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Tony MinartzTwo Portraits - Pencil Drawings by Tony Minartz - Early 20th CenturyEarly 20th Century
Early 20th Century
$355.63
£266.34
€300
CA$498.51
A$549.24
CHF 284.32
MX$6,613
NOK 3,600.18
SEK 3,382.14
DKK 2,284.87
About the Item
Two Portraits is included two original drawings in pencil on paper, realized byTony Minartz (1873-1944), with the stamp of the artist on the rear.
Sheet dimension: 28 x 18cm.
The state of preservation of the artwork is good.
The artwork represents a portrait of a woman on the left, and a man with a hat on the right, skilfully depicted trough strong lines.
- Creator:Tony Minartz (1873 - 1944, French)
- Creation Year:Early 20th Century
- Dimensions:Height: 11.03 in (28 cm)Width: 7.09 in (18 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1073241stDibs: LU65036466472
Tony Minartz
Antoine Guillaume (Tony) Minartz (1870-1944) was a self-taught painter. He created a significant body of work, particularly of skilfully rendered sketches and watercolours, which may be divided into two main series: Parisian life and society, and landscapes of the Côte-d’Azur. On the Côte-d’Azur, his sketches trace an itinerary between St-Tropez and Cannes, by way of Nice and Monaco, and extending even to Venice. He depicted ports crowded with yachts and other boats, the beaches and their pleasant bustle. The Parisian subjects mostly date from pre-WWI, while the post-WWI subjects tend to be of fashionable life on the Côte d’Azur. He was most known for his interpretations of Parisian life, of the Belle Époque through to the excesses of the 1930s. He illustrated the vicissitudes of society life, and was a faithful chronicler of its parties, the casino, cabaret, circus shows and their backstage goings-on, the music-hall, the Opéra and its ballets. He showed in collective exhibitions from 1896 to 1914, most notably at the Salon de la Société Nationale des Beaux-Arts, of which he became an associate member in 1901.
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