Beppe Guzzi

Villa Medici / Rome - Ink Drawing by Beppe Guzzi - 1949

1949

Radicofani is an original artwork realized by Anonymous artist in the 19th Century. Original mixed colored ink and watercolor on paper, Titled on the lower left margin. Mint cond...

Ink and Watercolor on paper realized by Orfeo Tamburi in 1950s. Hand signed lower right. Includes a wooden frame cm. 37x43. Very good condition.

Landscape is a China Ink Drawing and Watercolor realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a cream colored paper. No signature, titled and dated...

Neoclassic Garden is an original drawing in China ink and watercolor on paper applied on a Passepartout paper, realized by Jules Arsene Garnier (French, 1847-1889), in the late 19th ...

"Baker's Dozen I" Inks on Paper Painting 14" x 20"in (c. 1970) by Inji Efflatoun Not signed Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhib...

Mariusz Szalajdewicz (b. 1974) Studied at the Faculty of Architecture at Warsaw University of Technology, where he mastered the drawing skill. Architect and urbanist, illustrator. ...

The sheet is (27.8 x 39.2 cm) double-sided. The front (watercolor ink, white lead) depicts a rural hamlet, in which a church is also glimpsed, characterized by various buildings of ...

Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...