Art by Medium: Offset

Hand signed KAWS limited edition Monograph, 2010 (KAWS Colette): Published with a rare blue lettered KAWS designed cover exclusive to the legendary Parisi...

Raymond Pettibon Punk Art 1980: Rare early Raymond Pettibon illustrated punk flyer published on the occasion of: The Dead Kennedys & Circle Jerks at The Whisky A Go Go: August, 1980....

Joseph Beuys (German, 1921-1986) Title: Aufbau, 1977 Medium: Offset on grey cardboard, stamped Dimensions: 30.5 x 43 cm Edition of 100: Hand-signed and numbered in pencil Publisher: ...

Paper Size: 30 x 34 inches ( 76.2 x 86.36 cm ) Image Size: 25 x 31.25 inches ( 63.5 x 79.375 cm ) Framed: No Condition: A: Mint Additional Details: Original exhibition poster for a ...

Paper Size: 12 x 10 inches ( 30.48 x 25.4 cm ) Image Size: 6.75 x 5 inches ( 17.145 x 12.7 cm ) Framed: Yes Condition: A-: Near Mint, very light signs of handling Additional De...

Artist: Christo Title: Ponte Neuf Empaquette-Long View Medium: Photograph Size: 25 x 38 inches Year: 1985 Publisher: Nouvelles Image Reference #: Schellmann 86 Hand signed by the art...

Kansei: Like The River's Flow 2010 by Takashi Murakami Offset print, cold stamp and high gloss varnishing with silver ink signed, numbered and stamped by the Artist 27 7/8 in diamete...

After Andy Warhol (1928-1987) Andy Warhol, Kestner-Gesellschaft, Exhibition Poster, 1981 Medium: Offset lithograph in colors on paper Dimensions: 84 x 59 cm

EUR is a beautiful offset realized by Franco Fontana . Very Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous conte...

Keith Haring 'Man to Man' record art 1987: A rare vinyl art cover featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art. Looks very cool f...

Anish Kapoor Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990 HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016) Boldly signed, inscribed and dated by Anish Kapoor on the lower right front 33 × 23 inches Unframed Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct. This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive. The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued. British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection. “Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council. Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...

Ultra vibrant colors on this poster made for the exhibition "In Conversation With Futura 2000" at the MCA Museum in Chicago. Limited edition of only 250 made exclusively for the show. Poster features the artwork Sports In Space With Air Force Blue which was originally made by Futura back in 1984...

Patti Smith Horses Vinyl Record Album, 1975: US 1st Pressing featuring original photography by Robert Mapplethorpe. Produced by John Cale. Cover: Very Good to overall vintage condit...

Original Offset-Print of Hans Ticha and Ernst Jandl

JOE TILSON Culture Carriers Stamp Out Art (Hand Signed), from the Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked Air...

Presenze is a print realized by Franco Fontana, in 1981. Offset print. Rondanini Galleria D'arte Contemporanea - Roma. Coloured poster from a photograph by Franco Fontana (Modena, ...

This is a three-dimensional paper construction mounted onto a double-page photolithograph; when the folded sheet is opened the construction pops up. Created by Andy Warhol and publis...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982-1988: A set of 3 rare vintage original Basquiat announcement cards from 1982, 1986, 1988, respectively - with 2 published d...

Very cool poster from Shok 1's solo show X- Rainbow. Image in poster shows that artist painting an image on a street wall in his signature style. Held at the legendary Pictures On Wa...

Raymond Pettibon Punk Art 1981: Raymond Pettibon illustrated gig flyer / handbill for: The Subhumans, China White, Mad Society, Runns, Assassins at Polish Hall, Los Angeles 1981. Post marked 1981 on the verso; quite rare as such. Offset Print; 8.5 x 11 inches. Pettibon printed signature appears on the lower right. A RARE original example, mailed by SST Records in 1981. Condition: Staple on mid-left; fold-lines consistent with mailing; scattered signs of handling, fading and minor wear consistent with age and medium; otherwise good overall condition. Further History: Between the years 1978 and 1986 Raymond Pettibon (aka, Raymond Pettibone; St. Pettibone) produced a now historic amassment of graphic works for seminal Southern California punk bands such as Black Flag, the Dead Kennedys...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. Th...

1980s/1990s Keith Haring ephemera collection: A collection of 20+ Keith Haring ephemera pieces ranging mostly from 1982 to circa mid-1990s. Highlights include a 1980's Haring design...

Franco Fontana, offset, Prague. Realized for the photographer's exhibition at Galleria Rondanini, Rome.

Coloured poster after a photograph by Franco Fontana (Modena, 1933), one of the italian most famous contemporary photographer. Titled at the bottom. Very good conditions. Fontana st...

Ed Ruscha Ed Ruscha, Hand Signed and inscribed to Marvin Davis, former owner of 20th Century Fox, and his wife Barbara, 2000 Hardback illustrated monograph (book) with color plates. ...

Sigmar Polke (German, 1941 – 2010) Bargeld Lacht, 2002 Medium: Colour offset and screenprint on cardboard Dimensions: 70 × 50 cm Edition of 70 + X: Hand-signed, numbered and dated Co...

Presence is a beautiful offset realized after a photograph by Franco Fontana. Good conditions. Franco Fontana (Modena, 1933) is one of the Italian most famous contemporary photogra...

Andy Warhol John Lennon Record Cover Art: Offset illustrated by Andy Warhol shortly before his death in 1986 for the estate of John Lennon/Capital Records. Literature/references: And...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famou...

Roy Lichtenstein The Red Horsemen, aka The Equestrians (with COA from the 1984 Olympic Committee), 1982 Limited Edition Offset Lithograph on Parsons Diploma Parchment Paper. Pencil...

Original poster: BATMAN - Museo Dell'Automobile Torino Artist: after Andy Warhol. Size 27.25" x 37" Printed: 1996 in Milan, Italy. Excellent condition. This pop art Italian p...

Roy Lichtenstein Art About Art Whitney Museum of American Art 1978 poster, 1978 Offset lithograph poster Frame included: held in the original vintage frame Provenance: from the collection of Jack Martin...

Keith Haring Galerie Paul Maenz, Cologne, Germany 1984: Super rare, tri-fold poster booklet published to announce Haring’s 1984 solo exhibition at...

Jonathan Borofsky 2779494: The Olympic Runner Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982 Offset Lithograph on Parson'...

Additional Information: Provenance: Brooke Alexander Gallery, New York, New York. Marking(s); notes: no marking(s) apparent; 1989 (per portfolio details) Country of origin; materia...

David Hockney You Make the Picture (hand signed by David Hockney), 1996 Softback catalogue with stiff wraps and French folded flaps (hand signed by David Hockney) hand signed by Davi...

Offset print, cold stamp and high gloss varnishing Edition of 300 71 cm (27.9 in) Signed and numbered on the front Mint. Sold with the original packaging Our mission is to conne...

Wolf Kahn Pastels (monograph with slip case, hand signed and numbered), 2000 Hardback monograph with slipcase and dust jacket (hand signed and number...

Will Barnet: A Timeless World (hand signed, dated and warmly inscribed), 2000 Softback monograph with stiff wraps (hand signed, dated and warmly inscribed) Hand signed, dated and warmly inscribed to Margo by Will Barnet on the half title page 12 × 9 × 1/2 inches We believe the colleague Margo refers to renowned African American artist Margo Humphrey, who also worked at the Rutgers Center for Innovative Printmaking with Will Barnet. The full inscription reads: Sep 21 2000 To my colleague -Margo- with appreciation and affection Will Barnet Book information: Published by the Montclair Art Museum, New Jersey and Distributed by Rutgers University Press English; Paperback; 124 pages containing 43 color and 20 black-and-white illustrations Publisher's blurb: Painter and printmaker Will Barnet has actively participated in the New York art world for nearly 70 years. A leading figure in the Indian Space painting movement of the late 1940s, Barnet stressed the spatial structures of Northwest Coast Indian art. Throughout the 1950s and into the 1960s, he made a series of hardedged, totemic abstractions marked by their "all-positive" space, which he described as austere, classical expressions of Indian culture. He then moved on to new art forms in the 1960s and 1970s, creating a series of family and art world portraits that achieved a remarkable balance between the formal demands of abstraction and the humanist aspects of representation. Will Barnet: A Timeless World is the first substantial publications to unify Barnet's prodigious output. Art historian Gail Stavitsky provides an overview of this artist's entire career. Twig Johnson, the museum's curator of Native American Art, discusses the relationship of Barnet's work to this important indigenous artistic tradition. Jessica Nicoll, chief curator at the Portland Museum of Art, explores the profound impact of New England upon Barnet and his work. Many of Barnet's works are beautifully reproduced in this catalog, containing 43 color and 20 black-and-white illustrations. More about Will Barnet: Will Barnet was born in Beverly, Massachusetts in 1911. He has taught and exhibited widely over his more than seventy-five year career. His works are in the collection of virtually every American museum, including locally The Guggenheim Museum, The Metropolitan Museum of Art, The Museum of Modern Art, and The Whitney Museum of American. He is an elected member of the American Academy of Arts and Letters. In fall 2011 the National Academy Museum will present a retrospective exhibition being organized by Bruce Weber. Barnet is represented exclusively by Alexandre Gallery...

Gerhard Richter (German, b. 1932) Kerze I (Poster Mönchehaus-Museum), 1988 Medium: Offset print on paper Dimensions: 89.5 x 95 cm Markings: Hand-signed in black chalk Edition size: U...

30th Anniversary reprint edition of the exhibition poster for Warhol/Basquiat Paintings. Printed in 2015. Signed and numbered "153/300" in ink by Tony Shafrazi. Published by Tony Sha...

ROBERT RAUSCHENBERG Dream of William Burroughs, 1972 Offset lithograph 34 1/2 × 24 inches Edition 103/150 Signed, dated and numbered in black marker on the front Unframed Wonderful early 1970s print Words appearing in a dream of William Burroughs Co-published by Automation House and E.A.T., produced by Local One, Amalgamated Lithographers of America, New York Signed and numbered 103/150 in black marker This work is registered with the Robert Rauschenberg archives, reference number: RRF 72.E001 Text reads: THEY DID NOT FULLY UNDERSTAND THE TECHNIQUE. IN A VERY SHORT TIME THEY NEARLY WRECKED THE PLANET. More information about this work from the Rauschenberg Foundation: Lithopinion 26, the current affairs and graphic arts journal, dedicated its summer 1972 edition to the subject of “Our Transportation Mess.” Among the contributors were Theodore Kheel, who was a lawyer, leading labor mediator and arbitrator, as well as an environmentalist, and Senator Edward Kennedy. Kheel commissioned artists such as Romare Bearden, Christo, and Rauschenberg, his friend and client, to address the transportation system in the United States. Rauschenberg’s contribution was inspired by a dream that William Burroughs, the Beat writer, had described to him, and which resulted in the lithograph Dream of William Burroughs (1972) published by Experiments in Art and Technology (E.A.T.). Surrounded by images of various modes of transportation, the lithograph includes the words: “They did not fully understand the technique / in a very short time they nearly wrecked the planet.” As an E.A.T. board member, Kheel understood, like Rauschenberg, that environmentalism and technology were not conflicting views but symbiotic relationships. In Lithopinion 26, E.A.T. stated that it “supports technology when it tries to help people achieve their human potentiality [and] criticizes it when it doesn’t.” About Robert Rauschenberg: Robert Rauschenberg ushered in a new era of postwar American art in the wake of Abstract Expressionism. His approach, along with that of his contemporary Jasper Johns, was sometimes termed “Neo-Dada,” due to its relation to both European forebears and the physical gestures of American Abstract Expressionists. His Combine works (1954 to early 1960s) blurred the distinctions between painting and sculpture, as their flat surfaces were augmented with discarded materials and appropriated images. Rauschenberg also worked with photography, printmaking, papermaking, and performance, the last of which resulted in a number of collaborations with choreographers, including Merce Cunningham, Paul Taylor, and Trisha Brown. Rauschenberg was among the founding members of the innovative group Experiments in Art and Technology (E.A.T.) in 1966, and in 1984 he established the Rauschenberg Overseas Culture Interchange (ROCI) to bring art to communities around the world, saying, “I feel strong in my beliefs, based on my varied and widely traveled collaborations, that a one-to-one contact through art contains potent peaceful powers, and is the most non-elitist way to share exotic and common information, seducing us into creative mutual understandings for the benefit of all.” Rauschenberg’s nontraditional art practice and creative energy generated an enduring influence that impacted generations of artists, as noted by art historian Branden W. Joseph: “Rauschenberg’s was a position with which artists across the board were confronted and to which they almost necessarily had to respond. … Rauschenberg’s work served as a stimulus, an impetus and a challenge.” Robert Rauschenberg was born in 1925, in Port Arthur, Texas and died on Captiva Island, Florida in 2008. He has had numerous exhibitions worldwide, including “Robert Rauschenberg: A Retrospective,” Solomon R. Guggenheim Museum, New York (1997, traveled to Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Museum Ludwig, Cologne and Guggenheim Museum, Bilbao, through 1999); “Combines,” Metropolitan Museum of Art, New York (2005, traveled to Museum of Contemporary Art, Los Angeles, Centre Pompidou, Paris, and Moderna Museet, Stockholm in 2007); “Cardboards and Related Pieces,” Menil Collection, Houston (2007); “Traveling ‘70–‘76,” Museu de Arte Contemporânea de Serralves, Porto (2008, traveled to Haus der Kunst, Munich, and Madre, Naples in 2009); “Gluts,” The Peggy Guggenheim Collection, Venice (2009, traveled to The Tinguely Museum, Basel, Guggenheim Museum Bilbao, and Villa e Collezione Panza, Varese in 2010); and “Botanical Vaudeville,” Inverleith House, Royal Botanic Garden, Edinburgh (2011). Gagosian Gallery first exhibited Robert Rauschenberg’s work in 1986. About William Burroughs William S. Burroughs was a Beat Generation writer known for his startling, nontraditional accounts of drug culture...

Robert Indiana Monograph: Robert Indiana and the Star of Hope (hand signed by the artist as well as both writers), 2009 Hardback monograph with dust jacket (hand signed by Robert Ind...

The Velvet Underground & Nico Self-Titled, 1985 LP, Reissue, Remastered Verve Records V6 5008 Andy Warhol produced and designed cover art Andy Warhol Banana Cover...

Robert Rauschenberg Photos In+Out City Limits: Boston (hand signed by Robert Rauschenberg), 1981 Monograph held in slipcase (Hand signed in graphite pencil) Hand signed by Robert Rau...

Christo Wrapped Reichstag: Project for Berlin, 1994 Collage on offset lithograph with raised silver thermal paper used to wrap Reichstag, on thin velincarton 15 3/4 × 11 1/2 inches E...

Chuck Close CHUCK CLOSE WORK (hand signed by both Chuck Close and Christopher Finch), 2010 Hardback monograph with dust jacket (hand signed and inscribed by both artist and author) H...

Wolf Kahn (hand signed by Wolf Kahn), 2011 Hardback monograph with dust jacket (hand signed by Wolf Kahn) Hand signed by Wolf Kahn on the title page 13 × 12 × 1 1/2 inches This gorge...

ALLEN JONES Mail Order, for Culture Carriers Stamp Out Art, from The Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked envelope of wove paper (Hand Signed) 6 × 9 inches Edition of 250 (unnumbered) Hand signed in blue ink by Allen Jones with his initials on the lower left of the lithographic stamp, affixed to the envelope. Unframed As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Allen Jones, along with a group of top British Pop artists of the era including David Hockney, Eduardo Paolozzi, Derek Boshier, the poet/activist Christopher Logue and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250 each (some artists, like Paolozzi and Allen Jones created more than one design), with the artists signing each by hand in blue ink with his initials on the lower right. Allen Jones "Mail Order" is an especially clever take on the project; it is at once a postage stamp (hence the title "Mail Order"), but it also refers to the popular mail order catalogues of the era. It was a particular preoccupation of Jones, who, separately, created a large lithograph called "Janet is Wearing" -- referring to his wife Janet, but playing upon the advertising jargon of the day, used in mail order catalogues. For this particular project - creating a stamp to raise money for mail carriers...

'As I Opened Fire' triptych, offset-lithograph poster after the original painting by Roy Lichtenstein (American, 1923-1997) in the collection of the Stedelijk Museum, Amsterdam. Signed in pencil by the artist, lower right of right hand panel, 'Roy Lichtenstein' and printed circa 1988. Published by the Stedelijk Museum with publisher's imprint "Copyright S.M.A." printed on each sheet lower right within image. Printer: Drukkerij Luii & Co., Amsterdam, Netherlands. Artwork and printing information printed, verso, lower left and lower right of each sheet. Publishing information lower right, verso, on each sheet: "edition and color-correction Stedelijk Museum, Amsterdam (copyright) R. Lichtenstein 1964...

Patti Smith Just Kids Illustrated Edition (Hand Signed and dated by Patti Smith), 2018 Hardback Monograph (Hand Signed and Inscribed by Patti Smith) Hand signed and dated by Patti Smith 9 4/5 × 7 1/10 × 1 1/4 inches Provenance Hand signed by Patti Smith for the present owner at a special book signing at the Museum of Modern Art This beautiful hardback monograph is hand signed and dated by the artist, Patti Smith in ink on the title page. Patti’s Smith’s exquisite prose is generously illustrated in this full-color edition of her classic coming-of-age memoir, Just Kids. New York locations vividly come to life where, as young artists, Patti Smith and Robert Mapplethorpe met and fell in love: a first apartment in Brooklyn, Times Square with John and Yoko’s iconic billboard, Max’s Kansas City, or the gritty fire escape of the Hotel Chelsea. The extraordinary people who passed through their lives are also pictured: Sam Shepard, Harry Smith...

Louise Bourgeois I Have Been to Hell and Back Handkerchief, 2007 Embroidery on 100% Cotton Handkerchief With the artist's silkscreened initiala Han...

Ed Atkins (British, b. 1982) The Worm, 2021 Medium: Offset lithograph (folded twice, as issued) Dimensions: 28 3/10 × 18 1/2 in (72 × 47 cm) Edition of 30: Hand-signed and numbered C...

"Baia delle Zagare, 1970" is a beautiful offset realized by Franco Fontana. Rondanini Galleria D'arte Contemporanea - Roma. Limited edition of 1.000 Coloured poster from a photogra...

Andy Warhol Portraits of the 1970s (Deluxe Limited Edition Monograph with Slipcase, Hand Signed and Numbered by Warhol), 1979 Hand Signed and Numbered Hardback Monograph with 120 Bound offset lithographs and text, held in original slipcase (boxed set). Boldly signed by Andy Warhol and numbered 7, from the edition of 200 on the colophon page. 9 1/2 × 8 1/2 × 2 inches Provenance The original (uptown) Whitney Museum An amazing and historic gift! As dazzling as the Warhol show was in 2019 at the new Whitney Museum -- only his show in the late 1970s at the old Whitney Museum, could offer this Deluxe limited edition collectors item - hand signed and numbered by Andy Warhol - because the latter was published during his lifetime. This rare 1979 First (and only) Edition hardback monograph is held in the original slipcase, and is hand signed by Andy Warhol and numbered 108 out of only 200 on the first front end page (see image). This collectors item features text, accompanied by 120 full page color offset lithograph bound, double sided plates on regular pages. (Total pages are: 145) It was published by the Whitney Museum in collaboration with Random House, in conjunction with the exhibition held at the Whitney Museum of American Art, November 20, 1979 to January 27, 1980. Text foreword is by Tom Armstrong, the Whitney's director. Total pages are: 145. The Warhol portraits included are: Giovanni Agnelli, Marella Agnelli, Corice Arman, Marian Block, Irving Blum, Truman Capote, Cristina Caramati, Leo Castelli, Carol Coleman, Norman Fisher, Kay Fortson, Tina Freeman, Diane Von Furstenberg, Henry Geldzahler, Halston, Brooke Hayward, Barbara Heizer, Michael Heizer, Carolina Herrera, David Hockney, Baby Jane Holzer, Dennis Hopper, Victor Hugo, Alexander Iolas, Caroline Ireland, Charles Ireland, Mick Jagger, Paul Jenkins, Katie Jones, Ivan Karp, Marilyn Karp, Evelyn Kuhn, Jane Lang, Francis Lewis, Sydney Lewis, Dorothy Lichtenstein, Roy Lichtenstein, Daryl Lillie, Joe MacDonald...

Alex Katz Looking at Art With Alex Katz (hand signed by Alex Katz), 2018 Hardback monograph with dust jacket (hand signed in black pen on the title page) hand signed by Alex Katz in ...

Glenn Ligon 30 Americans Rubell Family Collection (hand signed and dated by Glenn Ligon), 2012 Hardback monograph with no dust jacket as issued (hand signed and dated by Glenn Ligon) Hand signed and dated 2012 by Glenn Ligon 11 1/2 × 9 × 1 1/4 inches Provenance Hand signed by Glenn Ligon at the opening reception for the present owner (see included documentation) Makes a fantastic gift! This hardback monograph with illustrated boards was published on the occasion of the exhibition at Luhring Augustine Gallery in NY from October 26 to December 8, 2012. Hand signed and dated 2012 by Glenn Ligon for the present owner From its inception in the 1960s, the Rubell Collection has been able to boast a particularly fine range of African-American art. Recent New York exhibitions inspired the Rubell family to mount an exhibition of their holdings in this area, reproduced here in 30 Americans. With a late addition to this exhibition, there are in fact 31 artists: Nina Chanel Abney, John Bankston, Jean-Michel Basquiat, Mark Bradford, Iona Rozeal Brown, Nick Cave, Robert Colescott, Noah Davis, Leonard Drew, Renée Green, David Hammons, Barkley L. Hendricks, Rashid Johnson, Glenn Ligon, Kalup Linzy, Kerry James Marshall, Rodney McMillian, Wangechi Mutu, William Pope L., Gary Simmons, Xaviera Simmons, Lorna Simpson, Shinique Smith...

Basquiat Rome 1982: Rare, highly sought-after original catalog/exhibition card to Basquiat's 1982 Rome show at Galleria Mario Diacono, Italy. Opening to ...