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Style: Naturalistic
Naturalistic Watercolor European Harbor Scene
Located in Houston, TX
Naturalistic European harbor scene with boats and figures preparing the boats of sailing. The work is signed and dated by the artist in the bottom corner. The paper comes with a blac...
Category
1890s Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor
French Reclining Nude Woman Study
Located in Houston, TX
French women in a reclining position looking out at the viewer. The work is signed by the artist. The paper is not framed.
Many others are available. Please inquire to buy the entire collection.
Artist Biography: Emile Lejeune...
Category
1950s Naturalistic Drawings and Watercolor Paintings
Materials
Graphite
"Kemah" Seascape with Boats at the Dock
Located in Houston, TX
Watercolor painting with boats at a dock in Kemah, Texas. The painting is in natural tones of blue and browns. The artist signed, dated and titled the painting. The artist Perry...
Category
1960s Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor
"Twenty-One Winter" Large Sublime Pastel River Landscape
By William McWhorter
Located in Houston, TX
Sublime landscape of mountains and a river dominated by dramatic clouds. Signed, titled, and dated along bottom edge of the work. Hung in a dark wood frame with a white matte.
Dimensions Without Frame:H 32 in x W 32 in.
Artist Biography:
A seventh generation West Virginian, McWhorter went to California in 1968. Upon returning from service in Vietnam, he enrolled in California State University. Here he began his quest to create the illusion of light on canvas by studying the works of the impressionists and hiking the Sierra Nevada region where the dazzling light plays on the atmosphere and the mountains. “I was clearly moved by the dynamic landscape of the Western States and became fascinated by the Hudson River artists...
Category
1980s Naturalistic Drawings and Watercolor Paintings
Materials
Pastel
"A Poudre Lakes - Continental Divide - Milner Pass" Early Watercolor Landscape
Located in Houston, TX
Purple tonal naturalistic watercolor landscape by Texas artist Harry Worthman. This watercolor is an early watercolor made by the artist. It is signed, titled, and dated by the artis...
Category
1940s Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor
Niagra Falls Spring and Winter Watercolor Landscapes
By Maude Leach
Located in Houston, TX
Original watercolor landscape painting of Niagra falls in the winter and in the spring. The pair of paintings are signed by the artist in the bottom corne...
Category
20th Century Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor
Seated Naturalistic Figurative Nude Study
Located in Houston, TX
Figurative seated nude study of a woman draping fabric around herself. The work is signed by Thierry Andre thought to be a French who was influenced by Edgar Degas. The paper is not ...
Category
1960s Naturalistic Drawings and Watercolor Paintings
Materials
Charcoal
Untitled Naturalistic Portrait of a Musician
Located in Houston, TX
Untitled naturalist portrait of a musician with a guitar. The work is signed by the artist in the bottom corner and the work is not currently framed.
Art...
Category
Late 20th Century Naturalistic Drawings and Watercolor Paintings
Materials
Charcoal
Early Portrait of a French Woman
Located in Houston, TX
Naturalistic portrait of a french woman with a styled hair cut. The work is signed and dated by the artist. The paper is not framed.
Many others are available. Please inquire to buy the entire collection.
Artist Biography: Emile Lejeune...
Category
1930s Naturalistic Drawings and Watercolor Paintings
Materials
Color Pencil, Graphite
French Townscape Landscape Study
Located in Houston, TX
A French landscape of a town study. The work is stamped by the artist.
Many others are available. Please inquire to buy the entire collection.
Artist Biography: Emile Lejeune...
Category
1940s Naturalistic Drawings and Watercolor Paintings
Materials
Graphite
Naturalistic Seated Nude Woman Study
Located in Houston, TX
Nude woman study sitting on the end of a bed. She is looking out at the viewer. The work is signed and dated by the artist. The paper is not framed.
Ma...
Category
1930s Naturalistic Drawings and Watercolor Paintings
Materials
Graphite
Pencil Study of a Reclining Woman
Located in Houston, TX
Study of a woman reclining with her arm behind her head like the famous painting by Renaissance artist Titian's Venus of Urbino. She has on a loose dre...
Category
1940s Naturalistic Drawings and Watercolor Paintings
Materials
Graphite
Street Scene with Women and a Beggar
Located in Houston, TX
Watercolor painting of a street scene with two females and a man that appears to be a beggar. The work is signed by the artist. It is framed in a black frame with a yellow matte.
Dim...
Category
1950s Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor
Study of Ducks Watercolor Painting
Located in Houston, TX
Watercolor study of ducks who appear to be in a watery location. The work is signed by the artist in the bottom right corner. It is framed in a light wooden frame.
Artist Biography:...
Category
1960s Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor
White Emblem Orchid / botanical watercolor
Located in Burlingame, CA
White Emblem Orchid featured in a sophisticated monochromatic grey indigo botanical watercolor crated by artist Adrienne Sherman. Her poetic floral series is at once modern, fresh an...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor, Archival Paper
Lioness Fusain Drawing by Jean Poulain
By Jean Poulain
Located in Pasadena, CA
Jean Poulain 1884-1967
Jean Poulain was born in 1884 in Katanga (former Belgian Congo). Self-taught artist from an early age, he will be in search of all the emotions and beauty of ...
Category
1930s Naturalistic Drawings and Watercolor Paintings
Materials
Carbon Pencil
$2,000 Sale Price
20% Off
The Cityscape of Ardenza, Livorno - Original Pencil Drawing - 1870
Located in Roma, IT
The cityscape of Ardenza, Livorno is an original drawing in pencil on paper realized in 1870 by an Anonymous artist of the 19th century.
Titled and dated at the top center.
The st...
Category
1870s Naturalistic Drawings and Watercolor Paintings
Materials
Pencil
$315 Sale Price
25% Off
Landscape - Black Marking Pen Drawing by G. Laurieu - 1954
Located in Roma, IT
Landscape is an original drawing in marking pen on cardboard realized in 1954 by Gaston Laurieu( 1908-1983).
Hand-signed and dated on the middle left with the dedication of the arti...
Category
1950s Naturalistic Drawings and Watercolor Paintings
Materials
Permanent Marker
$451 Sale Price
25% Off
Beach - Original Drawing in Pen by Jeanne le Soudiere - 20th Century
Located in Roma, IT
Beach is a beautiful drawing in pen realized by the artist Jeanne le Soudiere. Hand-signed on the lower left.
The state of preservation is excellent.
The artwork represents a beac...
Category
20th Century Naturalistic Drawings and Watercolor Paintings
Materials
Pen
Seaport - Original Pastel Drawing by G. Bourgogne - mid 20th Century
Located in Roma, IT
Seaport is an original reddish drawing in pastel realized by Gustave Bourgogne (1888-1968), Hand-signed by the artist inside the drawing
The State of preservation is good.
Sheet di...
Category
Mid-20th Century Naturalistic Drawings and Watercolor Paintings
Materials
Pastel
Clay jug on a bench - The essence of the clay jar revealed by the sunlight -
By Hans Richard von Volkmann
Located in Berlin, DE
Hans Richard von Volkmann (1860 Halle (Saale) - 1927 ibid.), Clay jug on a bench. Pencil and Watercolour on paper. 20 x 26,7 cm (visible size), 37 x 45 cm (frame), dated and monogrammed lower left "Februar 1890 - HR. V. V."
- Minimally tanned. Framed behind glass in a passepartout.
About the artwork
Using the technique of his early youth - pencil and watercolour - Hans Richard von Volkmann depicts a still life. However, this is not a conventional indoor still life, but an open-air depiction, painted outdoors and not in the studio. It is therefore an open-air painting, characteristic of von Volkmann's oeuvre, which could have been painted in the Willingshausen colony of painters, where open-air painting was programmatically practised there and the artist stayed there that year.
And indeed, this painting is a manifesto of open-air painting. Von Volkmann demonstrates that leaving the studio for the light of nature leads to an entirely new quality of art. To prove this, he uses the genre of still life, which can be described as the studio subject par excellence. Moreover, light plays an essential role in the classical still life. It is the real protagonist of the still life. And it is precisely this moment, essential to the still life, that von Volkmann exploits to demonstrate the potential of plein-air painting: He presents the objects as they appear in the sunlight. The date of February and the bare branches in the foreground make it clear that this is a clear winter day in bright sunlight. The delicate plant in the foreground casts a clearly defined shadow, as does the jug. However, the shadow is most pronounced on the jug itself: The underside of the handle appears almost black, making the top, and therefore the jug itself, shine all the more brightly. The shining of the objects in the sunlight is also visible on the bench. As complementary phenomena to the shadow zones, light edges can be seen on the boards of the seats and the upper foot of the bench shines entirely in the light. To achieve this intensity of light, von Volkmann activated the bright white of the painting ground.
By depicting the objects in glistening sunlight, von Volkmann demonstrates that this quality of light is only to be found outdoors. And this light leads to a new way of looking at the objects themselves. The jug on the bench seems like an accidental arrangement, as if the artist had stumbled upon this unintentional still life and captured it with fascination. And in this fascination there is a moment of realisation that refers to the objects themselves. It is only when they shine brightly in the sunlight that their true nature is revealed. In this way, sunlight allows the objects to come into their own, so to speak. Sunlight, which is not present in the studio, gives the still life an entirely new dimension of reality, which is also reflected in the colours interwoven by the sunlight: The bench and the jug stand in a harmonious grey-pink contrast to the green of the implied meadow.
The emphasis on the jug as the central subject of the picture also implies that the watercolour has not been completed. This non finito inscribes a processuality into the picture, making it clear that something processual has been depicted, the temporality of which has been made artistically permanent. This is why von Volkmann signed the painting and dated it to the month.
About the Artist
Von Volkmann made his first artistic attempts at the age of 14. He painted many watercolours of his home town of Halle. This laid the foundation for his later outdoor painting.
In 1880 his autodidactic beginnings were professionalised with his admission to the Düsseldorf Art Academy. There he studied under Hugo Crola, Heinrich Lauenstein, Johann Peter Theodor Janssen and Eduard von Gebhardt until 1888. Von Volkmann then moved to the Karlsruhe Academy, where he was Gustav Schönleber's master pupil until 1892.
In 1883 he came for the first time to Willingshausen, Germany's oldest painters' colony, at the suggestion of his student friend Adolf Lins...
Category
1890s Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor
In the forest of Durlach - Quiet ripple in a secret place -
Located in Berlin, DE
Franz Xaver Graessel (1861 Oberasbach/Baden - 1948 Emmering). In the forest of Durlach. 1881. Pencil drawing, heightened with white, on grey-green paper. 33 x 41.7 cm. Signed, dated and inscribed by the artist himself: 'Franz Graessel. Durlach, 12 April 1881".
About the artwork
The drawing depicts a view of the woods which, as if sharpening the visual focus, remains diffuse at the edges and does not allow the viewer to locate himself in the picture. As a result, the landscape appears to be an apparition, but at the same time it is given real substance by the solidity of the massive arched bridge made of quarry stone. As the main motif of the painting, the bridge, which blends in with nature like an archaic relic, also acts as a visual guide, drawing attention to the white, raised waters of the stream and the surrounding vegetation. The diffusion of perception that takes place there, however, draws the eye back to the bridge and thus to the overall view. This movement initiating a constant alternation of diffusion and concretion, which is the specific tension of the painting that brings the landscape to life. The materialisation and dematerialisation, however, does not take place solely through the eye's wandering through the picture; it is simultaneously linked to the viewer's approach to and distance from the picture, which loses its richness of detail precisely in the close-up, only to reconfigure itself with increasing distance.
In this work, which dates from Graessel's studies in Karlsruhe, the artist reflects on the emergence of pictorial objectivity. Here, however, nature is more than a mere motif. The real connection between culture and nature is symbolically expressed by the choice of green paper.
The drawing is an impressive testimony to Graessel's mastery of the sprezzatura with which he skilfully applies the most abstract of strokes, which visibly merge towards the centre of the picture. The signature and the exact date prove that Graessel gave this work more than the character of a mere sketch.
About the artist
Franz Graessel grew up in an environment that was to nourish his later key motifs: his parents' house was a mill. After attending the Karlsruhe Academy of Art from 1878 to 1884, where he studied under Carl Hoff, Graessel continued his training at the Munich Academy from 1886 to 1890 as a pupil of Wilhelm von Lindenschmidt. Trained primarily in genre and portrait painting, he initially portrayed the life of Black Forest farmers. From 1894 he turned increasingly to animal painting, concentrating on the depiction of ducks and geese, which earned him the nickname 'Enten-Graessel'. Graessel's work thus parallels that of Alexander Koester...
Category
1880s Naturalistic Drawings and Watercolor Paintings
Materials
Chalk, Pencil, Paper
$2,311 Sale Price
20% Off
Rain Lily, Acrylic Abstract Painting, 2018
Located in Boston, MA
Artist Commentary:
Delicate Texas wildflower.
Keywords: Landscape and Nature
Artist Biography:
Judith grew up 15 miles north of Milwaukee in the town of Mequon, Wisconsin, an old ...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Color Pencil, Graphite
Chinese Craft on the Pearl River.
Located in London, GB
[CHINESE SCHOOL].
Chinese Craft on the Pearl River.
Canton, circa 1810.
Pencil, water colour and body colour drawings of craft, heightened with white on paper watermarked ‘J Whatm...
Category
1810s Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor
"Broken Spirit, " Charcoal on Paper
By Bruno Surdo
Located in Chicago, IL
Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Charcoal, Paper
"Faith, " Charcoal on Paper, 2023
By Bruno Surdo
Located in Chicago, IL
Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees.
Entitled “Faith,” this small-scale charcoal drawing depicts a tree trunk carved with two deep cuts in the shape of a cross. The carving has healed over, assimilated into the bark as just another interesting detail. Up close, the work is loosely drawn with a heavy hand, but from afar, the natural scene still achieves a sense of realism. The tree trunk is conveyed through chaotic scribbling and aggressive strokes of light and dark charcoal, resulting in a pattern that simulates the rough texture of bark. Light falls softly on the tree, illuminating its form against the dark, atmospheric surroundings.
The striking imagery of this work conveys the strong emotional response elicited by Surdo’s personal encounter with this tree. Restricting the composition to only the scarred portion of the tree trunk, Surdo focuses on symbolism of the cross carved into the tree’s side. The carving was inflicted upon the tree by an individual, whether as an act of graffiti or the object of adoration. Despite this wound, the tree persists and grows, adapting and changing until the mark is but another interesting detail. The tree’s spirit endures and speaks to the strength it takes to heal oneself, whether physically or mentally.
Charcoal on paper...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Thunder
Located in Boston, MA
Artist Commentary:
A powerful storm was rolling in from west Texas when I captured this image with my camera. I painted it a few years later. The original artwork is matted and frame...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Pencil
Cattle Pond
Located in Boston, MA
Artist Commentary:
Texas hill country sunset on a warm October evening.
Keywords: Landscape
Artist Biography:
Judith grew up 15 miles north of Milwaukee in the town of Mequon, Wis...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Pencil
A young beauty
By George Lawrence Bulleid
Located in London, GB
George Lawrence Bulleid (1858-1933)
A young beauty
pencil and watercolour
3 ⅛ x 2 ⅜ in. (7.9 x 6 cm.)
frame 9 ⅜ x 8 ¼ in. (23.9 x 20.9 cm.)
Category
Late 19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor
"Memory of Leaves, " Charcoal on Paper
By Bruno Surdo
Located in Chicago, IL
Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees.
This charcoal drawing entitled “Memory of Leaves” beautifully illustrates the branching form of a mature birch tree. Loosely drawn with informal, sketch-like linework, the tree is shown in the middle of winter, bare of leaves and white with frost. Surdo’s skillful placement of shadow illustrates the forking branches with incredible texture and effortless realism. The intricate play of light and dark is accentuated by the stark white background, a negative space that isolates the tree in space and time.
Restricting the composition to only a portion of the tree trunk, Surdo accentuates the tree’s abstract form, lingering on areas of unusual shape or texture. Seeking to convey the strong emotional response elicited by his initial encounter with the tree, Surdo focuses on the tree’s sculptural form, contrasting the strong trunk...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Hill Country Sunset
Located in Boston, MA
Artist Commentary:
Thanksgiving sunset in the Texas Hill Country.
Keywords: Landscape
Artist Biography:
Judith grew up 15 miles north of Milwaukee in t...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Pencil
Enlightenment II
Located in New York, NY
Evening Mist II
pastel on paper
6 x 6inches
12 x 12 inches
2023
Category
2010s Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Pastel
Bay Light II
Located in New York, NY
Bay Light II
pastel on paper
6 x 6inches
12 x 12 inches
2023
Category
2010s Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Pastel
Radiance
Located in New York, NY
Radiance
pastel on paper
6 x 6inches
12 x 12 inches
2023
Category
2010s Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Pastel
Horizon
Located in New York, NY
Horizon
pastel on paper
6 x 6inches
12 x 12 inches
2023
Category
2010s Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Pastel
Bay Light II
Located in New York, NY
Storm Approaching
pastel on paper
6 x 6inches
12 x 12 inches matted
2023
Category
2010s Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Pastel
"Crash" Large Scale Watercolor on paper
Located in New York, NY
watercolor on paper, 51"x72" This large scale watercolor on paper depicts a crystal chandelier that appears to have crashed to the floor. Smal...
Category
2010s Naturalistic Drawings and Watercolor Paintings
Materials
Watercolor, Archival Paper
Cloudburst
Located in New York, NY
Cloudburst
pastel on paper
6 x 6inches
12 x 12 inches framed
2023
Category
2010s Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Pastel
Landscape of nature
Located in New York, US
A natural landscape painting is beautiful because it connects us to the innate tranquility and majesty of the natural world. The harmonious colors, such as the greens of forests, the...
Category
19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Paper
Nature
Located in New York, US
Melodie Provenzano lived and worked in New York City until 2020.
After receiving her BFA from Parsons School of Design in 1996, she freelanced for more than a decade painting windo...
Category
Early 2000s Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Pencil
BBK Black and White Naturalistic Portrait
Located in Houston, TX
Untitled naturalistic portrait of BBK. The work is signed by the artist in the bottom corner and the work is not currently framed.
Artist Biography:
Eyes are a recurring motif in the work of American artist Stanley Clark...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Charcoal
Figurative Study of a Seated Woman
Located in Houston, TX
Study of a seated woman in a chair that is facing backward. The drawing is stamped by the artist. The paper is not framed.
Many others are available. Please inquire to buy the entir...
Category
Late 19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Color Pencil, Graphite
Figurative Study of a Women and Man
Located in Houston, TX
Figurative study of a woman in her undergarments and elderly men's profile. The work is stamped by the artist. The paper is not framed.
Many others are available. Please inquire to buy the entire collection.
Artist Biography: Emile Lejeune...
Category
Late 19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Graphite
Naturalistic Pencil Study of A Cow
Located in Houston, TX
Study of a cow strapped into a cow holder with one of its hine leg lifted. The work is stamped by the artist. The work is not framed.
Artist Biography: Emile Lejeune...
Category
Late 19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Graphite
Where Wild Hibiscus Grows, Absecon Island, NJ, Watercolor of Jersey Shore 1894
Located in Philadelphia, PA
Peter Caledon Cameron
(American, born Scotland, 1852-c. 1920)
Absecon Island, New Jersey, 1894
Watercolor on paper, 17 1/2 x 27 inches (sight)
FRAMED: 26 1/2 x 36 1/2 inches
Signed and dated at lower left: "ABSECON.ISLAND./ N.J-U.S.A Cameron/1894" N.J-U.S.A Cameron/1894"
Born in Perth, Scotland, Peter Caledon Cameron won awards for drawing and penmanship at a Glasgow public school. He claimed that at the age of fourteen his watercolors were already "in demand," and that before turning twenty he had "crossed every ocean in the world, sketching and painting as he went." He attended the Government School of Design in London and was certified as an art master in 1883. Cameron immigrated to the United States that year, settled in Philadelphia, and commenced work on large history paintings such as Niagara in Winter (unlocated) and Vesuvius in Grand Eruption (unlocated) that he exhibited in various northern cities. He exhibited one painting at the Pennsylvania Academy of the Fine Arts in 1902. Nothing is known of his activities later in life.
In a lengthy inscription that accompanies this watercolor, Cameron noted that Absecon was "a piece of the best sand-dune region characteristic of the whole coast of New Jersey State from Sandy Hook point in the North to Cape May Point in the extreme south." This was one among a number of studies the artist made for a large oil painting titled "Captain Kidd Burying His Treasure" (unlocated). The famous Scottish privateer Captain William Kidd...
Category
1890s Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Abandoned House on Country Road - Delaware County PA
Located in Philadelphia, PA
Charles Lewis Fussell
(American, 1840–1909)
Abandoned House on Country Road
Watercolor on paper, 14 x 23 7/8 inches
FRAMED: 31 1/4 x 39 1/4 inches
Sig...
Category
Early 1900s Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
$3,200 Sale Price
54% Off
"Field Scabious - Knautia Arvensis"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
Mid-19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
"Moth Mullein-Verbascum Blattaria"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Dusk
Located in Boston, MA
Artist Commentary:
Halloween twilight in the Texas Hill Country.
Keywords: Landscape
Artist Biography:
Judith grew up 15 miles north of Milwaukee in the town of Mequon, Wisconsin,...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Pencil
Tree Tu12el, Acrylic Abstract Painting, 2018
Located in Boston, MA
Artist Commentary:
This image is drawn from my imagination and imagery that I am inspired by.
Keywords: Landscape
Artist Biography:
Judith grew up 15 miles north of Milwaukee in t...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Graphite
Follow, Acrylic Abstract Painting, 2018
Located in Boston, MA
Artist Commentary:
This image is drawn from my imagination and imagery that I am inspired by.
Keywords: Landscape
Artist Biography:
Judith grew up 15 miles north of Milwaukee in t...
Category
21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Graphite
"Bristl Oxtongue - Helmenthia Echioides"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
Mid-19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
New Expression
Located in BARCELONA, ES
La naturalidad, la pasión, el amor, el deseo, la fuerza, el coraje, la delicadeza, la energía, pero también la tristeza y la melancolía son los motores de mi vida.
Todo ello me lo ha...
Category
2010s Naturalistic Drawings and Watercolor Paintings
Materials
Pencil, Canvas, Mixed Media
"Common Daffodil - Narcissus Pseudo Narcissus"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
"Common British Oak - Quercus Robur"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
"Common Primrose - Primula Vulgaris"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
Mid-19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
"Common Marsh Marigold - Caltha Palustris"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
Mid-19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
"Way-Faring Tree - Viburnum Latana"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
"Black Knapweed - Centaurea Nigra"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
Mid-19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
"Cladium Mariscus"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
19th Century Naturalistic Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Naturalistic drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Naturalistic drawings and watercolor paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add drawings and watercolor paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Emile Lejeune, Emily Stackhouse, Kind of Cyan, and Bruno Surdo. Frequently made by artists working with Paint, and Watercolor and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic drawings and watercolor paintings, so small editions measuring 2 inches across are also available. Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $110 and tops out at $95,000, while the average work sells for $1,000.