Emile Antoine Verpilleux

Original Woodcut & Printed Colors of The Tower Bridge, Emile Antoine Verpilleux

1912

Emile Antoine Verpilleux, 1888-1964 York, 1920 Original woodcut, printed in colors 14 x 18 inches Signed in pencil

Emile Antoine Verpilleux, 1888-1964 Edinburgh Castle, 1913 Original woodcut, printed in colors 14 ½ x 18 inches signed and dated 'E. Verpilleux 1913', in pencil

William Zorach, 1887-1966 Redwoods, Yosemite Valley, 1920 Watercolor and pencil 15 ¾ x 13 ⅜ inches Signed (at lower right): William Zorach WZorach-7 Provenance: Estate of William Zorach Exhibited: William Zorach, 1887-1996, Sculpture, Drawings and Watercolors, Zabriskie Gallery, New York; Feb. 10 – March 14, 1998. William Zorach was born in Lithuania in 1889, and immigrated to the United States with his family in 1893. Settling in Cleveland with his parents, he worked as a lithographer from 1902- 1908, making enough money to study painting with Henry G. Keller at the School of Art. In 1910, Zorach traveled to Paris to study in La Palette, where he was encouraged to develop his own unique style rather than adhere to traditional teachings. Zorach once said, “I began to be conscious of the various modern influences that were invading the art world…I was disturbed and confused, and yet I felt that I was a very young man entering a new age. The forces creating modern art seemed more alive to me than anything I had known or anything being done in America.” 1 Together with his wife Marguerite, William Zorach produced a number of Cubist- style paintings for the American Armory Show of 1913, and the Forum Exhibition in New York in 1916. Around 1917, Zorach followed the lead of cubist artist Pablo Picasso and began experimenting with wood and stone carvings. By 1922, he devoted himself entirely to sculpture, and like Picasso, became fascinated in “primitive art”—the ritual objects and sculpture pieces of Oceanic, Native American and African tribes. Zorach’s work developed in its use of block-like forms with progressive suppression of detail—drawing elements from sources as disparate as the contemporary cubist and modernist movements, and combining them with forms seen in early African sculpture. Though the forms of his sculpture were often abstract, Zorach primarily focused upon a traditional subject matter, producing such well-known sculptures as Young Girl, now in the Whitney Museum of American Art, and Mother and Child, in the collection of the Metropolitan Museum of Art. Today, William Zorach is known as one of the earliest and most influential American artists dedicated to direct carving. Zorach also made an impression as a teacher and writer, facilitating a major change in the aesthetic philosophy and technique of sculpture in the United States. During the summers from 1913 to 1922, Zorach and his wife Marguerite painted...

Sonja Shomekaer is an artist and designer based in California. She creates large-scale drawings on paper that incorporate iconography of natural life. Here, Sonja weaves in an out of...

Awret, Azriel (Polish Israeli, 1910-2010), Rainy Street in Jerusalem, Woodblock print, 9.75 x 7.5 inches, pencil hand signed and numbered 35/60, framed measuring 19.5 x 14.25 inches. Azriel Awret was born in Lodz, Poland, and moved to Belgium where he lived in Brussels. He married an Aryan woman, Anna Louisa Bonhiere, which saved him from deportation. But in January 1943 he was interned in Malines camp. Awret was an engineer, so he was given employment as an electrician. While in Malines he met Irène Spicker, who was working in the Mahlerstube (art workshop). They married after the war and moved to Israel, settling in Safed and continuing their artistic activity. Today they divide their time between Israel and the United States. The Beit Lohamei Haghetaot (The Ghetto Fighters’ House Museum) art collection includes works by Awret from his time in Malines. These works depict various aspects of life in Malines, including figures of internees. They were donated by the artist. He collaborated with his wife in a naif, folk art style. Irène Awret...

Paper paint charcoal collage ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...

Medium: Watercolor over pencil on card Signature: Signed and Dated Lower Right

An idyllic scene at New York City's favorite beach, Coney Island. Before the year was over Barr was in the Army. It is ink and litho-crayon. Barr liked that medium because it didn't ...