Mino Maccari

The Killing Charme - Woodcut Print - Mid-20th Century

Mid-20th Century

The Return of Bella Cuculi is an original contemporary artwork realized by Pablo Echarruen in 1974. Hand Signed and dated on lower right. Titled on the lower left. China, watercol...

Young Lovers is an original artwork realized by Georges Henri Tribout in about 1940. Pencil Drawing. Good Conditions. Georges Henri Tribout (1884-1962) ...

Nude from the back is a graceful sketch in pencil realized by the French painter, illustrator, designer, and cartoonist Auguste Jean Baptiste Roubille . ...

Portrait is a pencil drawing on paper realized in the early 20th Century Good Conditions. The artwork is depicted through soft strokes in a well-balanced compositions.

An Introspective, Exquitie Modern Pastel of a Seated Female Nude by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Dating ca. 1930s. Artwork size: 16 1/2” x 12 1/4”; unfram...

A Striking 1950s Mid-Century Modern Ink Drawing of a Standing Female Nude by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Exhibiting a spare and exceptional use of brushwork...

Manfred Schwartz (American, b. Poland, 1909-1970), Reclining Female Nude, Charcoal on Paper, woman resting upon patterned drapery, with the artist's signature stamped lower right, un...

Abstract nude figurative drawing by George Giusti, (Italian 1908-1990). India ink on gesso patterned drawing paper created in 1949. Signed “George Giusti 1949” in the lower right corner. Presented in a distressed giltwood frame with glass and a light pink and grey mat. Image size: 15.75”H x 10”W This extraordinary artist was born in 1908 in Milan, Italy, of a Swiss father and an Italian mother. He studied at the Brera Academy of Fine Arts in Milan and did graphic design there before deciding to move to Zürich, Switzerland, where he opened a design studio, which he operated for seven years. While on a visit to the United States in 1938, Giusti was induced to stay by the several excellent commissions that were offered to him, including the opportunity to collaborate with Herbert Matter on the design of the Swiss pavilion at the 1939 New York World’s Fair. Giusti is well known in Europe and America for his architecture and sculpture, as well as his graphics. He studied architecture in Milan and worked at it from time to time, producing stunning examples of contemporary design. For more than four decades in America, and before that in Italy and Switzerland, George Giusti’s graphic designs have graced the covers of Time, Fortune, Holiday and other major magazines, as well as most of the publications of the United States Information Agency, and Giusti had a twelve-year design association with Geigy Pharmaceuticals. He has done advertising and graphic designs, illustrations, trademarks, client and employee publications, package designs for major corporations, and drawings. He has succeeded to the extent that his designs are consistently ahead of their time. It is Giusti’s expressed intention to build a bridge between fine art and art for commercial use. He disdains the terms “fine” and “commercial” as defining a distinction which should not exist. Art is art, he believes, whatever its purported use. Exhibitions: George Giusti’s work has been exhibited in America’s large cities and in most of the capitals of the world. His portfolio has been published in Graphis, Switzerland, Idea, Japan, Gebrauschsgraphik, Germany, Pagina Art, Italy, and Communication Art, and The United States. Awards and Affiliations: Over the years, Giusti has garnered more than ten gold and silver medals and eighty other awards and citations. He is a member of the American Institute of Graphic Arts, Alliance Graphique Internationale, International Center for Graphic Art (Typographic Art...