Art by Medium: Fabric

This oil painting is signed by the artist "I Pailes" at the lower left corner. The work was painted in circa 1930's. Provenance: The Issachar Ber Frydman collection. Acquired in Fr...

This oil painting is signed by the artist "I Pailes" at the lower right corner. The work was painted in circa 1930's. Provenance: The Issachar Ber Frydman collection. Acquired in F...

This early 20th-century oil painting by Swedish artist David Tägtström (1894-1981) depicts a seated woman referred to as ‘Hegert’. Leaning forward as if listening intently to a fami...

Oil on canvas signed R.B.FELTRAP, France, 1937. Nude. With frame : 101.5x82.5 cm - 40x32.5 inches ; without frame : 92x73 cm - 36.2x28.75 inches. Format 30F. Signed and dated "R.B.Fe...

"Nude "odalisque Aux Pantins" Belgian Modern School By Georges Brasseur 1930" Georges BRASSEUR was an artist born in Belgium in 1880 and died in 1950. His works went up for sale at p...

Augustus Edwin John (Welsh, 1878-1961). Portrait of Barbara, ca. 1930. oil on canvas, 11 5/8 x 14 5/8 inches. Framed dimension: 16 x 19 inches....

Sebregts' original 1930 creation for Montana Tea and its charming tea spoons stands as a delightful testament to the art of visual storytelling and the eleg...

Vintage abstract expressionist painting by James Edward Jones. Oil on board, circa 1980. Signed on verso. Displayed in a per...

Portrait of a Lady in Purple Dress against a Pink and Blue Wallpaper background French School, circa 1930's signed lower front corner oil on canvas, unframed canvas: 22 x 18 inches p...

A very beautiful 1930's oil on canvas by French artist Jean Busquets depicting the garden of the Parc de Saint-Cloud on the outskirts of Paris. Excellent...

"Christmas Morn" Sleigh in the Snow after W.C Bauer, London Oil on Linen 1937 Christmas Morning and a sleigh ride by Mrs. J.B. Anthony (American, 19th-20th C.)...

Serene winter landscape of a snow covered hills with a frozen creek and far off house in the distance by Frederick Wagner (American, 1864-1940), c.1930's. Signed "F. W." lower right....

Oil mesures 36x23 cm. Frameless. Restored.

MacDonald Gill's 1937 original map, titled "A Great Industry Where Our Tea Comes," stands as a testament to the intersection of informative and creative mapping. This remarkable work...

Gwendolyn Collins was a wealthy painter who did most of work between 1922 - 1933. She lived in a Mount Street in Mayfair and did not join any art groups or societies. When her st...

Lower Manhattan American Modernism NYC Cityscape Social Realism WPA 20th Century Jo Cain (1904 - 2003) Lower Manhattan 34 1/4 x 42 ½ inches Oil on canvas c. 1...

Antique American modernist surreal oil painting. Oil on canvas. Framed. No signature found.

Frank Owen Salisbury (1874-1962) Male portrait painting, 1934 Oil on canvas 39 x 48

This beautiful 1930's Italian impressionist oil on canvas by Luigi De Luca depicts fishermen on the Bay of Naples at dusk, with Capri beyond. The work i...

Portrait is an artwork realized by Antonio Feltrinelli, 1930s.  H 160 x 110 cm. Oil paiting on canvas. Hand signed lower left margin. Good conditions! Antonio Feltrinelli (Mil...

In 1935, the Italian artist Brunelleschi Umberto harnessed this power in his original poster for "L'art italien XIXe XXe siècles," a celebration o...

In the realm of travel advertising and design, Albert Solon's 1934 original travel poster for 'Air France Réseau Aérien Mondial' stands as a timeless testament to the allure of globa...

The 1930s were a pivotal era where art and wanderlust converged. A poster created in 1935 by the celebrated French graphic artist Raymond Savignac, advertising "Voyages d'été en Fran...

Signed lower right: Hayley Lever

Antique American impressionist landscape oil painting. Oil on canvas. Signed. Framed.

Antique American modernist surreal oil painting. Oil on canvas. Framed. Signed illegibly.

Sleeping woman  is an artwork realized by Antonio Feltrinelli in 1930s.  Oil on canvas, 110 x 160 cm.  Very good conditions Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942) wa...

Circa 1930 original poster for James Hopps & Son's "Il Marsala Classico" stands as a stunning visual masterpiece that transports us back in time to an era of elegance and tradition. ...

EDOUARD LÉON CORTÈS French, 1882 - 1969 PLACE DE LA RÉPUBLIQUE signed "EDOUARD CORTÈS." (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) framed: 33-1/2 x 44-1/4 inc...

Canvas measures 24" x 30" and framed 30" x 36" x 3" About this artist: Anni Baldaugh was the daughter of Anthonius Hendricus Schade van Westrum. With a father who was a naval officer, the van Westrum family spent significant amounts of time in the Dutch East Indies. After returning to Europe, Baldaugh studied art with various teachers in Vienna, Munich and Paris. She and her husband ended up living in Los Angeles, though they suffered financial losses during World War I. While in Los Angeles, Baldaugh joined the California Watercolor Club, the California Society of Miniature Painters, the Bookplate Association International, the Laguna Beach Art Association, and the San Diego Fine Arts Society. She also became a member of the Connecticut Academy of Fine Arts. During the Great Depression...

Mary Elizabeth Price Byzantine Fountain, circa 1930 Signed "M. Elizabeth Price" lower left, inscribed "M. Elizabeth Price 140 West 57th St. Byzantine Fountain" on stretcher verso Oil on canvas 24 3/16 x 30 5/16 inches Provenance: Private Collection, Southampton, New York Mary Elizabeth Price was born in 1877 in West Virginia, and at an early age she moved with her Quaker family back to the familial farm in Solebury (Bucks County) Pennsylvania. There she received her education at the Philadelphia School of Industrial Arts and later at the Pennsylvania Academy of the Fine Arts. During her long and active career, Price achieved notable exhibition history including exhibitions at the Corcoran Biennial, National Academy of Design, and in 1927 she won the Carnegie Prize for the best oil painting...

"Unemployed" WPA American Scene Social Realism Mid 20th Century Modern William Gropper (1898 - 1977) Unemployed 20 x 16 inches Oil on canvas, 1937 Signed lower right Provenance: E...

Seated Nude is an artwork realized by Antonio Feltrinelli, in 1930s.  Oil on canvas, 108 x 75 cm. Provenance: Galleria Pesaro, Milan. Good conditions! The nudes and portraits w...

'Portrait of the Nephew of the Artist', oil on canvas, by René Seyssaud (circa 1930s). Known for his use of vivid colours in his landscapes and depictions of workers in their fields,...

Step into the alluring world of vintage poster art, where Leonetto Cappiello's 1933 masterpiece, "Baudin La Cuisinière des Cuisinières" (Baudin, the Cook of Cooks), invites us to cel...

Antique American modernist signed landscape oil painting. Oil on canvas. Signed. Framed.

Step into the enchanting world of vintage poster art, where the circa 1930 original poster of Renault Conduite Intérieure Souple 6CV takes us on a journey through time to an era of a...

The 1937 original poster for "A Venise une nuit" (One Night in Venice) directed by Christian-Jaque holds a unique place as a captivating glimpse into the golden age of cinema. This p...

Antique American impressionist portrait oil painting. Oil on canvas. Framed. No signature found.

the 1933 original poster for "Il était une fois" (Once Upon a Time) stands as a captivating introduction to a timeless story of transformation and re...

Antique American modernist nude signed drawing. Pencil on paper. Unsigned. Framed. Image size, 9L x 12H.

Signed impressionist landscape oil on canvas circa 1930 by French painter Antoine Bouvard Snr. The work depicts a gondolier sailing a gondola on a Venetian Canal. The last light of t...

Mystery American Artist Untitled, 1930 Oil on canvas 29 1/2 x 23 3/4 in. Framed: 34 1/2 x 28 3/4 x 1 1/2 in. Signed and dated lower left

In the world of vintage poster art, Jean-Gabriel Domergue's 1932 original poster for Suzanne Brindejont Offenbach, printed by the esteemed Atelier Gaillard in Paris, is a work of end...

Step into the enchanting world of vintage poster art, where Henry Lemonnier's 1937 masterpiece, "Demandez un Camembert Georges Bisson" (Ask for a Camemb...

Primo Dolzan is an Italian painter born in Tezze Sul Brenta in Veneto. Painter of landscapes and still lifes. Exhibited at the Salon of Artists in Paris between 1933 and 1935. The p...

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...

Signed and dated "Biederman 4-35" lower right. About this artist: Charles Joseph Biederman was a twentieth century abstract American artist best known for his constructivist, cubist...

" Sunlit Mountains" Majestic Mount Jefferson And Mount Hood Oregon 1930s A well executed oil on linen of two mountain peaks by California and Illinois artist Andrew Dobos (American/P...

NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century Eugene Savage (1883 – 1978) 1939 World’s Fair Mural Study 45 x 30 inches Oil on Canvas Signed lower right The painting is part of a 1,000 piece collection of art and objects from the 1939 World’s Fair. The collection as a whole is available. Savage created the mural for the facade of the Communications Building. An image of the completed mural, along with a published postcard, is part of the listing. Note the center top female figure, she resembles the figure in the offered painting. BIO Eugene Francis Savage was born in Covington, Indiana 1883. He underwent various forms of art training in the early years. He was a pupil of The Corcoran Gallery and The Art Institute of Chicago, and was later awarded a fellowship to study in Rome at The American Academy. While under the spell of that ancient city the young artist began to render historic figures that were suitable for the classic style needed for mural painting in the traditional manor. During this period he was able to study and observe Roman and Greek sculpture, although much of the academic training was accomplished by using plaster casts along with the incorporation of live models. This method survived and was used efficiently throughout Europe and the United States. After leaving the Academy, Savage was commissioned to paint numerous murals throughout the United States and Europe. This artist received acclaim for the works he produced while under commissions from various sources. This young master was a contemporary of Mexican muralists David Alfaro Siqueiros (1896-1974), Jose Clemente Orozco (1883-1949) and Diego Rivera (1886-1957). In this period he was to show the influence of his contemporaries in formulating a modern style. Savage also played a vital role in the WPA Federal Art program, and he was a member of The Mural Art Guild.. Savage was elected an associate member of The National Academy of Design in 1924 and a full member in 1926. From 1947, he held a professorship at Yale University where he taught mural painting, and some of his students went on to significant positions. By this time the artist had painted large-scale murals at Columbia, Yale University, Buffalo N.Y., Dallas, Texas, Chicago, Indiana, along with other commissioned works. He also achieved recognition for a series of murals commissioned by the Matson Shipping Line and completed around 1940. For this commission, Savage made many exacting studies of customs and folkways of the Hawaiian natives. However, the award-winning murals were not installed as planned but were put in storage during the war years when the ships were used for troop transportation and were in danger of attack. However the mural images were reproduced and distributed by the shipping company including nine of the mural scenes that were made into lithographed menu covers in 1948. The American Institute of Graphic Arts awarded certificates of excellence for their graphic production, and the Smithsonian Institute exhibited the works in 1949. Today Savages' Hawaiian Art production is held in high regard by collectors of Hawaiian nostalgia. In later years the artist focused his attention on a theme that dealt with the customs and tribal traditions of the Seminole Indians of Florida. He produced many variations of this theme throughout his lifetime, and the pictures were usually modest scale easel paintings, precise and carefully delineated. Many of these pictures incorporate Surrealistic elements and show some minor stylistic influences of the painters Kay Sage...

Antique American modernist signed monkey drawing by Aurion M. Proctor (1909 - 1983). Drawing and charcoal on paper. Signed. Framed.

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Oil on canvas, signed lower left Circa 1930 Image size: 41 x 34 inches (104 x 86 cm) Framed

In the realm of vintage travel posters, the Circa 1930 original poster of Albert Sébille for the Cie Gle Transatlantique "France" stands as a remarkable testament to the golden age o...

Roger Falck's 1939 original poster for the Musée de l'Homme at the Palais de Chaillot and the Nouvelle Salle d'Amérique is a captivating piece of art and historical documentation. Th...

This beautiful large impressionist oil on canvas by French artist Charles Cermak was painted in the 1930's. The work depicts colourful sailing boats in a harbor on the Côte d'Azur, m...

Roger Irriera's vintage travel poster for the Chemins de fer Algériens de l'État, highlighting Biskra as the "queen of Zibans," is a captivating portal to a bygone era of North Afric...

Oil on canvas painting, titled 'Early Spring' (Thompson's Studio) painted in 1933 and signed by John Edward Thompson (1882-1945). Impressionist style portrayal of the artists studio ...