Men Landscape Drawings and Watercolors

Born in Boston in 1928, painter Laurence P. Sisson lived most of his life in Boothbay Harbor, Maine. Sisson studied at the Worcester Art Museum School, Yale Summer School and was the...

Nude 1935's is an original drawing in watercolor a on paper, realized by Jean Delpech (1988-1916). Sheet dimension: 13.1 x 29.5 cm. The artwork represents a nude woman lying down,...

Man in nature is an original drawing in black point on paper, realized by Ferdinand Lemud. Good conditions except for minor cosmetic wear. Image Dimensions: 9.7 x 6.8 cm This artwo...

A striking charcoal scene showing semi abstracted trees and buildings. The artist has monogrammed to the lower right. The drawing is presented in a white card mount. On wove.

print & collage JOANNA WISZNIEWSKA DOMAŃSKA (born in 1946) graduated from the Academy of Fine Arts, Faculty of Graphic Arts in 1972 at the atelier of professor Stanisław Fijałkowski...

Dark City is an original drawing in carbon and pastel realized by Simon Goldberg (1913-1985). With the stamp " Atelier Simon Goldberg" on the lower left. Th...

This artwork titled "The Scarecrow" 1933 is a watercolor on paper by noted Kansas artist Robert Ivan Lockard. It is signed an dated at the lower right co...

Gondola is an original black marker drawing on paper, realized by an anonymous artist in XX century. Representing in a very essential style a gondola in a calm sea, this original dr...

“Coastal Village with Boat and Figures" By Maurice Mazeilie (French) Watercolour on paper, unframed Size: 5.75 x 8 inches (Height x Width) Stamped Verso Condition: Good - There are n...

Mid Century Rural Farmhouse Landscape Watercolor with Barn Beautiful mid century landscape watercolor of a farmhouse surrounded by autumn trees in a rural setting by watercolor art...

- signed, dated and titled lower left - passepartout cut-out: 18,9 x 26,6 in

Landscape is a modern artwork realized in the 19th century Charcoal drawings. Good conditions 

Pepper Brown (1926-1999) Alpine Artist Image Size: 9.5 x 9.25 Frame Size: 15.5 x 19 Medium: Ink Drawing Dated 1942 "Boots Mansfield Calf Roping" Tie- Dow...

Signed to the lower right. On watercolour paper laid to card.

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Named "My House by the River", this drawing by the masterful artist Frank Girard was created with Chinese ink, pigments, and watercolors on Arches p...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

A watercolour with gum arabic depicting figures in 16th-century dress walking up a shaded path. One of the figures gestures towards a fissure in the rock, possibly the entrance to a ...

J F Barry Pittar (British 1880-1948) Tom Tower, Christ Church Oxford Watercolour 15.5x13cm

To see our other architectural drawings and Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Prof. Sir Albert Richardson...

Pepper Brown (1926-1999) Alpine Artist Image Size: 9.5 x 13.25 Frame Size: 15.5 x 19 Medium: Ink Drawing Dated 1942 "Jim Whiteman Riding a Bull"

Hans Richard von Volkmann (1860 Halle (Saale) - 1927 ibid.), Clay jug on a bench. Pencil and Watercolour on paper. 20 x 26,7 cm (visible size), 37 x 45 cm (frame), dated and monogrammed lower left "Februar 1890 - HR. V. V." - Minimally tanned. Framed behind glass in a passepartout. About the artwork Using the technique of his early youth - pencil and watercolour - Hans Richard von Volkmann depicts a still life. However, this is not a conventional indoor still life, but an open-air depiction, painted outdoors and not in the studio. It is therefore an open-air painting, characteristic of von Volkmann's oeuvre, which could have been painted in the Willingshausen colony of painters, where open-air painting was programmatically practised there and the artist stayed there that year. And indeed, this painting is a manifesto of open-air painting. Von Volkmann demonstrates that leaving the studio for the light of nature leads to an entirely new quality of art. To prove this, he uses the genre of still life, which can be described as the studio subject par excellence. Moreover, light plays an essential role in the classical still life. It is the real protagonist of the still life. And it is precisely this moment, essential to the still life, that von Volkmann exploits to demonstrate the potential of plein-air painting: He presents the objects as they appear in the sunlight. The date of February and the bare branches in the foreground make it clear that this is a clear winter day in bright sunlight. The delicate plant in the foreground casts a clearly defined shadow, as does the jug. However, the shadow is most pronounced on the jug itself: The underside of the handle appears almost black, making the top, and therefore the jug itself, shine all the more brightly. The shining of the objects in the sunlight is also visible on the bench. As complementary phenomena to the shadow zones, light edges can be seen on the boards of the seats and the upper foot of the bench shines entirely in the light. To achieve this intensity of light, von Volkmann activated the bright white of the painting ground. By depicting the objects in glistening sunlight, von Volkmann demonstrates that this quality of light is only to be found outdoors. And this light leads to a new way of looking at the objects themselves. The jug on the bench seems like an accidental arrangement, as if the artist had stumbled upon this unintentional still life and captured it with fascination. And in this fascination there is a moment of realisation that refers to the objects themselves. It is only when they shine brightly in the sunlight that their true nature is revealed. In this way, sunlight allows the objects to come into their own, so to speak. Sunlight, which is not present in the studio, gives the still life an entirely new dimension of reality, which is also reflected in the colours interwoven by the sunlight: The bench and the jug stand in a harmonious grey-pink contrast to the green of the implied meadow. The emphasis on the jug as the central subject of the picture also implies that the watercolour has not been completed. This non finito inscribes a processuality into the picture, making it clear that something processual has been depicted, the temporality of which has been made artistically permanent. This is why von Volkmann signed the painting and dated it to the month. About the Artist Von Volkmann made his first artistic attempts at the age of 14. He painted many watercolours of his home town of Halle. This laid the foundation for his later outdoor painting. In 1880 his autodidactic beginnings were professionalised with his admission to the Düsseldorf Art Academy. There he studied under Hugo Crola, Heinrich Lauenstein, Johann Peter Theodor Janssen and Eduard von Gebhardt until 1888. Von Volkmann then moved to the Karlsruhe Academy, where he was Gustav Schönleber's master pupil until 1892. In 1883 he came for the first time to Willingshausen, Germany's oldest painters' colony, at the suggestion of his student friend Adolf Lins...

Signed lower right, 'Muriel Backman' (American, 1902-1996); additionally signed verso, titled 'Mission San Juan Bautista, Founded June 24, 1797' and ...

IAN HAY (Born 1940) Cars Rusting Signed l.r.: Ian Hay; bears title and dated 1973 on exhibition label on the backboard Watercolour and gouache Framed 44 by 88 cm., 17 ¼ by 34 ¾ in...

Eve Nethercott, American (1925 - 2015) - Water Street Garage (P4.12), Year: 1958, Medium: Watercolor on Paper, Size: 14 x 21 in. (35.56 x 53.34 cm), Description: Rendered in ...

"Fictional Bridge" is an imaginative watercolor by award-winning L.A. artist and architect Thomas W. Schaller. The watercolor painting depicts an architecturally stunning pedestrian bridge, towering over an active marketplace. A hillside town can be seen in the distance as the artist's graphite sketch becomes more visible and impressive. This watercolor painting of Italian inspired architecture is primarily painted in tan, brown, and navy blue colors. For more works by Thomas Schaller...

To see our other Modern British Art, and our other Peter Collins works, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message...

This drawing by Frank Girard is created with ink and pigments Colors, on 300g/m2 neutral white paper. It is not framed. Through drawings, the masterful French artist Frank Girard is...

To see our other Commercial Designs - and many original vintage posters too, scroll down to "More from this Seller" and below it click on "See all from this Seller." Anonymous Moss ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

A vibrant watercolour scene of a busy market with figures walking between stalls and tents exchanging their wares. Signed and dated to the lower left and presented in a cream mount a...

French School 19th Century, Peasants and donkeys at the fountain, in Italy watercolor with heightenings of gouache on paper 27.5 x 34.5 cm No frame, no mat A charming, well-execut...

A truly charming watercolour finished with graphic black hatching, showing children gathering yellow Wintercress flowers in a bare branched wood. This pret...

Born in Milford, Massachusetts in 1829, Hudson River School artist Albert Fitch Bellows began his career as a student of architecture and was a pr...

English watercolor of two males by a lake, circa 1930. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-sized frame. Archival plastic sleev...

China Town, London By Max Panks [2021] original Watercolour on Paper Image size: H:37 cm x W:28 cm Complete Size of Unframed Work: H:41 cm x W:31 cm x D:0...

Belgium. Bruges, "Milk Cart" by Leonard Machin Rowe (1880-1968) signed front lower right, inscribed to the back watercolour painting on artist's paper, un...

Answering the Door Early 20th Century w/c Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identi...

Artist: Don Davis Title: Bus Stop Medium: Watercolor on paper, signed lower right Image Size: 27.5 x 19.5 inches Frame Size: 35 x 27 inches This watercolor by American artist Don Da...

Pepper Brown (1926-1999) Alpine Artist Image Size: 9 x 13 Frame Size: 16 x 20 Medium: Ink Drawing Dated 1942 "Cheyenne Wyoming Frontier Days" Harry Hart W...

HARRY CARLETON ATTWOOD (1907-1985) Plenty - Design for Eltham Palace Chalks Framed 20.5 by 12 cm., 8 by 4 ¾ in. (frame size 39.5 by 31.5 cm., 15 ½ by 12 ½ in.) Attwood was born i...

Trees Richard C. Karwoski, American (1938–1993) Date: 1984 Watercolor on Canvas, signed Size: 50 x 67 in. (127 x 170.18 cm)

NICO JUNGMAN (1872-1935) The Toy Boat Signed l.r.; Nico W Jungman Watercolour and bodycolour over traces of pencil Framed 44 by 32 cm., 17 ¼ by 12 ½ in...

Monotype on paper About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent o...

We are delighted to debut Charles Buckley’s most recent series of ink drawings, based on photographs sourced from the mid-20th century. Buckley ...

Spring, Bleecker Street, Ruellan's conté crayon drawing from 1938, shows young people out in the world. And their world is Bleecker Street, New York City. The heart of Greenwich Vil...

Dark humor figurative ink drawing of a male figure and a push mower signed "RM Shirley." The work features a young man holding his foot with his dismembered toe sitting near by next ...

Soldiers Preparation is a drawing realized by Paul Emile Colin in the Early 20th Century. Carbon Pencil on ivory-colored paper Stamped on the lower. Good conditions with slight fo...

Soldiers Campsite is a drawing realized by Paul Emile Colin in the Early 20th Century. Carbon Pencil on ivory-colored paper Stamped on the lower. Good conditions with slight foxin...

Soldiers In the Tent is a drawing realized by Paul Emile Colin in the Early 20th Century. Carbon Pencil on ivory-colored paper Stamped on the lower. Good conditions with slight fo...

Soldiers is a drawing realized by  Paul Emile Colin in the Early 20th Century. Pencil on ivory colored paper Stamped on the lower. Good conditions with slight foxing. The artwork...

"Garden Entrance" is a watercolor painting featuring subtle hues of green, blue and yellow. This work is framed measuring 15.5 by 14 inches. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

Born in Philadelphia, he became a nationally recognized cartoonist for his work with the "Evening Bulletin," a Philadelphia newspaper. In 1950, he had his own television show called ...

Medium: Watercolor and Graphite on Illustration Board Signature: Unsigned, Marked "Cosmo #51" Lower Left Contact for exact dimensions. Christies stamp verso. In silver molded frame, french-lined mat, glazed. OS: 18 1/2" x 22", SS: 11" x 15". Shinn took over from Joseph Urban as the Art Director on the William Randolph Hearst...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Paper paint charcoal collage Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alon...

Titled lower center: "Garden of Estombar, Algarve, Portugal"; signed and dated lower right: "Jason Berger 1988". From the estate of the artist.

TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 3 10 1/2 x 6 (sight), Signed David Fredenthal lower right. Framed by Lowy. Offered here is one of several original drawings by WPA artist David Fredenthal that were first published in the 1940 illustrated edition of the novel TOBACCO ROAD by Erskine Caldwell. Background on the Drawing Erskine Caldwell remarked, on seeing the work of David Fredenthal, 26-year-old painter: "That boy could draw my Tobacco Road people." A casual comment, it was enormously productive. The young painter was just finishing a two-year Guggenhcim Fellowship, preceded by a year's study in Paris, two one-man shows at New York's Downtown Gallery, and a fellowship at the Cranbrook Academy near Detroit. He was out in Colorado Springs when he heard what Caldwell had said about him. Fredenthal hadn't read Tobacco Road. He had not even seen the play - now breaking all records in its seventh year on Broadway. But he swapped a portrait for a second-hand Ford and headed East. In New York he learned that Dnell, Sloan & Pearce were bringing out a deluxe edition of Tobacco Road. But he had no entrée to the publishers, and Caldwell, to his disappointment, was out of town. So he drove on to Georgia to have a look at the Tobacco Road people. He found Dr. I. C. Caldwell, the author's father, in Wrens, Ga., going on his ministerial rounds among people like the Lesters. Fredenthal got a room from a couple who ran a 1-pump filling station...