Phillip Alder

Autumn still-life with feathers and robin's nest

2021

Delicate watercolour of a corner of the artist's garden that he often returns to in his painting. Matted ready for framing Image 12" x 18" Matted 18" x 24"

Very pretty floral watercolour from this normally strong coloured abstract artist. Matted and in perfect condition Image 11.5" x 14.5" Matted 18" x 22"

Very pretty floral watercolour inspired by a street market in Asia. Matted ready for framing

Delicate watercolour of a garden in India in December Mounted ready for framing

In "Still Life with Feather," a trompe-l'œil oil painting, Willard Dixon realistically recreates images of everyday objects taped to a colored wall, creating a minimalistic impressi...

'Tail Feathers' is a stunning botanical watercolor in warm rust, red and cream, created by Adrienne Sherman, whose poetic and sophisticated floral...

Still life of eggs and a feather, oil on panel overlaid with silver leaf laid over gesso by Swiss artist Renée Yolande Hauser. The painting is signed bottom right and titled to the b...

This delicate drawing is made with silverpoint on prepared archival board. The exploration of ephemerality, and the fragility of nature, its textures and movement, is the focus of this work by Margot Glass. The exquisite beauty of a group of simple feathers, often overlooked or considered mundane, is discovered and elevated through close examination and exquisite drawing by the artist. Signed and titled on verso and initialed on recto, lower right corner. Framed in a silver frame, 10 x 8 inches (unframed), 12 x 10 inches (framed). Glass draws with pure silver not only for the delicacy of line the metal point provides, but also for the allure of using a semiprecious metal as a drawing material. Working on an archival board allows the gleam and luster and delicate reflective silver properties of the metallic medium to present as soft and textured against the ground. The surface is primed with traditional silverpoint ground. The silverpoint ground is slightly chalky when dry to provide a subtle toothy surface to grab the silver particles. Glass is interested in the tradition of using nature as idealized ornament in art and design while seeking to carefully observe as accurately as possible in all the irregularity and imperfection. The metallic lines enhance the decorative qualities of the filigree patterns formed by the minute details in each object. Her compositions are tightly cropped to bring the subject as close to the edge of the picture plane as possible. Margot Glass’s work been exhibited widely in the United States and internationally. Glass’s education includes studies in the Brown/RISD Exchange Program, Brown University...