidisciplinary artist, Snow uses different mediums and supports. Each work results from preliminary studi...

Untitled 1513 (Abstract painting) Pastel on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerg...

Untitled (258.11) (Abstract painting) Crayon on vellum. Unframed. In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The vis...

Valerie Christell's large pastel drawings from the early 1980s take the landscape and make it abstract. In them, she tries to emulate the experience of seeing the land while driving at high speed on the back of a motorcycle. The resulting imagery is rendered in energetic and gestural line work that morphs into large fields of color. This example, 'Orange/Black abstract,' takes on the appearance of nighttime, lit only by the light of the motorcycle headlight...

The Masks is an original modern artwork realized by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original drawing in mixed media on paper. Hand-signed in pencil n b...

Untitled 1513 (Abstract painting) Pastel on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerg...

Informal III is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2020. Oil on canvas. Hand signed and dated by the artist on the back. Hand signed and dated on the low...

Eckige Masse 95 (Abstract Painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. In her work, Lee is responding to her emotional experiences within her physical surrou...

Orange tonal surrealist portrait drawing. The work is signed by the artist in the bottom corner and is not currently framed. Artist Biography: Eyes are a recurring motif in the work of American artist Stanley Clark...

Watercolour on 100% rag hot press paper. Unframed. Melissa Meyer has created a diverse oeuvre that includes oil paintings, drawings, watercolors, prints and large-scale public commi...

Crayon on vellum. Unframed. In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The visual information derives from various so...

Sacral Chakra #2 Mixed Media archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has ho...

Abstract scuba diver w/ colorful sea urchins about 1960s Art Sz: 11 3/4"H x 8"W Frame Sz: 17 1/4"H x 13 1/2"W

Eckige Masse 95 (Abstract Painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. In her work, Lee is responding to her emotional experiences within her physical surrou...

Constellation of Grief (Abstract Painting) Oil on paper - Unframed. Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a tim...

Artist: James Lee Byars, American (1932- 1997) Title: Description of Torino Exhibit (Castello di Rivoli) Year: 1989 Medium: Marker on Foil Paper Siz...

Abstract geometric drawing on paper in bright sunflower yellow and red, with a custom light wood frame 'Yellow and Red Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches...

Michael Knigin Abstract 1 Orange and Yellow 1967 Ink brush and watercolor on paper 8.25"x11" unframed Signed and dated in ink lower right Came from artist's estate *Custom framing a...

Jim’s of Lambertville is proud to offer this artwork by: Joseph Amar (1954 – 2001) Joseph Amar was born in Casablanca, Morocco in 1954 to a Sephardic Jewish father and a Spanish mo...

Abstract watercolor with beautiful sunset colors by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Unsigned and unframe...

Abstract multicolor watercolor with bold color fields by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Unsigned and un...

Jim’s of Lambertville is proud to offer this artwork by: Lloyd R. Ney (1893 – 1964) Called “Bill” by his friends, Lloyd Ney was one of the pioneers of Modernist art in New Hope. Ne...

Ervin NEUHAUS Fire Original watercolor and tempera on heavy paper Handsigned bottom right Authenticated with the stamp of the Estate sale on the back 21 x 21 cm (c. 8 x 8 inch) Ex...

Graphic abstract painting on linen in contrasting shades of teal, sienna, and warm sunflower yellow "Keeper" by Jenny Kemp, painted in 2019 acrylic on linen over panel 14" X 11" unframed Jenny Kemp’s abstract paintings are inspired by the artist’s desire to represent unseen phenomenon. With intricate and calculated line-work, the artist builds parallel layers against opaque backgrounds, while shifts in color and shape call attention to organic forms that give reference to the human body or atomic structures. Waves of yellow contrasts against earth toned hues of sienna and teal while precise lines seem to vibrate the transitions of color. The abstract painting is part of a series of paintings on linen that can be hung together. About the artist: Jenny Kemp received a BS in Art from the University of Wisconsin - Madison and an MFA in Painting from the University at Albany. Her work has been exhibited in galleries and museums across the country, most recently at Gold/Scopophilia* in Montclair, NJ and the Mandeville Gallery at Union College in Schenectady, NY. She has been featured in publications such as 100 Painters of Tomorrow published by Thames & Hudson, New American Paintings, The Huffington Post, Seattle’s City Arts, New York Times, and The New England Review. Kemp is also a recipient of the 2015 NYFA fellowship in painting and the 2015 Emerging Artist Award recipient from the Art Center of the Capital Region in Troy, NY. She sits on the board of Collar Works, an art space dedicated to the support of emerging and under-represented artists exhibiting challenging and culturally relevant contemporary artworks in Troy, NY where she lives and works. EDUCATION MFA - Painting, University at Albany, SUNY 2012 BS - Art, University of Wisconsin, Madison 2002 EXHIBITIONS 2019 Gold / Scopophilia* Art on Paper, Pier 36, NYC Steady Curve Gold / Scopophilia*, Montclair, NJ (solo) 2018 Slow Grow Mandeville Gallery, Union College, Schenectady, NY (solo) FENCE + ECHO, Far x Wide, Brooklyn, NY (curated by Jes Cannon) Crazy Beautiful III, Kenise Barnes Gallery, Larchmont, NY Three Square, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) 2017 When We Were Young: Rethinking Abstraction from the University at Albany Art Collections (1967-present) University at Albany Art Museum, Albany, NY Surface 4, ARENA at Brooklyn Dermatology, Brooklyn, NY (curated by Renée Riccardo) The Whitney Houston Biennial: Greatest Love of All, Chashama, NYC (curated by Christine Finely) 2016 Reality is Wrong, Dreams are Real, David&Schweitzer Contemporary, Brooklyn, NY (curated by Phil and Sue Knoll) Squared, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Something Else, The Painting Center, New York, NY (curated by Dee Shapiro and Miriam Brumer) Living Color, Art Center of the Capital Region, Troy, NY (2 person) 2015 Howdy Doody, Collar Works, Troy, NY (curated by Leona Christie) Remains to be Seen, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Painting Parallels, GRIDSPACE, Brooklyn, NY (solo) Double Vision, Laffer Gallery, Schuylerville, NY (2 person) Mohawk Hudson Invitational Albany Center Gallery, Albany, NY Snowbirds Kenise Barnes Gallery, Larchmont, NY Valentine’s Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Variations in Paint (invitational), The Painting Center, New York, NY 2014 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Mohawk Hudson Regional, Albany Institute of History and Art (juror: Stephen Westfall) Tracery, PS209 Gallery, Stone Ridge, NY Connections Todd Art Gallery at Middle Tennessee State University, Murfreesboro, TN (2 person) Perceptions Opalka Gallery at Sage College, Albany, NY Modern Artists Carrie Haddad Gallery, Husdson, NY 2013 Second Nature Albany Airport Gallery, Albany, NY Admit One Collar Works Gallery, Troy, NY Works by Jenny Kemp and Richard Harrington Gallery 105, curated by MCLA Gallery 51, N. Adams, MA An Early Spring Carrie Haddad Gallery, Hudson, NY 2012 Recent work and new paintings on paper Fulton Street Gallery (solo) FISSURE GalleryEll online exhibition, curated by Amanda Kates In Orbit Little Gallery at Sage College of Albany. Albany, NY. Works on Paper Carrie Haddad Gallery, Hudson, NY MFA National Competition First Street Gallery, NYC. Juror: John Yau BioLogical Salem Art Works Carry House Gallery, Salem, NY MFA Thesis Exhibition University at Albany Art Museum, Albany, NY 2011 Back to School Fulton Street Gallery, Troy, NY Fence Select The Art Center of the Capital Region, Troy, NY. Juror: Carrie Haddad Honorable Mention Chain Letter Samson Projects, Boston, MA SUNY Best of Show New York State Museum, Albany, NY Members Only Collar Works Gallery, Troy, NY Fountain Art Fair Pier 66, New York, NY Nathan Meltz with Jenny Kemp and Doug Holst...

Artist: Laurent Marcel Salinas, French (1913 - 2010) Title: Cubist Composition Year: circa 1945 Medium: Gouache on Board, signed Size: 29 in. x 40 in. (73.66 cm x 101.6 cm) Frame S...

Pastel on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. H...

Jim’s of Lambertville is proud to offer this artwork by: Lloyd R. Ney (1893 – 1964) Called “Bill” by his friends, Lloyd Ney was one of the pioneers of Modernist art in New Hope. Ne...

Mixed media on archival paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featured in many ...

Interior design paintings. Diptych. Each work is 30 by 40 inches in size. Rosy Water (Diptych)- abstraction art, made in black, rose, salmon red, white and beige on canvas. Lena C...

Graphic abstract painting on paper in complementary shades of peach, light orange, and red with details of pale sage green "Untitled 1" by Jenny Kemp, painted in 2019 gouache on paper, unframed 15 x 11 inches Signed verso Jenny Kemp’s abstract paintings are inspired by the artist’s desire to represent unseen phenomenon. With intricate and calculated line-work, the artist builds parallel layers against opaque backgrounds, while shifts in color and shape call attention to organic forms that give reference to the human body or atomic structures. Precise lines seem to vibrate the transitions of color in shades of ruby and blush red complemented by amorphous forms in peach and light orange. Two circles of pale sage green contrast against the areas of red and orange. The drawing is currently unframed, measuring 15 x 11 inches. About the artist: Jenny Kemp received a BS in Art from the University of Wisconsin - Madison and an MFA in Painting from the University at Albany. Her work has been exhibited in galleries and museums across the country, most recently at Gold/Scopophilia* in Montclair, NJ and the Mandeville Gallery at Union College in Schenectady, NY. She has been featured in publications such as 100 Painters of Tomorrow published by Thames & Hudson, New American Paintings, The Huffington Post, Seattle’s City Arts, New York Times, and The New England Review. Kemp is also a recipient of the 2015 NYFA fellowship in painting and the 2015 Emerging Artist Award recipient from the Art Center of the Capital Region in Troy, NY. She sits on the board of Collar Works, an art space dedicated to the support of emerging and under-represented artists exhibiting challenging and culturally relevant contemporary artworks in Troy, NY where she lives and works. EDUCATION MFA - Painting, University at Albany, SUNY 2012 BS - Art, University of Wisconsin, Madison 2002 EXHIBITIONS 2019 Gold / Scopophilia* Art on Paper, Pier 36, NYC Steady Curve Gold / Scopophilia*, Montclair, NJ (solo) 2018 Slow Grow Mandeville Gallery, Union College, Schenectady, NY (solo) FENCE + ECHO, Far x Wide, Brooklyn, NY (curated by Jes Cannon) Crazy Beautiful III, Kenise Barnes Gallery, Larchmont, NY Three Square, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) 2017 When We Were Young: Rethinking Abstraction from the University at Albany Art Collections (1967-present) University at Albany Art Museum, Albany, NY Surface 4, ARENA at Brooklyn Dermatology, Brooklyn, NY (curated by Renée Riccardo) The Whitney Houston Biennial: Greatest Love of All, Chashama, NYC (curated by Christine Finely) 2016 Reality is Wrong, Dreams are Real, David&Schweitzer Contemporary, Brooklyn, NY (curated by Phil and Sue Knoll) Squared, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Something Else, The Painting Center, New York, NY (curated by Dee Shapiro and Miriam Brumer) Living Color, Art Center of the Capital Region, Troy, NY (2 person) 2015 Howdy Doody, Collar Works, Troy, NY (curated by Leona Christie) Remains to be Seen, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Painting Parallels, GRIDSPACE, Brooklyn, NY (solo) Double Vision, Laffer Gallery, Schuylerville, NY (2 person) Mohawk Hudson Invitational Albany Center Gallery, Albany, NY Snowbirds Kenise Barnes Gallery, Larchmont, NY Valentine’s Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Variations in Paint (invitational), The Painting Center, New York, NY 2014 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Mohawk Hudson Regional, Albany Institute of History and Art (juror: Stephen Westfall) Tracery, PS209 Gallery, Stone Ridge, NY Connections Todd Art Gallery at Middle Tennessee State University, Murfreesboro, TN (2 person) Perceptions Opalka Gallery at Sage College, Albany, NY Modern Artists Carrie Haddad Gallery, Husdson, NY 2013 Second Nature Albany Airport Gallery, Albany, NY Admit One Collar Works Gallery, Troy, NY Works by Jenny Kemp and Richard Harrington Gallery 105, curated by MCLA Gallery 51, N. Adams, MA An Early Spring Carrie Haddad Gallery, Hudson, NY 2012 Recent work and new paintings on paper Fulton Street Gallery (solo) FISSURE GalleryEll online exhibition, curated by Amanda Kates In Orbit Little Gallery at Sage College of Albany. Albany, NY. Works on Paper Carrie Haddad Gallery, Hudson, NY MFA National Competition First Street Gallery, NYC. Juror: John Yau BioLogical Salem Art Works Carry House Gallery, Salem, NY MFA Thesis Exhibition University at Albany Art Museum, Albany, NY 2011 Back to School Fulton Street Gallery, Troy, NY Fence Select The Art Center of the Capital Region, Troy, NY. Juror: Carrie Haddad Honorable Mention Chain Letter Samson Projects, Boston, MA SUNY Best of Show New York State Museum, Albany, NY Members Only Collar Works Gallery, Troy, NY Fountain Art Fair Pier 66, New York, NY Nathan Meltz with Jenny Kemp and Doug Holst...

This abstract painting titled "Untitled 191016" is an original artwork by Ryan Beck made of acrylic and acrylic transfer on canvas. Layering his materials, Ryan Beck creates intricat...

Ervin NEUHAUS Composition Blue and Red on Orange Original watercolor and tempera on heavy paper Handsigned bottom right Authenticated with the stamp of the Estate sale on the back ...

Larry Zox (1937-2006) was a central figure in the evolution of abstraction in American art of the 20th century. Raised in Des Moines, Iowa, Zox studied at the University of Oklaho...

Abstract Non-Objective Mid 20th Century Color Field Painting James Daugherty James Daugherty (1887 – 1974) "Unidentified Flying Object," 12 x 16 inche...

Oil pastel drawing on amate paper, unique,

Crayon on vellum. Unframed. In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The visual information derives from various so...

Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tools and paper, she engages a systematic process that branches into new forms as they meet if / else junctures in the work. The series grow iteratively, engaging perception as a subject and a means. To begin, she creates a grid of converging lines in perspective to establish a basic unit of pictorial space. That bound unit: lines and perspective; becomes the foundation for building complexity. Variables such as repetition, color, incremental rotation, inversion, concentration and dispersion are applied. Properties of the initial unit are subverted and transformed. Play between solidity and transparency, mass and lightness, concentration and diffusion, slows down perception. A build up of marks aggregates into optical mixtures and resolves into patterns created by processes of rotation and layering. These patterns and binary relationships emerge slowly. The networks of lines converge and disperse creating multiple visual paths through fields of structured accumulation. Her very human hand leaves behind texture that animates the final artifacts of this process. Sara Eichner is a graduate of Kenyon College (BA) and Syracuse University (MFA). She has had solo exhibitions at PPOW and Sears Peyton...

"Aerial #7 " Mixed Media on Denril Paper, 24 x 45 Inches. Lyrical, vivid abstraction in yellow, red, blue, turquoise, pink white and black. This work can be read as a pure ab...

"Heavy Times" is an original oil pastel drawing on a paper bag by Reginald K. Gee. The artist signed the piece on the back. This piece features abstract shapes in brown, white, and b...

What is a picture? I, 2013 Paper Cut Out 48h x 32.30w in PL017 Pablo Lehmann was born in 1974 and currently lives and works in Buenos Aires. He has been the subject of solo and gro...

Acrylic on paper - Unframed This piece comes out of the more informal Painting A Day series. While these are more interested in scale, stroke, and surface, they also carry with them...

Signed lower right, 'Beth Ames Swartz' (American, born 1936) and dated 1966. Primarily working in the idioms of abstraction and semi-abstraction, Beth Ames Swarts's paintings and mixed-media works are commonly informed by philosophical and spiritual concepts shared by people of different cultural world-views, and incorporate both symbols and words in the vocabulary of their visual language. Beth's art practice has been guided by aesthetic philosophies including Wassily Kandinsky’s Concerning the Spiritual in Art and Robert Smithson’s Spiral Jetty, and inspired by various religious and philosophical systems including Native American Healing practices, Buddhism, Jewish Mysticism, and Christianity in order to facilitate communication with viewers on both a conscious and unconscious level. Swartz syncretizes a variety of spiritual traditions in her work in order to reveal their inherent commonality. Born in New York City, Beth grew up in Manhattan, and by her mid-teens, was studying at the Art Students League in New York in the late 1940s. Her education continued at NYC's High School of Music & Art followed by Cornell University where she graduated with a Bachelor of Science (1957), followed by a Master of Arts degree (1959) from New York University. Beth Ames Swartz exhibited nationwide including at over seventy solo exhibitions including a solo show at The Jewish Museum in New York. In addition, she participated in three major traveling museum exhibitions and her work is held in the permanent collections of numerous major museums including the National Museum of American Art at the Smithsonian. She received the Governor's Individual Artist Award in 2001 in Arizona, and a retrospective of her work was mounted in 2002 at The Phoenix Art Museum, with a monograph about her work co-published by The Phoenix Art Museum and Hudson Hills Press. Fellowships, Awards, Grants and Honors: New York, NY - 2003 Veteran Feminists of America, Medal of Honor Phoenix, AZ - 2001 Recipient, Governor's Arts Award, the highest honor in Arizona for one individual who may be a visual or performing artist or a writer. Snowmass Village, CO - 2000 Anderson Ranch, Artist in Residence Phoenix, AZ - 1994 Founder, Culture Care , an international, non-profit organization sponsoring The Sacred Souls Project, to identify, support and honor individuals who demonstrate positive human societal values New York, NY - 1994 Awarded Flow Fund grant for discretionary philanthropic use for non-personal benefit New York, NY - 1994 Panelist, College Art Association, Art, Earth and Medicine: A Healing Approach New York, NY - 1993 Panelist, The Sacred in the Arts Conference New York, NY - 1992 Speaker, MedArts Conference, Research Study on A Moving Point of Balance Stinson Beach, CA - 1991 Speaker, Symposium, Art as a Healing Force New Harmony, IN - 1990 Keynote Speaker, Art and Healing Conference Phoenix, AZ - 1988 Co-Founder, International Friends of Transformative Art (IFTA), an international, non-profit organization for positive global change Payson, AZ - 1988, '87 Project Coordinator, Rim Institute, Transformative Artist's Conference and Workshop Phoenix, AZ - 1985 Governor's Award, Outstanding Women of Arizona - Women Who Create Sun Valley, ID - 1980 Sun Valley Center for the Arts & Humanities, Artist in Residence, The Awesome Space: The Inner and Outer Landscape Hawaii National Park, HI - 1979 Volcano Art Center, Artist in Residence Phoenix, AZ - 1978, '77 Named Master Teacher by State Department of Public Instruction Phoenix, AZ - 1978, '77 Educational Grant for Inquiry Into Fire, Arizona Commission on Arts and Humanities Selected Bibliography and Reference: Davenport’s Art Reference Guide, 2007/8 Edition, p.2468; Arizona/Women '75 (exhibition catalogue). Tucson, AZ: Tucson Art Museum, 1975; Baigell, Matthew. "Art and Spirit: Kabbalah and Jewish-American Artists." Tikkun vol. 14, no.4, (July-August 1999): 59-61 (illus. in b&w of Shen Qi Series: the Cabalistic Scheme of the Four Worlds #5); Beth Ames Swartz, Inquiry Into Fire (exhibition catalog). Scottsdale, AZ: Scottsdale Center for the Arts, 1978. Introduction by Melinda Wortz; Beth Ames Swartz, 1982-1988: A Moving Point of Balance (exhibition catalog). Scottsdale, AZ: A Moving Point of Balance, Inc., 1988. Introduction by John Perreault; Biennial 1979 (exhibition catalog). Phoenix: Phoenix Art Museum, March 9-April 8, 1979, 35-37, 64 (illus. in color Sedona, #23; illus. in b&w, Torah Scroll, #5); Body and Soul: Contemporary Art and Healing (exhibition catalog). Lincoln, MA: DeCordova Museum and Sculpture Park, 1994. Introduction by Rachel Rosenfeld Lafo, Nicholas Capasso, and Sara Rehm Roberts; Cembalest, Robin. "The Ecological Art Explosion." ARTnews vol. 90, no. 6 (summer 1991): 96-105; The First Western States Biennial Exhibition (exhibition catalog). Denver: Western States Art Foundation, 1979. Introduction by Joshua C. Taylor (with illus. in color of Torah Scroll #4); Gablik, Suzi. The Reenchantment of Art. Thames and Hudson: New York, 1991, 155-57; Gadon, Elinor W. The Once and Future Goddess: A Symbol for Our Time. New York: Harper and Row, 1989, 245-46; 248; Henderson, Barbara. "Beth Ames Swartz," A Magazine of Fine Arts vol. 2, no. 15 (April 1976): 34-41; Israel Revisited: Beth Ames Swartz (exhibition catalog). Scottsdale, AZ: Beth Ames Swartz, 1981: 40 pp. Introduction by Harry Rand...

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

Continuation 4, 2013, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of swirling linear...

Notations Q, 2007, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper). This painting on paper is unframed. Playful geometric abstraction of swirling linear ele...

Ryan Sarah Murphy’s creative practice is intuitive and process-driven, prompted by the found ephemera in her daily experience. Responding to the inherent energy within discarded and ...

Jazzy colored buildings, and there lead secret doors… This item is not framed. Antony Squizzato is a talented French artist who likes to experiment with ...

Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...

Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tools and paper, she engages a systematic process that branches into new forms as they meet if / else junctures in the work. The series grow iteratively, engaging perception as a subject and a means. To begin, she creates a grid of converging lines in perspective to establish a basic unit of pictorial space. That bound unit: lines and perspective; becomes the foundation for building complexity. Variables such as repetition, color, incremental rotation, inversion, concentration and dispersion are applied. Properties of the initial unit are subverted and transformed. Play between solidity and transparency, mass and lightness, concentration and diffusion, slows down perception. A build up of marks aggregates into optical mixtures and resolves into patterns created by processes of rotation and layering. These patterns and binary relationships emerge slowly. The networks of lines converge and disperse creating multiple visual paths through fields of structured accumulation. Her very human hand leaves behind texture that animates the final artifacts of this process. Sara Eichner is a graduate of Kenyon College (BA) and Syracuse University (MFA). She has had solo exhibitions at PPOW and Sears Peyton...

medium: watercolor on Arches paper Anastasia Pelias was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native an...

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Conte...

In carefully drawn dots and lines in soft shades of indigo blue with pink, green, yellow and dark red details, this intricate composition is inspired by patterns in nature. This draw...

Color crayons and ink on white wove paper. Initialed and dated "VI . 24 . 43" in ink, lower right recto, and annotated and dated in ink, verso. This work is registered in the record...

2021 Pastel on paper 24 x 18 in. (61 x 45.7 cm) Signed and dated in pencil, lower right

WOLF KAHN Dark Triangle in the Fall, 2004 Pastel on paper 11 x 14 inches 27.9 x 35.6 cm Signed: W Kahn (lower center recto) Color-field landscape painting of trees against a bright...

WOLF KAHN Brilliant Landscape, 1991 Pastel on paper 21 x 29 inches 53.3 x 73.7 cm Signed: "W Kahn" (lower right recto) Color-field landscape painting of a house underneath trees and...