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Émile Jean-Horace VernetLe Soldats - Pencil Drawing by Horace Vernet19th century
19th century
About the Item
Le soldats is an original drawing by Horace Vernet. Image dimensions: 20 x 18.5 cm. Includes passpartout: 55 x 50 cm. Very good conditions. Some hand-written notes by the artist are at the bottom of each portrait.
Émile Jean-Horace Vernet (30 June 1789 – 17 January 1863), also known as Horace Vernet, was the son of Antoine-Charles-Horace (known as 'Carle') Vernet and the grandson of Claude-Joseph Vernet, one of the leading French landscape painters of his period. He exhibited at the Salon from 1812. He was one of the most prolific French military painters, specializing in scenes of the Napoleonic era. He remained an ardent Bonapartist, and his most important work was the huge Gallery of Battles at Versailles, painted for Louis Philippe. A portrait of Napoleon and four battlepieces by him are at the National Gallery, London. He also depicted animals and Oriental subjects. From 1828 to 1835, he was Director of the French Academy in Rome.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
- Creator:Émile Jean-Horace Vernet (1789 - 1863, French)
- Creation Year:19th century
- Dimensions:Height: 21.66 in (55 cm)Width: 19.69 in (50 cm)Depth: 0.04 in (1 mm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-967361stDibs: LU65033859051
Émile Jean-Horace Vernet
Émile Jean-Horace Vernet was a French painter of battles, portraits, and Orientalist Arab subjects. He was born to Carle Vernet, another famous painter, who was himself a son of Claude Joseph Vernet. He was born in the Paris Louvre, while his parents were staying there during the French Revolution. Vernet quickly developed a disdain for the high-minded seriousness of academic French art influenced by Classicism, and decided to paint subjects taken mostly from contemporary culture. Therefore, he began depicting the French soldier in a more familiar, vernacular manner rather than in an idealized, Davidian fashion. Some of his paintings that represent French soldiers in a more direct, less idealizing style, include Dog of the Regiment, Trumpeter's Horse, and Death of Poniatowski. He gained recognition during the Bourbon Restoration for a series of battle paintings commissioned by the duc d'Orleans, the future King Louis-Philippe. Critics marvelled at the incredible speed with which he painted. Many of his paintings made during this early phase of his career were "noted for their historical accuracy as well as their charged landscapes." Examples of paintings in this style include his Four Battles series: The Battle of Jemappes (1821), The Battle of Montmirail (1822), The Battle of Hanau (1824), and The Battle of Valmy (1826). Over the course of his long career, Horace Vernet was honoured with dozens of important commissions. King Louis-Philippe was one of his most prolific patrons. His depictions of Algerian battles, such as the Capture of the Smahla and the Capture of Constantine, were well-received, as they were vivid depictions of the French army in the heat of battle. After the fall of the July Monarchy during the Revolution of 1848, Vernet discovered a new patron in Napoléon III of France. He continued to paint representations of the heroic French army during the Second Empire and maintained his commitment to representing war in an accessible and realistic way. He accompanied the French Army during the Crimean War, producing several paintings, including one of the Battle of the Alma, which was not as well received as his earlier paintings. One well known and possibly apocryphal anecdote maintains that when Vernet was asked to remove a certain obnoxious general from one of his paintings, he replied, "I am a painter of history, sire, and I will not violate the truth," hence demonstrating his fidelity to representing war truthfully. Vernet died in his hometown of Paris in 1863.
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