Jim Dine

Barrow Street Robe #3, Pop Art Work on Paper by Jim Dine

1986

The Dove of Light Irene Rice Pereira, American (1902-1971) circa 1966 Charcoal, Acrylic, and Pastel on rice paper, signed in pastel, titled in marker 39 x 24.75 in. (99.06 x 62.87 cm)

Sitting Woman Irene Rice Pereira, American (1902-1971) circa 1966 Watercolor, acrylic, pencil and pastel on rice paper, signed in watercolor 24 x 18.75 in. (60.96 x 47.63 cm)

Date: 2001 Gouache, Graphite and Pastel on Paper, signed and dated in pencil Image Size: 15.5 x 10.25 inches Size: 17.75 x 12 in. (45.09 x 30.48 cm)

A multimedia collage by Donald Baechler from 1992, reminiscent of Dada period collages. Artist: Donald Baechler, American (1956 - ) Title: Untitled (Flower) Year: 1992 Medium...

Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...

This is an original paper, charcoal, pastel, graphite, and acrylic on wood panel artwork by Seth Clark measuring 48”h x 72”w. About the Collection // Continuing the artist's ongoin...

This drawing and layered paper collage titled "Mass Study XX" is an original diptych by Seth Clark. This piece is a mix of collage, charcoal, pastel, acrylic, and graphite on two woo...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...