Pastel Drawings and Watercolor Paintings

pastel on toned sanded paper signed and dated on bottom left . part of the artist's restless still life series

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

head study on black toned strathmore paper signed black female portrait with pearl necklace

Hans Burkhardt frequently used live models for his figural pastels, which he maintained an interest in throughout his long career. Untitled (1973) Pastel on paper, 26" x 20" Hand-si...

Harold Town (1924-1990) remains one of the most accomplished and fascinating characters from the "Painters Eleven" group. While Town coined the group's name (based on the number of...

Seaport - an original large soft pastels on oil paper. Dramatic movement with sheer vails of blue. This color palette has blue, paynes gray, yellow ochre, red, and a touch of lavend...

Untitled (1963) Pastel on paper 24" x 18" Hand-signed and dated "H Burkhardt '63" lower right. Please note this work is unframed. Provenance: The artist to his daughter Elsa. By ...

Harold Town (1924-1990) is the ultimate chameleon of Canadian art. One of the founders of Painters Eleven, he remains one of the most fascinating characters from this important colle...

Pastel on paper Image size: 6 x 7 inches (15.25 x 17.75 cm) Mounted Peter Gardner Peter Gardner was born in London in 1921. He studied at the Hammersmith School of Art between 193...

Signed and dated to lower edge 'Paul Rand 11.52'. Collection of the artist - Mounted along upper eduge to matboard, Unframed.

Pastel and graphite on paper Image size: 8 1/4 x 5 inches (21 x 12.75 cm) Contemporary style handmade frame The Artist Peter Gardner was born in London in 1921.  He studied at the ...

Pastel on paper, signed and dated 19'76' bottom right Image size: 12 x 9 inches (30.5 x 22.75 cm) Mounted and framed Peter Gardner Peter Gardner was born in London in 1921. He stud...

In this pastel drawing, Sylvia Spicuzza presents the viewer with a rhythmic view resembling waves and rolling hills. The colors of the repeating patterns and softness of the undulati...

Peter Gardner Flourished: 1949-1979 Fulham Broadway Pastel on Paper Signed with monogram and dated 1975, lower right Image size: 6 1/2 x 10 1/2 inches Acid free mount Peter Gardn...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

A variation is a common term in various performing styles meant to refer to a planned or choreographed routine. In this original gouache, pastel, and graphite work on paper by French...

Winold Reiss (1886-1953), who scholars increasingly recognize as a pivotal figure in early 20th-century American art, is known for his evocative portraits that capture the spirit and...

This gouache, pastel and pencil drawing is stamp signed by the artist “Chagall” in the lower left corner. This painting was executed in 1957. The composition is a study for a lithog...

Signed (at lower right): WINOLD/REISS

Signed (at lower right): WINOLD/REISS

Yvonne Jacquette (American, b. 1935) Tokyo Diptych, 1985 Pastel on paper Overall 17 1/4 x 28 1/2 inches Signed lower center Provenance: Carey Ellis Company, Houston, Texas Brooke Alexander, New York Collection of an American Corporation Exhibited: New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986. Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty. Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny. Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...