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G. Campbell Lyman
Gridish #27 (Framed Contemporary Abstract Mixed Media Painting)

2021

$640
$80020% Off
£483.65
£604.5620% Off
€566.20
€707.7520% Off
CA$893.74
CA$1,117.1820% Off
A$1,005.54
A$1,256.9320% Off
CHF 532.78
CHF 665.9720% Off
MX$12,417.20
MX$15,521.5020% Off
NOK 6,531.27
NOK 8,164.0920% Off
SEK 6,275.65
SEK 7,844.5720% Off
DKK 4,223.51
DKK 5,279.3920% Off
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About the Item

"I chose a very simple form to work with in the "Gridish" paintings– a grid of rectangles. Content never interests me much, and I don’t spend time thinking about it. I’m interested in the balance of assonant and dissonant colors, line quality, texture and impasto, push and pull, these sorts of issues. Making these paintings was a series of minute decisions about addition and subtraction that goes on for a long time, even if the result looks deceptively simple. It’s never simple to do." Comes framed in maple floater frame. Dimensions given include frame. “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018

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