Small Abstract Drawings and Watercolors

Feeling (2018) is a watercolor by contemporary artist Annemarie Ambrosoli that measures 49,5x29,5 cm. It is framed with a cream white passepartout, measuring 63,7x43,5 cm and with a...

André Masson ( 1896-1987) Pencil study with annotations on the right side, acquired by the previous owner from Luis Masson son of Andrè Masson

The Dreamcatcher, 2022 collage on paper 46 H x 37.5 W cm Signed on right side down Raluca Arnăutu dreams the world through collages. A collage, dreamlike and surreal, populated by thousands of pieces of paper, textiles, pieces of plastic, found or made objects, which intertwine on the paper support and as in a well-controlled and thought puzzle give birth to a new universe. The new series of...

A really eye-catching black and white figurative work by Modern British artist Ewart Johns (1923 - 2013) 'A Homage to Picasso' Ewart Johns (British, 1923 – 2013) Homage to Picasso P...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Acte I, La Grande Duchesse Signed “Erté” (lower right) Inscribed "La Traviata / 1er acte / Entrée des invités / Composition orig...

Donald Baechler Untitled (Rose), 2015 Original Graphite drawing on archival bond paper. Framed, with museum provenance Signed and dated in graphite pencil on the front Provenance: Do...

"Free flow movement" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time ...

Looking at a painting by Colin Hunt is like watching someone pass through a hole in our consciousness. As the landscape refracts through the sitter’s absence and fills that emptiness...

This colored pencil drawing on delicate very light-cream (almost white) colored paper was made in 2023 by Amanda Andersen, "Greens I" is one in a series of two green line drawings. ...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Ave Maria Signed "Erté" (center right) Inscribed "N°1.349 / Victor Herbert Finale / Ave Maria / Décor / G.W.S. 1928" (en verso) Go...

Looking at a painting by Colin Hunt is like watching someone pass through a hole in our consciousness. As the landscape refracts through the sitter’s absence and fills that emptiness...

Dear art lover, I enjoy working on floral compositions. This one was inspired by Vincent Van Gogh's nature paintings. A palette knife was used to obtain the texture. Please read the details below 👇: Title: "Connecting to nature" Description : a blue sky over wildflowers field Style: impressionism, post-impressionism Medium: oil painting on a heavyweight professional paper Fabriano ( 300 gr) I hope this artwork will fill up your space with vibrant rich colors. It is sold without frame. Hanging fixture will be included so you can hang it on the wall. If you don't want to hang it on the wall, you can display it on the console table, buffet , sideboard, shelf, fireplace etc.. My kind advice: you can choose another floral painting from my gallery to create one singular art piece ( a diptych or a triptych). The choice to sell my art unframed is to give my customer an opportunity to pick a frame to his/her taste, space and interior. This is a unique, one of a kind original oil painting. It is signed on the front and comes with a Certificate of Authenticity. The painting will be carefully packed in cardboard box with layers of bubble wrap and sent out to you as soon as possible. Please, give me a couple of days to organize a shipping from France...

Astract composition is an artwork realized by Paolo Pasotto in 1986.  50 x 35 cm. Hand signed bottom right.  Mixed techinique on paper. Good conditions!

Unknown Artist, France, late 19th century Anonymous c. 1900 Rondelle on antique laid paper Ink, Watercolor and or Gouache Unsigned An Art Nouveau preliminary design for a decorative ...

Abstract White & Turquoise Flowers on Pink Background by British Contemporary Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Framed in a h...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

THOMAS BROWNELL ELDRED Untitled Mid Century Modern Abstraction, 1941 Gouache on paper Hand signed and dated 1941 on the front 14 3/4 × 21 inches Unique Provenance: Acquired from the estate of Thomas Brownell Eldred Unframed This gorgeously colored gouache painting on thick paper was created at a time when the Guggenheim Museum (Museum of Non-Objective Painting) was collecting Eldred's work, alongside works by Kandinsky and Bauer. Unique works like this by Eldred are very desirable in the marketplace. It typifies the artist's eclectic style, reflecting his involvement with Surrealism and the New York School. It also highlights Eldred’s excellent draftsmanship through the characteristic bright colors and patterns that he developed during his time as a naval wood pattern maker in the merchant marines...

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that startle in their intricacy an...

This is a new painting in the ongoing series of anthropomorphized shapes using the dispersed watercolor pigment technique. Painted on Arches Watercolor paper, this unique work is 1...

Jane Freilicher Untitled I, 1958-59 Signed lower right Charcoal on paper 11 1/2 x 8 3/4 inches Provenance: Tibor de Nagy Gallery, New York Private Collection, New York Jane Freilic...

Soft red 3 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflective ...

Made in 2023 by Amanda Andersen, this geometric abstract painting on paper is one in a series of nine minimal artworks with a visual simplicity in...

Abstract White Daisy Flowers on Turquoise Background by British Contemporary Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Framed in the ...

Abstract composition is an artwork realized by Paolo Pasotto in 1996.  50 x 35 cm. Hand signed on both short sides. Mixed techinique on paper. Good conditions. 

Acrylic on canvas Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International Fashion Marketing from ...

Indian ink and marker on archival paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International F...

Soft red 1 (Abstract Painting) Acrylic and pigments on paper — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflective ...

"Combing Sound" is an improvised gestural drawing conveys an impulse born in the space of sensations. Artwork is done in ink and ocher pastel on thick white paper. "Every time I draw such abstract lines, a flow of energy moves my hand. I paint very fast to give the spontaneous flow as much space as possible. I never know what the result will be. The process of spontaneous drawing is a kind of magic that turns an invisible impulse into a reflection on paper. I feel the vibration in and around my palms and enjoy this dance of vibrations every time I paint. Each drawing is unique and one of a kind." Sve Gri...

This colored pencil drawing on delicate warm brown colored paper was made in 2023 by Amanda Andersen. Large asymmetrical forms typical in the artists work, connect a group of shapes...

This colored pencil drawing on delicate dark-grey colored paper was made in 2023 by Amanda Andersen. Large asymmetrical forms typical in the artists work, connect a group of shapes ...

A really eye-catching black and white abstract work by Modern British artist Ewart Johns (1923 - 2013) Ewart Johns (British, 1923 – 2013) Black On White I Mixed media laid down on b...

Shape 40 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...

Landscape B/W charcoal on paper (Canson paper 300 gr) 30x 42 cm framed SIZE 40x50 cm the drawing comes with a passepartout and a rigid support ready to be hung this painting is pub...

This expressive vibrant abstract floral painting is called "Energy" was done with acrylic paints on a professional heavy weight paper (300 gr). Red, yellow and green are dominant...

This colored pencil drawing on delicate light-grey colored paper was made in 2023 by Amanda Andersen. Large asymmetrical forms typical in the artists work, connect a group of shapes...

A one of a kind 12x24 Bleach Toned Traditional Watercolor Cyanotype on Hahnemuhle Sumi-E Paper. A certificate of authenticity will be provided upon its purchase or delivery. Neil’s ...

Landscape B/W charcoal on paper (Canson paper 300 gr) 30x 42 cm framed SIZE 40x50 cm the drawing comes with a passepartout and a rigid support ready to be hung this painting is pub...

Abstract Non Objective Work on Paper Guggenheim Woman Artist 1940s Drawing w/c HILLA REBAY (1890 - 1967, GERMAN/AMERICAN) Abstract watercolor and graphite on paper 14 x 16 1/2 inche...

Initialed lower right, 'M. W.' for Margaret Wentworth (American, 1914-1999) and dated 1959. Exhibited: Feingarten Galleries, Carmel, California, 1960, and titled on label, verso, 'Ro...

Memories (2018) is a watercolor by contemporary artist Annemarie Ambrosoli that measures 34x46 cm. It is framed with passepartout and gold frame, measuring 51x63 with 2 x 1,5 cm prof...

Musical Moment (2017), cm 38,5x49,5, by contemporary artist Annemarie Ambrosoli, is a gouache on paper. This gouache is a one-of-a-kind piece. It is signed in the lower right corner...

A black and white, Surrealist watercolor on paper by artist Desmond McLean in a cerused black frame. McLean was born in Sligo, Ireland and raised in Brooklyn, NY. He was a professor...

Pablo Picasso 1881-1973 Spanish Guitare sur un guéridon (Guitar on a pedestal) Gouache on paper laid down on board Signed “Picasso” (upper left) Picasso’s prolific career has been marked by many grand love affairs, both romantic, intellectual and creative. Beyond his lovers like Olga Khoklova and Dora Maar and his intellectual muses like Georges Braques and Gertrude Stein, Picasso’s greatest love and inspiration was perhaps a humble instrument: the guitar. Whether it be the Old Guitarist from his early blue period, his groundbreaking series of three-dimensional guitar sculptures from his nascent explorations in Cubism, or his Mandolin and Guitar composition’s grander explorations with color and biomorphic shapes, the guitar is an elusive calling card for modern art’s greatest genius. In Guitare sur un guéridon, Picasso intertwines his signature guitar and a bowl of fruit. These two elements are playfully brought together and skillfully anchored on the tabletop by a square positioned at the center of the composition. The result is a captivating and harmonious arrangement that showcases Picasso's artistic ingenuity in blending these everyday objects into a visually striking and cohesive composition. This rare gouache was created during the pivotal summer of 1920. During this time, Picasso lived in Juan-les-Pins, a small coastal resort town in the South of France away from the confines of the city and the fallout of World War I. With this newfound freedom, Picasso entered an exciting and innovative creative period and began to interrogate the connections between Neoclassicism and Cubism. Picasso created a series of gouache paintings characterized by their flat, geometric nature, sinuous contours and strikingly vivid colors. Though not a complete departure from his previous Cubist works, this series showcased the influence of the Surrealists, especially the biomorphic subconscious explorations of Joan Miró, upon Picasso’s oeuvre. While the breadth of his creativity grew, he returned back to a familiar motif — the guitar — with a renewed sense of vigor and excitement. Guitare sur un guéridon’s undulating lines and biomorphic appeal bring Picasso's preoccupation with the guitar into deeper focus. The sinuous lines of guitar mirror...

Rolph Scarlett Untitled Abstract Expressionist Painting, ca. 1960 Gouache, Ink, Watercolor on Paper . Hand signed, with original Jonas Aarons Gallery label 23 × 18 3/4 inches Signed ...

Mark di Suvero Study for Atman (hand signed twice), ca. 1978 Marker wash on paper (hand signed twice by Mark di Suvero) Signed twice by Mark di Suvero on the lower front center and again on the right 15 × 20 inches Unframed This original, hand signed marker on wash drawing is a study for di Suvero's sculpture Atman, 1978-1979, in the Cincinnati Art Museum Collection. About Mark di Suvero: Internationally renowned sculptor Mark di Suvero was born in Shanghai, China, in 1933. He immigrated to the United States in 1941 and received a BA in Philosophy from the University of California, Berkeley. Di Suvero began showing his sculpture in the late 1950's and is one of the most important American artists to emerge from the Abstract Expressionist era. A pioneer in the use of steel, di Suvero is without peer in the exhibition of public sculpture worldwide. Mark di Suvero's architectural-scale sculptures - many with moving elements that invite viewer participation - have been exhibited in the United States, France, the Netherlands, Italy, Spain, Germany, Australia, Japan and the United Kingdom. Di Suvero is the first living artist to exhibit in Le Jardin de Tuileries and Les Esplanades des Invalides in Paris and at Millennium Park-Chicago. His work is in over 100 museums and public collections including the Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, the Museum of Modern Art, National Gallery of Art, the Whitney Museum of American Art, the Walker Art Center, and Storm King Art Center where he has had three major exhibitions. Mark di Suvero is a lifelong activist for peace and social justice, and has demonstrated a generous commitment to helping artists. In 1962, he co-founded Park Place Gallery, the first artists' cooperative in New York City. In 1977, he established the Athena Foundation to assist artists to realize their ambitions. In 1986, he established Socrates Sculpture Park at the site of a landfill on the East River in Queens, New York. Through his leadership, a 4.5 acre parcel was transformed by a coalition of artists and community members into an open studio and exhibition space. To date, the park has hosted the work of over 900 artists. Di Suvero received the Lifetime Achievement Award in Contemporary Sculpture from the International Sculpture Center in 2000 and the Heinz Award for Arts and Humanities in 2005. In 2010, di Suvero was a recipient of the Smithonian Archives of American Art Medal...

Al Hirschfeld Original (unique) Self portrait drawing, 1976 Hand signed ink drawing, on typewritten letter with envelope Hand signed in Hirschfel...

This is a new painting in the ongoing series of anthropomorphized shapes using the dispersed watercolor pigment technique. Painted on Arches Watercolor paper, this unique work is 1...

Brightly colored abstract by Michael William Eggleston (American, 20th Century). Eggleston's use of various mediums and techniques show through...

Daisies and Sunflowers - Still Life Oil Pastel on Paper This fun, quirky oil pastel by a David Mark (American, 20th C) features bright, abstract yellow and white flowers with contra...

"Portrait 2" Drawing 23" x 17" inch by Oleksandr Miroshnychenko Unique work ball pen, spray paint, paper 180g ARTIST BIO: Oleksandr Miroshnychenko lives and works at his studio in...

Jacques Yankel, pseudonym of Jakob Kikoine, born on April 14 , 1920 in Paris, is a French painter and sculptor. He is the son of the painter Michel Kikoine. Born in Boucicaut hospital, Jacques lived as a child in the artists' colony La Ruche in Paris. He grew up to the age of ten at La Ruche, the workshop created for artists by the sculptor Alfred Boucher, in the 15th arrondissement of Paris. Around him live also other artists, including the inseparable Pincus Krémègne and Chaïm Soutine, arrived from Vilnius in Russia where they met. It is an extraordinary intellectual and artistic universe where the genius of the artists and their great poverty rub shoulders in a Paris which hosts this Expressionist school which will become "the School of Paris". Chagall, Modigliani, Fernand Léger, Alexander Archipenko, Max Jacob and others. When he had just started studying at the École des Arts Appliqués in Paris, he was forced to flee to Southern France with his family to escape the Nazis. During the Second World War, he held temporary jobs in printing and engraving workshops, notably at the Draeger printing press in Toulouse, where events led him to take refuge with his family. From 1940 to 1945, he pursued very advanced studies of geology at the Faculty of Sciences, specializing in micro-geology. He graduated in 1943. In 1947, he participates episodically as an amateur painter in the Chariot group, with the artists Jean Hugon, Michel Goedgebuer, Robert Pagès, Christian Schmidt, Andre-Francois Vernette, Jean Teulieres. The group is active until 1954. In 1949, he was hired by the Colonial Office for the geological map of Gao - Timbuktu - Tabankort in French West Africa . From this episode, he will keep a certain taste for African art of which he will become a collector. The following year, he unexpectedly met Simone de Beauvoir and Jean-Paul Sartre in Gao. The latter encourages him to return to painting. He won the Neuman First Prize, which he shared with Reginald Pollack and a Fénéon Prize Scholarship. Among his friends are Clavé, Cottavoz, Pelayo, Hanna Ben-dov, Pollack, Jean Jansem, Roger Lersey. In 1953, accompanied by Orlando...

Modern abstract orange and yellow toned abstract watercolor painting by native Houstonian, Dick Wray. The work features warm toned curving organic shapes set against a green and blue...

Watercolor on wove paper. Signed and dated in ink, lower right recto.

"Spring Green Variation III" is an original mixed media piece by David Barnett. The artist signed and dated the piece lower right. This piece depicts a landscape in bright colors. ...