Art by Medium: Lithograph

Artist: Alexander Calder (1898-1976) Title: Soleil sur la Vagues (Red Sun Above the Waves) Year: 1976 Medium: Lithograph on Arches paper Size: 22.75 x 30.75 inches Condition: Good No...

Lithograph on paper realized in 1862. Hand colored. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the laws, o...

Original horizontal “Resilio Scotchspun” vintage fashion poster. Archival linen backed and presents in excellent condition. “A Bonnie Heila...

This original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is hand numbered in pencil at the lower left margin, 58 from ...

Roger Shimomura Night Watch – Minidoka Original 11 Color Lithograph on Rives BFK, White Year: 2014 Edition: 51 of 52 Paper Size: 30.75 × 40.5 inches (78.11 × 102.87 cm) Image Size: 27.75 × 38 inches (70.49 × 96.52 cm) Signed, dated, titled and numbered in pencil along lower margin Printer's Chop lower right Gallery-issued COA provided Print Sheet provided upon request Condition: Mint *Could come framed. Please inquire. Night Watch – Minidoka is a poignant work by Roger Shimomura that reflects his ongoing engagement with themes of identity, memory, and the Japanese American incarceration during World War II. Drawing from his own childhood experience—having been interned with his family at the Minidoka War Relocation Center in Idaho—Shimomura transforms historical trauma into a visually striking and psychologically resonant composition. The artist’s statement—“The grey and brown colors of Camp Minidoka by day turn into a lively theatre of lights at night as the incarcerates complete another day in isolation from the rest of the country.”—captures the duality at the heart of the work. While the daytime environment is marked by monotony and confinement, the nighttime scene introduces a sense of artificial vitality, where illuminated barracks create a theatrical, almost surreal atmosphere. This contrast underscores both the resilience of those incarcerated and the unsettling normalization of confinement. Stylistically, Shimomura blends elements of American Pop Art with traditional Japanese visual strategies, creating a hybrid aesthetic that is both accessible and layered with meaning. His use of bold outlines, flattened perspective, and narrative sequencing enhances the work’s immediacy while reinforcing its historical and cultural significance. Night Watch – Minidoka functions as both a personal recollection and a broader commentary on civil liberties, exclusion, and national identity. It stands as part of Shimomura’s sustained effort to confront overlooked histories and to ensure their continued relevance in contemporary discourse. Night Watch Minidoka, Japanese American internment art, Minidoka camp art...

Artist: Pablo Picasso Title: Claude Medium: Lithograph Date: 1950 Edition: 2000 Unnumbered and unsigned, as issued Frame Size: 20 3/4" x 18" Sheet Size: 12 3/4" x 9 3/4" Reference:...

Kozo Inoue (Japanese, 1937-2017) Untitled, 1980 Lithograph Sight: 22 x 31 in. (Each) Framed: 34 x 42 1/2 x 1 in. (Each) Signed and dated 1980 lower right Inscribed lower left Kozo Inoue was a contemporary Japanese printmaker. Born in Osaka, he graduated from the Department of Art History at Keio University in 1960. During life, he worked during the winter months in the Izu Peninsula and Dordogne or Paris in the summer. He is known for his surrealistic silkscreen prints. His prints can be found in the Museum of Modern Art, Paris, Royal Library of Belgium, Modern Museum of Art Osaka and the Spencer Museum of Art, to name just a few. (Bio sourced from Ronin Gallery)

Lovers is a print artwork on paper realized by Maria Carli in the late 20th century. Lithograph print on paper. Hand-signed and numbered by pencil on the lower, the edition of 99 p...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Boats at Dock, Year: circa 1980, Medium: Lithograph, signed in pencil, Edition: 125, EA, Image Size: 24 x 16 inches, Size:...

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Lithograph on paper realized in 1862. Hand colored. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the laws, o...

Vincent HADDELSEY (1934-2010) Horse : Canadian Rodeo, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

This reproduction lithograph, titled Le Jeu by Fernand Léger, is a beautifully crafted piece printed on high-quality ARCHES paper. Originally created in 1948, this lithograph capture...

Sam FRANCIS Color explosion, 1992 Original lithograph Unsigned On Arches vellum 86.5 x 29.5 cm Numbered on the back Authenticated by Moulot blind stamp INFORMATION : Edited by Gale...

Pablo Picasso (1881-1973) (d'après) - Portraits Imaginaires 26.3.69 III Lithograph from 1969. The edition: F 37/250. Dimensions of work: 65.5 x 50 cm. Plate signed. Publisher: É...

Robert SAVARY Paris : Square with Morris Column, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Japan paper 37 x 58 cm (c. 16 x 23 in) Excellent condition

Le Corbusier (1887-1965) Couple : The Argument, 1938 Original lithograph Signature printed in the plate Dated in the plate On light vellum 21 x 27 cm (c. 8 x 11 inch) Very good con...

Henri Matisse (After), French (1869-1954) Le Lanceur de couteaux (The Knife Thrower) Portfolio: Jazz Year: Of Original: 1947 Year Printed: 1983 Medium: Lithograph Size: 15.25 x 23.5...

Lithograph hand colored realized by Enrico Benaglia. Edition of 100. Hand signed and numbered in pencil.

Graham Sutherland Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches (2...

Pablo Picasso (1881-1973) - Le Grand Verre Lithograph from 1957. The edition 211/275. With Arches watermark. Dimensions of work: 44.5 x 33.5 cm. Publisher: Fernand Mourlot Édite...

Theo Tobiasse Title "On the Shores of the Circus" Suite: Song of Songs of King Solomon Year: 1975 Medium: Original lithograph in colors on paper (deckle edged paper) Publisher: ...

Benton Spruance, 'Nero', 2-color lithograph, edition 35, 1944, Fine and Looney 233. Signed, dated, titled and annotated 'Ed 35' in pencil. Initialed 'BS' in the image, lower right. A...

Pablo Picasso (1881-1973) - Peintre et modèle Lithograph from 1965. Dimensions of work: 23 x 27 cm Reference: Cramer 130 The work is in Excellent condition. Fast and secure ship...

Paul KLEE (after) Landscape With Black Columns Lithograph and stencil (Jacomet process), on canson paper Printed signature in the plate 50 x 38.2 cm (19....

Original poster: Bieres D' Aubel. Artist Odette Servais. Size: 21" x 28.5". Original vintage French beer poster. Archival linen-backed and ready to frame. Excellent condition. It was...

MAYBEL DWIGHT (1875 - 1955) GREETINGS FROM THE HOUSE OF WEYHE, 1928 Lithograph, signed in the plate. Image 7 1/8 x 8 3/8” + printed title. Sheet 8 ¼ x 9” as issued. Xmas card iss...

Fine print with sheet in perfect conditions, on vélin blanc fort, belonging to the Bertauts Edition. Perfect and vivid impression. Full margins. Ref. Delteil 2. Prov. Collection Hen...

Henri Matisse Tree Lithograph in colors (printed in Atelier Mourlot) Signed in the plate Edition of 250 copies On Arches vellum 38 x 28 cm (c. 15 x 11 in) Very good condition INFO...

This limited edition color lithograph beautifully recreates the iconic watercolors from the beloved book Le Petit Prince by Antoine de Saint-Exupéry. Each print is meticulously numbe...

Original "The Navy Put 'Em Across": Vintage WWI Recruitment Poster by Henry Reuterdahl, 1918. Linen-backed. An extraordinarily scarce and historically rich piece of American propag...

Benton Spruance, 'From the Sea' also 'From the Sea — Pieta', lithograph, editions 30, 35, 1943. A superb, richly inked impression, on off-white wove paper; the full sheet, with decke...

A dynamic, unique Mid-Century Modern monoprint of a sailing regatta in Martha's Vineyard, "Edgartown Harbor", by notable Chicago Modern artist Francis Chapin. Lithograph on paper wi...

This artwork titled "The Final Judgement" c.1990, is an original colors lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered 188/350 in pe...

André DERAIN Tribute to Picasso : Musician Harlequin Stone lithograph Signature printed in the plate On Rives vellum 74 x 54 cm (c. 30 x 22 inch) Edited by Galerie Maeght c. 1950 V...

Joerg Reme Untitled VIII from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) Edition: 31 of 250 Signed...

This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...

Colour lithograph on paper, from the celebrated French fashion periodical Journal des Demoiselles, depicting three elegantly dressed ladies in the height of Belle Époque style. The c...

Alexander Calder, American (1898 - 1976) - Galerie Bellint. Year: 1979, Medium: Poster, Size: 32 in. x 20.5 in. (81.28 cm x 52.07 cm)

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of blue, green, yellow. Jean Carzou (Armenian: Ժան Գառզու, 1 January 1907 – 12 August 2000) was a French–Armenian artist, painter, and illustrator, whose work illustrated the novels of Ernest Hemingway and Albert Camus. Carzou was born Karnik Zouloumian (Armenian: Գառնիկ Զուլումեան) in Aleppo, Syria to an Armenian family. Carzou later created his name from the first syllables of his name and surname, and added a Parisian nickname, "Jean". He was educated in Cairo, Egypt before moving to Paris in 1924 to study architecture. Carzou belonged to the art movement called "La Jeune Peinture" ("Young Picture") of the School of Paris, with painters like Bernard Buffet, Yves Brayer, Jansem, Jean Carzou, Louis Vuillermoz, Pierre-Henry, Daniel du Janerand, Gaston Sébire, Paul Collomb, Jean Monneret, Jean Joyet and Gaëtan de Rosnay. He started working as a theater set decorator but quickly realized he preferred drawing and painting. In 1938, more than a hundred exhibitions of his works were organized in Paris, in the French provinces and abroad. In 1949, he received the coveted Hallmark prize. Carzou, like his contemporaries Salvador Dali, and Pablo Picasso was part of a generation that witnessed many wars and was deeply affected by it. Carzou made his first lithograph in 1951 and was prolific in both the lithographic and etching medium. He had solo exhibitions throughout the world and was elected to the French Academy of Fine Arts in 1977. In 1952, he created costumes and sceneries for Les Indes Galantes of Rameau at the Opéra de Paris. He continued with Le Loup (1953) for "Les Ballets" of Roland Petit, Giselle (1954) and Athalie (1955) at the Opéra and "La Comédie française". Carzou mastered a number of mediums, though his line drawing and engraving would become well known as illustrations for some of the 20th century's most revered writers, including Hemingway, Albert Camus, Ionesco and Rimbaud. Carzou produced stunning work of painted glass and porcelain, in pencils, gauche and pastels as well as oil painting, often choosing to work on textured or irregular fabrics and papers rather than traditional canvas. Carzou was elected a member of the Institut de France, Académie des beaux-arts, succeeding in the seat left vacant by the death of painter Jean Bouchaud in 1977. He was also awarded the National Order of Merit of France. Among his closest friends were the painters Daniel du Janerand, Gabriel Deschamps, Louis Vuillermoz, Pierre-Henry, André Vignoles, Pierre Gaillardot, Rodolphe Caillaux...

1970s Pair of black and white important numbered and signed etching. Japan 1973. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by S...

This original lithograph titled Paddock at Deauville by renowned French artist Raoul Dufy captures the lively atmosphere of the famous horse racing scene at Deauville. Dufy, who init...

Decorative Motifs - Arab Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithograph. ...

Pablo Picasso (1881-1973) - Woman with Monkey Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and se...

Lithograph, 1966. Hand signed. Edition of 100 prints. Provenance: Galleria Giulia, Rome Bibliography: A. De Garrou Gnoli, Catalogo ragionato delle opere n. 489.

Alice Neel Light, 1983 Signed and dated lower right Lithograph printed in colors on wove paper 38 x 27 inches Edition H. C. 15/30 One of the foremost American artists of the twenti...

Georges Braque Les Oiseaux de Nuit 1964 Original Reproduction of a Gouache on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Pa...

"Fig Trees-Antibes" is a signed (lower right) color lithograph by Paul Guiramand. It depicts leaves in light green covering most of the surface as well as two...

after Pablo Picasso - The Human Comedy - Lithograph Signed and dated in the plate Dimensions: 32 x 24 cm This artwork is a lithograph in colors on wov...

Lithograph by Henri de Toulouse Lautrec. II° State, with the text . Supported by a frame, not canvassed. La Revue Blanche was a literary Magazine. Toulouse-Lautrec made this poster...

Marc Chagall (1887-1985) - Esther Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Vincent HADDELSEY (1934-2010) Horse : Training at Maison Laffite, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent...

This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

Jacques Villon Virgil expelled Original stone lithograph Signed in pencil On Japan paper 38 x 56.5 cm (c. 15 x 23 in) INFORMATION : This lithograph is part from the set Les Bucoliq...

Original U. S. Marines enlistment antique poster. World War I recruitment poster by *Sidney H. Riesenberg* ranks among the most potent visual achievements of U.S. wartime art. Arch...

Pablo PICASSO La Petite Corrida, 1957 Original lithograph Printed signature in the plate On wove paper 31 x 24 cm (c. 12 x 10 in) Edition San Lazarro, 1958 - The edition was of ab...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Size: 13.3 × 10.7 on 14.8 × 10.9 inches Framed Size: 21 x 17 x 1.5 inches R...

Joan Miró M.1021 from L'enface D'Ubu portfolio Original color lithograph 12.75 x 19.5 inches, unframed 1975 From an edition of 20 hors commerce copies, numbered XVII/XX, aside the ed...

This colorful lithographic poster was printed in 1982 at the Atelier Mourlot in Paris was printed for an exhibition of Atelier Mourlot prints in Tokyo at Seibu Department Stores, 198...