Limited Edition Porcelain Ashtray in Custom Box
View Similar Items
Frank StellaLimited Edition Porcelain Ashtray in Custom Box2000
2000
About the Item
- Creator:Frank Stella (1936, American)
- Creation Year:2000
- Dimensions:Height: 4.5 in (11.43 cm)Width: 3.5 in (8.89 cm)Depth: 3.5 in (8.89 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU174529932292
Frank Stella
Frank Stella is one of the central figures in postwar American art. A proponent of minimalism and non-representational abstraction, Stella is a painter, printmaker and sculptor. A native of Massachusetts, he attended Phillips Academy in Andover and earned a BA from Princeton, where he studied art and color theory with Josef Albers and Hans Hofmann.
Stella frequented New York galleries as a student and was intrigued by the work of Jackson Pollock and Franz Kline, both of whom were at the height of their creative powers in the late 1950s. After moving to New York in 1958, he gravitated toward the geometric abstraction and restrained painting style of Barnett Newman and Jasper Johns. Johns’s flat, graphic images of common objects such as targets and flags prompt viewers to question the essential nature of representation and whether these pictures are really paintings or simply new iterations of the items themselves. Stella pushed Johns’s reasoning further, considering paintings on canvas as objects in their own right, like sculptures, rather than representations. This led him to reject certain formal conventions, eschewing sketches and often using nontraditional materials, like house paint.
In 1959, Stella created his “Black Paintings,” series, in which bands of black paint are separated by thin, precise stripes of bare canvas. At a time when contemporary painting was all about wild gestures, thick paint and formal abandon, these pieces created a sensation. That same year, Stella's work was included in the exhibition "Sixteen Americans" at the Museum of Modern Art in New York, and he joined the roster of artists represented by Leo Castelli Gallery. In 1960, he began introducing color into his work and using unconventionally shaped canvases to complement his compositions.
In his “Eccentric Polygon” series, from 1965 and ‘66, Stella embraces asymmetry and bold color, creating forms delineated by painted fields and by the edges of the canvas. This series was followed by the 1967–70 “Protractor” series, characterized by colorful circles and arcs. Named after the ancient cities whose circular plans Stella had noticed while traveling in the Middle East during the 1960s, these works usually comprised several canvases set flush against one another so that the geometric figures in each section came together in a larger, more complex whole.
Also in the mid-1960s, Stella started exploring printmaking, initially working with Kenneth Tyler, of Gemini G.E.L., and later installing printing equipment in his own studio. In 1968, he created the “V” series of lithographs,which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall-mounted sculptures.
Stella’s 1970–73 “Polish Village” series was inspired by a documentary photos and architectural drawings of Polish synagogues that had been destroyed by Nazis during World War II. The resulting works — composed primarily of paint and cloth on plywood — are more rugged and less polished than his previous series. Herman Melville's Moby Dick was his muse for a series of three- dimensional works he created in the 1980s in which waveforms, architectural elements and Platonic solids play a prominent role. During this period, Stella embraced a new, exuberant style that is exemplified in "La Scienza della Fiacca." In 1997, he oversaw the creation of the Stella Project, a 5,000-square-foot work inside the Moores Opera House at the University of Houston. A large free-standing sculpture by Stella stands outside the National Gallery of Art in Washington, D.C.
Stella’s work is in the collections of numerous important museum collections around the world, including New York’s Museum of Modern Art and Metropolitan Museum of Art; the Menil Collection, in Houston; the Hirshhorn Museum and Sculpture Garden, in Washington, D.C.; and the San Francisco Museum of Modern Art. He was awarded the National Medal of Arts by President Obama in 2009, and was given the Lifetime Achievement Award in Contemporary Sculpture by the International Sculpture Center in 2011.
Find a collection of Frank Stella's art on 1stDibs.
- Vortex Engravings: Four Limited Edition Plates (with COA signed by Frank Stella)By Frank StellaLocated in New York, NYFrank Stella Vortex Engravings #5 - 8: Gift Box of Four Limited Edition Plates with COA hand signed by Frank Stella and David Mirvish, 2000 Suite of four (4) Fine Bone China Plates. ...Category
Early 2000s Abstract Expressionist More Art
MaterialsCeramic, Porcelain, Mixed Media, Screen
- Vortex Engraving #4 Charger Plate - Limited Edition numbered and plate signedBy Frank StellaLocated in New York, NYFrank Stella Vortex Engraving #4 Charger Plate, 2000 Artist Designed Limited Edition Porcelain Plate Signature fired into base of the plate; numbered 425/1000 with David Mirvish Desi...Category
Early 2000s Abstract Expressionist Mixed Media
MaterialsCeramic, Porcelain, Mixed Media, Screen
- Porcelain Plate of Princess of Wales Theatre ceiling design (Limited Edition)By Frank StellaLocated in New York, NYFrank Stella Ceiling: Princess of Wales Theatre, 1996 Limited Edition Silkscreened Porcelain Plate in presentation box 12 inches diameter Edition 262/2000 Rarely found stateside - es...Category
1990s Abstract Expressionist Mixed Media
MaterialsPorcelain, Screen, Mixed Media
- Acrobat (detail), Limited Edition Porcelain Plate in bespoke blue box - AbstractBy Helen FrankenthalerLocated in New York, NYThis porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...Category
2010s Abstract Expressionist More Art
MaterialsPorcelain, Screen, Cardboard, Mixed Media
- Suite of Four Limited Edition Ceramic PlatesBy Sam FrancisLocated in New York, NYSam Francis Suite of Four Limited Edition Ceramic Plates, ca. 2000 Set of four (4) limited edition ceramic plates in original museum box Edition of 2000 7 × 7 inches Unframed Note: M...Category
Early 2000s Abstract Expressionist More Art
MaterialsCeramic, Mixed Media, Screen
- Ceramic Sculptural bowlBy Peter VoulkosLocated in New York, NYPeter Voulkos Ceramic Sculptural Dish, ca. 1985 Sculpted ceramic Hand-signed by artist, Incised signature on the base. 1.5 x 11.5 inches This charger plate by Voulkos features a Greek-influenced stylized birds and leaf design. Peter Voulkos is an American artist of Greek descent. The abstraction of animal and nature elements paired with the earthy, mottled gray and brown against brown background make this work beautiful. This work was featured in the exhibition "On Black Mountain: The Bauhaus Legacy in America", at the Sager Braudis Gallery (now Sager Reeves), in Columbia Missouri from April 5, 2019 to April. 27, 2019 and is reproduced in page 53 of the exhibition catalogue. We will provide a complimentary copy of the exhibition catalogue to the buyer of this work. Born in 1924 to Greek immigrant parents in the town of Bozeman, Montana, Peter Voulkos is one of America’s most significant sculptors of the 20th century. Voulkos got his start in art in the late 1940s, when he was studying at Montana State College, Bozeman on the G.I. Bill, after being drafted and serving as an airplane armorer-gunner in the Pacific in World War II. In classes with Frances Senska, he discovered ceramics, the medium that would characterize his career. After graduating from Montana State College, Bozeman in 1951, Voulkos moved west and earned his MFA from the California College of Arts and Crafts in Oakland, California. Returning to Montana after graduation, Voulkos attracted attention “as a prodigious natural potter and a producer of elegantly thrown functional earthenware,” according to Roberta Smith for the New York Times. He also produced dinnerware to sell through high-quality stores, and was noted for his wax-resist method of decoration.Voulkos gained a reputation as a master of ceramics techniques, winning twenty-nine prizes and awards from 1949 through 1955. However, a summer spent teaching at the experimental Black Mountain College (he was invited to teach at BMC by Karen Karnes) near Asheville, North Carolina in 1953 resulted in a dramatic shift in Voulkos’s artistic priorities, as well as his aesthetic. It was at Black Mountain College that Voulkos met Robert Rauschenberg, John Cage, Merce Cunningham and Charles Olson. He then visited New York City (as a guest of pianist David Tudor and Mary Catherine Richards) and encountered Philip Guston, Willem de Kooning and Franz Kline—Abstract Expressionist painters who influenced the new direction Voulkos would go on to pursue. In 1954, Voulkos was invited to teach at the Los Angeles County Art Institute (now Otis), and he established a new ceramics department and graduate program that attracted other young artists including John Mason, Ken Price, Billy Al Bengston and Paul Soldner. It was here that, inspired by the scale and spontaneity of the New York School, Voulkos began to build progressively larger works that cast aside utility and abandoned ceramic conventions. Decoration became aggressive, as he slashed at and pierced the clay, which he then energetically painted with glaze. Peter Voulkos exhibited these new works in shows at the Landau Gallery in Los Angeles, which announced to the world a new way of approaching ceramics. Disagreements with the more conservative administrators of the LA County Art Institute led to Voulkos’s departure for the University of California, Berkeley, in 1959. While at Berkeley, Voulkos experimented with bronze and produced large-scale bronze sculpture, while continuing his ceramic work and doing demonstrations of ceramics throughout the U.S. In 1979, a young ceramist named Peter Callas...Category
1980s Abstract Expressionist Mixed Media
MaterialsCeramic, Mixed Media, Glaze
- DaydreamsLocated in Southampton, NYPart of a new collection of painted porcelain panels by Chinese artist Yuan Lin, “Daydreams” is a luminous meditation on the sun's rays. In this painting, Lin...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCeramic, Glaze, Oil
$2,700 - Over The PassBy Pamela HolmesLocated in Cazadero, CAOver the pass We have arrived, not at our destination, nowhere,over the pass. From now on we can see ahead all the way to the next hills. to the next pass.Category
2010s Abstract Expressionist Abstract Paintings
MaterialsClay, Canvas, Oil Pastel, Pigment
- SuspendedLocated in Southampton, NYPart of a new collection of painted porcelain panels by Chinese artist Yuan Lin, “Suspended” uses deep blues, purples, and reds, to explore Lin’s melancholy e...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCeramic, Glaze, Oil
$2,700 - A World Without LimitsLocated in Southampton, NYPart of a new collection of painted porcelain panels by Chinese artist Yuan Lin, “A World Without Limits” contrasts blues and blacks to point to a deep and di...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCeramic, Glaze, Oil
- Binyamin Basteker, Prayer at the Wall (Jerusalem), museum quality printLocated in Jerusalem, ILBinyamin Basteker Prayer at the Wall (Jerusalem) Hand embellished limited edition museum quality print on canvas edition of 36 editions available in ...Category
2010s Abstract Expressionist Mixed Media
MaterialsColor, Giclée
- Raquel Sanchez, Sunlight reflections (tryptich) museum quality printBy Raquel SanchezLocated in Jerusalem, ILRaquel Sanchez Sunlight reflections Hand embellished limited edition museum quality print on canvas edition of 36 editions available in various sizes I...Category
2010s Abstract Expressionist Mixed Media
MaterialsColor, Giclée
$1,800 Sale Price20% Off
Recently Viewed
View AllRead More
Get to Know the Artists Who Led the Op Art Movement
In the 1960s and '70s, the hypnotic creations of Op artists went mainstream and influenced the look of pop culture.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.