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Sylvia Spicuzza
'Billie the Brownie Laughing' original watercolor by Sylvia Spicuzza

ca. 1945

$1,800
£1,336.40
€1,557.28
CA$2,498.98
A$2,795.27
CHF 1,454.67
MX$34,410.70
NOK 18,506.47
SEK 17,362.71
DKK 11,618.85
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About the Item

In this painting, Sylvia Spicuzza demonstrates her skill as an illustration artist, representing the Milwaukee character Billie the Brownie with a growing spring of a tree. An illustration like this could grace the pages of a children's book or illustrated magazine, or as an advertisement for Schuster’s Department Store. Watercolor, gouache and graphite on paper 8 x 5.75 inches, artwork 14 x 12 inches, frame Stamped with artist signature, below image, lower left. Presented in a new custom frame with a gold-finish neoclassical wood moulding, archival matting and mounting materials; and UV glass to inhibit fading. Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings, watercolors and prints from the 1920's to the 1990's. Her style ranges from early figurative drawings to regionalism, Art Deco, lyrical abstractions of every conceivable subject (both real and imagined), as well as figurative paintings that reflect the work of Picasso, Kandinsky and Max Ernst in the 1930's and 1940's. Biomorphic and organic, Modernist images are presented with Sylvia Spicuzza's own unique sense of style, humor and fantasy. Billie the Brownie was a multi-media star of Christmas in Milwaukee from the 1920s to the 1950s. Years earlier, the writer and artist Palmer Cox had popularized “Brownies”—he created dozens of the little men, each with a different ethnic background, personality, and occupation—in scores of stories published in children’s magazines late in the nineteenth century. They also appeared in numerous advertisements, were made into toys, and became the namesake of the hand-held “Brownie” camera in 1900. In Milwaukee, Brownies began to appear in Schuster’s Department Store advertisements and displays during the 1920s. By 1927, “Billie the Brownie” was featured in Schuster’s annual Christmas Parade. Four years later Billie joined Santa Claus and an Eskimo named Metik on a fifteen-minute, daily radio show on WTMJ. They chatted about the holiday, read letters from children to Santa (in 1947, 100,000 letters were received), and told Christmas tales. After nearly a quarter century, Billie, Santa, and Metik made their final radio broadcast on Christmas Eve, 1955. The Milwaukee Journal Sentinel honored the tradition when it launched a seasonal comic strip called “Beanie the Brownie” in 1996. Beanie, Billie’s son, is challenged each year to “save” Christmas from one villain determined to ruin Christmas. -(Encyclopedia of Milwaukee)

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"Billy the Brownie With Flowers #407" original tempera by Sylvia Spicuzza
By Sylvia Spicuzza
Located in Milwaukee, WI
In this painting, Sylvia Spicuzza demonstrates her skill as an illustration artist, representing the Milwaukee character Billie the Brownie with a pair of flowers. An illustration like this could grace the pages of a children's book or illustrated magazine, or as an advertisement for Schuster’s Department Store. 10 x 8 inches, artwork 17 x 13.13 inches, frame stamped with artist signature lower left Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings, watercolors and prints from the 1920's to the 1990's. Her style ranges from early figurative drawings to regionalism, Art Deco, lyrical abstractions of every conceivable subject (both real and imagined), as well as figurative paintings that reflect the work of Picasso, Kandinsky and Max Ernst in the 1930's and 1940's. Biomorphic and organic, Modernist images are presented with Sylvia Spicuzza's own unique sense of style, humor and fantasy. Billie the Brownie was a multi-media star of Christmas in Milwaukee from the 1920s to the 1950s. Years earlier, the writer and artist Palmer Cox...
Category

1940s Modern Abstract Drawings and Watercolors

Materials

Tempera

'Clown Close Up' Watercolor, signed in ink lower right
By Sylvia Spicuzza
Located in Milwaukee, WI
Art: 23" x 18" Frame: 33" x 29 1/4" Watercolor, signed in ink lower right Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings...
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Mid-20th Century Figurative Drawings and Watercolors

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"Young Woman in a Landscape" original drawing signed by Sylvia Spicuzza
By Sylvia Spicuzza
Located in Milwaukee, WI
In this intimate drawing, Sylvia Spicuzza presents the viewer with a young woman crouched down in a garden. The image is framed by foliage and fields of color. 3.75 x 5.25 inches, ...
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"Clown Close Up, " Watercolor Portrait signed by Sylvia Spicuzza
By Sylvia Spicuzza
Located in Milwaukee, WI
"Clown Close Up" is an original watercolor by Sylvia Spicuzza. The artist signed the piece in ink lower right. It depicts a clown in red in front of a blue background. 23" x 18" ar...
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Mid-20th Century Figurative Drawings and Watercolors

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"Still Life with Artist's Hand" original watercolor signed by Sylvia Spicuzza
By Sylvia Spicuzza
Located in Milwaukee, WI
This still life is an unusual example of Sylvia Spicuzza's work, as most of her most significant output are geometric and biomorphic abstract images. The objects in the image - a sea shell, a pitcher, a heavy necklace - are objects the artist likely had at home and staged for the image. But of particular significance is the insertion of the artist's hand, as though she was reaching into the still life while she was painting. The hand has been a significant symbol of the artist throughout art history as a source of creation: Albrecht Dürer's 'Self Portrait at the Age of Twenty-Eight' (1500) highlights the artist's hand much like traditional images of Christ giving gestures of blessing. Likewise, Ernst Ludwig Kirchner's 'Self Portrait as a Soldier' (1915) shows the artist in military uniform but with a severed hand as a symbol of helplessness during the First World War. Another important comparison, given Spicuzza is a Midwestern artist, is Ivan Albright's magic realist work 'That Which I Should Have Done I Did Not Do (The Door)' at the Art Institute of Chicago. The massive painting...
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1950s Modern Figurative Drawings and Watercolors

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"Dreaming of Paradise Island, " Watercolor and Pastel signed by Sylvia Spicuzza
By Sylvia Spicuzza
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"Dreaming of Paradise Island" is an original watercolor and pastel on paper by Sylvia Spicuzza. The artist signed the piece in the lower right. It depicts a large female figure overl...
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