Framed Animal Drawings and Watercolors

A charming pastel study of Buzz the Labrador in a blue collar. Titled to the reverse. Presented in a gilt frame. On paper.

Hercules after Carracci IV, 2014 Tempera on paper (Signed) 27 3/5 H × 39 2/5 W in. 70 H × 100 W cm On the subject of his new works the artist stated: “There is not enough orange, ...

Jean Poulain 1884-1967 Jean Poulain was born in 1884 in Katanga (formerly Belgian Congo). The self-taught artist from an early age, he will be in search of all the emotions and beau...

Horse, 1982 Colored pencil on paper (Signed, front lower left) 27.55 H x 39.37 W in. 70 H x 100 W cm Dinu Rădulescu's drawings illustrate, in their maj...

Adonna Khare is an American master carbon-pencil artist. Her style has been compared to the photo-realistic illustrations of Audubon, but the surreal worlds and strange inhabitants s...

Carolee Schneeman Infinity Kisses, 1988 Archival pigment print Signed and dated on the front This is a unique work of art Frame included Infinity Kisses for the artist's beloved cat...

Robert W. Milliken (Irish, 1920-2014). White Fronts Along the Coast, ca. 1960. Watercolor on paper, image measures 14.5 x 19.5 inches; 21.5 x 26.5 inches framed. Signed lower right. ...

Frederic Charles Vipond Ede was born in 1865 in Nottawa in Ontario, Canada. He began his studies in America before traveling to Paris, where he studied at the Académie Julian under T...

Adonna Khare is an American master carbon-pencil artist. Her style has been compared to the photo-realistic illustrations of Audubon, but the surreal worlds and strange inhabitants s...

The Bull V - expressive line drawing on 140lb paper. The work is size 12x8 inches framed (black) with a styrene face on a double mat board in grey-beige or white-beige color with siz...

Tammy Liu-Haller's "Ram" is an original, handmade graphite on clayboard, gold leaf and acrylic that depicts a ram with majestic horns. About the artist: Tammy was born in 1975 in Kingston, NY. She is a realism artist, working primarily in graphite and charcoal. After spending 15 years away from the field, she began drawing again in 2011 and went full-time by 2015. She is an avid supporter of organizations that rescue, conserve, and protect domestic and wild animals, and she often donates artwork to these causes each year. Tammy has also created a small niche of golf drawings...

Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

Exquisitely done profile of a cat done with graphite, watercolor and brushed wash by the Norwegian born artist, Charles Hermansen. Signed lower middle. Circa 1940. Condition is very...

Robin Hill, Australian (1932 - ) - Redish Egret, Year: 1972, Medium: Watercolor, signed, Size: 27 x 20 in. (68.58 x 50.8 cm), Frame Size: 38.5 x 31 in. (97.79 x 78.74 cm)

James Williamson-Bell was a respected wildlife artist based in Newcastle and won several medals at the Paris Salon for his bird paintings. He was stro...

"I Feel Like I’ve Been Torn to Pieces" is a visual metaphor for deep inner conflict, a struggle between forces that tear the self apart. In this work, Irina Burda continues her explo...

The Spider and the Fly, 2020, gel pen paper, figurative, drawing, framed, web, black, white, pink, blue

Adonna Khare is an American master carbon-pencil artist. Her style has been compared to the photo-realistic illustrations of Audubon, but the surreal worlds and strange inhabitants s...

HENRY STACY MARKS, RA, RWS (1829-1898) Hyacinth Macaw Signed with initials l.r.: H.S.M. Watercolour heightened with bodycolour over traces of pencil 18 by 7 cm., 7 by 2 ¾ in. (fr...

Eileen Soper, RMS SWLA (British, 1905 – 1990) Rabbit was in one of his dreamy moods Signed ,inscribed with title (below mount) Pen and ink 3.1/4 x 5.1/4 in. (9 x 16.2 cm.) Provenanc...

This small original hand-drawn illustration by Elizabeth Iadicicco is made with illustration marker, pen, and matte and metallic gold colored pencil on Strathmore marker paper. The d...

James Williamson-Bell was a respected wildlife artist based in Newcastle and won several medals at the Paris Salon for his bird paintings. He was stro...

Kate Greenaway (British, 1846 – 1901) ‘Prince Finikin and his Mamma sat sipping their bohea..’; and ‘You see, merry Phyllis, that dear little maid, Has invited Belinda to tea..’ Penc...

Figurative chalk drawing of grey, black, and teal clouds and birds silhouetted on collaged vintage music pages 'Black Bird Tours Around the World ' by Louise Laplante in 2022 silhouettes made with chalk on vintage collaged music pages 24 x 30 inches unframed, 27.5 x 33.5 inches in natural light wood frame with non-glare plexi Louise Laplante bridges the past and present with mixed media drawings made with figurative charcoal silhouettes juxtaposed on collaged sheets of vintage paper. Finding beauty in forgotten or discarded sheets of ephemera, Laplante uses it as a guide for playful compositions of stenciled birds in mid-flight, drifting feathers, or taxidermized deer heads in rich pastel. A final burst of wistful linework glides over the pastel forms, accentuating her subject’s movement while adding another layer of texture. In this particular work, the artist using a palette of black, grey and shades of blue and teal to compose a balanced graphic of fluffy clouds extending above a single black bird. In certain segments the stenciled images are delicately brushed over with a thin wisp of chalk which adds a delicate textured effect to the drawing. The drawing is framed with a light wood frame and has non-glare plexi glass galzing. About the artist: Interested in blending the old world with the new, mixed media artist Louise Laplante combines her original images with ephemera of the past, enticing a conversation about it’s “relevancy to the present.” Her compositions begin with vintage book pages, personal handwritten letters, sheet music, or instruction from old guides on etiquette or science. While the text itself is weighted with reference to a particular subject, the visual of the typed or handwritten words and printed illustrations establish a unique pattern. These layered backgrounds are superimposed with opaque charcoal drawings that are inspired by the themes read between the lines. Most recently, the artist has opted for larger scale work, combining multiple sheets of vintage paper to expand her unique motifs. Laplante exhibits across the Northeast and has shown with Carrie Haddad for more than ten years. Artist Statement: My work connects the texts, and ideas, in the vintage book, music or correspondence pages, with images those words evoke to comment on how the past still resonates, whether we are aware of it or not. It is informed by my love for old paper, letters, books and images, both as reminders of the past and as bits of pattern, tone, line and shape. The text on them acts as both content and visual device. With each work, I select, arrange and collage these pieces creating both a support and pattern building on it with motifs that are suggested by words on the papers. Although I often start with an agenda I always allow each work to build its own image. Artist Resume: Education MA in Fine Art, State University of New York at Albany, New York BFA, College of New Rochelle, New Rochelle, New York Studied, Art Institute of Boston, Boston, Massachusetts Exhibitions 2019 Mediums of Exchange, Lehman College Art Gallery, Lehman College, CUNY, Bronx, New York 2018 Figures We Fancy, Carrie Haddad Gallery, Hudson, New York Shelter, A.P.E. Gallery, Northampton, Massachusetts Material Flow: Rhythm in Collage and Sculpture, Pratt Gallery, Goddard College, Plainfield, Vermont 2017 Abstractions in Black and White, Gallery 175 Pawtucket, Rhode Island Blanche Ames National, Borderlands, North Easton, Massachusetts Five Points Biennial, Five Points Gallery, Torrington, Connecticut A Declaration of Sentiments: Reflections on the Centennial of Women’s Right to Vote in NYS, Athens Cultural Center, Athens, New York 2016 Winter Exhibit, Carrie Haddad Gallery, Hudson, New York 2015 Boston Biennial 4, Atlantic Gallery, Boston, Massachusetts Drawing, Carrie Haddad Gallery, Hudson, New York Taking Root: Caniskek and the Meeting of Two Worlds, Athens Cultural Center, Athens, New York North Northeast, Brattleboro Museum and Art Center, Brattleboro, Vermont NBMMA 45th Exhibition, New Britain Museum of American Art, New Britain, Connecticut 2014 New Directions ’14, Barrett Art Center, Poughkeepsie, New York Connecticut Women Artists – 85th National, Slater Memorial Museum, Norwich, Connecticut New England Collective V, Galatea Fine Art, Boston, Massachusetts Boston Biennial 3, Atlantic Works Gallery, Boston, Massachusetts 2013 Storytellers and Conjurers, Carrie Haddad Gallery, Hudson, New York 2012 Works on Paper, Carrie Haddad Gallery, Hudson, New York Drawing, b.j. spoke gallery, Huntington, New York Strange Glue, Thompson Gallery, Weston, Massachusetts Silhouette, A.P.E., Northampton, Massachusetts The Cadence of Familiarity, Krauss Gallery, Providence, Rhode Island 2011 20th Anniversary Exhibition, Carrie Haddad Gallery, Hudson, New York Paperworks, Paper City Studios, Holyoke, Massachusetts Small Works, Towne Gallery, Wheelock College, Boston, Massachusetts 2010 Text/Context, McCoy Gallery, Merrimack College, North Andover, Massachusetts A Community of Artists, Danforth Museum of Art, Framingham, Massachusetts Here and Gone: Presence, Absence, Memory and Time, Amy H. Carberry Fine Art Gallery, Springfield Technical Community College, Springfield, Massachusetts 2009 Dreamscape, Carrie Haddad Gallery, Hudson, New York 2008 Small ’08, Wunderarts Gallery, Amherst, Massachusetts Interaction: Louise Laplante and Liz Chalfin, Wunderarts Gallery, Amherst Massachusetts Artists and Books, Art Complex Museum, Duxbury, Massachusetts One Night, Pivot Gallery, Florence, Massachusetts 2007 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Biennial 2007, New Hampshire Art Institute, Manchester, New Hampshire Salon, Clark Gallery, Lincoln, Massachusetts 2006 Small: 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Salon, Clark Gallery, Lincoln, Massachusetts 2004 On Paper, Carrie Haddad Gallery, Hudson, New York Encaustics, Carrie Haddad Gallery, Hudson, New York New Acquisitions, University Gallery, University of Massachusetts, Amherst, Massachusetts 2003 Hart Gallery...

JACQUES LIPCHITZ Study for Bull and Condor, 1964 Original Ink on gouache on Paper drawing and signed lower left front Unique Held in the original vintage frame This work is from th...

Provenance Acquired by American Legacy Fine Arts directly from the artist Exhibited The Imaginary, Carnegie Art Museum, Oxnard, California, March 10 – May 19, 2019 Framed 22.875" x...

A rare late 19th century watercolour by the well listed Victorian artist Edward Neale (1833-1904). The scene depicts a skein of mallards landing on a body of water at dusk. Neale as ...

Paraguayan Ink Drawings from the Chaco #17 Paper Indigenous Osvaldo Pitoe Cecilia Brunson Projects presents Towards the Past: Memories of the Gran Chaco, the first UK exhibition by...

Oswald Garside. English ( b.1879 - d.1942 ). Beasts Of Burden, 1904. Watercolor. Signed & Dated Lower Right. Image size 13 inches x 16.7 inches ( 33cm x 42.5cm ). Frame size 20.1 i...

A charming watercolour study of two jays enjoying a moment of quiet repose. The artist's confident brushwork beautifully captures the soft texture of the birds' plumage and striking ...

This artwork titled "Daydreaming in Tiger Land" is a watercolor and gouache on paper by artist Jacquie Marie Vaux. It is signed at the lower right c...

The Bull III - expressive line drawing on 140lb paper. The work is size 12x8 inches framed (black) with a styrene face on a double mat board in grey-beige or white-beige color with s...

This framed 27" x 14" watercolor on paper by artist Lisa Miceli depicts the abstracted movement of birds, figures, and aquatic imagery that the artist uses...

Dina Brodsky's realist miniature gouache painting, Yellow Bird Akimbo, is kinetic and visceral. Clinging to diverging branches, the little yellow shock of a bird is caught betwixt an...

Sven Berlin (British, 1911 - 1999) Pegasus Pen and ink on paper laid down on card 11 x 7.7/8 in. (28 x 20 cm.) (16) Sven Berlin, born in Sydenham, London ...

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beau...

Charcoal drawing by Houston, Texas artist Al Bates depicting the famous La Grange Chicken Ranch in the 1930s with visitors standing by automobiles. Signed and editioned 56 of 500 by ...

This is a framed original drawing on paper. Adonna Khare is an America Artist mainly focused on carbon pencil on paper drawings. She received her Masters of Fine Art from California ...

Original Pastel Drawing on Paper of Horse Race at Royal Ascot 2002 with Golan & Nayef Art measures 25 x 18 inches Frame measures 33 x 26 inches Nayef was pipped by Golan in the 2...

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, Player And Pony. Watercolor On Paper. Signed Lower Right. Image size 15.2 inches x 11.6 inches ( 38.5cm x 29.5cm ). Frame size 20.3 inches x 16.3 inches ( 51.5cm x 41.5cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The watercolor is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The watercolor is signed lower right. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

Two Mid Century Rural Landscapes in Watercolor on Paper Two lovely watercolors by Beverly Lyons (American, 20th Century). In the top watercolor, an expansive sky sits above a strip ...

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, Player Leading Pony. Watercolor On Paper. Signed Lower Right. Image size 11.2 inches x 15.4 inches ( 28.5cm x 39cm ). Frame size 16.9 inches x 20.9 inches ( 43cm x 53cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The watercolor is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The watercolor is signed lower right. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

Fox amidst the Hay Bales on a Misty Morning in a Field in the English Countryside, by British Artist Andrew Hutchinson Art measures 22 x 10 inches F...

Tammy Liu-Haller's "Sleepyhead" is an original, handmade charcoal and graphite drawing that depicts a cow sleeping on the ground.

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Into The Final Furlong, 1965. Pastel On Buff Paper. Signed & Dated 1965. Image size 18.9 inches x 27.6 inches ( 48cm x 70cm )...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold lined box, they conjure images o...

Sven Berlin (British, 1911 - 1999) Cock Black felt pen on paper Inscribed with title (lower left) 11.3/4 x 14 in. (29.7 x 35.5 cm.) Sven Berlin, born in Sydenham, London on 14th Sep...

Paraguayan Ink Drawings from the Chaco #16 Paper Indigenous Osvaldo Pitoe Cecilia Brunson Projects presents Towards the Past: Memories of the Gran Chaco, the first UK exhibition by...

Ernest Howard Shephard (British, 1879 – 1976) The land of the lost toys – ‘Oh that’s you is it’ Inscribed with title (lower edge), and further inscribed ...

Page Size: 30 x 22 in. Frame Size: 37 x 25 in. Ink drawing on paper Signed in pencil, bottom right. Titled in pencil, bottom left. A cheerful and vibrant depiction of a hummingbird,...

Julian Ruddock. British ( b.1965 ). The Thief. Pastel On Paper. Signed Lower Left. Image size 29.1 inches x 21.3 inches ( 74cm x 54cm ). Frame size 38.4 inches x 29.9 inches ( 97.5c...

Sven Berlin (British, 1911 - 1999) Hare Pencil on paper Signed, inscribed and dated `HARE’ (lower left), and ‘SVEN ‘79’ (lower right) 14.7/8 x 22.3/4 in. (37.8 x 57.8 cm.) Sven Berl...

A charming equine portrait of Diamond the Chestnut mare, pictured in her paddock. Well-presented in a narrow wood frame with a new card mount. Illegibly signed. On paper.

Nocturnal Creatures, 2021, ink and watercolor on watercolor paper. Black and White, girl with cats, moon, figurative. Framed, frame size 11.25 x 9.25 x 1.25

Henry Charles Fox. English ( b.1855 - d.1929 ). Driving Sheep. Plaisters Lane, Sutton Poyntz, Weymouth, Dorset 1918. Watercolor On Paper. Signed & Dated 1918. Image size 18.9 inche...

French School 19th Century, Studies of horses, two drawings in the same frame 7 x 11 cm (oval) and 7 x 9.8 cm pencil on paper Condition : The oval one on the left with foxings (see...

This exquisite miniature painting by Dina Brodsky features a solitary raven rendered in rich blue and black tones, painted with remarkable precision on deer parchment. A master of co...

Galloping Horses is a wonderful and original drawing in charcoal on paper, realized by the italian divisions artist Giuseppe Cominetti. Hand-signed in charcoal and dated on the lower...

Page Size: 30 x 22 in. Frame Size: 37 x 25 in. Ink drawing on paper Signed in pencil, bottom right. Titled in pencil, bottom left. An energetic and surreal artwork presents a highly...

Original colored pencil on archival paper of a tiger in a jungle setting attributed to H.A. Wilson. No visible signature. Not examined out of frame. No current information on the art...