Art by Medium: Inkjet

Picasso with Bettina and Sword, 1955 -- Photographed for LIFE in 1955 in his new Cannes Villa, La Californie, Picasso celebrates his Fashion debut by clowning around with a fedora an...

Audrey Hepburn, 54_0309a_d -- Audrey Hepburn was photographed for the June 1954 issue of Mademoiselle. Her dress is a Claire McCardell creation. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A black and white portrait of Audrey...

Backstage Balmain Black Top White Skirt -- Backstage at the 1954 Pierre Balmain couture show. THE 24" x 36" SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image size is 22" ...

Audrey Hepburn in Dressing Room, c16_22, 1953 -- Out take from the photo essay shot for the December 7, 1953 issue of LIFE. Image size is 10" x ...

Designers' Homes, Mrs. Guinness in Black Lace Dior -- Dior black lace gown. Photographed for March 1959 issue of Life Magazine. Mrs. Patrick Guinness models in her mother's home. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography in color of Mrs. Patrick Guinness wearing a Dior black lace gown. Mrs. Guinness is wearing a black lace veil...

Backstage Two Bare Backs -- Backstage at the 1954 Pierre Balmain Couture show. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of backstage at the 1954 Pierre Balmain Couture show. A model undress with her bareback to the camera. She is wearing only underwear. Another model next to her is wearing a white...

Designer's Homes Pink Suit, 1960 -- Dior clad Christa Vogel photographed in a fine Parisian residence for a March 1960 issue of LIFE magazine. This image is ...

Elizabeth Taylor Black Suit, Sits to the Side -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE magazine. Taylor was starring in the academy award win...

Nico, (born Christa Paffgen) was a popular fashion model and later lead singer of the The Velvet Underground. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints...

Kennedy nb_116_117_v1 -- A version of this photo of Jackie, taken by Mark Shaw for the cover of “Look” magazine in 1961, has been seen frequently due to the fact that it was mistaken...

Picasso with Bettina and Skull, Vertical, 1955 -- Photographed for LIFE in 1955 in his new Cannes Villa, La Californie, Picasso celebrates his fashion debut by clowning around with a...

1920's Backdrop Three White Cocktail Dresses -- Models in 1920's style Dior "Slim Look Line" couture photographed for LIFE by Mark Shaw in 1961. Backdrop is from " The Crazy Years," a Parisian movie of that "fun-loving" time. Image size is 10" x 10" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of three models dressed in white cocktail dresses. The three women are posing with a red table and red chair. On the left, a model is standing by the table. She has short black hair. She is wearing a white cocktail dress with lace. She also has a shawl. The model in the center is standing on the table. She has short black hair and a glittery cocktail dress. The model on the right is wearing a white cocktail dress with frills at the bottom. She has short brown hair and has multiple pearl necklaces...

Designer's Homes Teal Dior Gown in Gold Room -- Teal princess line Dior Dress. Outtake from a 1960 photo shoot for Life Magazine. Photographed in a grand Parisian residence. THE 24” ...

Audrey Hepburn with Feet Up in Dressing Room – Audrey Hepburn in her dressing room on the set of Sabrina, photographed for LIFE in 1953 -- Mark Shaw, who worked almost every day of t...

Audrey Hepburn Getting Shampooed and Reading, Wide, c7_14 – Photographed for Life in 1953, part of Audrey Hepburn's nightly ritual was a shampoo given at the studio. Image size is 10...

Audrey Hepburn, Wally Westmore on the Set of Sabrin, c1_35 – Audrey Hepburn gets a last minute touch up from the make up man on the set of Sabrina. Image size is 10" x 15" (for 11" x...

Audrey Hepburn with Feet Up in Dressing Room – Audrey Hepburn in her dressing room on the set of Sabrina, photographed for LIFE in 1953 -- Mark Shaw, who worked almost every day of t...

Audrey Hepburn Being Towel Dried, c7_26, 1953 – Photographed for LIFE in 1953, Audrey Hepburn is shampooed on the set of Sabrina. Aged 24, Audrey was alre...

Caroline Feeds Flower to JBK, JFK looks on, nb_081a -- The Kennedys at Hyannis Beach. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in li...

Picasso and His Women, 1955 -- Out take from a photo shoot for the Nov 14, 1955 issue of Life. Picasso permitted "this rare photographic session in his new Cannes villa, La Calaforn...

Audrey Hepburn with Curlers, Telephone, c8_5 – While working on the Paramount film Sabrina Fair, Audrey Hepburn was given a nightly shampoo at the studio -- This image is an out tak...

Backstage Red Gown with Rubies -- Backstage at the 1954 Pierre Balmain Couture show. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in lim...

Chagall Alone with “Il Sogno” Vertical, 1955 -- Marc Chagall shown in his studio in Vence, France. Photographed by Mark Shaw for LIFE magazine in 1955. Image...

Chagall’s “Il Sogno” with Ivy in McCardell, 1955 -- Photographed by Mark Shaw for LIFE magazine in 1955. This story featured artists and their designs for fabrics for US firm Fuller Fabrics which were used by American Designer Claire McCardell. The Model here is Ivy Nicholson...

Audrey Hepburn, r1_2 -- Audrey Hepburn on the set of Sabrina Fair, "turns happily to chat with a colleague." Very protective of her privacy after hours, Audrey was known to enjoy "th...

Picasso with Bettina and Skull, Vertical, 1955 -- Photographed for LIFE in 1955 in his new Cannes Villa, La Californie, Picasso celebrates his fashion debut by clowning around with a...

Signed, dated, numbered lower right, recto. Edition 3 of 15, Unframed. Other size available Printed on Hahnemühle Fine Art paper Mitchell Funk is a different type of street photogr...

Late afternoon light from Manhattanhenge skims across the asphalt of East 72nd Street. The circular shape of a manhole cover in the foreground echos the ...

American Flag in Times Square rendered in Neon. Patriotic colors of Old Glory are described in vibrating neon. Cars in the foreground reflect the striped pattern, while faces and fi...

Shipping should be around $100. Dave Grusin ‎– One Of A Kind Album Cover, 1977 Signed and dated and numbers 2/15 lower right recto, unframed, printed later, other sizes available M...

Shipping should be around $100. Mitchell Funk Covid-19 New York:  Skateboarder on Empty Park Avenue Inkjet Archival Print 43 × 29 in Signed, dated lower and numbered 3/15 lower rig...

Signed, numbered and dated lower right 3/15 . unframed, other sizes available. Printed on Hahnemühle Fine Art paper Robert Funk is a painter, advertising art director and photogra...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. On ultra-exclusive Hibiscus Island, Street Art made the Rich abounds. It's an unspoken requirement t...

Signed, dated lower and numbered 2/15 lower right recto, unframed, printed later, other sizes available. Printed on Hahnemühle Fine Art paper Description: Quintessential image of ...

Shipping should be around $100. Dave Grusin ‎– One Of A Kind Album Cover, 1977 Signed and dated and numbers 2/15 lower right recto, unframed, printed later, other sizes available ...

Trees Turn Purple - Miami Beach Shot with a Hi-res 36 megapixel camera which yields beautiful detail. The true color is most accurate in the 1st image when you expand it to the lar...

Signed, numbered and dated lower right 3/15 . unframed, other sizes available. printed later Printed on Hahnemühle Fine Art paper Robert Funk is a painter, advertising art directo...

Can a street photograph be a grab shot and precisely designed at the same time? Mitchell Funk says yes. He brings finely honed photography skills such as composition, intense lighting and design to highly charged subject matter. This Folsom Street Fair...

"Bradley (Anagram)" is a unique artwork by Robert Rauschenberg, created in 1995 using inkjet dye transfer on paper. Measuring 20 x 30 inches, the piece reflects Rauschenberg's signat...

A superb impression of this color giclée print on wove paper. Signed and numbered 20/50 in pencil by Hirst. Published by Other Criteria, London.

Brown Cottonwood, 2005 By Andrew Millner (American, b. 1967) Lightjet Print Mounted on UV Plex Signed Lower Right Unframed: 87" x 44" Framed: 88" x 45" Andrew Millner is a visual artist based in St. Louis, MO. His work investigates the relationship between art and nature, the natural and the made. Millner received a BFA from University of Michigan, in Painting and Sculpture. He has had more than 56 group exhibitions since 1987 and over 15 solo exhibitions at institutions including Miller Yezerski Gallery, Boston, Massachusetts; Ellen Miller Gallery, Boston, Massachusetts; CCA, Santa Fe, New Mexico; Tria Gallery, New York City, New York; Richard Levy Gallery, Albuquerque, New Mexico; David Floria Gallery, Aspen, Colorado; Contemporary Museum St. Louis, St. Louis, Missouri. "I started drawing on the computer in 2005. Previous to that, most of my work had been about finding lines in nature; the contours of leaves, the ripples on rivers, the edges of overlapping hills. Although I was using traditional art materials, I prepared the canvases with slicker and slicker surfaces so that the lines wouldn’t soak into the background but sit on top, preserving the nuances of my hand. I thought of the drawings as photographic, in the diaristic sense of recording moments of time. I enjoyed the easy correspondence of the endless novelty of line in these natural forms and the endless variety of line created by my hand. I couldn’t draw the same leaf twice so my subject and process were well matched. I had the idea to draw every leaf of a tree, but I struggled with the scale and complexity of the subject. How does one bring a tree indoors? How can one see the whole tree and its individual parts simultaneously? I tried traditional strategies and materials but the results were unsatisfactory. I wondered if it would be possible to make the drawing on a computer. Since everything… music, photos, movies & books were being digitized, what about drawing? I wasn’t interested in something computer-generated, but sought to “dumb down” the computer and use it as a repository for simple line drawings. In the program I use, Adobe Illustrator, lines are called “paths”… an apt name since the line exists at no set scale or color. Only later do I assign the attributes of color and thickness. Taking my laptop outdoors, I drew my first tree “en plein air.” Using a digital tablet and pen, I drew simple contours of the leaves and branches. Having these drawings remain in digital form rather than in physical form, opened up interesting possibilities and enabled me to tackle the complexity of a tree in intriguing ways. My lines were free and separate from the background and from each other. I drew the branches individually and then later, I could cobble them together to reconstitute the whole tree. On the screen, I could zoom in and out and draw at different scales simultaneously. I could zoom out to draw a simple contour of the entire trunk and then zoom in to draw the smallest leaf with equal effort. I drew in layers so that as the drawings accumulated I could turn layers “off” so that they wouldn’t obscure subsequent layers. These two novelties, drawing at different scales simultaneously and making parts of the drawing invisible to allow for work on top or behind previous drawings, allowed for the accumulation of hundreds of simple outlines to create a dizzying visual complexity. Subsequent trees I drew from photographs. I would take hundreds of close-ups of a tree from a single point of view and then stitch all of these close ups together on the computer. Sometimes I photographed the same tree in the summer and then in the fall after it lost its leaves. This allowed me to see and draw all of the branches and limbs unadorned and unobscured. I would draw the tree twice, with and without leaves, merging the two drawings into one document. In this way, the drawings comprise and compress great spans of looking over vast time frames and seemingly contradictory close-up and distant points of view. My digital drawings have been outputted in different ways… mostly as photographs printed directly from the digital file or as archival inkjet prints. The results defy easy categorization. Are they drawings, prints, or camera-less photographs...

Artist: Rachel Lauren Title: Distortion Date: 2019 Medium: Inkjet print Dimensions: 11 x 14 in. Photographer Rachel Lauren invites viewers to become more aware of the way natural beauty has been contorted, packed and sold as a cold, manufactured, cloned and empty product. Are women inherently beautiful, or do they require modifications? Are you seeing your uniquely created reflection through a distorted lens? By imposing a juxtaposition between real and fake through abstract portraiture, Lauren calls attention to these complex ideals in "Distorted Beauty". Lauren is currently an MFA candidate at UMKC and based in Colorado. Since the age of two, she has fostered a love for photography and traveling which have both shaped her understanding of the issues she addresses in her work. Contemporary photography, portrait photography, experimental portraiture, conceptual photography, Steve McCurry, Lisa Kristine...

Anne K Smith Title: Untitled #25 (from Unfocused Series) Medium: Archival Inkjet Print on Museo Silver Rag Size: 16 x 10.5 inches Available in sets of 3 (mix and match) Entire "Unfo...

Anne K Smith Title: Untitled #13 (from Unfocused Series) Medium: Archival Inkjet Print on Museo Silver Rag Size: 10.5 x 16 inches Available in sets of 3 (mix and match) Entire "Unfo...

Anne K Smith Title: Untitled #6 (from Unfocused Series) Medium: Archival Inkjet Print on Museo Silver Rag Size: 10.5 x 16 inches Available in sets of 3 (mix and match) Entire "Unfoc...

53.7 x 76 cm, 21.1 x 29.9 in. (unframed) Inkjet Print on Hahnemühle Photo Rag Paper Edition of 15 The photographer Delfino Sisto Legnani lives and works in Milan. His photography ha...