Liz Tran

Abstract, Colorful Mixed Media Painting by Liz Tran 'Mini Cloud I'

2019

'Bouquet Ten' 2014 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 48 x 36 in. The painting features Tran's version of a traditional still life with an abstract tw...

'Perseid II' 2018 by Seattle based abstract painter, Liz Tran. Mixed media on panel, 40 x 30 in. Tran's 'Perseid' series is inspired by meteor showers observed in eastern Washington....

'One but Two II' from the Made In New York series, 2018 by Norwegian artist, Marit Geraldine Bostad. Acrylic on canvas, 12 x 12 in. This painting was ...

Available at Madelyn Jordon Fine Art. 'Secret Garden #3' 2018 by Norwegian artist, Marit Geraldine Bostad. Acrylic on canvas, 15.5 x 15.5 in. / Frame: 17 x 17 in. Bostad’s painting ...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

Beautiful collage painting by unknown artist. Acrylic on torn paper segments, reassembled as collage. Art object assempled on rectangular sheet of hand made rag paper measures 12.5...

Three Spots of Gold - Abstract Composition in Acrylic on Handmade Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). Three golden...

“Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...