Art by Medium: Canvas
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Period: 18th Century and Earlier
Medium: Canvas
Venetian School, Ottoman Honey Merchant
Located in London, GB
This incredibly rare early depiction of an Eastern Mediterranean or North African honey merchant is thought have been painted circa 1620. It predates the Flemish-French painter Jean ...
Category
Early 17th Century Art by Medium: Canvas
Materials
Canvas, Oil
Madonna Addolorata By Sassoferrato
By Giovanni Battista Salvi da Sassoferrato
Located in New Orleans, LA
Sassoferrato (Giovanni Battista Salvi)
1609-1685 Italian
Madonna Addolorata
Oil on canvas
Celebrated Italian artist Sassoferrato and his moving religious imagery are the epitome ...
Category
17th Century Baroque Art by Medium: Canvas
Materials
Canvas, Oil
Portrait of General Henry Ireton (1611-1651) Son In Law to Oliver Cromwell
By Robert Walker
Located in Blackwater, GB
Portrait of General Henry Ireton (1611-1651) Son In Law to Oliver Cromwell, 17th Century
attributed Robert WALKER (1607-1658)
Large 17th Century portrait of General Henry Ireton, oil on canvas. Excellent quality and condition Civil War portrait...
Category
17th Century Art by Medium: Canvas
Materials
Oil, Canvas
Portrait Of The Persian Sybil, 17th Century School of GUERCINO (1591-1666)
Located in Blackwater, GB
Portrait Of The Persian Sybil, 17th Century
School of GUERCINO (1591-1666)
Large 17th Century Italian Old Master portrait of the Persian Sybil, oil on canvas. Excellent quality an...
Category
17th Century Art by Medium: Canvas
Materials
Oil, Canvas
The Matchmaker, oil on canvas by Jan Baptist Lambrechts
By Jan Baptist Lambrechts
Located in Gent, VOV
Jan Baptist LAMBRECHTS (Antwerp, 1680 - after 1731), L'entremetteuse Canvas. On verso, wax stamp. 40 x 31 cm Expert : M. René MILLET
Lambrechts was born in Antwerp in 1680. His fathe...
Category
17th Century Art by Medium: Canvas
Materials
Canvas, Oil
17th-18th Century By Benedetto Luti Head of a Girl Oil Pastel on Canvas
Located in Milano, Lombardia
Original "cassetta" frame in carved and gilded wood.
Expertise by Prof. Giancarlo Sestieri.
Category
18th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil Pastel
Still life with fruits on a shelf Oil painting on canvas Paolo Paoletti
Located in Milan, IT
Paolo Paoletti (Padua, 1671 - Udine, 1735)
Still life with fruits on a shelf
Oil on canvas, 53.5 x 81 cm
Expert opinion Dr. Gianluca Bocchi
The still life under consideration can...
Category
18th Century Art by Medium: Canvas
Materials
Canvas, Paint, Oil
Untitled
Located in Newport Beach, CA
Italian, hand painted, oil on canvas landscape with hand painted border. See other painting in separate listing that creates a pair.
Category
18th Century Art by Medium: Canvas
Materials
Canvas, Oil
Portrait Of Czechoslovakian Theologian Jan Hus (1370-1415), 17th Century Europe
Located in Blackwater, GB
Portrait Of Czechoslovakian Theologian Jan Hus (1370-1415), 17th Century
European School
17th Century European School portrait of Czech Theologian Jan Hus, oil on panel. Excellent...
Category
16th Century Art by Medium: Canvas
Materials
Canvas, Oil
The Prayer, 19th Century after JOSHUA REYNOLDS (1723-1792)
By Henri Pierre Danloux
Located in Blackwater, GB
The Prayer, 19th Century
after JOSHUA REYNOLDS (1723-1792)
Large 18th Century English School portrait of a girl at prayer, oll on canvas attributed to Joshua Reynolds, Excellent qu...
Category
Late 18th Century Art by Medium: Canvas
Materials
Oil, Canvas
Ecce Homo
By Bartolomé Esteban Murillo
Located in MADRID, ES
Oil on canvas.
Bartolomé Esteban Murillo and workshop.
Certificated by Enrique Valdivieso who is the most inportant expert in this artist.
Category
17th Century Art by Medium: Canvas
Materials
Canvas
Untitled
Located in Newport Beach, CA
Italian, hand painted, oil on canvas landscape with hand painted border. See other painting in separate listing that creates a pair.
Category
18th Century Art by Medium: Canvas
Materials
Canvas, Oil
Westminster From The South, 18th Century
Located in Blackwater, GB
Westminster From The South, 18th Century
by Joseph FARINGTON (1747-1821) similar to $45,000
Fine large 18th Century London view of Westminster fr...
Category
18th Century Art by Medium: Canvas
Materials
Canvas, Oil
Portrait of a Young Man
By Sir Allan Ramsay
Located in London, GB
Oil on canvas
Image size: 10 3/4 x 7 3/4 inches (27.25 x 19.5cm)
Handmade William Kent frame
This quickly created oil sketch is a study for a larger work, its purpose being to aid the artist and give the client a visual representation of the final piece.
The subject is a young gentleman in a colourful pink and white outfit. He also wears a powdered wig and bears a decorative sword...
Category
18th Century Art by Medium: Canvas
Materials
Canvas, Oil
Very Large, 16th Century Allegorical Oil Painting
Located in Newport Beach, CA
Beyond life-sized, allegorical, Renaissance figural oil painting of Summer, featuring a nymph recessed in an alcove, swathed in drapery, wearing a foliate crown. In her right hand, a...
Category
16th Century Renaissance Art by Medium: Canvas
Materials
Canvas, Oil
The Musician
Located in London, GB
This head and shoulders portrait is an outstanding example of the breadth, force and beauty of this artist's pictorial manner and abilities. This captivating portrait features a musi...
Category
Late 17th Century Art by Medium: Canvas
Materials
Oil, Canvas
Portrait Of A Spanish Marquess, 18th Century
Located in Blackwater, GB
Portrait Of A Spanish Marquess, 18th Century
attributed to Louis-Michel VAN LOO (1707-1771)
Large 18th European portrait of a Spanish Marquees / Noble at a bureaux signing a docum...
Category
18th Century Art by Medium: Canvas
Materials
Canvas, Oil
PPortrait Of Barbara Villiers (1640–1709), Countess of Castlemaine and Duchess o
Located in Blackwater, GB
PPortrait Of Barbara Villiers (1640–1709), Countess of Castlemaine and Duchess of Cleveland
Circle of Sir Peter Lely (1618-1680)
Huge 17th Cent...
Category
17th Century Art by Medium: Canvas
Materials
Canvas, Oil
Portrait Of A Gentleman Holding Flowers, circa 1600 Flemish School
Located in Blackwater, GB
Portrait Of A Gentleman Holding Flowers, circa 1600
Flemish School
Large circa 1600 Flemish School portrait of a man holding flowers wearing a plumed hat, oil on panel. Exceptional...
Category
17th Century Art by Medium: Canvas
Materials
Canvas, Oil
Spanish 18th C. Oil on Canvas"Still Life with Walnuts, Melon, Grapes and Orange"
Located in Madrid, ES
SPANISH SCHOOL
18th CENTURY
STILL LIFE WITH WALNUTS, MELON, GRAPES AND ORANGE
unsigned
oil on canvas
15-3/4 x 21 inches (40 x 53 cm.)
framed: 24-1/2 x 28-3/4 inches (62 x 72.5 cm.)
...
Category
18th Century Baroque Art by Medium: Canvas
Materials
Canvas, Oil
Portrait Of Rooster With Adorned Feathers, Circle Of John Nost Sartorius
Located in Blackwater, GB
Portrait Of A Rooster With Adorned Feathers, 18th Century
Circle of John Nost SARTORIUS (1759-1830)
Large 18th century English study of a rooster in a farmyard, oil on canvas. Supe...
Category
18th Century Art by Medium: Canvas
Materials
Canvas, Oil
Saint Elizabeth Of Hungary, circa 1600 School of Palma il Giovane (1548-1628)
Located in Blackwater, GB
Saint Elizabeth Of Hungary, circa 1600
School of Palma il Giovane (1548-1628)
Fine Large circa 1600 Venetian School depiction of Saint Elizabeth of...
Category
16th Century Art by Medium: Canvas
Materials
Oil, Canvas
Mythology Monochrome Frieze Tuscan Neoclassic Art Pietro Benvenuti 18th century
Located in Florence, IT
This interesting grisaille […] of a high standard of quality and in an excellent state of conservation, represents an interesting derivation with slight variations from an engraving,...
Category
Late 18th Century Other Art Style Art by Medium: Canvas
Materials
Oil, Canvas
Large Antique Oil Painting of Samson and Delilah after Anthony van Dyck
By Anthony van Dyck
Located in London, GB
Large antique oil painting of Samson and Delilah after Anthony van Dyck
Dutch, 17th Century
Height 165cm, width 233cm
This very large artwork ...
Category
17th Century Art by Medium: Canvas
Materials
Canvas, Oil
Madonna with the book. Genovese School. Follower of Bernardo Strozzi.
Located in Firenze, IT
Madonna with the book.
XVIIth century.
Oil on Canvas.
Antique painted wooden frame, in need of restoration.
Reintel.
Baroque Era.
Interesting painting of the Genoese school, with ch...
Category
17th Century Italian School Art by Medium: Canvas
Materials
Canvas, Oil
Portrait of a Lady in a Blue & Pink Silk Dress, possibly Mrs Rowe, Signed Dated
Located in London, GB
This charming picture, which has been signed and dated: H. Pickering pinxt 1752 is a type favoured by the highly successful artist Henry Pickering. Pickering’s painting life, from 1...
Category
18th Century Old Masters Art by Medium: Canvas
Materials
Oil, Canvas
Portrait of Abigail, Countess of Kinnoull, Signed Dated Godfrey Kneller Painting
Located in London, GB
Presented by Titan Fine Art, this elegant and beautiful portrait depicts Abigail Hay, Lady Dupplin, Countess of Kinnoull; it is an excellent example of English portraiture from the f...
Category
18th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil
The Adoration of the Shepherds
Located in London, GB
Follower of El Greco
The Adoration of the Shepherds
Oil on canvas
The present work bares close similarity to a painting of the same name in the collection of the Museo del Prado, Ma...
Category
17th Century Art by Medium: Canvas
Materials
Canvas, Oil
Portrait of a Lady in Red Dress on Porch c.1680, English Aristocratic Provenance
Located in London, GB
Presented by Titan Fine Art, this painting formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This portrait hung in the Grand Hall.
This exquisite grand manner work is an evocative example of the type of portrait in vogue during a large part of the seventeenth and eighteenth centuries. The artist has depicted an elegant lady, three quarter length and seated on porch with a luxurious crimson swag curtain by her side. The clothing – known as “undress” at the time, consists of red silk fastened at the front and sleeves by large gold and diamond jewels over a simple white chemise. In her lap she holds a blue wrap and in her other hand, at her chest, she clutches the end of a sheer gauzy scarf that has been draped around her body with the other end a type of headdress – this type of sheer scarf was often employed by Wissing in his portraits. The classical architecture signifies cultivation and sophistication and the luxurious swag curtain is a signifier of wealth. The portrait can be dated to circa 1680 based on the sitter’s attire, the “hurluberlu” hairstyle, and other portraits by Wissing using the same formula.
This oil on canvas portrait has been well cared for over its life, which spans almost 350 years. Having recently been treated to remove an obscuring discoloured varnish, the finer details and proper colour can now be fully appreciated.
Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare.
Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone.
Much of the attractiveness of this portrait resides in its graceful manner and the utter beauty of the youthful sitter. Presented in a beautiful carved and gilded period frame, which is a work of art in itself.
Willem Wissing was a Dutch artist who enjoyed a solid artistic training at The Hague under Arnold van Ravesteyn (c.1650-1690) and Willem Dougijns (1630-1697). He came to London in 1676 and most probably joined the studio or Sir Peter Lely as an assistant that same year. After Lely’s death in 1680 he effectively took over his business and he scaled the heights of patronage with extraordinary ease, creating an independent practise in 1687, and painted for very important aristocratic patrons. King Charles II was so impressed by a portrait Wissing painted of his son, the Duke of Monmouth, in 1683 that he commissioned his own portrait and that of his Queen Catherine...
Category
17th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil
Double Portrait of Sir John Rivers 3rd Baronet of Chafford, and Lady Anne Rivers
Located in London, GB
This magnificent grand-scale work, offered by Titan Fine Art, formed part of a collection of family pictures and heirlooms of the Rivers Baronets and their descendants for over 325 years, before it was dispersed by the last in the line in 1988. The work was painted by the most technically proficient painter in England after the death of Van Dyck, and the dominant court painter to Charles II and James, Duke of York, Sir Peter Lely. It is no surprise that for years Lely had no serious rivals, was enormously influential and successful, and one of the country’s most important painters – and his work influenced countless artists over generations. The exquisite carved and gilded auricular frame is an astounding work of art in itself.
The sitters in this exquisite double portrait are Sir John Rivers, who succeeded as the 3rd Baronet Chafford in 1657 (c.1638 - c. 1679), and his wife, Lady Anne Hewitt (c.1640-c.1689). They are seated in an outdoor setting beside a fountain modelled as a female figure with water issuing into a scallop-shell. The water, the elaborate sculpted fountain with its scallop-edged bowl, and the open shell in her hand are symbols of fertility - as such they make an appropriate allusion to Lady Anne’s potential as wife and mother, recalling Proverbs, chapter 5, verse 18: “Let thye fountain be blessed, and rejoice in the wife of thye youth”. This reference was realised, as Sir John and Lady Anne produced at least six children; their son George (1665-1734) became 4th Baronet of Chafford. The composition, thus, represents a celebration of marriage and was likely commissioned around the time of the betrothal (the marriage took place 26th Feb 1662 or 1663). The statues in the left margin are 'Youth and 'Old Age' and are a typical form of Memento Mori reminding virile young man that even they will lose their youth and grow old.
The Rivers family, originally of Kent, traces its history to Sir Bartholomew Rivers, in the reign of Edward IV. The family included several prominent members including several knights, a Commander in the King's Army, a steward of a ducal estate, a Lord-Mayor of London, and an M.P. John Rivers (c.1659-c.1651) was made 1st Baronet of Chafford in 1622 by King James I. The Chafford estate was the family seat and it remained so until the early 1700s with the death of Sir George Rivers, 4th Baronet (1665–1734), whose sons had all died. The Chafford estate was left to his daughters while the baronetcy passed to nephew John Rivers, 5th Baronet (c. 1718–1743), and then Sir John’s brother, Sir Peter Rivers-Gay, 6th Baronet (c. 1721–1790).
Upon Sir Peter Rivers Gay's death the estate passed to his eldest son, Sir Thomas Rivers Gay, 7th Baronet (c. 1770–1805). Sir Thomas, dying in 1805 with no children, bequeathed the estate to his mother Dame Martha Rivers Gay, who managed the estate until 1834 when she settled it on the then Sir Henry Rivers, 9th Baronet (c. 1779–1851) her younger son, before dying shortly thereafter in 1835. Sir Henry had married in 1812 to Charlotte Eales, with whom he had 6 sons and 8 daughters. Upon his death in 1851 the estate passed to his eldest surviving son Sir James Francis Rivers, 10th Baronet (1822–1869). Sir James married Catherine Eastcott in 1867 but died childless in 1869, and the estate passed to his only surviving brother Sir Henry Chandos Rivers, 11th Baronet (1834–1870) but he died a year later in 1870 also childless; with no male heir the Baronetcy was therefore extinguished.
The estate was bequeathed, in trust, by Sir Henry Chandos Rivers to Thomas Frederick Inman, a solicitor of Bath, who then managed the estate as a trustee on behalf of Sir Henry Chandos Rivers' sister Katherine Rivers (c.1826-1895). It then passed to Katherine River’s daughter, Katherine Wall (born c.1855), who had also inherited Worthy Park House from her father, George Alfred Ellis Wall (1825-1875).
Until 1958 our portrait is known to have hung at Worthy Park House. Upon Katherine Wall’s death, the Rivers estate passed to her daughter, Katherine Eleonora Rivers Fryer (1889-1963), who married Colonel James Alexander Butchart 1877-1853. In 1958 the family sold Worthy Park House but our portrait was loaned to Southampton Museum and Art Gallery. After the death of Katherine and Colonel James, the estate was left to their only son, Charles Bruce Rivers Butchart (1917-2005) and upon Charles’ retirement to a nursing home in 1988, and without heirs, our portrait, along with the residual assets of the Rivers estate were sold, thus ending over 325 years of continual family ownership.
Lady Anne Rivers is thought to have been born circa 1640. She was the fourth child of the second marriage of Sir Thomas Hewitt (or Hewett) (1606-1662), 1st Baronet of Pishobury, Herts, and his wife Margaret Lytton (died 1689). Sir Thomas was an English landowner and M.P. for Windsor and upon the English Restoration...
Category
17th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil
Grand-Scale Old Master Garland Portrait, 17th Century, Signed & Dated, Rare work
Located in London, GB
Indistinctly signed and dated
In the first quarter of the 17th century a new form of flower painting was developed in Flemish painting, which, recreated by a large group of artists and workshops, would achieve considerable success throughout the century in much of Europe: the garland of flowers surrounding a central figure. Brueghel de Velurs was the initiator of this type of composition, however, it was his pupil, Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous artists who followed in his wake. It seems undeniable that the artist of the present painting had seen the Garlands of Flowers Surrounding a Medallion Depicting the Triumph of Love by Daniel Seghers and Domenico Zampieri (now in the Musée du Louvre in Paris).
In our painting, the present floral wreath encircles a carved cartouche within which sits Saint Dorothy of Caesarea and the attribute which often accompanies her in art, a basket of roses. The extremely delicate flowers have been rendered in meticulous detail, so that every species can be identified from exotic tulips to roses, irises and forget-me-nots; this obvious attention to naturalism is inherited from the Flemish manner. Each flower is so precise and refined that they are an individual study in their own right.
The still-lifes are from the hand of Jan Anton van den Baren, with the central figures by another accomplished hand. Van den Baren’s arrangement of flowers would have delighted connoisseurs in both Flanders and in Vienna, where the impossibility of their all blooming at the same time of year would have been understood as a further statement of the wonder and beauty of the divine.
Van den Baren worked first in Brussels, where he collaborated with Erasmus Quellinus II for the figures in his works, before moving with Archduke Leopold Wilhelm, his patron, to Vienna in 1656, where he instead worked with fellow Flemish émigré painter Nikolaus van Hoy. The iconography relates to an eighth century legend where she was presented a basket of roses by a child.
In addition to the brilliance of his handling of still-lifes Van den Baren played an important art historical role as Director of Archduke Leopold Wilhelm’s Picture Gallery in Vienna, then one of the greatest collections in the world and the core of what was to become the present collection of the Kunsthistorisches Museum, Vienna. Van der Baren compiled an inventory of the collection in 1659, and his predecessor as Director of the Archduke’s Picture Gallery (when it was still housed in Flanders), David Teniers, depicted van der Baren (third from right) in his celebrated Archduke Leopold Willem in his gallery at Brussels, conserved at the Kunsthistorisches Museum.
It is a shining example of the Flemish Baroque and is a very rare object indeed, considering there are only 14 paintings accepted as authentic works by this artist.
We are grateful to Fred Meijer for confirming the attribution to Johannes Antonius van der Baren.
A feature of this painting is its outstanding carved and gilded frame with a plethora of flowers and foliage.
Titan Fine Art
Category
17th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil
Flora surrounded by her nymphs, in a landscape of ancient ruins. Il Mascacotta
By Gennaro Greco
Located in Brooklyn, NY
Figures painted by Abraham Hondius
Gennaro’s paintings invented a variety of ruined Architecture and other magnificent constructions and made superb underground places and imaginary prisons with horrible appearances,” writes Bernardo de Domenici in his 1743 Vite de Pittore, Scultori, ed Architetti Napoletani.
Greco was highly esteemed in his lifetime. De Domenici titles a chapter “Notizie de Gennaro Greco … ,” with the painter’s name followed, in much smaller type, by a number of apparently lesser artists, including Leonardo Coccorante, whose star burns brightly today.
When a child, Greco’s face was horribly disfigured in a fire; for the rest of his life he was called Il Mascacotta – literally “he of the cooked face.” His biographer, however, notes several compensations. The apparently prosperous Greco had three young, beautiful wives, and a multitude of sons, including one, Vincenza, who became a painter.
A student of Andrea Pozzo’s 1693 treatise on architectural perspective – Perspectiva Pictorum et Architectorum – Greco’s earliest work involved painting ornament, temporary stages for religious celebrations, as well as perspectival frameworks for other artists’ figural projects.
Greco’s mature work, of which the example here is characteristic, focuses on very carefully rendered views of imaginary ruins – vedute ideate – often set by a bay with highly detailed ships and other structures beyond.
With the present picture, note the skillful manner in which the ruins are made lighter and lower contrast, as they recede into the distance enhancing the picture’s depth.
Sebastian Deya
Category
Late 17th Century Art by Medium: Canvas
Materials
Oil, Canvas
Portrait of a Lady in Silver Silk Dress & Pearls c.1660, Oil on canvas painting
Located in London, GB
This exquisite work is an accomplished example of the type of portrait in vogue in England during the third quarter of the 17th century. There was a large demand for paintings in England and the demand for portraits was greatest. Many artists worked in this lucrative field, even artists who initially trained in the more respected field of history painting, such as Peter Lely, turned their attention to portraiture to meet this demand. Moreover, it was not uncommon for the British, even for men, to present a gift of one’s portrait to a friend - portraits were first and foremost a memento.
Woman at court often vied with one another in displays of rich and fashionable clothing. The drapery was either painted from the customer’s own clothes or was perhaps a creation using fabrics loosely tacked together in the studio. This was a common practice of Lely and his studio props included swathes of fabric and pieces of cloth. The sitter’s sumptuous attire and gauze scarf, fastened by a large diamond brooch, is of the finest material and is representative of wealth. Pearls were an obligatory accompaniment since at least the 1630s and they are worn in abundance – in her hair, on her attire, as a necklace, and as pear-shaped earrings called unions d’excellence, reflecting the difficulty of finding perfectly matched pearls of such large size. They could range up to 20 millimetres in diameter. Her hairstyle help date the painting to the early 1660’s.
Peter Lely, the son of a Dutch...
Category
17th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil
A Portrait of a Gentleman, thought to be Moses Diego Lopez Pereira
Located in London, GB
Austrian School, 18th Century
A Portrait of a Gentleman, thought to be Moses Diego Lopez Pereira, 1st Baron d’Aguilar, in an elaborate coat and a powdered wig
Oil on canvas
Provena...
Category
18th Century Art by Medium: Canvas
Materials
Canvas, Oil
Huge 18th Century English Oil Aristocratic Portrait of a Gentleman Standing
Located in Cirencester, Gloucestershire
Portrait of an Aristocratic Gentleman
British artist, first half 18th century
oil on canvas, unframed
canvas: 50 x 40 inches
provenance: private collection, Dorset, England
condition...
Category
18th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil
Ritratto del Re di Sardegna Vittorio Amedeo III di Savoia. Ambito di G. Panealbo
Located in Firenze, IT
Ritratto del Re di Sardegna Vittorio Amedeo III di Savoia. Ambito di Giovanni Panelalbo.
Ritratto di Vittorio Amedeo III di Savoia (Torino, 26 giugno 1726 – Moncalieri, 16 ottobre 1...
Category
Late 18th Century Rococo Art by Medium: Canvas
Materials
Oil, Canvas
Antique painting depicting the mystical marriage of Saint Catherine. Naples 19sec
Located in Torre Del Greco, IT
Antique oil on canvas painting depicting the mystical marriage of St. Catherine.
The work is rich in iconographic invention and intoned in full-bodied, ringing colors, with effects ...
Category
18th Century Art by Medium: Canvas
Materials
Canvas
18th Century Landscape Flemish School Nature Wayfarers Oil on Canvas Green
Located in Sanremo, IT
Painting oil on panel measuring 48 x 32 cm without frame and 58 x 43 cm with frame depicting a landscape with figures from the Flemish school of the 18th century.
A lively painting ...
Category
Mid-18th Century Flemish School Art by Medium: Canvas
Materials
Canvas, Oil
Oil Painting Portrait, attributed to John Vanderbank (1694-1739)
Located in Uppingham, GB
Oil Painting Portrait of John Campbell, 4th Duke of Argyll,, att to John Vanderbank (1694-1739) Housed in a swept frame which has been restored after photo.
Canvas Size 50" x 40", Fr...
Category
1690s Old Masters Art by Medium: Canvas
Materials
Oil, Canvas
18th century Portrait of a lady as Erato, the muse of poetry - Angelica Kauffman
By Angelica Kauffmann
Located in Antwerp, BE
18th century English school portrait of a lady, said to be Mrs. John Ruscombe of Colne, Lancaster, as the muse Erato
This very skilfully painted portrait depicts a lady as the muse ...
Category
18th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil
Full Length Portrait of a Gentleman, Tudor Oil on Canvas, Life Size Painting
By Circle of Marcus Gheeraerts the Younger
Located in London, GB
Oil on canvas
Image size: 78 1/4 x 44 inches (199 x 112 cm)
Unframed
This portrait transports us back to the grandeur and opulence of Jacobean England. The subject stands proudly d...
Category
17th Century English School Art by Medium: Canvas
Materials
Canvas, Oil
Portrait of a couple
Located in BELEYMAS, FR
Jean-Baptiste SANTERRE
(Magny en Véxins 1651 - Paris 1717)
Portrait of a couple
Oil on original oval canvas
H. 115 cm; L. 90 cm (140 x 115 cm with frame)
Around 1695
Jean-Baptiste S...
Category
1690s French School Art by Medium: Canvas
Materials
Canvas, Oil
San Giorgio Maggiore Venice, 18th Century follower of CANALETTO (1697-1768)
By Giovanni Antonio Canal (Canaletto)
Located in Blackwater, GB
San Giorgio Maggiore Venice, 18th Century
follower of CANALETTO (1697-1768)
Large 18th Century Italian view of the San Giorgio Maggiore, Venice, oil on canvas. Excellent quality ea...
Category
18th Century Art by Medium: Canvas
Materials
Oil, Canvas
An Allegory of Architecture, 18th Century School of François BOUCHER (1703-1770)
By François Boucher
Located in Blackwater, GB
An Allegory of Architecture, 18th Century
School of François BOUCHER (1703-1770)
One of a set of Three
Large 18th Century French allegory of Architecture, oil on canvas. Excellen...
Category
18th Century Art by Medium: Canvas
Materials
Canvas, Oil
An Allegory of Music, 18th Century School of François BOUCHER (1703-1770)
By François Boucher
Located in Blackwater, GB
An Allegory of Literature, 18th Century
School of François BOUCHER (1703-1770)
One of a set of Three
Large 18th Century French allegory of Literature, oil on canvas. Excellent qu...
Category
18th Century Art by Medium: Canvas
Materials
Canvas, Oil
An Allegory of Music, 18th Century School of François BOUCHER (1703-1770)
By François Boucher
Located in Blackwater, GB
An Allegory of Music, 18th Century
School of François BOUCHER (1703-1770)
One of a set of Three
Large 18th Century French allegory of Music, oil on canvas. Excellent quality and ...
Category
18th Century Art by Medium: Canvas
Materials
Canvas, Oil
Portrait of Giovanni Morosini (1719 - 1789), Italian school. Late 18th century
Located in Firenze, IT
Portrait of Bishop of Verona Giovanni Morosini (1719 - 1789), Italian school.
Technique: oil on canvas painting, relined canvas.
Late 18th century.
Represents a church man.
The fig...
Category
Late 18th Century Baroque Art by Medium: Canvas
Materials
Canvas, Oil
Huge late 17th early 18th century Italian floral oil - Peacock doves and a duck
Located in Antwerp, BE
Huge late 17th, early 18th century Italian Old master - A peacock doves and a duck holding flowers in a park landscape at sunset, attr. Angelo Maria Crivelli
In a peaceful park land...
Category
17th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil
Suicidio di Lucrezia dipinto di Giuseppe Marullo
Located in Milan, IT
Giuseppe Marullo (Orta di Atella, 1610 ca – Napoli, 1685)
Suicidio di Lucrezia
Olio su tela, cm 132 x 94
Con cornice, cm 148 x 110
Pubblicato in “Achille della Ragione, Scritti di st...
Category
17th Century Art by Medium: Canvas
Materials
Oil, Canvas
Portrait of Frances Lady Whitmore nee Brooke, Exquisite Carved Frame, Old Master
Located in London, GB
Portrait of Frances, Lady Whitmore nee Brooke (c.1638-1690)
Circle of Sir Peter Lely (1618-1680)
Titan Fine Art presents this exquisite portrait that depicts Frances Brooke, Lady Wh...
Category
17th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil
17th Century Landscapes with Ruins Giovanni Ghisolfi Capricci Oil on Canvas Blue
Located in Sanremo, IT
These two valuable works , which stand out for their fine execution quality, as well as for their excellent state of preservation, testify to the heights that Giovanni Ghisolfi, one ...
Category
1680s Italian School Art by Medium: Canvas
Materials
Oil, Canvas
Flower garland with Holy Family canvas from the circle of Andrea Belvedere
By Andrea Belvedere
Located in Milan, IT
Andrea Belvedere's circle (Naples, 1646/52-1732), second half of the 17th century
Flower garland with Madonna nursing Child, St. Joseph and angels
Oil on canvas, 73 x 60 cm
Framed, 9...
Category
17th Century Art by Medium: Canvas
Materials
Canvas, Oil
Fine Italian Old Master Oil Painting Angel & Saints Appearing to Figures
Located in Cirencester, Gloucestershire
Artist/ School: Italian Old Master, 18th century
Title: Angel and Saints appearing to figures, one dressed in a white ruff collar.
Medium: oil on canvas...
Category
Early 18th Century Old Masters Art by Medium: Canvas
Materials
Oil, Canvas
Crossing the ford Capriccio Baroque Landscape 18th century Oil Painting
Located in Stockholm, SE
As we gaze upon at this artwork, our eyes are immediately drawn to the foreground where a comical spectacle unfolds before us. A carriage, stubbornly stuck in the midst of a ford, se...
Category
Late 18th Century Realist Art by Medium: Canvas
Materials
Canvas, Wood, Cotton Canvas, Oil
capriccio with biblical scene painted by Giovanni Ghisolfi
Located in Milan, IT
Giovanni Ghisolfi (Milan, 1623 - 1683), attr.
Capriccio with biblical scene
Oil on canvas, 50X74 cm
Framed, 67 x 90 cm
The work under consideration depicts a biblical episode within...
Category
17th Century Art by Medium: Canvas
Materials
Canvas, Oil
Portrait of Raimondo di Montecuccoli in armor with a marshal's staff. Circa 1660
Located in Firenze, IT
Portrait of Raimondo di Montecuccoli in armor with a marshal's staff. Dutch School.
Oil on canvas
Dutch School.
Circle of Peter Nason (Amsterdam, 1612 - 1690 The Hague).
Portrait ...
Category
17th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil
18th Century English School Portrait of a young girl, half length
Located in Harkstead, GB
A charming portrait of a young girl presented in the original, hand carved giltwood frame.
Circle of John Opie (1761-1807)
Portrait of a young girl, half length
With old label to t...
Category
18th Century Old Masters Art by Medium: Canvas
Materials
Canvas, Oil
Portrait of Venetian the Doge Domenico Contarini.
Located in Firenze, IT
Fragment of an ancient painting portraying the doge Domenico Contarini.
Painting features numerous repaintings and shortcomings. Oil on canvas technique.
Relined.
Doge wears a typ...
Category
Late 17th Century Italian School Art by Medium: Canvas
Materials
Canvas, Oil
Canvas art for sale on 1stDibs.
Find a wide variety of authentic Canvas art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Vahe Yeremyan, Sumit Mehndiratta, Irena Orlov, and Cindy Shaoul. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Canvas art, so small editions measuring 0.01 inches across are also available
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