Color-Field Art

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges ...

Larry Poons Midget Racer, 1963 Colored Pencil on Graph Paper Signed, titled, and dated by the artist on the lower right front Original frame with gallery label included Provenance: H...

'Body in blue' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layerin...

Artist: Gene Davis Title: Bullet Proof Portfolio: Series I Medium: Screenprint on canvas laminated to board Date: 1969 Edition: AP (one of 25 artist's proofs, aside from the edition ...

Original Salamanca Ferias y Fiestas vintage Spanish poster. Lithograph archival linen backed and ready to frame. Artist: Ramon Melero. Very good condition. No tears, no stains, no damage. Fine condition This image has two piñata style faces. The woman has a flower in her hair and a veil and the man is just wearing a small Swiss hat. On the left side, there is a cow handing off a string that also has flowers. A city seal is in the upper left corner. The festival is in honor of la Virgen de la Vega...

A French Fauvist Colour Field gouache on paper landscape by G Ricard. The painting is signed bottom left and titled to the back of the paper, Les Baux de Provence. A charming and ch...

Francine Tint (b. 1943) Another Time Thick acrylic impasto on board, 1999, Hand signed 'Francine Tint' titled, dated Inscribed 'To Piri, Enjoy Much Love' on the reverse. 14 x 15 1/...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper and clayboard panels that have been created since the winter of 2...

'Red body' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layering in...

Sam Gilliam Arches, 2014 Signed, titled and dated lower left; signed, titled, and inscribed "to Necia" on the reverse Acrylic and glass on paper 10 1/4 x 14 inches Provenance The ar...

Danish oil on board painting of couples making their way in a landscape, by Poul Møller. Though not signed the painting has a dated artist's label to the side of the frame. Presented...

Paul Allen Reed Untitled #31, 1982 Oil pastel on paper Pencil signed dated and annotated "7 10 79 1" by Paul Reed on the lower front Frame included: This work is elegantly floated an...

A French Fauvist Color-Field gouache and chalk on paper landscape by G Ricard. The painting is not signed but was acquired from the atelier of the artist. There is another painting o...

A modern contemporary color field painting by Edouard D. Louis. Titled Aqua Sunset and housed in a contemporary natural wood frame presentation Measuring 30" (h) x 24" (w) unframed.

Kenneth Noland Untitled Target, 2001 Acrylic paint on offset lithograph paper Signed, dated, and dedicated along lower edge: For Howard and Susan with Love Kenneth Noland 6.10.01 Fra...

'Sky' is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth and fluidity, emph...

Conceived of as one half of a diptych, together with Twelfth Night Red, the title of this painting suggest a reference to William Shakespeare’s play Twel...

'Sky' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layering ink bet...

Danish oil on board painting of two women making their way home in a coastal landscape, by Poul Møller. The painting is signed PM and dated 76 to the bottom right corner. To the reve...

Large-Scale Multicolored Color Block Abstraction in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). In this exuberant abstract composition, Hopkins orch...

A surreal underwater portrait by Sula Repani, this painting captures the striking presence of a female swimmer gliding in silence through deep blue waters. Her face, calm yet intense...

Danish oil on board covered in a coarse canvas. A painting of houses in a coastal landscape by Poul Møller. The painting is signed PM and dated 76 to the bottom right and to the reve...

Natvar Bhavsar Untitled mid 1960s abstraction, 1967 Silkscreen Pencil signed, dated and numbered 10/30 by Natvar Bhavsar on the front Frame included: Elegantly framed in a museum qua...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Signed and dated in pencil on the reverse, with the artist's initials blind stamped lower right Unique Frame i...

"Everyone Has Gone" is an abstract oil painting on canvas by Deirdre Schanen. Working in the color-field tradition established by such artists as Helen Frankenthaler and Mark Rothko,...

Washes of sun yellow are edged in dashes of bright colors - mauve, cerise, lime and rust -- in this monumental color-field canvas by Milly Ristvedt. "Summer Window" from 1973 was cr...

Paul Feeley Rafina II Greece, 1961 Watercolour on paper Hand Signed, titled and dated lower front In 1961, color field painter Paul Feeley created a series of watercolors - Rafina an...

School of Paul Feeley Untitled, c. 1960s Oil on canvas 20 x 59 5/8 in. Signed lower right Primarily a painter, Paul Feeley (American, 1910 - 1966) favored canvases with simple geome...

"Untitled, 1975" by Claudia Sisemore, acylic on canvas, 41.5 x 50 inches, $4,800. "I have a vague idea of what I am going to paint. I read that many artists are inspired by an idea before they begin their work and plan their approach and process based on that idea or muse. Others become inspired after they have begun working and watching colors, shapes and designs form. I basically belong the second group. Usually, after painting begins in a loose, free manner, I become excited by certain colors and patterns and continue from there." -Claudia Sisemore -- Caudia Sisemore says she was teaching English when artist David Chaplin (an equally popular and influential teacher) was at Weber and initially got her into landscape painting. “Then he took me to a show at the Art Barn and Lee [Deffebach] was showing there [with Don Olsen...

'Echoes No.2 ' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layerin...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

"Yellow, blue and red-orange colors dominate the work, which has a lively and energetic character. • It is painted on a professional canvas with high quality oil paints. • The painti...

A striking contemporary two-toned colorfield abstract by Bay Area artist Michael Pauker (American, b. 1957). A large neutral textured section in cream sits atop a wavy abstraction in...

Although he socialized with such famous abstract expressionist artists as Lee Krasner and Robert Motherwell, Doug Ohlson creates paintings that are restrained and geometric in nature...

Ray Parker Untitled, 1969 Signed and dated on the reverse Oil on canvas 32 x 32 inches Provenance Private Collection, New York Ray Parker was born in 1922 in South Dakota. After c...

Wolf Kahn Bay with Boats, 1987 Color monotype on Somerset white wove paper Hand signed and dated by Wolf Kahn on the lower right front, bears labels on the back Frame Included: matte...

A unique and impactful small "color theory" work by great American artist Carl Holty. Holty spanned one of the longest and most eventful careers on the American abstract front. Bei...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed and dated lower right, titled verso. 69 x 68.25 in. 70.5 x 70 in. (framed) Custom framed in a solid maple floater. Provenance Private Collection, Hilton Head Island, SC Cleve Gray was born Cleve Ginsberg in New York on September 22, 1918. The family subsequently changed its surname to ‘Gray’ in 1936. He attended the Ethical Culture School in New York, and completed his college preparatory studies at Phillips Academy in Andover, MA, where he won the Morse Prize for most promising art student. In 1940, Gray graduated summa cum laude from Princeton University with degrees in art and archaeology. He wrote his thesis on Chinese landscape painting, which would later become an important influence on his own painterly practice. Gray joined the U.S. Army in 1942 and was deployed to the U.K., France, and Germany, where he sketched wartime destruction. After the liberation of Paris in 1944, he began informal studies with the French artists André Lhote and Jacques Villon, which continued following the conclusion of the war. Soon after, he began to exhibit his work at the Galerie Durand-Ruel in Paris, followed shortly by his first solo exhibition at the Jacques Seligmann Gallery in New York in 1947. Before 1950, Gray would participate in group exhibitions at such venerable institutions as the Metropolitan Museum of Art, New York; the Corcoran Gallery, Washington, D.C.; the Whitney Museum of American Art, New York; and the Art Institute of Chicago. In the 1960s, he formed a close friendship with the first generation Abstract Expressionist Barnett Newman. It was during this time that Gray experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism, and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Japanese and Chinese calligraphy. Beginning with his marriage in 1957 to the French author and New Yorker staff writer, Francine Du Plessix, Gray would spend the remainder of his life working out of his home base in Warren, CT, while continuously exhibiting and participating in residencies around the world. He enjoyed representation and exhibitions with some of the most influential galleries of the day, including the Betty Parsons Gallery, Staempfli Gallery, Salander-O’Reilly Galleries, Eva Cohon Gallery, and Berry-Hill Gallery. Cleve Gray died in Hartford, CT in 2004, at the age of 86. Gray's work is included in the collections of the Metropolitan Museum of Art, the Museum of Modern Art (MoMA), the Whitney Museum of American Art, the Brooklyn Museum, the Solomon R. Guggenheim Museum, and many other museums and institutional collections around the world. Source: The New York Times and Loretta Howard...

Katheryn Holt (American, born 1951) "Vapor," 2022 Oil paint, Canvas, Stretcher bars The piece is signed on the back of the canvas. Katheryn Holt paints memory. Her abstract painting...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...

“Rift Valley, Sonde 8” is a striking mixed-media composition that harmonizes Color-field staining, impasto-relief techniques, and gestural painting to create an immersive, multilayer...

Artist: Gene Davis Title: Carousel Year: 1980 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 250 Image 13.5 x 20 inches Paper Size: 17 x 24 inches

“Rift Valley, Sonde IV” is an evocative mixed-media composition that captures the raw essence of nature through its textured, multilayered surface. The earthy palette—browns, ochres,...

oil on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended...

“Rift Valley, Sonde III” is a richly textured mixed-media composition that captures the interplay between natural and abstract forms, evoking the raw beauty of nature while offering ...

Watercolor by Willem De Looper (1932-2009). Painting is signed "de Looper" and dated 76' lower right. Painting measures 20" x 8". Willem De Looper was a Washington D.C. abstract...

“Rift Valley, Sonde IV” is a richly textured mixed-media composition that captures the interplay between natural and abstract forms, evoking the raw beauty of nature while offering a...

Artist : Kory Twaddle Title : Doorway Materials : Acrylic and sand medium on photographic advertisement board (cardboard) Date : 2018 Dimensions : 8 x 10 x...

Observing shifting color is an ecstatic experience for the artist. She is intrigued by transitions from one color to the next and the way the eye and brain process these transitions,...

This painting of a bartender waiting for an order is an unusual composition for Fred Machetanz, who is known for his scenes of Alaska. It has been speculated that this was likely co...

Artist: Joseph Solman, American (1909 - 2008) Title: The Red Beard Medium: Oil on Canvas, signed Size: 20.25 x 12 inches Frame Size: 30 x 22 inches

Mid Century Textural Color-Field Abstract in Royal Blue-Purple by Peter Witwer A striking mid-century textural color-field abstract in a bold color palette of royal blue-purple by San Francisco artist Peter Witwer (American, 1928-1968). This highly textured mixed media piece, c.1960's, uses a monochromatic palette that is divided into two areas of varying textural depths. The lower part of the canvas verges on sculptural, as the textured surface becomes almost three-dimensional and haunting forms emerge from the abstract purple-blue plane. Unsigned. From a collection of the artist's works. Displayed in a painted wood slate frame. Frame has been painted by the artist and is considered part of the artwork. Linen size: 26"H x 22"W. Framed size: 27"H x 23"W x 1.2"D Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

"Blue and Green Abstract" by Claudia Sisemore, acylic on canvas, 43.5 x 46 inches, $4,800. "I have a vague idea of what I am going to paint. I...

Larry Zox (1937-2006) was a central figure in the evolution of American abstraction. He played an essential role in the emergence of Color Field during the 1960s and 1970s, eventuall...

“Rift Valley, Sonde 7” is a striking mixed-media composition that harmonizes Color-field staining, impasto-relief techniques, and gestural painting to create an immersive, multilayer...

Birds are Emerging II by Seth Ruggles Hiler Painting, Canvas, Oil Painting, Animal, Abstract, Bird, Wildlife, Outdoors, Nature, Colorful, Bright and Vivid Colors, Home Decor, Wall A...

"Untitled, 1974" by Claudia Sisemore, acylic on canvas, 58 x 56 inches, $7,200. Unframed. "I have a vague idea of what I am going to paint. I read that many artists are inspired by an idea before they begin their work and plan their approach and process based on that idea or muse. Others become inspired after they have begun working and watching colors, shapes and designs form. I basically belong the second group. Usually, after painting begins in a loose, free manner, I become excited by certain colors and patterns and continue from there." -Claudia Sisemore -- Caudia Sisemore says she was teaching English when artist David Chaplin (an equally popular and influential teacher) was at Weber and initially got her into landscape painting. “Then he took me to a show at the Art Barn and Lee [Deffebach] was showing there [with Don Olsen...

“Rift Valley, Sonde III” is a richly textured mixed-media composition that captures the interplay between organic and abstract forms, evoking the raw beauty of nature. The earthy pa...

from the smoke and ash - Abstract tantric stain painting, acrylic on raw canvas by contemporary artist Elisa Niva33 inches x 29 inches. One of the main i...

Katheryn Holt (American, born 1951) "Offshore" 2021 Oil paint, Acrylic paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. "Offshore," a 48" x 48" mixed...