Items Similar to Sonia Delaunay - Original Watercolor on paper
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Sonia DelaunaySonia Delaunay - Original Watercolor on paperCirca 1930
Circa 1930
About the Item
Sonia Delaunay - Original Watercolor on paper
Dimensions: 21 x 21 cm.
Authentified by her son Charles Delaunay on the back.
Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker.
Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921.
During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911.
Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes, cushions, waistcoats and lampshades, led to one of her first large-scale works, the painting of the Bal Bullier (1912–1913), a popular Parisian dance-hall. Sonia’s first “simultaneous dresses,” a mix of squares and triangles of taffeta, tulle, flannelette, moiré, and corded silk, date from this period.
Friendship with the poet Blaise Cendrars (1887–1961) resulted in Sonia’s colored-squares fabric binding for his poem Pâques à New York (1912), and her collaboration on an accordion-type book of Cendrars’ long 207 verse poem, La Prose du Transsibérien et de la Petite Jehanne de France (1913), whose unique format, a vertical scroll almost two meters long, is said to have been inspired by the Delaunays’ fascination with the Eiffel Tower. Other aspects of modern urban life that inspired Sonia’s work included electric street lights (Prismes électriques, 1914) and publicity, though the various studies that she did for projects for Chocolat, Zenith, and Le Rêve gas stoves all remained unrealized.
When World War I was declared in 1914, Sonia Delaunay was in the Basque border town of Fuenterrabía with her husband, and they did not return to Paris until 1920. During this period, they traveled to Madrid and to the village of Vila do Condo in Portugal, and Valença da Minho, where she painted still-lifes and market scenes. While in Madrid, she had become interested in Flamenco singers, and continued to do versions of this subject in Portugal (Flamenco Singer, 1916). Sonia Delaunay claimed that living in the Iberian Peninsula had opened her eyes to the very origin of light.
Settled in Madrid, she started to engage in interior decoration (Casa Sonia) in addition to designing clothes and costumes. In 1918, Serge Diaghilev (1872–1929) commissioned her to do the costumes for a Ballets Russes production of Cléopatre, which opened in London. The soprano Aga Lahovska persuaded Delaunay to design the costumes for a production of the opera Aida at the Liceo in Barcelona. Following the Aida, she was invited to decorate a new nightclub, the Petit Casino, scheduled to open in a remodeled theatre in Madrid. She virtually gave up painting between 1918 and 1935 when she lost the financial support of her relatives in St. Petersburg with the outbreak of the Russian Revolution in 1917.
When Sonia and Robert Delaunay returned to Paris in 1920, they took an apartment at 19 boulevard Malesherbes, which Sonia completely redecorated with furniture that she designed herself—most pieces now in the Musée des Arts Décoratifs in Paris. The Delaunay home was open to members of Dada and Surrealist groups: Tristan Tzara (1896–1963), Philippe Soupault (1897–1990), André Breton (1896–1982), Louis Aragon (1897–1982), René Crevel (1900–1935), etc. Delaunay’s friendship with Tzara lasted more than forty years: they launched the famous ‘poem-dresses’ (words and colors in ever new relationships through body movement), and in July 1923 Delaunay designed the costumes for Tzara’s play, Coeur à gaz, which was produced as part of an evening of experimental theatre, with music by Georges Auric (1899–1983), and Crevel in one of the parts.
Delaunay’s involvement in fabrics began as early as 1923 with the more than fifty designs that she provided a silk manufacturer in Lyon. In 1924, she founded her own company with four directors, among them the prominent couturier and furrier, Jacques Heim (1899–1967). Her greatest success came in 1925, at the Exposition Internationale des Arts Décoratifs et Industriels Modernes, for which she designed and decorated her Boutique Simultanée, run with the help of Heim.
Sonia Delaunay was extraordinarily prolific up to the 1930 world Depression; her work became known in London at Liberty’s and in department stores in New York, not to mention her profitable collaboration with the Amsterdam department store of Metz & Co., begun in 1925. She was designing not only fabrics and fashion, but carpets and panels and handbags, and also costumes for two films: Vertige, directed by Marcel L’Herbier (1888–1979), and Le p’tit Parigot by René Le Somptier (both 1926). Her renown for her fabrics and clothing brought her an invitation to speak at the Sorbonne, January 27, 1927, on “The Influence of Painting on the Art of Clothing,” where she introduced the revolutionary idea of prêt-à-porter (ready-to-wear).
During the 1930s, Sonia Delaunay’s life was divided between fashion design, articles in magazines, interior decorating, and projects for window displays and posters. In 1937, the Exposition Internationale des Arts et Techniques dans la Vie Moderne, backed by Léon Blum’s (1872–1950) Popular Front government, solicited the participation of the Delaunays in the decoration of two temporary exhibition buildings: the Pavillon des Chemins de Fer and the Palais de l’Air. Voyages lointains and Portugal, which Sonia painted for the railroad pavilion, were awarded a gold medal.
The Delaunays were ardent promoters of abstract art: they became members of the Abstraction-Création group in 1931 and organized the first Salon des Réalités Nouvelles in 1939. After her husband’s death in 1941, Sonia continued her energetic support of abstract art, while reestablishing Robert’s reputation with a number of exhibitions of his work and bequests of his work and hers to public institutions. By the 1950s, Delaunay was beginning to exhibit her own work again, particularly in the gallery in Auteuil of Colette Allendy. In 1953 the Galerie Bing mounted a solo show, which brought her renewed attention, and she was also represented in exhibitions in Paris (Musée National d’Art Moderne and Galerie Suzanne Michel) and Rome. In 1955 the Rose Fried Gallery in New York gave her her first solo show in the United States. The following year she had exhibitions in Grenoble, Havana, Venice, Rome and Milan. In 1958 the Städtisches Kunsthaus in Bielefeld organized a large exhibition of her works, comprising some 260 pieces, and thereafter she participated regularly in exhibitions devoted to the work of the Moderns.
In 1964 Delaunay became the first living female artist to have a retrospective exhibition at the Louvre, thanks to her donation of 117 works by herself and Robert (Donation Delaunay). In March 1965 she sent a gouache and an oil to Salon des femmes peintres, a show exclusive to women painters. And in July 1965 she began collaboration with Jacques Damase (b. 1931) on a book of poems and pochoirs, using documents in her possession from Robert’s collection of poems by his friends. It appeared under the title Rhythmes-Couleurs, with a preface by Michel Hoog.
One of the first important exhibitions of Delaunay’s work, which took place in Paris in 1965 after her meeting Damase, was called ‘L’Expo 1925,’ at the Musée des Arts Décoratifs, where an entire room was devoted to her fabric designs and dresses. In 1967, with Damase’s help, she enjoyed what may have been her greatest tribute, a full-scale retrospective of her work, consisting of almost two hundred pieces, at the Musée National d’Art Moderne.
By the time Sonia Delaunay died at home in Paris on December 5, 1979, she had received the Légion d’honneur and painted the poster for the International Women’s Year of UNESCO (both 1975), collaborated in costume designs for a production at the Comédie-Française (Luigi Pirandello’s Six Characters in Search of an Author, 1978), and taken part in the Paris-Moscow Exhibition at the Centre Pompidou (1979), to which she had donated her entire graphic work in 1976. Her recognition as an artist was such that President Georges Pompidou (1911–1974), on an official visit to the United States, brought one of Sonia Delaunay’s paintings as a gift from the French governmen
- Creator:Sonia Delaunay (1885 - 1979, French)
- Creation Year:Circa 1930
- Dimensions:Height: 8.27 in (21 cm)Width: 8.27 in (21 cm)Depth: 0.04 in (1 mm)
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16124266242
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2015
1stDibs seller since 2015
908 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Collonge Bellerive, Geneve, Switzerland
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Jacques Germain -Untitled - Original Signed DrawingBy Jacques GermainLocated in Collonge Bellerive, Geneve, CHJacques GERMAIN (1915-2001) Untitled Circa 1970 Dimensions: 25 x 18 cm Pencil on Paper Signed J.G Born in Paris in 1915, worked with Fernand Léger and Amédée Ozenfant at the Acad...Category
1970s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsInk
- Jacques Germain -Untitled - Original Signed InkBy Jacques GermainLocated in Collonge Bellerive, Geneve, CHJacques GERMAIN (1915-2001) Untitled Circa 1970 Ink on Paper Signed J.G Dimensions: 20 x 30 cm Born in Paris in 1915, worked with Fernand Léger and Amédée Ozenfant at the Acadé...Category
1970s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsInk
- Horacio Garcia Rossi - Light Color - Original Signed Oil on CanvasBy Horacio Garcia RossiLocated in Collonge Bellerive, Geneve, CHHoracio Garcia Rossi Couleur Lumière Décalée Oil on Canvas 50 x 50 cm Signed and dated 11/08 on the back Horacio Garcia Rossi, along Morellet and J.Le Parc - these works, though cre...Category
Early 2000s Abstract Geometric Abstract Paintings
MaterialsOil
- Geneviève Claisse - Kinetic Composition - Original Signed LithographBy Geneviève ClaisseLocated in Collonge Bellerive, Geneve, CHGeneviève Claisse - Kinetic Composition - Original Signed Lithograph Publisher Stamp Edition: EA Geneviève CLAISSE, born in 1935 in France, a relative to Auguste Herbin. She is recognized today as one of the most important geometrical abstract French artist of the 1970s. Her approach to painting was influenced by reading Art d’Aujourd’hui, Tribune of Geometrical Abstraction. 1958 First solo exhibits in the Galerie Caille in Cambrai and Galerie Hybler in Paris. 1961 First exhibit in the Galerie Denise René in Paris where she regularly exhibited in the following years. 1965 + Focused work on color (Cercles, ADN) 1967 Museum of Fine Arts of La Chaux-de-Fonds. Biennale of Paris. 1968 “Art...Category
2010s Abstract Geometric Abstract Prints
MaterialsLithograph
- Geneviève Claisse - Kinetic Composition II - Original Signed LithographBy Geneviève ClaisseLocated in Collonge Bellerive, Geneve, CHGeneviève Claisse - Kinetic Composition II - Original Signed Lithograph Publisher Stamp Edition: EA Geneviève CLAISSE, born in 1935 in France, a relative to Auguste Herbin. She is recognized today as one of the most important geometrical abstract French artist of the 1970s. Her approach to painting was influenced by reading Art d’Aujourd’hui, Tribune of Geometrical Abstraction. 1958 First solo exhibits in the Galerie Caille in Cambrai and Galerie Hybler in Paris. 1961 First exhibit in the Galerie Denise René in Paris where she regularly exhibited in the following years. 1965 + Focused work on color (Cercles, ADN) 1967 Museum of Fine Arts of La Chaux-de-Fonds. Biennale of Paris. 1968 “Art...Category
2010s Abstract Geometric Abstract Prints
MaterialsLithograph
- Wassily Kandinsky - Horse Knight - Original EtchingBy Wassily KandinskyLocated in Collonge Bellerive, Geneve, CHWassily Kandinsky - Horse Knight - Original Etching 32 x 24 cm 1966 From the art review XXe siècle, San Lazzaro Unsigned and unumbered as issuedCategory
1960s Abstract Geometric Animal Prints
MaterialsEtching
You May Also Like
- Abstract Geometric Terracotta Jugs, Mid Century Modern Abstracted Still LifeLocated in Soquel, CABold mid century modern abstracted pastel on paper still life of several terra cotta jugs and vessels distilled down to their most basic shapes and ar...Category
1960s Abstract Geometric Abstract Drawings and Watercolors
MaterialsPaper, Pastel
- Yayoi's Guitar unique signed work on paper by internationally renowned sculptorBy Mark di SuveroLocated in New York, NYMark di Suvero Yayoi's Guitar, 1980 Ink wash drawing Signed and titled in red ink on the front Frame included Unique 1980 drawing by sculptor Mark di Suvero. Measurements: Frame: 23...Category
1980s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsInk, Watercolor, Permanent Marker
- Untitled No. 26 (Modern Black & Grey Abstract Fruit Drawing in Black Frame)By Ralph StoutLocated in Hudson, NYVertical charcoal drawing on Arches paper 18 x 13 inches unframed 25 x 20 inches in black metal frame with AR non-glare glass & 8-ply mat This contemporary, abstract charcoal drawin...Category
Early 2000s Abstract Abstract Drawings and Watercolors
MaterialsPaper, Charcoal
- Morandi 17: Abstract Cubist Style Morandi Bottle Still Life Pencil DrawingBy David Dew BrunerLocated in Hudson, NYAbstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings "Morandi 17” by Hudson Valley artist, David Dew Bruner, made in 2023 Graphite on pap...Category
2010s Abstract Still-life Drawings and Watercolors
MaterialsPaper, Graphite
- Morandi 14: Contemporary Still Life Graphite Drawing of Bottles in Vintage FrameBy David Dew BrunerLocated in Hudson, NY"Morandi 14” by Hudson Valley artist, David Dew Bruner, made in 2023 Graphite and acrylic on paper in an antique frame Abstract cubist style still life graphite drawing inspired by G...Category
2010s Abstract Still-life Drawings and Watercolors
MaterialsPaper, Acrylic, Graphite
- Morandi 12 (Abstract Cubist Still Life Painting Inspired by Morandi Bottles)By David Dew BrunerLocated in Hudson, NYAbstract cubist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi 12” by Hudson Valley artist, David Dew Bruner, made...Category
2010s Abstract Still-life Drawings and Watercolors
MaterialsPaper, Graphite
Recently Viewed
View AllMore Ways To Browse
Large Works On Paper
Document Paper
Vintage Contact Paper
Various Artists Vintage Originals
Fabric Designs On Paper
Paris Moscow
Small Geometric Drawing
Vintage Type Book
Sonia A
B May Handbag
1963 Abstract On Paper
Original Open Window
Milan 1930
Braque Original
Divorce Paper
French Paper Panels
1920 Original Fabric
Vintage Window Display