Art by Medium: Watercolor

In the park. Paper, watercolor, 42x29.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In ...

Watercolor on brightly colored paper, signed Gibor, with wooden frame mis.cm.h.65x56

aka Beni Kosh Untitled (Abstraction) Watercolor on paper, 1970's Unsigned Ben Kosh Estate Stamp verso, No. 754 Condition: Very good Sheet size: 10 5/8 x 14 9/16 inches Provenance: Es...

Landscape. Paper, watercolor, 42x30 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947...

Rural landscape. Paper, watercolor, 30x41.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her studies ...

Nude Woman on Striped Chair #2 in Charcoal and Gouache on Paper Black and white painting of a woman by acclaimed bluegrass musician Katherine "Kathy" Kallick (American, b. 1952). Th...

Joel BASS (1942-2019) Adjusted silhouette n°2, 1975 Mixed media, collage, gouache, adhesive on paper Signed, dated and. titled Work : 17,5 x 28 cm Frame : 3...

Nude Woman on Striped Chair #1 in Charcoal and Gouache on Paper Black and white painting of a woman by acclaimed bluegrass musician Katherine "Kathy" Kallick (American, b. 1952). Th...

An award winning artist for her watercolors, Davis was a beloved Connecticut artist. A rare subject done in a contemporary and fresh way. She was a member of this club and enjoyed t...

Very well executed original oil pastel on archival paper by the American artist, Tom Rickers. San Francisco school. Abstract with Signed and dated lower right 1977. Condition is ex...

ORIGINAL MIXED MEDIA ON PAPER Unique piece Hand signed

Figurative Nude Study - Watercolor and Charcoal on Paper Watercolor and charcoal painting of a nude reclining woman by acclaimed bluegrass musician and San Francisco artist Katherin...

Original mixed media composed of watercolor and gouache on archival paper. Signed lower right. Condition is very good. Appears to be a self portrait of the artist. Circa 1970. Under glass. Framed in a contemporary gold frame Overall framed measurements are 12 by 10 inches. Provenance: A Sarasota, Florida estate. Julee Docking biography: Painter, Oil, Watercolor, Acrylic, Collage, Woodcuts, Charcoal, Mixedmedia, Sculptor, Clay, Mixed media. Born: Bethesda-Chevy Chase, Maryland Studied: Corcoran Art School-Washington DC High Museum,Atlanta ,GA and Private Lessons Taught: Painting and Sculpture in Atlanta and Sarasota Membership: National League of American Pen Women, Women's Caucus ofArt, Florida Artists Group member 1973 Petticoat Painters member 1975 Art Center Sarasota member 1972 Manatee Art Center Venice Art Center Artist Statement: I enjoy painting in all media, relying on "Chance" to help create the First Ecstatic Impression of either abstract or Realism Genres. A long time resident of Sarasota, Julee Docking has been listed in "A History of Visual Art in Sarasota" And was part of the fine Arts Society "Artist and Collectors Tour" in 1973 and again in 1988 AWARDS: Grumbacher Gold Medallion, Cornell Museum FL Hilton Leach...

Will Barnet is one of America's best loved and known artists of the Post War era. He is highly distinctive for his figurative and narrative work and in some ways he is the Edgar All...

Medium: Gouache on Board Dimensions: 14" x 8.5" Date: 1972 Signature: Initialed TH Paperback Book Cover American Artist (20th Century)

ORIGINAL MIXED MEDIA ON PAPER Unique piece Hand signed

Abstract landscape resembling a blue, green, yellow, and white. This piece is painted with watercolor and measuring 13" x 13". The frame measures 22" x 24".

Title: House Landscape Medium: Watercolor on paper Style: Impressionist Size: 14"" x 21 1/2"" Frame Size: 21"" x 28 1/2"" Age: 1970s Signature: Taeko Yonetani Provenance: ...

Maris Bishofs was born in 1939 in Rujiena, Latvia. In 1965 he became the first artist to graduate from the Latvian Art Academy with an interior design diploma. In 1972 he emigrated t...

Car rally. Fiat factory team. Marco Silombria (Savona, 1035- Turin, 2014) Mixed media: drawing, watercolor, pencils on paper, applied to hard support Around 1980. Marco Silombria...

Shadow of Light - Nude Figurative Study with a Bottle of California Wine Abstract expressionist watercolor and charcoal painting depicting a nude woman lounging by acclaimed bluegra...

This portrait has a naïve and gentle charm to it. To my eye it looks like a woman but it could equally be any gender or age. Perhaps this is the beauty of Turner Durrant's abstraction. The materiality is more distinct when you see the piece in the flesh. There is something endearing about being able to see the edges of the paper, torn almost in haste as if the artist just had to get the image down. Maybe it was painted on the spot or an image from the artist's imagination. Whichever, the use of minimal line and a reduced palette adds to the simplicity and thus free nature of the painting. Roy Turner Durrant Untitled (Head) Medium: Watercolour on paper Signed bottom right 1977 Image size: 31 x 26 cm - Frame size: 50.5 x 44 cm Roy Turner Durrant (1925 - 1998) A Modern British artist, Roy Turner Durrant was born in Suffolk, England in 1925. His career was long and distinguished, culminating with work in major public galleries in the UK and internationally. After the war he secured a place at Camberwell College of Arts where he was taught by amongst others by Edward Ardizzone Michael Rothenstein Keith Vaughan and John Buckland Wright and was a contemporary of Theodore Mendez. Whilst at Camberwell he was already exhibiting his paintings in London galleries. His work moved from early landscape and architectural interest to abstraction but with a great variety of style and technique. A member of the New English Art Club, from the late 1940s he exhibited regularly at the Royal Academy and in numerous commercial galleries in London. From the 1950s, his early figurative style began to change, becoming more abstract. He said of his own work in 1951 that his abstract imagery were 'by-products of an inquisition primarily concerned not with what the eye sees but with what the intellect and emotion experience’. In 1963 he moved to Cambridge to take up the post of Art Gallery Manager at Heffers at the time a well known local artists' materials and book sellers...

Famed Puerto Rican Fashion Illustrator Antonio Lopez creates an oversized illustration for Vogue Patterns Magazine 1971. He uses a variety of media whic...

ORIGINAL MIXED MEDIA ON PAPER Unique piece Hand signed

Alan Shields Untitled double sided mixed media work, 1974 Mixed media: watercolor, string, and torn paper held in custom standing frame Signed, dated, and numbered lower edge '10/12 ...

Grace Knowlton Untitled (Colored Pencils), 1978 Mixed media watercolor and charcoal painting on paper. (Framed with labels from the legendary Allan Stone Collection + Sotheby's label...

Andrew Nathaniel Wyeth (American, b. 1948) New England Landscape with Barns, 1974 Watercolor and pencil on Bainbridge watercolor board 20 x 30 i...

Black and White Nude Woman in Acrylic, Gouache, and Charcoal on Paper Black and white painting of a woman by acclaimed bluegrass musician Katherine ...

Paul Jenkins (1923-2012) was a major American abstract painter who first established his reputation in post-war France. Along with artists such as Sam Francis and Jack Youngerman...

José Martinez Lozano - Landscape - Watercolor Watercolor measurements 24x11 cm. Frame measurements 37x24 cm. Josep Martínez Lozano was born in the Born district of Barcelona on Ma...

Art Sz: 12 1/2"H x 8 3/4"W 1972

Art Sz: 13"H x 8 5/8"W 1973

ORIGINAL MIXED MEDIA ON PAPER Unique piece Hand signed

ORIGINAL MIXED MEDIA ON PAPER Unique piece Hand signed

Jordi Curos - Young woman - Watercolor Watercolor measurements 40x32 cm. Frame measurements 54x46 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He tra...

Nude on Floral Blanket, From Behind in Acrylic on Paper Bright painting of a nude woman by acclaimed bluegrass musician Katherine "Kathy" Kallick (American, b. 1952). A nude woman is sitting on a wicker couch that has been covered with a floral blanket. She is facing away from the viewer, with her head resting on one arm. Unsigned, but was acquired with a collection of the artist's work. Paper size: 22.5"H x 28.38"W Katherine Kallick...

Monochrome Portrait of a Woman in Ink and Gouache on Paper High contrast portrait by acclaimed bluegrass musician Katherine "Kathy" Kallick (American, b. 1952). A woman in a long sl...

Autumnal Country Barn in Watercolor Landscape on Paper A vibrant rural watercolor scene by Lewis Suzuki (American, 1920-2016). Suzuki is considered an important figure in the waterco...

Black and White Cat Ink and watercolor on paper, c. 1970 Unsigned Provenance: Estate of the artist (Estate No. 737) Condition: Excellent Image/Sheet size: 4 3/4 x 6 1/4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...

Sister Mary Corita Kent Love You, ca. 1975 Original signed watercolor painting on paper Signed in graphite pencil on the recto Floated and framed in white wood frame This is a unique...

Stephen Mueller (American, 1947-2011) Southwest Spirit, 1973 Mixed media on paper Signed 'Stephen Mueller 4 '73 NYC' on the reverse Full sheet: 36 x 24 inches In vintage wood frame. Over all dimensions 39.75 X 27.75 Inches Provenance: William Talbot...

Knox Martin Alice in Wonderland, ca. 1972 Etching with hand-coloring in watercolor on wove paper Hand signed and annotated "AP" on lower front (a unique ...

'Les Alyscamps Arles', watercolour on art paper, by Yves Brayer (1977). This term has its origins and is related to the Elysian Fields, also called Elysium, which is the final restin...

'The Parade Ring at the Races', gouache and pastel on art paper, by Maurice Empi (circa 1970s). The Parade Ring, otherwise known as the paddock, is the pla...

Billy Al Bengston Turkey Dracula, 1973 Color lithograph with hand coloring and watercolor (unique variant) on Lanaquaralle paper with deckled edges Hand signed and numbered A.P. #6, aside from the regular edition of 24 on the front, with the printer's blind stamp Frame Included: held in original vintage frame Mixed media Lithograph with hand coloring in watercolor (unique variant) Hand signed and numbered A.P. #6 (of 10), aside from the regular edition of 24 on the front, with the printer's blind stamp (Flower) Publisher: Published by Brooke Alexander, Inc. (New York) Printer: Printed by Ed Hamilton (American, born 1941) at Cirrus Editions, Los Angeles (with blind stamp) Measurements: Frame: 25.25 x 25.25 inches Print: 23 x 23 inches About Billy Al Bengston: Billy Al Bengston (b. 1934, Dodge City, Kansas, d. 2022, Venice Beach) moved to Los Angeles with his family in 1948. He studied painting under Richard Diebenkorn at California College of Arts, Oakland, California. In 1957, Bengston began showing with the legendary Ferus Gallery (founded and run by Walter Hopps...

Signed lower right, 'Inman' for Robert Inman (American, 1927–2016) and dated, lower right, '79'. Retaining original, card, mat and backing boards. Titled on board, 'City Dwellings #2...

John Cuthbert Hare was an accomplished New England painter born in Brooklyn, New York. He began his artistic journey by studying commercial art at the Pratt Institute in New York Cit...

Signed limited edition lithograph, 'Les Amants', by Belgian/Dutch artist, Corneille. This is the artists own copy, L'épreuve d'artiste, from the edition of 40, Vincenzo Bitetti, Potenza of the rarer monochromatic version. Eau forte and aquatinte on craft paper with white highlights added. It is signed titled and dated in pencil by the artist. Presented in patinated wood frame under glass. Corneille was the pseudonym of Guillaume Cornelis van Beverloo, born July 4, 1922 in Liège (Belgium), of Dutch parents, and died in Auvers-sur-Oise (Val-d'Oise) September 5, 2010, he was a Dutch painter, engraver, sculptor and ceramist After attending the School of Fine Arts in Amsterdam, Corneille began exhibiting in 1946, then discovered surrealism. Co-founder in 1948 with Karel Appel, Eugène Brands, Constant Nieuwenhuis, Anton Rooskens and Theo Wolvecamp, of the Experimentele Groep in Holland movement which publishes the journal Reflex, anticipating the magazine Cobra (journal) which would appear the following year in Denmark, Belgium, then in the Netherlands. He is one of the initiators of Cobra with Karel Appel, Constant Nieuwenhuis, Asger Jorn and Dotremont. This group was soon joined by poets, painters and writers including Jacques Doucet, Pierre Alechinsky, Henry Heerup, Reinhoud, Else Alfelt, Carl-Henning Pedersen, Egill Jacobsen, C.O. Hultén, Anders Osterlind...

Hyper Cube Series. 1978. Gouache on Acrylic on Canvas. 20 x 24 inches

Hyper CuberSeries. 1978. Gouache on acrylic on Canvas. 20 x 24 inches.

Givenchy Paris fashion-plate featuring citron colour glam designs replete w/ two fabric swatches c1970s Image Sz: 11 1/2"H x 8"W Frame Sz: 16"H x 12 1/2"W

Visually bright and dynamic work by expressive California artist Bengston. Colors are crisp and the oversize sheet and size mays for strong visual impact in a room. Newly framed in...

This beautiful large vibrant animal painting is by Aubrey Williams, Guyanese artist. It is a watercolour/gouache painting of a magnificent Pelican and painted in 1974. Williams has r...

Lady in vibrant/ festive colours by Stella Harper c1970s Art Sz: 17 1/2"H x 8 1/4"W Frame Sz: 20 3/4"H x 11 1/2"W w/ blue frame w/ yellow mat

This beautiful animal painting is by Aubrey Williams, Guyanese artist. It is a watercolour painting of House Crows and painted in 1976. Williams has recently been reassessed by the T...

Hyper Cuber Series. 1978. Gouache on Acrylic on Canvas. 20 x 24 inches

Charcoal and gouache on paper, titled ‘Phil Richards’ and dated ‘Friday Dec 8 72’ (lower left), 64cm x 48cm (72cm x 56cm framed).(Provenance: the Artist’s estate (stamped verso)). the picture is framed behind UV glass Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines like Vogue, Harper's Bazaar and Elizabeth Arden. He was also an accomplished portraitist. His work is celebrated in Brian Stonehouse...

‘The Pont Marie and Bateau Mouche’ in Paris, watercolour on art paper, by Roland Hamon (1971). The artist combines two icons of Paris in this depiction on a beautiful blue summer day...