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Simka SimkhovitchCircus Rider, Acrobatcirca 1928
circa 1928
About the Item
Simkhovitch was a celebrated artist in New York City from the 1920's through the 1940's. Life Magazine did a story on him and he was having great success in the New York Galleries. At that time, he was a success story of an immigrant from Russia, working at the Royal Academy of St. Petersburg who came to America and adopted to American life. He also became a prominent participant in the WPA mural program.
He did a series of works that received much attention at the time, of circus performers. Everyone from the ringmaster, to the tight-rope walkers to the acrobats. Here he is doing sketch to capture the posture of the acrobat mid-way through his trick while riding bareback! Little known today that this was a common performed act at that time! Simkhovitch was known for depicting the everyday man, worker and citizen. He often captured boxers, ladies at their breakfast tables having coffee or putting out the wash in the yard. He captured American life in its day to day modes.
This is a fun drawing that can enliven any room to a place and time past. A bit of American history as it happened. The frame is gilded and hand carved frame of the Impressionist style. The piece is under glass. On the verso is the estate stamp.
Provenance: Estate of the Artist then by Descent to Elzira Simkhovitch
By descent to current owner
Measures inside frame: 6 x 8 inches
- Creator:Simka Simkhovitch (1893 - 1949, Russian, American)
- Creation Year:circa 1928
- Dimensions:Height: 14.75 in (37.47 cm)Width: 16.75 in (42.55 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Paper has age to it but is good condition and frame has some light touch up but presents fine.
- Gallery Location:Greenwich, CT
- Reference Number:1stDibs: LU1413215823252
Simka Simkhovitch
Simka Simkhovitch was born near the city of Kiev, Russia. When he was 7, he spent a year in bed with a severe case of measles. To amuse himself he used to sketch an old mill outside his window, and thus decided to become an artist. He studied at an art school in Odessa and was recommended to attend the Imperial Academy of St. Petersburg (a singular honor in Russia at the time) before the war and revolution. Swept up into the army before he could attend, his work was hung in the Museum of Revolution in Leningrad. He resumed his studies in 1914 and graduated four years later. He was sent to the United States in 1924 to do illustrations for Soviet textbooks. He quickly applied for and gained U.S. citizenship. Simkhovitch integrated with the art world immediately and galleries such as Midtown Galleries and Marie Sterner took him on as part of their stable of artists. He also was employed by the WPA and executed major mural commissions throughout the country. One of his largest commissions was the Mississippi Court House. Life magazine profiled him twice with full-length features on his life here in this country as an artist. When he died at an early age, the Whitney Museum of Art in New York offered to do a retrospective and the widow denied the possibility and simply put his works away in storage. Considered a master draftsman and an adherent of certain classicism, Simkhovitch’s compositions are often built up in a complicated but well-managed counterpoint. But at heart, he is a romanticist preferring the dreamy colors of a Russian fairy tale.
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