Aquatint Mixed Media

Complete title: El nacimiento de la energía Relief print on glass with hand applied layers Edition of 50 Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese...

Complete title: El Origen del Deseo - Ritmo del Despertar (The Origin of Desire -Awakening Rhythm) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style ...

Complete title: Autorretrato Dentro del Origen del Deseo (The Origin of Desire - Self-Potrait Inside of the Desire's Origin) Mari Ito was born in Tokyo, Japan in 1980. She majored i...

Edition of 40, signed, numbered AGNIESZKA LECH-BIŃCZYCKA Graduated from University of Rzeszów in a field of Artistic Education with specialisation in g...

AGNIESZKA LECH-BIŃCZYCKA Graduated from University of Rzeszów in a field of Artistic Education with specialisation in graphics. She obtained her diploma...

This is an artist proof (one of a kind) aquatint and watercolor depicting a cactus-filled Mexican garden, a mirror tilted up and an image of the artist s...

SALE ONE WEEK ONLY Antonio Lopez Saenz is a brilliant iconic creative artist from Mazatlan, Mexico. The aquatint “Hombres y Sillos” (Men and Chai...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

deluxe limited edition of 25 medium: etching, aquatint, with carborundum, collage on paper year: 1980 paper size: 58" x 38" image size: 58" x 38" (145 x 98 cm.) frame size: 65.5" x...

"Susana en el baño" (digital pigment print on canvas, is a copy of the original painting) This work is unframed, without wood only the canvas no signed and without certificate of a...

Titled: Rodeo rose Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower center. Sheet measures 18-in. x 24-in. Image is smaller. please see photos. Ann Chernow, née Levy, born 1936 in New York City, is known for her portrait-style illustrations that evoke the images of female cinematic figures of the 1930s and 1940s. Born and raised in New York City, Chernow studied music and art from a young age and acquired an affinity for the arts. Chernow was exposed to several movies that left a lasting impression and prompted her to make the likenesses of leading ladies. Bette Davis, Joan Crawford, Norma Shearer and Katharine Hepburn were the subjects of some of her works in the late 1990s. Chernow has worked extensively in the mediums of lithograph, silkscreen, etching, and colored pencil. Her first formal art education was at the Memorial Art Gallery in Rochester in the early 1940s, where she attended art classes in the museum galleries. After her family moved to Flushing in 1946, she studied under a local Italian painter, Giuseppe Trotta. Years after taking lessons with Trotta, Chernow eventually entered the School of Fine Arts at Syracuse University in 1953, but transferred soon after to New York University, where she earned her Master of Arts degree in 1969. As an undergraduate and graduate at NYU (1955–69), Chernow studied under the direction of several artists. Her instructors and mentors included Howard Conant, Jules Olitski, Irving Sandler, Lawrence Alloway and Hale Woodruff, all of whom influenced her through their teachings and artistic viewpoints. Toward the end of her academic education and for a few years afterwards, she worked for the art educator Victor D’Amico, and taught at the studio school of the Museum of Modern Art (1966–71). In the 1950s, Chernow’s style was centered on colorful abstractions, which were influenced by Jean Dubuffet, who was famous during that period. She subsequently dabbled in a variety of styles in the 1970s, including pop art, huge billboard paintings, sepia drawings of individual women and colored pencil drawings. Feminist art. Already in 1968, she had begun to explore lithography, although she only began to work seriously in printmaking (both lithography and etching) in 1978. She reached the height of her career with a number of evocative paintings in the late 1980s and early 1990s, which depicted starlets of the 1930s and 1940s, as in Artist and Models (1998). In these later works, Chernow used close-ups of women who were quickly passed by the camera, as opposed to celebrated vintage Hollywood film...

Raul Anguiano (Mexico, 1915-2006) 'Ninfa y fauno (b/w)', 2003 sugarlift on paper 19.3 x 15 in. (49 x 38 cm.) Unframed ID: ANG-107 Hand-signed by author