Furniture Figurative Drawings and Watercolors

Lucien-Victor Guirand de Scevola (1871-1950) A Man writing at his desk, 18th century interior scene Pastel on paper Signed upper right 20.5 x 15.8 cm Framed under glass : 37 x 31.5 cm It is known that Guirand de Scevola was very interested in the Palace of Versailles and its Old Regime atmosphere, that he often painted it and that he participated in the Versailles Revival movement at the beginning of the century. This probably led him to paint scenes in the 18th century style, for which he was particularly well known and which are still sought after. What is striking is the modernity of the execution of our pastel, which obviously contrasts with its subject in the style of the 18th century. Guirand de Scevoal is a great colourist and he proves it here with eclat, by building up his composition with white pastel highlights, contrasting with brown and black. There is something of the northern painters in this treatment of light. All this, as always with him, is very subtle. The light radiating from the window is almost an abstract notation, but it gives meaning to this interior scene. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...

Artist: Frank Rakoncay (American, 1936-1998) Title: "Woman in Flight" *Signed by Rakoncay in pencil lower left. It is also signed again lower right Circa: 1980 Medium: Original Oil P...

Seating on Armchair 1, nude, pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube, directly from the artist's studio. In mat an...

Figures by River Frank Duffield (British, 1908-1982) signed original watercolor painting on thick artist paper, unframed size: 10 x...

Room with a View Male nude, made with ultramarine blue tempera, inspired by Matisse. 70x50cm / 27.5x19.5in Shipped rolled in a tube directly from Florida. Part of Nude Men series. T...

"Bright Day", nude, ultramarine tempera on colored paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube. Fast shipping, anywhere in the world, 7 days...

My Return Cabin from Jerusalem on the ship is an original modern artwork realized in the half of 20th century, and attributed to the french painter Jane Levy...

Collections: Muir Hetherington; Sir John and Lady Witt, acquired 1974; By descent to 2015. Literature: Tom Jones (ed.), William Henry Hunt 1790-1864, exh. cat., 1981, no. 145 (Girl in a bedroom); John Witt, William Henry Hunt (1790-1864) Life and Work, London, 1982, no. 553, p. 194, colour pl. 16. Exhibited: Wolverhampton, Central Art Gallery, Preston, Harris Museum and Art Gallery and Hastings, Hastings Museum and Art Gallery, William Henry Hunt 1790-1864, 1981, no. 145 as Girl in a bedroom (Lent by Sir John & Lady Witt) Framed dimensions: 20 x 20.75 inches This unusually charming and well-preserved watercolour was painted by William Henry Hunt in around 1833. Almost certainly depicting his young wife, Sarah, possibly in the interior of her family home at Bramley in Hampshire. This work shows Hunt’s remarkable virtuosity as a watercolourist, Hunt, for example, articulates the profile of his young wife, by leaving a reserve of white paper to suggest the light modelling her features. Throughout the 1830s Hunt made a sequence of richly painted interior views of both domestic and agricultural spaces which pay scrupulous attention to detail. Hunt was born in London, the son of a tin-plate worker and japanner. J. L. Roget recorded the observation of Hunt’s uncle: ‘nervy, little Billy Hunt… was always a poor cripple, and as he was fit for nothing, they made an artist of him.’ At the age of sixteen he was apprenticed to the landscape painter John Varley for seven years, moving to live with Varley at 18 Broad Street, Golden Square, London. There he made close friends with both John Linnell and William Mulready. Hunt worked at the ‘Monro Academy’, at 8 Adelphi Terrace, London, the house of Dr Thomas Monro, an enthusiastic patron of landscape watercolourists. Through Monro, Hunt was introduced to the 5th Earl of Essex...

Nude is an original modern drawing in China ink on creamy paper realized in 1950 ca. by an Anonymous artist of the 20th Century. Good conditions. The artwo...

Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wry wit and fear...

Joan Kraisky, American (1949 - ) - Seated Woman, Medium: Oil and Acrylic on Paper, Size: 30 x 22 in. (76.2 x 55.88 cm)

Medium: Gouache on Illustration Board Signature: Signed Lower Left Cover of The Saturday Evening Post, June 19, 1954

Ink and gouache with yellow heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, and the Jaipur State Council Stamp dated June 5 18...

'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...

PAULINA MAKSJAN (born in 1982) She studied at the Academy of Fine Arts in Gdańsk under the guidance of prof. Maciej Świeszewski at the Faculty of Painting and prof. Maria Targońska a...

"Loser's Rack" - Original Charcoal and Graphite Drawing on Paper This drawing by California artist, Angela Stone (American, b. 1983), provides brilliant 1-point perspective in a val...

This wall-hanging artwork titled "Dead King 27 [20th Century Iraqi President]" is an original artwork by Kate Glasheen made of pen and ink on archival paper....

Beautifully detailed early 20th century French drawing of furniture details, circa 1930. Signed lower right. Original artwork on paper...

This feminist work of a nude gazing directly at the viewer, features graphite on mylar over cut paper, aligned to amplify the forms while maintaining the delicacy of the drawing. These recently discovered 1984 oversize works on mylar and archival papers were created with a live model. The series shows the last existing observational drawings prior to the artist's switch to working with her non- dominant left hand. As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze...

Subject : Fenêtre sur lac - Variation VI (Title - FR) This captivating work depicts an interior scene that opens onto an enchanting landscape, creating a harmonious juxtaposition be...

Siiting man is a modern artwork realized by Pierre- Georges Jeanniot in the Late 19th Century Pencil drawing. Includes frame: 30.5 x 3 x...

Design of Furniture is a drawing in pen and pencil on paper realized in about 1850 by anonymous artist of the 19th Century. The State of preservation i...

Home interior is a china ink drawing on ivory-colorated paper, realized by Anonymous French Artist of the mid-20th Century. In very good conditions. Image Dimensions: 18 x 26 cm. ...

Man Working is an Original China Ink Drawing realized by Henry Somm (1844-1907). Good condition on a little yellowed paper (missing corner) included a cream colored passpartout (31x...

SELINA MCKANE Shalimar, 2017 powdered graphite and graphite pencil on paper 30h x 28w in Selina McKane is an American visual artist from Northwest Alabama. She studied and earne...

Porcelain Box, 1890s, is a china ink and watercolor drawing on ivory-colorated paper by Anonymous French Artist of the end of 19th Century. In excellent conditions: As good as new. ...

Porcelain Vases is an original china ink and watercolor drawing on ivory-colorated paper by realized in 1890 ca. Anonymous Artist of 19th Century. In very good conditions. The artw...

Watercolour on ivory coloured paper (cm 29.6 x 23.4) by Michela De Vito, 1820 c.a. Representing a worker in traditional Napolitan costumes sleeping. Excellent conditions. Very beaut...

A female nude reclines on crumpled bedsheets with her hands entwined above her head. The viewer has a "glitch in the system" while gazing at her as her body becomes distorted. Masterfully painting with beautiful realism, this sensual painting...

Oil on cardboard Francine Ledieu is French artist born in 1931 who lives and works in Paris, France. In the 50s, she was a student of Maurice Rocher who specialized in Sacred art. I...

Ink and Watercolor on paper realized by Orfeo Tamburi in 1950s. Hand signed lower right. Includes a wooden frame cm. 37x43. Very good condition.

The Studio is a drawing in watercolor on paper realized in the mid-20th century by Georges Martin.  Stamped on the lower. The state of preservation is good with foxing on applied p...

Adorable antique watercolor by British artist Charles Wilkinson. He has auction records over $2000 for a watercolor. This little gem shows a little girl that has been put in the cor...

The Mouth of Honey Lithographic crayon and mixed media on paper mounted to support paper Initialed by the artist "GB" bottom center on image. (see photo) Titled in pencil in bottom m...

Woman on a Patio Pastel on paper, c. 1915 Unsigned Provenance: Gift of the artist to his wife, Mary Hess Buehr By decent to the artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art Thomas French Fine Art Ronald C. Sloter, Columbus, Ohio Columbus College of Art and Design (de-accessed) Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibition at the North Franklin Street Gallery. One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy, AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Jonquils is an Artwork realized by the Italian Artist Aurelio Mistruzzi in 1905. Pencil Drawing on paper . Good conditions. Aurelio Mistruzzi (1880-1960) studied at the Udine Art ...

Interior Design is a beautiful drawing on paper, realized in 1948 by the French architect  Victor Courtray (1897-1971). Ink and watercolor on paper. Hand-signed and dated on the low...

A piece of a whimsical alphabet that consists of 29 letters. Original work. Fineliner on paper. Inspired by a famous Villa Borghese park in Rome

Siesta is a pen Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) wa...

Woman from Behind is a drawing in pencil realized in 1926 by the French painter, illustrator, designer, and cartoonist Auguste Jean Baptiste Roubille. Th...

Sleeping is an original drawing in pencil realized by Suzie Bernardeau in the mid-20th Century. Good conditions. Hand-signed. The artwork is depicted through soft strokes in a wel...

Sleeping is an original drawing in pencil realized by Suzie Bernardeau in the mid-20th Century. Good conditions. Hand-signed. The artwork is depicted through soft strokes in a wel...

Recon is one of the best works realized by Lis Art in 2017. The work is a basrelief realized on paper and cardboard in plaster colored with acrylic. The artis...

Monumento al popolo is an original drawing realized by Giovanni Fontana in the 16th century. Ivory colored paper attached on an ivory colored sheet. Includes frame: 48.5 x 1 x 44 c Beautiful drawing in graphite, representing the funeral monument...

Wicker Chair is an original pencil drawing on ivory-colorated paper, realized by Anonymous French Artist of the early 20th Century. In very good conditions. Not signed.

Household is an original drawing in pen on paper realized by an unknown artist in 1896 The State of preservation is good with a small rip on the right m...

The Boots is an original artwork realized by Henry Wormser in 1952. Mixed media on cardboard (tempera, China ink and watercolor). Hand-signed and dated ...

This illustration was used in Toby Tyler or Ten Weeks with a Circus by James Otis. Published in 1937 by The John C. Winston Company - "The Children's Bookshelf" series. The book features wonderful color plates and black & white illustrations by Everett Shinn. The full caption reads: "Toby tried very hard to go to sleep." Toby Tyler tells the story of a ten-year-old orphan who runs away from a foster home to join the traveling circus only to discover his new employer is a cruel taskmaster. Toby's friend, Mr. Stubbs the chimpanzee, reinforces the consequences of what happens when one follows one's natural instincts rather than one's intellect and conscience, a central theme of the novel. Date: 1937 Medium: Watercolor on Paper Dimensions: 18.00" x 12.50" Signature: Signed Lower Right Toby Tyler Book Illustration Exhibitions: Norman Rockwell Museum...

In this large scale, framed watercolor, a white goose sits on a folding industrial metal chair, with a chickadee perched on the back of the chair. Piles of books with blue, red and ...

15"x15" ink and watercolor on paper ink and watercolor on paper, 42"x 42" available framed This painting is from as series of ink and watercolor paintings that...

Sz: 14 1/2"H x 22 7/8"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Dining Room Interior

« I have been drawing as far as I can remember. As a necessity that has accompanied me in my personal evolution, I find lightness through my art. My drawings are interpretations of everyday observations transformed into whimsical escapes from the crevices of my mind. There is a constant connection and exploration of how each of my drawings portray characters that represent strength, beauty, nonchalance, curiosity, valor, and even magic. While the materials I use in my current work are ink and paper, the ideas behind my art are primarily surrealist in nature. The spontaneity in my artistic process, composed of biomorphic elements, is an automatic expression of my subconscious. In my art, I create my own world of fantasy where I invite the viewer to move into a speculative state of wonder and they are left with their own interpretation of the lines. » Secret thoughts...

Sz: 8 3/4"H x 15"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Butterfly Web

Signed Lower Right Cropped advertising drawing