Ink Mixed Media

16x20 Black frame white mat. Mixed media on paper

Complete title: El Origen del Deseo - La Motivación Desbordante se está Fundiendo Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made wi...

Complete title: Transformación del Deseo-Alegría I (Diptych) Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practic...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

"Girls" is a series of line-contour drawings by the artist Katie Chance as she studies sensuous female figures found in erotic imagery. Katie examines amateur pornographic photograph...

"Girls" is a series of line-contour drawings by the artist Katie Chance as she studies sensuous female figures found in erotic imagery. Katie examines amateur pornographic photograph...

"Girls" is a series of line-contour drawings by the artist Katie Chance as she studies sensuous female figures found in erotic imagery. Katie examines amateur pornographic photograph...

"Girls" is a series of line-contour drawings by the artist Katie Chance as she studies sensuous female figures found in erotic imagery. Katie examines amateur pornographic photograph...

"Girls" is a series of line-contour drawings by the artist Katie Chance as she studies sensuous female figures found in erotic imagery. Katie examines amateur pornographic photograph...

"Girls" is a series of line-contour drawings by the artist Katie Chance as she studies sensuous female figures found in erotic imagery. Katie examines amateur pornographic photograph...

"Green and Orange Cross Pattern" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique shapes that is both classy and fresh. The use of vivid colors on a white background reminds the beautiful vintage beach cabins...

Marc Baseman is a visual artist. Marc Baseman has had several gallery and museum exhibitions, including at The Harwood Museum of Art, University of New Mexico.He has been exhibiting ...

Mickey Mouse Original Comic Strip Art C.1967 Original pen and ink with mixed media Dimensions 24.25" wide x 16.5" high The frame measures 2...

Unique artwork. Etching, digital C-Print, ink.

Prakash Karmakar - Beach series - 8 x 7.5 inches (unframed size) Mixed Media on paper , 2004 (Set of 5 works) Inclusive of shipment in a roll form. Style : Legendary master artist L...

Robert Motherwell Limited Edition Lithograph as Exhibition Catalogue Cover, Signed and Dedicated to Jacqueline Brody (Editor of the Print Collectors' Newsletter), 1974 Lithograph on Limited Edition Catalogue, Ink Signed and Dedicated 10 x 24 inches Boldly signed n 1974 and dedicated in black felt tip pen to Jacqueline Brody, editor of the Print Collectors Newsletter from 1972 - 1996. This poignant 1974 Robert Motherwell lithograph...

One fountain at the mountains II, 2018 Pencil and ink on paper. Unframed His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fai...

Fujiko’s work amalgamates a contrast of the contemporary with traditional scenes, juxtaposing Indian black ink on a variety of warm textured papers, whilst forming a modern emotive f...

Carlos Gamez de Francisco was born in post-revolutionary Cuba in 1987 to a Cuban- Spanish mother and a Cuban-American father. He grew up in Cuba and was educated in an academic style heavily influenced by the Russian Academy. At age five, he determined, with absolute certainty, that he would be an artist. By the time he was 15, Francisco was diligently painting eight hours a day. Today, he often spends 15 hours a day painting and feels "very blessed" to do what he loves. Francisco arrived in the United States at 21 with $650 and knew no English. He spent $600 on art supplies and $50 on a pair of Cortez running shoes...

Colourful, French mixed media abstract, acrylic, newsprint and ink from the 1980s. The canvas is signed and dated bottom right but we have not yet managed to decipher it. A colourful and engaging painting crossing over styles. The colourfield elements are reminiscent of the work of Mark Rothko, three defined bands of colour in orange/pink tones vertically dissecting the painting with one horizontal band across the top, and yet the elongated depiction of the female figures within the bands remind us of Gustav Klimt and his paintings of Adele. The background of the painting has been worked broadly with a palette knife whilst the detail has been added quickly and deftly with ink or finer brushstrokes. With the addition of newsprint (in French) the artist may...

Carlos Gamez de Francisco was born in post-revolutionary Cuba in 1987 to a Cuban- Spanish mother and a Cuban-American father. He grew up in Cuba and was educated in an academic style heavily influenced by the Russian Academy. At age five, he determined, with absolute certainty, that he would be an artist. By the time he was 15, Francisco was diligently painting eight hours a day. Today, he often spends 15 hours a day painting and feels "very blessed" to do what he loves. Francisco arrived in the United States at 21 with $650 and knew no English. He spent $600 on art supplies and $50 on a pair of Cortez running shoes – just like the ones Forrest Gump...

With its extra-large dimension and joyful composition this painting by American artist Martha Holden is a rare piece. It is a contemporary abstract that ...

Carlos Gamez de Francisco was born in post-revolutionary Cuba in 1987 to a Cuban- Spanish mother and a Cuban-American father. He grew up in Cuba and was educated in an academic style heavily influenced by the Russian Academy. At age five, he determined, with absolute certainty, that he would be an artist. By the time he was 15, Francisco was diligently painting eight hours a day. Today, he often spends 15 hours a day painting and feels "very blessed" to do what he loves. Francisco arrived in the United States at 21 with $650 and knew no English. He spent $600 on art supplies and $50 on a pair of Cortez running shoes – just like the ones Forrest Gump...

Influenced by the street art movement of the late 80's, multidisciplinary artist Alon Seifert created is latest body of works. He uses mixed media, collage, stencils and anything he ...

Carlos Gamez de Francisco was born in post-revolutionary Cuba in 1987 to a Cuban- Spanish mother and a Cuban-American father. He grew up in Cuba and was educated in an academic style heavily influenced by the Russian Academy. At age five, he determined, with absolute certainty, that he would be an artist. By the time he was 15, Francisco was diligently painting eight hours a day. Today, he often spends 15 hours a day painting and feels "very blessed" to do what he loves. Francisco arrived in the United States at 21 with $650 and knew no English. He spent $600 on art supplies and $50 on a pair of Cortez running shoes – just like the ones Forrest Gump wore to run across the United States. He committed himself to learning 100 English words every day, studying diligently, working, and painting at night...

In Memory Of What Has Been color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotyp...

Carlos Gamez de Francisco was born in post-revolutionary Cuba in 1987 to a Cuban- Spanish mother and a Cuban-American father. He grew up in Cuba and was educated in an academic style heavily influenced by the Russian Academy. At age five, he determined, with absolute certainty, that he would be an artist. By the time he was 15, Francisco was diligently painting eight hours a day. Today, he often spends 15 hours a day painting and feels "very blessed" to do what he loves. Francisco arrived in the United States at 21 with $650 and knew no English. He spent $600 on art supplies and $50 on a pair of Cortez running shoes – just like the ones Forrest Gump...

"High Expectations III" displays a female figure wearing a purple and pink Victorian style dress. The women’s figure has a bundle of beautiful, vibrant flowers placed on her head. Th...

"Garden I" depicts several colorful moths flying over fine line leaves and grass. As in many of his paintings, Francisco includes several large insects, butterflies specifically, thr...

Carlos Gamez de Francisco was born in post-revolutionary Cuba in 1987 to a Cuban- Spanish mother and a Cuban-American father. He grew up in Cuba and was educated in an academic style heavily influenced by the Russian Academy. At age five, he determined, with absolute certainty, that he would be an artist. By the time he was 15, Francisco was diligently painting eight hours a day. Today, he often spends 15 hours a day painting and feels "very blessed" to do what he loves. Francisco arrived in the United States at 21 with $650 and knew no English. He spent $600 on art supplies and $50 on a pair of Cortez running shoes – just like the ones Forrest Gump...

Carlos Gamez de Francisco was born in post-revolutionary Cuba in 1987 to a Cuban- Spanish mother and a Cuban-American father. He grew up in Cuba and was educated in an academic style heavily influenced by the Russian Academy. At age five, he determined, with absolute certainty, that he would be an artist. By the time he was 15, Francisco was diligently painting eight hours a day. Today, he often spends 15 hours a day painting and feels "very blessed" to do what he loves. Francisco arrived in the United States at 21 with $650 and knew no English. He spent $600 on art supplies and $50 on a pair of Cortez running shoes – just like the ones Forrest Gump...

Genre: Contemporary Subject: Nature Medium: Ink, Sandblasted Glass, Surface: Paper Country: United States Dimensions: 20" x 20" Dimensions w/Frame: 21" x 21" x 2" KEN APTEKAR (b.19...

Michele Zuzalek Large modern expressive abstract painting has ocean colors in seagrass blue, turquoise blue, sand, cream, gray, and white. Titled: Chan...

Abstract with Cats, Original Contemporary Abstract Expressionist Work, 2019 8" x 10" (HxW) Ink and Watercolor on Paper Hand-signed by the artist. An abstract expressionist work fill...

Fresh from Jean Francois's studio in Brussels, this work captures the blossoming scene of the little wild flowers in the field leaving a harmonious feeling of peacefulness. In Europe when people start seeing these little wild flowers means that summer has finally came. This painting will be shipped already stretched and ready for the wall. BIOGRAPHY OF JEAN FRANCOIS DEBONGNIE...

Watercolor and ink on paper of an abstract composition of brown, orange and blue shapes between black parallel lines throughout the the piece by Herbert Bayer (1900-1985). Presented in a custom black frame with all archival materials. Framed dimensions measure 17 ⅞ x 22 ⅝ x 1 inches. Image size is 10 ¼ x 15 ½ inches. Painting is clean and in very good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Herbert Bayer enjoyed a versatile sixty-year career spanning Europe and America that included abstract and surrealist painting, sculpture, environmental art, industrial design, architecture, murals, graphic design, lithography, photography and tapestry. He was one of the few “total artists” of the twentieth century, producing works that “expressed the needs of an industrial age as well as mirroring the advanced tendencies of the avant-garde.” One of four children of a tax revenue officer growing up in a village in the Austrian Salzkammergut Lake region, Bayer developed a love of nature and a life-long attachment to the mountains. A devotee of the Vienna Secession and the Vienna Workshops (Wiener Werkstätte) whose style influenced Bauhaus craftsmen in the 1920s, his dream of studying at the Academy of Art in Vienna was dashed at age seventeen by his father’s premature death. In 1919 Bayer began an apprenticeship with architect and designer, Georg Schmidthamer, where he produced his first typographic works. Later that same year he moved to Darmstadt, Germany, to work at the Mathildenhöhe Artists’ Colony with architect Emanuel Josef Margold of the Viennese School. As his working apprentice, Bayer first learned about the design of packages – something entirely new at the time – as well as the design of interiors and graphics of a decorative expressionist style, all of which later figured in his professional career. While at Darmstadt, he came across Wassily Kandinsky’s book, Concerning the Spiritual in Art, and learned of the new art school, the Weimar Bauhaus, in which he enrolled in 1921. He initially attended Johannes Itten’s preliminary course, followed by Wassily Kandinsky’s workshop on mural painting. Bayer later recalled, “The early years at the Bauhaus in Weimar became the formative experience of my subsequent work.” Following graduation in 1925, he was appointed head of the newly-created workshop for print and advertising at the Dessau Bauhaus that also produced the school’s own print works. During this time he designed the “Universal” typeface emphasizing legibility by removing the ornaments from letterforms (serifs). Three years later he left the Bauhaus to focus more on his own artwork, moving to Berlin where he worked as a graphic designer in advertising and as an artistic director of the Dorland Studio advertising agency. (Forty years later he designed a vast traveling exhibition, catalog and poster -- 50 Jahre Bauhaus -- shown in Germany, South America, Japan, Canada and the United States.) In pre-World War II Berlin he also pursued the design of exhibitions, painting, photography and photomontage, and was art director of Vogue magazine in Paris. On account of his previous association with the Bauhaus, the German Nazis removed his paintings from German museums and included him among the artists in a large exhibition entitled Degenerate Art (Entartete Kunst) that toured German and Austrian museums in 1937. His inclusion in that exhibition and the worsening political conditions in Nazi Germany prompted him to travel to New York that year with Marcel Breuer, meeting with former Bauhaus colleagues, Walter Gropius and László Moholy-Nagy to explore the possibilities of employment after immigration to the United States. In 1938 Bayer permanently relocated to the United States, settling in New York where he had a long and distinguished career in practically every aspect of the graphic arts, working for drug companies, magazines, department stores, and industrial corporations. In 1938 he arranged the exhibition, “Bauhaus 1919-1928” at the Museum of Modern Art, followed later by “Road to Victory” (1942, directed by Edward Steichen), “Airways to Peace” (1943) and “Art in Progress” (1944). Bayer’s designs for “Modern Art in Advertising” (1945), an exhibition of the Container Corporation of America (CAA) at the Art Institute of Chicago, earned him the support and friendship of Walter Paepcke, the corporation’s president and chairman of the board. Paepcke, whose embrace of modern currents and design changed the look of American advertising and industry, hired him to move to Aspen, Colorado, in 1946 as a design consultant transforming the moribund mountain town into a ski resort and a cultural center. Over the next twenty-eight years he became an influential catalyst in the community as a painter, graphic designer, architect and landscape designer, also serving as a design consultant for the Aspen Cultural Center. In the summer of 1949 Bayer promoted through poster design and other design work Paepcke’s Goethe Bicentennial Convocation attended by 2,000 visitors to Aspen and highlighted by the participation of Albert Schweitzer, Arthur Rubenstein, Jose Ortega y Gasset and Thornton Wilder. The celebration, held in a tent designed by Finnish architect Eero Saarinen, led to the establishment that same year of the world-famous Aspen Music Festival and School regarded as one of the top classical music venues in the United States, and the Aspen Institute for Humanistic Studies in (now the Aspen Institute), promoting in Paepcke’s words “the cross fertilization of men’s minds.” In 1946 Bayer completed his first architecture design project in Aspen, the Sundeck Ski Restaurant, at an elevation of 11,300 feet on Ajax Mountain. Three years later he built his first studio on Red Mountain, followed by a home which he sold in 1953 to Robert O. Anderson, founder of the Atlantic Richfield Company who became very active in the Aspen Institute. Bayer later designed Anderson’s terrace home in Aspen (1962) and a private chapel for the Anderson family in Valley Hondo, New Mexico (1963). Transplanting German Bauhaus design to the Colorado Rockies, Bayer created along with associate architect, Fredric Benedict, a series of buildings for the modern Aspen Institute complex: Koch Seminar Building (1952), Aspen Meadows guest chalets and Center Building (both 1954), Health Center and Aspen Meadows Restaurant (Copper Kettle, both 1955). For the grounds of the Aspen Institute in 1955 Bayer executed the Marble Garden and conceived the Grass Mound, the first recorded “earthwork” environment In 1973-74 he completed Anderson Park for the Institute, a continuation of his fascination with environmental earth art. In 1961 he designed the Walter Paepcke Auditorium and Memorial Building, completing three years later his most ambitious and original design project – the Musical Festival Tent for the Music Associates of Aspen. (In 2000 the tent was replaced with a design by Harry Teague.) One of Bayer’s ambitious plans from the 1950s, unrealized due to Paepcke’s death in 1960, was an architectural village on the outskirts of the Aspen Institute, featuring seventeen of the world’s most notable architects – Walter Gropius, Marcel Breuer, I.M. Pei, Minoru Yamasaki, Edward Durrell Stone and Phillip Johnson – who accepted his offer to design and build houses. Concurrent with Bayer’s design and consultant work while based in Aspen for almost thirty years, he continued painting, printmaking, and mural work. Shortly after relocating to Colorado, he further developed his “Mountains and Convolutions” series begun in Vermont in 1944, exploring nature’s fury and repose. Seeing mountains as “simplified forms reduced to sculptural surface in motion,” he executed in 1948 a series of seven two-color lithographs (edition of 90) for the Colorado Springs Fine Arts Center. Colorado’s multi-planal typography similarly inspired Verdure, a large mural commissioned by Walter Gropius for the Harkness Commons Building at Harvard University (1950), and a large exterior sgraffito mural for the Koch Seminar Building at the Aspen Institute (1953). Having exhausted by that time the subject matter of “Mountains and Convulsions,” Bayer returned to geometric abstractions which he pursued over the next three decades. In 1954 he started the “Linear Structure” series containing a richly-colored balance format with bands of sticks of continuously modulated colors. That same year he did a small group of paintings, “Forces of Time,” expressionist abstractions exploring the temporal dimension of nature’s seasonal molting. He also debuted a “Moon and Structure” series in which constructed, architectural form served as the underpinning for the elaboration of color variations and transformations. Geometric abstraction likewise appeared his free-standing metal sculpture, Kaleidoscreen (1957), a large experimental project for ALCOA (Aluminum Corporation of America) installed as an outdoor space divider on the Aspen Meadows in the Aspen Institute complex. Composed of seven prefabricated, multi-colored and textured panels, they could be turned ninety degrees to intersect and form a continuous plane in which the panels recomposed like pieces of a jigsaw puzzle. He similarly used prefabricated elements for Articulated Wall, a very tall free-standing sculpture commissioned for the Olympic Games in Mexico...

Untitled III XII Charcoal, ink and paper collage, 1987 Initialed "R. C." and dated '87 verso in pencil From: Libor II Mono Logo Provenance: Janie C. Lee Master Drawings, New York (partial label) From: Libor II Mono Logo Exhibited: Collages and Drawings by Roberto Caracciolo and Chuck Dugan...

Fresh from Jean Francois's studio in Brussels, this work captures the blossoming scene of the little wild flowers in the field leaving a harmonious feeling of peacefulness. In Europe when people start seeing these little wild flowers means that summer has finally came. This painting will be shipped already stretched and ready for the wall. BIOGRAPHY OF JEAN FRANCOIS DEBONGNIE Jean-Francois Debongnie, born 1968, a native of Brussels, has been resident in Singapore since 1989. Trained as a photographer then a self-taught painter, Jean-Francois favors large canvases on which he explores the themes that inspire him in series such as “Red flowers”, “Summer”, “Dancing in the wind” and “Landscape – China”. In all these series Jean-Francois brings to life flowers – both as iconographic floral signatures which capture the essential qualities of a flower rather than strict botanical representations and as part of a landscape in fields growing wild amidst ripening grain. The use of Chinese ink adds a dramatic fluidity to all his works. At present, Jean Francois works and lives between Belgium and Singapore. Permanent Collections: Sotheby’s Institute of Art – London Westin Stamford Hotel – Singapore Singapore Airlines...

this work is framed, signed and with certificate of authenticity. His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, Lond...

Urban abstract expressionism artist Tommy Lennartsson draws on the visual culture of street and pop art when creating his original vibrant mixed-media artworks. He employs a mix of abstract and figurative elements that give nods to neo-expressionism, faux-naїf, pop, and geometric abstraction schools of art. Lennartsson builds up his canvases with charcoal, acrylic, ink, and spray paint, and occasionally sews and stitches elements together to create striking scenes that ignite the viewer’s imagination. This one-of-a-kind 47-inch high by 58.5-inch wide original artwork is stretched, wired, and ready to hang. The sides of this artwork are painted and it does not require framing. The artist signs it on the back of the painting. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Color interactions and the interplay of light and darkness are important to Lennartsson. By combining materials such as found fabrics Lennartsson creates a patchwork with different elements for his expressionist canvases. The unique and playful compositions range from geometrical forms to figures, objects, and pop culture icons layered over fluid gestural expressions. Because of his intuitive style, no two works are the same, each exploring something fresh and exciting. “When I look at my paintings, I’m taken back to my childhood of endless doodling on my bedroom floor,” the artist describes. His work has been featured in the Spanish arts and culture magazine Lamono and was selected as the cover art for the Spring 2019 issue of New England Review. Lennartsson has exhibited extensively in both group and solo shows worldwide, including in the US, Canada, Europe, Japan, and China. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 “The Comforting Familiar,” Artspace Warehouse, Los Angeles, USA 2021 Freshpaintartfair, Mika Gallery, Tel Aviv, Israel “Outside The Circle”, Artspace Warehouse, Los Angeles, USA 2020 The Lux Gallery, Portimao, Portugal DAM Gallery Miami, Florida, USA 2019 Mika Gallery, Tel Aviv, Israel Bill Lowe Gallery...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Fresh from Jean Francois's studio in Brussels. This painting will be shipped already stretched and ready for the wall. BIOGRAPHY OF JEAN FRANCOIS DEBONGNIE Jean-Francois Debongnie, born 1968, a native of Brussels, has been resident in Singapore since 1989. Trained as a photographer then a self-taught painter, Jean-Francois favors large canvases on which he explores the themes that inspire him in series such as “Red flowers”, “Summer”, “Dancing in the wind” and “Landscape – China”. In all these series Jean-Francois brings to life flowers – both as iconographic floral signatures which capture the essential qualities of a flower rather than strict botanical representations and as part of a landscape in fields growing wild amidst ripening grain. The use of Chinese ink adds a dramatic fluidity to all his works. At present, Jean Francois works and lives between Belgium and Singapore. Permanent Collections: Sotheby’s Institute of Art – London Westin Stamford Hotel – Singapore Singapore Airlines...

Ash Almonte is a contemporary abstract painter, born in Abilene, Texas in 1983. Fast gaining nationwide attention for her unique and fresh style, Ash Almonte uses references to abstr...

This piece titled "PEACE SPACE" is an original artwork by Hyland Mather featuring a papercut slogan over found papers, collage, and screen printing This piece measures 16.5"h x 13"w ...

This piece titled "OUT ON THE RACETRACK" is an original artwork by Hyland Mather featuring a papercut slogan over found papers, collage, and screen printing This piece measures 16.5"...

This piece titled "STAY A LITTLE BIT LONGER" is an original artwork by Hyland Mather featuring a papercut slogan over found papers, collage, and screen printing This piece measures 1...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

El Temor (The Fear) (#1719) 2019 Signed in black ink, l.c. Watercolor, acrylic, and India ink on paper 30 x 22 inches This work is offered by ClampArt in New York City.

The promise of Change, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Image size: 35.03 in. H x 25.59 in. W Unique Unframed ________________...

this work is framed, signed and with certificate of authenticity. His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, Lond...

Physical space, punctuated by interior design and encased by architecture, draws attention to the people and things we surround ourselves with. As living bodies move past each other,...

An extraordinary work from an extraordinary mind expressed through unique imagery, poetry and calligraphy. Simon Lewty (1941-2021) Visions of a non-resident Signed and dated 1988 an...

this work is framed, signed and with certificate of authenticity. His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, Lond...

Paper size is 14 x 10 inches. Letraset, ink and pigment stick on handmade paper. Framed. Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before...

Mark Houghton Zig Zag Paint, Ink, Graphite, Oil on Paper 76.5 x 55.5 cm 30 1/8 x 21 7/8 inches Houghton's practice highlights overlooked aspects of the ...

In TODDLER TANTRUM, Sue Fox tests the meditative limit of her artistic work. Intuitively collaging smaller pieces of bright pinks, purples, and yellows, she expresses the thoroughly ...

this work is framed, signed and with certificate of authenticity. His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, Lond...

Flowers at the mountains II, 2015 (Unframed) His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fair, London, London Art Fair,...