Charles Pebworth

"In Praise of All Heros" Figurative Assemblage

1970's

Unique and colorful collage of geometric shaped collage with mainly green and yellow tones. Framed in a wodden frame. Painting once hung in Meredith Long...

Teal and tan woven fiber art tapestry by Texas artist Romeo Reyna. The piece features a central diamond shape with copper accents and painted wooden st...

Textured colorful abstract painting by Reeves Art + Design owner and Houston TX artist Paul Reeves. This piece features abstract brushstrokes that form various forms and shapes and a...

Colorful red, blue, and green abstract expressionist painting by Houston, TX based artist Phyllis Flax. The work features large areas of color bleeding into each other with various n...

Acrylic and mixed media on panel painting of a pile of arms with white text from 2017 titled "Nine" by Edward Povey and Schultz. Artist Biography: Born in 1951, Edward Povey studied...

White and brown abstract mixed media painting by Israeli artist Yigal Ozeri. The piece depicts a thin translucent material with brown paint strokes res...

Digital Print Mounted on Acrylic and Lead, Galvanized Pipe and Caps

Nanotechnology Material, Lead, Galvanized Pipe and Caps on Aluminum Exhibited at the International Art Fair, Zona Maco 2019 in Mexico City. Exhibited at Mana Contemporary at Jersey ...

"Memento Morididdle Movement #90" is an original hand-cut paper sculpture in a found frame by Charles Clary. This piece measures 12in x 10in x 2in. Bio // Charles Clary was born in...

This is an original inkless collagraph with hand embroidery by Kelly Kozma. It is shipped in the pictured custom frame measuring 41.75”h x 31.75”w. Please send us a direct message...

"So It Grows" is an original hand-embroidered piece on paint chip color samples with Swarovski Elements crystal details by American artist Kelly Kozma. The piece ships in the pictur...

Dominance, 2021. Mixed Media: Makalani nut piths, plastic and metal Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...