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Etching Abstract Drawings and Watercolors

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Style: Abstract
Medium: Etching
A GARDEN FOR ICARO - Etching on paper signed Gaetano Carboni, Italy 1970
Located in Napoli, IT
Etching on paper, signed Gaetano Carboni A painter and engraver, Gaetano Carboni was born in 1928 in Ascoli Piceno and, between 1940 and 1950, implemented his first figurative experi...
Category

1970s Abstract Etching Abstract Drawings and Watercolors

Materials

Paper, Etching, Aquatint

Manuel Facal, Etching on paper, "Fondo VII" (Original, 1985)
Located in Carballo, ES
Esta obra se trata de un grabado original del famoso artista Manuel Facal (A Coruña, 1943), perteneciente al grupo Atlantica, el grupo de artistas mas fam...
Category

20th Century Abstract Expressionist Etching Abstract Drawings and Watercolors

Materials

Paper, Etching

Manuel Facal, Etching on paper, "Fondo V" (Original, 1985) Sunset, Yellow, Green
Located in Carballo, ES
Esta obra se trata de un grabado original del famoso artista Manuel Facal (A Coruña, 1943), perteneciente al grupo Atlantica, el grupo de artistas más fam...
Category

20th Century Abstract Expressionist Etching Abstract Drawings and Watercolors

Materials

Etching, Paper

Untitled Geometric Abstraction, signed and inscribed to designer Robert Vogele
Located in New York, NY
Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...
Category

1970s Abstract Etching Abstract Drawings and Watercolors

Materials

Mixed Media, Watercolor, Etching

Conversation I
Located in New York, NY
About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...
Category

2010s Abstract Etching Abstract Drawings and Watercolors

Materials

Ink, Archival Ink, Acrylic, Etching, Archival Paper

An Interior Language IV
Located in New York, NY
About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...
Category

2010s Abstract Etching Abstract Drawings and Watercolors

Materials

Photographic Paper, Photogram, Etching, Aquatint

N°4 Star Script
Located in Wien, 9
“I have been living in Berlin as a painter for 45 years and since then a lot of water has flowed down the Spree, many ‘big’ and little names, many art scenes, a lot of noise and lots of hope have come along. There was the great period of 1920-1933, when Berlin was a real and free art city, when the public still visited the exhibitions and the painters had not yet invented the publicity. There was the ’12th Reich’, which eliminated art. And there came the laborious new beginnings after 1945. When I was a beginner, around 1925, I plunged rather carelessly into the lively art scene: first exhibition in the then very turbulent jury-free show. In 1927, for the first time, I succeeded in conquering a wall space in the academy on Pariser Platz, where Liebermann led a strict regiment. Many young exhibitions were organized and critically acclaimed (Paul Westheim). Paul Cassirer showed three generations in two beautiful exhibitions, I was one of the youngest. My first collective exhibition was in the Galerie Möller in 1928, after which I received a master studio in the ‘Akademie der Künste’ for three years. In the printing workshop on the Steinplatz I learned the etchings on the same press, on which I still create the plates at our university today. This was followed by further exhibitions, again at Möller in 1931, etchings in the gallery Gurlitt in 1932, in the Szczecin Museum, whose director Riezler acquired several pictures that were destroyed during the Nazi era. The Kronprinzenpalais had also bought a picture and the Kupferstichkabinett some etchings. Everything went ahead, and then, with one hit, it was over. In 1934, all free, progressive exhibitions were closed and the associations liquidated (Künstlerbund, Sezession). The end of painting. I learned ceramics and painted tiles and tiled stoves; The war...
Category

1960s Abstract Expressionist Etching Abstract Drawings and Watercolors

Materials

Etching, Lithograph

Ornamental Composition
Located in Wien, 9
“I have been living in Berlin as a painter for 45 years and since then a lot of water has flowed down the Spree, many ‘big’ and little names, many art scenes, a lot of noise and lots of hope have come along. There was the great period of 1920-1933, when Berlin was a real and free art city, when the public still visited the exhibitions and the painters had not yet invented the publicity. There was the ’12th Reich’, which eliminated art. And there came the laborious new beginnings after 1945. When I was a beginner, around 1925, I plunged rather carelessly into the lively art scene: first exhibition in the then very turbulent jury-free show. In 1927, for the first time, I succeeded in conquering a wall space in the academy on Pariser Platz, where Liebermann led a strict regiment. Many young exhibitions were organized and critically acclaimed (Paul Westheim). Paul Cassirer showed three generations in two beautiful exhibitions, I was one of the youngest. My first collective exhibition was in the Galerie Möller in 1928, after which I received a master studio in the ‘Akademie der Künste’ for three years. In the printing workshop on the Steinplatz I learned the etchings on the same press, on which I still create the plates at our university today. This was followed by further exhibitions, again at Möller in 1931, etchings in the gallery Gurlitt in 1932, in the Szczecin Museum, whose director Riezler acquired several pictures that were destroyed during the Nazi era. The Kronprinzenpalais had also bought a picture and the Kupferstichkabinett some etchings. Everything went ahead, and then, with one hit, it was over. In 1934, all free, progressive exhibitions were closed and the associations liquidated (Künstlerbund, Sezession). The end of painting. I learned ceramics and painted tiles and tiled stoves; The war...
Category

20th Century Abstract Expressionist Etching Abstract Drawings and Watercolors

Materials

Etching, Aquatint

Evergreen Lane (Abstract print)
Located in London, GB
Evergreen Lane (Abstract print) Etching - Unframed. This print is last in edition. This etching refers to a Steamboat Springs, Colorado street. It...
Category

Early 2000s Abstract Expressionist Etching Abstract Drawings and Watercolors

Materials

Etching

Evergreen Lane (Abstract print)
Located in London, GB
Evergreen Lane (Abstract print) Etching - Unframed. This print is last in edition. This etching refers to a Steamboat Springs, Colorado street. It...
Category

Early 2000s Abstract Expressionist Etching Abstract Drawings and Watercolors

Materials

Etching

Red Abstract Aquatint
By Lilly McElroy
Located in Houston, TX
Bright abstract French aquatint in red tones by artist Lilly Elroy, titled "Hamed", 1990. Numbered 1/1 HC lower left. Signed and dated lower right. Original artwork on paper display...
Category

1990s Abstract Etching Abstract Drawings and Watercolors

Materials

Paper, Aquatint

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Llangorse Lake, Brecon Beacons, Wales, circa 1964. Welsh Landscape. Abstract.
By Roger Cecil
Located in Sutton Poyntz, Dorset
Roger Cecil. Welsh ( b.1942 - d.2015 ). Llangorse, Brecon Beacons Watercolor and pastel on paper. Signed. Image size 19.5 inches x 29.5 inches ( 49.5cm x 75cm ). Frame size 24.6 inches x 34.6 inches ( 62.5cm x 88cm ). Available for sale; this original painting is by the Welsh artist Roger Cecil and dates from around 1964. The watercolor and pastel work is presented and supplied in a sympathetic contemporary frame (our stock frame, which is shown in these photographs), mounted using conservation materials and behind glass. The original backboard has been reused but the artwork has been isolated from it using conservation barrier materials. This vintage artwork is in good condition, commensurate with its age. Previous cockling (rippling) of the paper has been eliminated by stretching and the use of a new mounting. Previous foxing and age marks have been mechanically removed and the coarse fiber of the paper has been made good in these areas. The painting is now ready to hang and display. The watercolor is signed lower left. Provenance: Previously with the Howard Roberts Gallery, Imperial Buildings, 69/74 St Mary Street, Cardiff. Roger Cecil was a reclusive painter, draughtsman and teacher who was born in Abertillery, Monmouthshire in 1942. He lived and worked in Wales for the last four decades of his life, much of it in the house where he was born and brought up. Cecil produced abstract work rich in imagery, poetry and color, which were drawn from his environment, the industrial valley towns and mountains. Prolific and obsessive, he was always a solitary artist, with no affiliations to any group or artistic movement. He worked for more than forty years, with an ever evolving and prolific creative output. His pictures capture the geology and the history of the places he knew so intimately, and the impact of man of that environment. Cecil studied Fine Art at Newport College of Art from 1959 to 1963, where his teachers included John Wright and Thomas Rathmell; in 1963 he gained the College’s highest award in the national diploma in design and a place at the Royal College London. In 1964 he won the David Murray Landscape Award from the RA. He took up his place at the Royal College of Art, but after just a few weeks he was unsatisfied and instead took up manual work in opencast mines and building sites. Cecil later spent some time teaching at Ebbw Vale. From 1995 to 1998 he did his MA, which he gained with distinction in communication design at St. Martin’s College of Art. The BBC made a television documentary on Cecil's work called The Gentle Rebel. For a long time Cecil did not exhibit, through choice, and it was friends who helped to promote him. He then had a series of exhibitions at Business Art Galleries from 1987, and in 1995 the Hill Court Gallery, Abergavenny, held a retrospective of his work. In 1998 Gordon Hepworth and Y Tabernacl both showed Cecil's pictures. Cecil’s works were also shown at the Oriel Myrddin Gallery in 2006 and 20011. The small book which takes the name of the earlier exhibition ”Cariad”; has an introduction by gallery manager Meg Anthony which states; “The magic of Roger Cecil’s work is in part down to the man, for he is enigmatic and surprising, diffident and proud. He has deliberately avoided the art establishment, remaining shy of its protocol and systems of exposure and recognition. He has consciously created the space to pursue his art, away from the pressures of publicity and celebrity...... paint is Roger’s passion.” Cecil’s methods were complex; he worked with a mixture of materials, including oil pastels, sandpaper, primer and plaster. He built up layers and then he rubbed and scratched them away. His work is textured and nuanced, and the color reverberates as if it has a life of its own. The paintings are abstract, but there are echoes of monumental shapes and undulations of the female form, the Valleys - the dark hills embracing the bowls of space and the rich, gritty textures of the industrial and post-industrial landscape, highlighted by intricate, personal marks. Sarah Bradford states: “Scale is an important feature of Roger Cecil’s work; he constantly shifts from near and the far off. He also moves his viewpoint from looking at, to looking down on to. This looking down, as though a bird, onto the world of the painting, comes from exploration of his surroundings and from the ordinance survey maps he takes with him when he walks. He has often said how he is inspired by the language of symbols and lines that are used in maps to delineate the landscape. It is easy to see the connection when looking at the networks of invented footpaths, waterways, and other pinpoint features that can be found in his work.” … Mary Lloyd...
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Previously Available Items
Manuel Facal, Etching on paper, "Fondo VI" (Original, 1985)
Located in Carballo, ES
Esta obra se trata de un grabado original del famoso artista Manuel Facal (A Coruña, 1943), perteneciente al grupo Atlantica, el grupo de artistas mas fam...
Category

20th Century Abstract Expressionist Etching Abstract Drawings and Watercolors

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Paper, Etching

"Striations" Abstract Expressionist Etching
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20th Century Abstract Expressionist Etching Abstract Drawings and Watercolors

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Untitled
Located in San Francisco, CA
Joel Shapiro received his B.A. in 1964, and his M.A. in 1969 from New York University. Since his first solo exhibition in 1970, Shapiro's work has been the subject of more than 160 s...
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1990s Abstract Etching Abstract Drawings and Watercolors

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Untitled
H 29 in W 21.25 in

Etching abstract drawings and watercolors for sale on 1stDibs.

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